Tales of Suspense #63, Story B

The Origin of Captain America!

Featuring: Captain America
Release: December 10, 1964
Cover: March 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Inked by: Frank Ray
Lettered by: Art Simek
10 pages

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Rather than trying to tell a new Captain America story, this comic will retell the origin of Captain America. Subsequent adventures will recap his earliest issues and others will be new stories set in World War II.

I can only guess what’s going on here. One, you can imagine Kirby would like a bit of a break from drawing 5 stories a month, and it may be easier on him to retell old tales. Or, perhaps he is looking back on those tales now that he has grown as an artist and is looking to revisit them and tell them better.

I also suspect that Stan is starting to notice how much his readers care about the intercontinuity of the titles, something he probably doesn’t want to think about at all. Telling Captain America stories set in the past saves him the trouble of worrying that they line up with current Avengers comics.

I tend to find the best thing to do with these retellings is just go in depth and try to spot any differences from previous tellings, particularly the original story in Captain America Comics #1 (1941).

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Tales of Suspense #63

Somewhere Lurks The Phantom!

Featuring: Iron Man
Release: December 10, 1964
Cover: March 1965
12 cents
Have you the nerve to read this great Stan Lee story?
Should we preserve these thrilling Don Heck drawings?
Dare we observe this unique Dick Ayers inking?
Do we deserve the impact of this Sam Rosen lettering?
12 pages

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Introduces a new villain, the Phantom, who is sabotaging Stark’s plant. I thought about naming all the Iron Man villains whose plan has involved attacking or sabotaging Stark’s plant, but it would be easier to name the rest of them.

This resolves the story arc where Tony Stark seemed to be dead. He turns out not to be.

He pretended to be dead because he was trapped in his armor. Yet… trapped in his armor, he could still remove his helmet and gloves, at least. He has always been trapped in the chest plate and just puts clothes over it. So I don’t understand why he couldn’t have just put clothes over the rest of his armor.

Whatever the explanation, he modified a transistor so now only needs the chestplate. Basically, his new invention allowed him to take his pants off.

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Tales of Suspense #62, Story B

Break-Out in Cell Block 10!

Featuring: Captain America
Release: November 10, 1964
Cover: February 1965
12 cents
Pow! script: Stan Lee
Wham! art: Jack Kirby
Zowie! inking: Chic Stone
Ulp! lettering: Art Simek
10 pages

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The title brings to mind the classic 1954 film, Riot in Cell Block 11. Perhaps an intentional homage?

These opening credits left me with some fascinating questions. “Pow! Wham!” is forever associated with the medium of comics and the superhero genre, an association devotees of both often bemoan. People rightfully want to make clear that comics is a broad medium and not just superheroes and silliness. Others want to argue that the superhero genre is not children’s stuff, despite the fact that it evidently is.

I am not certain when this association between these sound effects and comics first took place. I believe the 1966 Batman television series really cemented it in the wider public consciousness. These onomatopoeic effects go back to the earliest days of the medium and we’ve seen plenty of sound effects in our reading. What is interesting here is that they are presented as a gag which presupposes the association of these words and superheroes, as well as the choice of words. “Pow” and “Wham”. These seem the sound effects most associated with superheroes (perhaps along with Biff! and Bam!), though I can’t say we’ve seen them any more than other sound effects in our reading.

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Tales of Suspense #62

The Origin of the Mandarin!

Featuring: Iron Man
Release: November 10, 1964
Cover: February 1965
12 cents
Brashly written by: Stan Lee
Boldly drawn by: Don Heck
Brazenly inked by: Dick Ayers
Bashfully lettered by: S. Rosen
12 pages

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Now that the issue is dual-featured, with each feature of similar importance, they need to think of different ways to highlight two pictures on the cover. We’ve seen the Iron Man picture embedded in the Captain America picture, while consuming a large chunk of the real estate, forming the main art of the Cap picture into an ‘L’. We’ve seen 2 separate pictures placed onto the mat at odd angles like postcards dropped on a canvas. The most conventional format will be a split-screen, either horizontal or vertical. This one is basically a horizontal split, but with a slanted line. It feels like the Iron Man portion wastes the portion of the image where it has the space. The Cap portion has extra space on the left and puts Cap himself there. Iron Man is squeezed into the small space on the left, and the extra space on the right is devoted to landscape.

Apparently Marvel had received more than 500 requests for the origin of the Mandarin.

If you look to the Best we’ve read page, it will become obvious the origin stories tend to be my favorite comics. At present, I see a full quarter of the list are origin stories, including the top 3 entries. Conversely, almost every major origin we’ve read is represented. (Sorry to Ant-Man, Thor, and Watcher.) Therefore I’m excited whenever we get a new origin story… unless it’s Mandarin’s story.

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Tales of Suspense #61, Story B

The Strength of the Sumo!

Featuring: Captain America
Release: October 8, 1964
Cover: January 1965
12 cents
Stan Lee writer par excellence!
Jack Kirby illustrator without peer!
Chic Stone delineator extaordinaire!
Artie Simek letterer– what else?
10 pages

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Captain America goes to Vietnam and fights a sumo wrestler. I usually associate sumo wrestling with Japan, and suspect that Stan and Jack just haven’t thought too hard about the differences between Vietnam and Japan. However, culture does spread in our modern world, and I can’t confirm Vietnam didn’t have any sumo wrestlers in the 1960s, so I’m going to give them a pass.

Captain America is fighting the Commies. This brings to mind his very brief 1954 return as “Captain America… Commie Smasher!” Of course, those stories are hard to reconcile with the modern Marvel Age continuity in which Captain America was frozen in ice from 1945 to 1963. How could he then have been fighting Commies in 1954?

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Tales of Suspense #61

The Death of Tony Stark!

Featuring: Iron Man
Release: October 8, 1964
Cover: January 1965
12 cents
Story by: Stan Lee because we wanted the best!
Art by: Don Heck because we wanted the finest!
Inking by: Dick Ayers because we wanted the tops!
Lettering by: S. Rosen because we wanted to keep him busy!
12 pages

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The cover boasts that Tony Stark will die at the hands of the Mandarin. Covers often exaggerate or outright fabricate such things. This caption is closer to true than usual, though.

We are informed the Mandarin returns by overwhelming popular demand. I was not given a vote. He remains my least favorite Marvel villain.

We meet Inspector Flint, investigating the disappearance of Tony Stark. I spent some mental cycles trying to decide if he was the unnamed inspector we met last issue. He resembles that inspector, and it makes sense he would still be on the case. However, since he introduces himself to Happy and Pepper, that implies they’ve never met. So I assume he is a different inspector.

A journalist overhears Flint talking to Happy and Pepper, so the papers reveal that Iron Man is top suspect in Stark disappearance. Clearly, Iron Man is the only suspect. Either Stark is on vacation like Iron Man claimed, or Iron Man is lying. So if there is a criminal case, Iron Man is at the center of it. Or, Iron Man is telling the truth, and there is no criminal case.

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Tales of Suspense #60, Story B

The Army of Assassins Strikes!

Featuring: Captain America
Release: September 8, 1864
Cover: December 1964
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inked by: Chic Stone
Lettered by: Art Simek
10 pages

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Last issue, Captain America fought a gang of generic villains in purple jumpsuits. This issue, the generic villains are wearing green jumpsuits and work for Zemo. “Army of Assassins” may be their official name, as it’s used repeatedly.

There really won’t be much in the way of a story here, so what value we find will have to be in dramatic expressions and posing, and of course in the high energy action on display. I suspect Kirby will come through.

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Tales of Suspense #60

Suspected of murder!

Featuring: Iron Man
Release: September 8, 1864
Cover: December 1964
12 cents
Written by the king of comi-drama: Stan Lee
Illustrated by the master of panoramic spectacle: Don Heck
Inked by the prince of line design: Dick Ayers
Lettered by the sultan of shaky borders: Sam Rosen
13 pages

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Iron Man is suspected of murdering Anthony Stark! But how can that be when Iron Man and Stark are the same person!

The art team is Heck and Ayers. We recently saw their work on Avengers #9 and will soon see it on Avengers #10. I was not impressed with their Avengers work. They acquit themselves much better here, even when rendering the Avengers. The faces are clear and distinct. The lines are clean.

Here’s where we were. Iron Man’s heart problems have accelerated. He needs the constant flow of power from his suit to his heart. He cannot remove his suit even for a minute, lest he risk his heart giving out. This means he cannot appear as Tony Stark. He made some excuses as Iron Man for Tony’s disappearance, but Pepper and Happy are suspicious.

This story seems to take place pretty soon after the ending of last issue. Pepper and Happy are searching for Mr. Stark. We saw that Avengers #9 explicitly took place in the middle of all this, with Iron Man reflecting on Stark’s disappearance and Pepper and Happy’s suspicions.

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Tales of Suspense #59, Story B

Captain America

Featuring: Captain America
Release: August 11, 1964
Cover: November 1964
12 cents
Author: Stan Lee
Illustrator: Jack Kirby
Inked by: Chic Stone
Lettered by: S. Rosen
10 pages

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Captain America is back with his own series, more or less. He doesn’t get the title of the magazine, but he gets a regular feature. He and Iron Man will be sharing Tales of Suspense. Very few characters get the title of the magazine. Daredevil and Spider-Man are special like that.

Captain America of course debuted in his own self-titled mag, Captain America Comics, way back in 1941. He was one of Marvel’s most popular superheroes for the entire decade. His comic was then retitled into Captain America’s Weird Tales for its final two issues to focus on the burgeoning horror genre. The final issue in 1950 didn’t even feature Captain America.

They tried a revival of the Captain America series in 1954, but it only lasted three issues. Fans were not as interested in seeing Cap smash Commies as they had been seeing him battle the Nazis a decade earlier.

Ten years later, they’re ready to try again. This time, the character will endure. Within 4 years, they’ll change the title of this comic to Captain America and that series will basically continue (with the occasional renumbering) to the present, over 55 years later.

All that said, this series doesn’t quite begin with a bang.

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Tales of Suspense #59

The Black Knight!

Featuring: Iron Man
Release: August 11, 1964
Cover: November 1964
12 cents
Never has a Stan Lee script, or Don Heck artwork been greater!
13 pages

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As the cover indicates, it’s a moment of big change for this title. The science fiction tales are gone, and the horror stories (or tales of suspense) this title was founded on are long gone. But gone now also are the Watcher stories, which blurred the line between the older science fiction tales and our new superhero ones.

Henceforth, this title will contain two stories: an Iron Man adventure and a Captain America adventure.

Captain America’s return has been successful enough to give him his own title, but Marvel is still artificially limited in the number of titles it can publish, and seemingly reluctant to get rid of titles, preferring to repurpose them. Thus Captain America and Iron Man have to share a book. Just as Hulk has to share Tales to Astonish with Giant-Man and Wasp, and as Dr. Strange has been sharing Strange Tales with Human Torch and Thing.

Recall that Professor Nathan Garrett adopted the identity of Black Knight and fought Giant-Man and Wasp. He was not the first Black Knight, but the first of modern times. He genetically engineered a flying horse and built an arsenal of gadgets and weapons, primarily his multifunctional lance.

The fancy credits neglect the contributions of Chic Stone and Art Simek.

Having been defeated, he agreed to join the Masters of Evil to fight Giant-Man and the rest of the Avengers.

Having been defeated by the team of superheroes he attacked, he now wants revenge, and so is planning to attack the Avengers individually. He begins with Iron Man, starting with an attack on Stark’s factory.

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