Amazing Spider-Man #1

Spider-Man
Featuring: Spider-Man
Release: December 10, 1962
Cover: March 1963
12 cents
Script: Stan Lee
Art: Steve Ditko
14 pages

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Tales of Suspense #39, Story CReading orderAmazing Spider-Man #1, Story B
Amazing Spider-ManAmazing Spider-Man #1, Story B

I say that Spider-Man must be outlawed! There is no place for such a dangerous creature in our fair city!

Spider-Man is back! He appeared briefly, set to be a recurring star in Amazing Fantasy, a comic which was cancelled immediately after he appeared. Sometime between making that decision and now, we learn the publisher received lots of letters and postcards, so now Spider-Man gets his own comic. Probably good they brought him back, as he’ll go on to become Marvel’s most enduringly popular character.

We are still on December 10, 1962. A day with four major Marvel superhero milestones. The first was the crossover between the Fantastic Four and the Hulk. The second was the debut of Iron Man. The third of these is Spider-Man getting his own series.

  • Milestone #1 of December 10, 1962:
    Fantastic Four meet the Hulk!
  • Milestone #2:
    Iron Man
  • Miletone #3:
    Amazing Spider-Man #1

The tale begins with a 2-panel recap of his origin from Amazing Fantasy #15. But, strangely, they leave out what most today would consider the most pivotal part, Peter’s culpability in Ben’s murder by letting the burglar run past him. True, it’s only two panels, but they seem to go out of their way to not mention it. He instead uses phrases like, “All because I was too late to save him!” and “…while I was busy showing off…”; so they keep Peter’s feelings of guilt but leave off the reason he feels so guilty. It seems like a rather intentional and conscious decision. But I don’t know why they made it.

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Tales of Suspense #39, Story C

Gundar!
Featuring: Odin
Release: December 10, 1963
Cover: March 1963
12 cents
Script: Stan Lee
Art: Steve Ditko
5 pages

A short story we’ll cover for a couple reasons. One is that it’s the other new comic story in the issue that introduces Iron Man. So noteworthy in and of itself. Another is that it includes Odin. And this is after Odin has become a regular in the Thor stories. That doesn’t mean Stan sees any particular connection between this Odin and the one in the Thor stories. But Odin is here.

A shipwrecked man finds immortal vikings trapped there by a curse. Their captain Gundar had been evil, and they once questioned his orders, so he attacked and ultimately cursed them. Odin apparently took Gundar’s side in the conflict; so he’s not entirely benevolent here. Or perhaps he’s just literal-minded about the laws– the crew had taken up arms against their captain; that he attacked them may be immaterial to the laws Odin enforces.

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Tales of Suspense #27, Story D

His name was… Merlin!
Featuring: Merlin
Release: December 12, 1961
Cover: March 1962
12 cents
Credits: Stan Lee and Steve Ditko
5 pages

This is a late entry. But now that Merlin’s been mentioned as the ancient enemy of Tyrannus, I realize he did have a single earlier appearance in the Marvel Age. Again, these famous mythological figures were common fodder for Marvel’s old weird tales. There’s not necessarily a connection between these isolated stories and the characters who appear in the Marvel superhero stories. But it’s not clear there isn’t. And in hindsight, I wish we had covered this way back in the beginning. It came out the same day as Fantastic Four #3.

This was a pretty standard fantasy tale in one of these anthologies. We’ve seen the exact summary before: a dishonorable man gets what’s coming to him through a mystical twist when he picks the wrong victim to mess with. We’ve seen this in an Odin story and a Medusa story.

Yes, I’m sure your name was the problem…
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Amazing Adult Fantasy #13, Story B

Great Zeus
Release: March 1, 1962
Cover: June 1962
12 cents
Story: Stan Lee
Art: Steve Ditko
5 pages

Zeus decides to head to earth to guide humans away from the path of self-destruction. At first, people think he is a crackpot. But when they see his powers, several agents want to sign him up. He is overwhelmed by the agents and retreats to Mount Olympus

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POSTLUDE: Ultimate Spider-Man #1

Powerless
Release: September 6, 2000
Cover: November 2000
$2.99
Story: Bill Jemas and Brian Michael Bendis
Script: Brian Michael Bendis
Pencils: Mark Bagley
Inks: Art Thibert
48 pages

I want to pause our main reading to jump forward into the future again, to the year 2000 and a new modern take on Spider-Man’s origin called Ultimate Spider-Man. This takes an 11 page story and spreads it over 135 pages and 5 issues. I’d like to look at exactly where that factor of 12 in the page count comes from. And also consider what changes the writers felt they need to make and why they made them. I agree the original story skimped on some details, but 124 pages worth of details?!?

This first issue is 48 pages long and covers the ground of about 3 pages of the original Spider-Man story. Why so much longer?

Part of the answer lies in focus. The original story was Peter Parker’s story and his story alone. Any characters we met, we met in relation to Peter. Peter was in every scene and most panels. Peter’s story never paused to make way for another character’s plot.

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Amazing Fantasy #15

Spider-Man!

Featuring: Spider-Man
Release: June 5, 1962
Cover: August 1962
12 cents
Credits: Stan Lee and Steve Ditko
11 pages

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POSTLUDEUltimate Spider-Man #1
Incredible Hulk #2Reading orderJourney Into Mystery #83

In this world, with great power there must also come– great responsibility!

I’ll just go ahead and let you know up front that I think this is the single best story in the history of comics.

It suffers only from being too often imitated. It has been retold so many times over the years in comic books and other media that many feel they know the story too well before ever picking up this comic. It can lose something in the repetition. But imagine coming to this story fresh, having never heard of Spider-Man, having never heard the phrase, “With great power there must also come– great responsibility!”

The story is this. Peter Parker is a nerd, loved by Aunt and Uncle, but ostracized by his high school classmates. When a bite from a radioactive spider gives him super powers, he tests them by entering a wrestling contest. An agent spots him and helps make him a celebrity. Caught up in his interest in fame and money, the self-absorbed Spider-Man doesn’t try to help a police officer chasing a burglar. In a twist of fate, the burglar he allowed to escape kills his Uncle Ben. He learns a valuable lesson about responsibility.

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Amazing Adult Fantasy #14, Story B

The Man in the Sky!
Release: April 3, 1962
Cover: July 1962
12 cents
Credits: Stan Lee and Steve Ditko
5 pages

I read this story in Amazing Fantasy Omnibus vol. 1.

This is one of my all-time favorite story tropes; has been ever since I read my first X-Men comic 28 years ago. Though my first encounter with it would probably be the film Escape to Witch Mountain I saw as a young child.

The basic idea is that there is a child or children with special abilities, and there is a place where they gather together in secret. Perhaps they have a teacher. Perhaps there are competing teachers, each trying to recruit them. Perhaps they encounter prejudice from people who fear them.

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