Tales to Astonish #68

Peril from the Long-Dead Past!

Featuring: Giant-Man and Wasp
Release: March 4, 1965
Cover: June 1965
12 cents
Stupefying script by: Stan Lee
Stereophonic art by: Bob Powell
Stultifying inking by: Vince Colletta
Schizophrenic lettering by: S. Rosen
12 pages

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Tales to Astonish #67, Story BTales to AstonishTales to Astonish #68, Story B

Who is Giant-Man’s #1 archnemesis? I had previously suggested it was Egghead, and my friend Dan countered with the Human Top. His original run only featured three repeat super-villains, Porcupine being the other. He fought Egghead 4 times and now Human Top 3 times. But two Human Top stories are 3-parters so Human Top appears in 5 different issues. They’re both strong contenders. Maybe we’ll see which are in more significant stories in the decades to come. So far, neither has been in any story I would call particularly significant. The possible exceptions are issues 57 and 59. 57 is significant for guest-starring Spider-Man and happens to feature Egghead. 59 is significant for guest-starring Hulk and happens to feature Human Top.

Neither is a particularly good villain.

Honestly, I would argue Porcupine is the best of the 3 villains, which is why he will go one to find better nemeses than Giant-Man and Wasp.

The issue opens with Human Top crashing a plane into Giant-Man to knock him unconscious. He’s stumped as to what to do next. Even unconscious, Human Top can’t figure out how to harm a giant.

The last time Human Top had Giant-Man at his mercy, he didn’t want to harm him. He thought locking him in a closet would be enough satisfaction.

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Tales to Astonish #67, Story B

Where Strides the Behemoth

Featuring: Hulk
Release: February 4, 1965
Cover: May 1965
12 cents
Script by Stan Lee, who created [sic] the Hulk!
Art by Steve Ditko, who adopted the Hulk!
Inking by Frankie Ray, who fears the Hulk!
Lettering by Art Simek, who looks like the Hulk!
10 pages

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Hulk remains in the unnamed “iron curtain nation”. We will learn this nation borders Mongolia.

We see an impressive battle with the Soviet military. Hulk’s been fighting the US military since issue 1, but this is the first real all-out battle between Hulk and a bunch of tanks.

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Tales to Astonish #67

The Mystery of the Hidden Man and his Rays of Doom!

Featuring: Giant-Man and Wasp
Release: February 4, 1965
Cover: May 1965
12 cents
Way-out story by: Stan Lee
Ring-a-ding art by: Bob Powell
Singin’ inkin’ by: Chic Stone
Boss balloons by: Artie Simek
12 pages

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We need to recall that everything is happening almost concurrently. The X-Men fight the Stranger and then Juggernaut. The Fantastic Four fight the Frightful Four and get lost at sea. The Avengers fight the Masters of Evil, then disband, then get replaced by the New Avengers. Thor fights Absorbing Man, then faces the Trial of the Gods, then the Destroyer. Hulk faces a series of villains controlled by the Leader.

These all overlap to some extent.

We’ve just caught up on 4 months of Hulk stories in this title. We’d been keeping up with the Giant-Man stories, but skipping the Hulk ones. Now we’re caught up to both. The Huk’s saga is continuing, so we’ll read the next 3 issues together.

That’s commentary on when these Giant-Man/Wasp stories take place. They fit better before Avengers #15 or perhaps in the middle of Avengers #16, before Giant-Man and Wasp announce their retirement (page 6). When the Avengers disbanded, it sure looked like Giant-Man and Wasp wanted a break from superheroing. These next 3 issues we are about to read are published concurrently with Avengers #15-17.

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Tales to Astonish #66, Story B

The Power of Doctor Banner!

Featuring: Hulk
Release: January 5, 1965
Cover: April 1965
12 cents
Power-packed script by: Stan Lee
Hard-hitting art by: Steve Ditko
Two-fisted inking by: Vince Colletta
Silken-soft lettering by: Art Simek
10 pages

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We are almost up to date with our Hulk stories. This is the last issue where we’d read the Giant-Man/Wasp stories in the past.

We just had a discussion about how Colleta’s inking over Kirby.

How do we feel about Colletta over Ditko? The answer is that we dislike all inkers over Ditko. Ditko is best when inking himself. However, the final artwork here looks close enough to Ditko work. Ditko must have done tight pencils. So we don’t hate it. But we don’t prefer it.

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Tales to Astonish #65, Story B

On the Rampage Against the Reds!

Featuring: Hulk
Release: December 3, 1964
Cover: March 1965
12 cents
Written by: Stan Lee (our faithful writer!)
Drawn by: Steve Ditko (our reliable artist!)
Inked by: Dick Ayers (our dependable inker!)
Lettered by: S. Rosen (our other letterer!)
10 pages

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Our saga continues. Stan offers a recap. Hulk and Talbot are on Astra Isle with a new nuclear device of Dr. Banner’s. Hulk is fighting the Leader’s humanoids and a Marine task force is closing in.

We know now that strain triggers the transformation. When Dr. Banner feels strain, he turns into the Hulk. And when the Hulk feels too much strain, he turns back into Dr. Banner.

Now that Roussos has moved on, Ditko will have rotating inkers to finish off his run on the Hulk. Of course, Ditko’s work looks its best when he inks himself.

The cliffhanger of last issue resolves by page 2 as Hulk and the Humanoids fall into the ocean.

This leads to the actual plot of this issue. Banner is rescued by a Soviet sub and taken to an unnamed Soviet country as a prisoner.

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Tales to Astonish #64, Story B

The Horde of Humanoids!

Featuring: Hulk
Release: November 3, 1964
Cover: February 1964
12 cents
Written with the sparkling skill of Stan Lee!
Drawn with the peerless power of Steve Ditko!
Inked with the classic clarity of George Bell!
Lettered with the TV set on by: Artie Simek
10 pages

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Recall we read the Giant-Man/Wasp story in this issue a while back, but we’ve saved the Hulk stories for a big push.

Interesting that Stan refers to this as “the only super-hero soap opera”. I feel like that phrase with epitomize Marvel comics for decades to come.

I think it’s time to bid farewell to George Roussos, one of the most prominent inkers of our early reading, always under the pseudonym George Bell (oft abbreviated to Geo. Bell). We’ve read almost 50 stories with his inks, including Fantastic Four, Sgt. Fury, Iron Man, Thor, Human Torch, Giant-Man/Wasp, and Hulk stories. He’s off to do other work. He’ll return to Marvel in the 1970s and become one of Marvel’s most prominent colorists. He’s also been coloring much of the work we’ve been reading, but I’ve read most of his stories in recolored reprints, so miss out.

We open with Banner in jail, suspected of treason. He is taking tranquilizer pills to keep himself from transforming. Remember, it’s now strain that triggers the transformation.

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Tales to Astonish #63, Story B

A Titan Rides the Train!

Featuring: Hulk
Release: October 1, 1964
Cover: January 1965
12 cents
Only Stan Lee could have written this monumental masterpiece!
Only Steve Ditko could have drawn these powerful panels!
Only Geo. Bell could have inked this sensational saga!
Only S. Rosen would have lettered his name S. Rosen!
10 pages

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We’re nominally on the March books, but we just got up to June with Thor comics and July with X-Men, and now we need to go back to October of 1964 for Hulk stories.

We read the first story of this issue a while back. We’ve been skipping the Hulk stories because they are so intertwined with each other. Hulk is in the middle of a saga that really began in issue 60. We’re going to try to do the whole saga in something like three chunks.

Let’s review the story so far.

Dr. Bruce Banner is a weapons builder on a military base who is frequently absent. General Thunderbolt Ross has little patience for Banner and is uspet his daughter Betty seems so fond of the “weakling”. Of course, Bruce is also the Hulk. He recently decided that strain was the trigger of his uncontrollable changes into a monster with its own personality.

Dr. Banner has built a robotic suit, but a spy has stolen it. Hulk fights the spy in the robot suit. After a couple encounters, the robot is tossed into a bottomless pit.

Major Glen Talbot has been hired as the chief of security, with a particular remit to look into Dr. Banner’s strange behavior and any connection between Banner and the Hulk. He also seems fond of Betty, and the General would much prefer his daughter choose someone like the Major.

Hulk finds himself captured by the military. Rick has been spending time with Captain America and the Avengers, but still feels a debt to the Hulk. He returns to the New Mexico military base and helps Dr. Banner escape the military. This was likely before the Avengers’ battle with Immortus.

We learn the spy was working for someone named the Leader, whose face we do not see. Since the spy failed, the Leader dispatches the Chameleon to investigate what happened. When the Hulk foils Chameleon’s plans, Leader decides to get personally involved. He has just perfected a creation called the Humanoid.

And that’s where we left off.

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Tales to Astonish #66

The Menace of Madam Macabre

Featuring: Giant-Man and Wasp
Release: January 5, 1965
Cover: April 1965
12 cents
Story: Smilin’ Stan Lee
Art: Beamin’ Bobby Powell
Inking: Friendly Frankie Ray
Lettering: Sunny ol’ Sherigail
12 pages

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The Giant-Man tale is hogging most of the cover real estate.

Wasp doesn’t seem to be recognized as a co-lead for the second issue in a row. This is just described as a Giant-Man story. The covers have long since omitted her name.

Yes, we are falling farther and farther behind in our Hulk reading.

As before, it’s not actually a new Giant-Man. He just has a new hat.

Madam Macabre is an evil analogue to Giant-Man, with the power to make things shrink or grow. Not knowing she is evil, Giant-Man considers partnering with her, until he learns she thinks they can rule the world together.

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Tales to Astonish #65

Presenting the New Giant-Man

Featuring: Giant-Man and Wasp
Release: December 10, 1964
Cover: March 1965
12 cents
Writer: Stan Lee
Illustrator: Bob Powell
Inked by: Don Heck
Lettering by: Sherigail
12 pages

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The cover boasts of a new Giant-Man. They just mean a new costume, one which will not prove enduring. The corner box has already been updated with the new look.

We met Bob Powell in Strange Tales #130. He’s taking over two titles this month.

We met Sherigail the letterer once before in issue 55. Various websites, including Marvel’s official site, misattribute the lettering of Sherigail. Nel Yomtov had been kind enough to reach out and let me know that Sherigail is a pseudonym for Morrie Kuramoto.

We’re getting ahead with the Giant-Man/Wasp stories and behind with the Hulk stories in this title. We’ll catch up to the Hulk stories eventually.

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Tales to Astonish #64

When Attuma Strikes!

Featuring: Giant-Man and Wasp
Release: November 3, 1964
Cover: February 1965
12 cents
Edited by smilin’ Stan Lee
Written by laughin’ Leon Lazarus
Pencilled by capricious Carl Burgos
Inked by peerless Paul Reinman
Lettered by sparkling Sam Rosen
12 pages

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Tales to Astonish #63, Story BTales to AstonishTales to Astonish #64, Story B

You’re correct, reader, that we have not finished Tales to Astonish #63 yet. We will get there. Hulk is involved in one big story, while Giant-Man and Wasp have shorter adventures which take place weaved around their Avengers adventures. It’s a tricky thing to negotiate. We’re not going to finish this comic right now either. We’ll come back to the Hulk story another day.

We get something new here. Leon Lazarus is not a name we’ve seen before. It honestly sounds a little made up. An alliterative name like that often turns out to be an alias in these stories. Especially with a biblical last name like Lazarus, a word common in superhero stories to describe effects that raise the dead (e.g. the Lazarus Pit used by Batman’s foe Ra’s Al Ghul).

And Stan Lee claims no writing credit. He’s been the sole credited writer on everything for the last year or so. And even when there were other credited scripters, Stan Lee claimed credit for the “story” or “plot” or such. This is the very first time in any Marvel Age story that Stan did not claim story credit.

Of course, Stan’s name still goes first in the credits, as the editor.

So who is Leon Lazarus? What is his real name? Why did he decide to start writing for Marvel now?

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