stan lee – Page 47 – Coke & Comics

The X-Men #1

X-Men

Featuring: X-Men
Release: July 2, 1963
Cover September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Paul Reinman
23 pages

Paul Reinman is not a name we’ve seen a lot. The internet tells me we’ve seen him ink Kirby once before in our reading, on Incredible Hulk #1, but he was not credited in that issue. That issue relied heavily on the mood created by night and shadow, so it needed a good inker. This issue requires an entirely different feel, but Reinman again delivers.

So, anyways, hey! It’s the X-Men! That’s a good new addition to our growing cast. They were really big when I started reading comics in the early ’90s. And they’ve had a whole bunch of movies now. So this is pretty exciting. We get to see how it all began.

And did you know the X-Men and the Avengers debuted on the very same day? How wild is that? We’ll cover Avengers #1 shortly.

We learn the X-Men are a team of mutants, really the students at a school for mutants, which also acts as a haven. Professor X is the teacher. He trains his students to use their powers to benefit mankind, and to fight evil mutants, like Magneto.

The word “mutant” is important, but pretty new to us. It’s worth reflecting back on Amazing Adult Fantasy #14, where we first encountered the word in our reading. I’m not sure what Marvel comic was the first to ever use the word, but I know who to ask. In that story, Tad Carter is revealed to be a mutant with telepathic and telekinetic powers, because his father had been exposed to radiation before he was conceived. He receives a telepathic summons and goes to join a secret society of self-described mutants with a variety of powers, who wait in hiding until humanity is ready to accept them, when they can usher in a new golden age.

We heard the word again in two other comics published this very day, July 2, 1963. Namor, the offspring of a human and a Sub-Mariner, with powers beyond either race, self-described as a mutant. And Merlin, wizard of King Arthur’s court, explained his seeming wizardry was actually because he was a mutant with powers of telepathy, teleportation, and levitation.

INTERLUDE: Journey Into Mystery #96, Story B

Call her… Medusa!

Featuring: Medusa
Release: July 2, 1963
Cover: September 1963
12 cents
Story plot: Stan Lee
Script + Art: Larry Lieber
Inking: Paul Reinman
5 pages

Wet met Medusa in Tales to Astonish #32. As with all these mythological characters, it is unclear if all the stories that appear are supposed to connect. The CMRO includes many Medusa appearances in its order, including several appearances that predate where we started our reading. I hope to cover USA Comics #6 eventually in a “prelude” post, but after we first meet Captain America in the present stories.

For example, this comic notes Medusa was slain by Perseus, suggesting she is not the same character we met in the modern day. On the other hand, the Perseus story was related by a teacher, who is perhaps just wrong about Medusa’s fate.

Either way, we learn Medusa is a member of an alien race called the Gorgons, who are now ready to invade earth once again.

Journey Into Mystery #96

Defying the Magic of… Merlin the Mad

Featuring: Thor
Release: July 2, 1963
Cover: September 1963
12 cents
Story plot: Stan Lee
Script: R. Berns
Art: Joe Sinnott
13 pages

Merlin, again. Soon, we’ll meet the new Black Knight, and this will lead us to look back on the great Black Knight stories of the 1950s, which prominently feature Merlin. He was a heroic figure in those stories.

Surprised England was so willing to let so important a piece of their history go.

In our Marvel Age reading, we first met Merlin in Tales of Suspense #27, there to give a corrupt magician his just rewards. In Incredible Hulk #5, we learn he had once banished the evil Tyrannus beneath the earth. Then, Strange Tales #108 told a tale of King Arthur’s court, where Merlin clashed with Sir Mogard. It is not clear whether any of these are meant to tie together.

I’ve harped on this a few times now, but a lot of these weaker comics really fail to tie all their threads together, as compared with how Ditko tells the Spider-Man stories, where each story has a singular flow that juggles and intertwines its threads. Here, we get 3 pages of Thor rescuing a bus and it leading to drama with Jane. Then we move on completely to the Merlin story, which has nothing to do with any of that. They only have 13 pages to fill, but still seem to need to pad the story. Thor and Merlin finally meet on page 9.

Sgt. Fury #3

Midnight on Massacre Mountain!

Featuring: Sgt. Fury and his Howling Commandoes
Release: July 2, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

The scans below are taken from a reprint in Special Marvel Edition #5, from 1972.

The goal of this blog is to get at the large meta-story that is the Marvel Universe. What we are mostly reading is a collection of titles that don’t seem to be particularly related except for one piece of glue: the Fantastic Four. At this point, the Fantastic Four have met Spider-Man, Hulk, Namor, and Ant-Man. They have not yet met up with Iron Man or Thor, but we have here a more unlikely connection. The story of how Reed Richards met Sgt. Fury.

Of course, the bonds will be forming even stronger in another comic that premieres this very same day, one which really ties the universe together, just as a rug might do to a room.

Fantastic Four Annual 1, Story B

The Fabulous Fantastic Four Meet Spider-Man!

Featuring: Fantastic Four
Release: July 2, 1963
Cover: 1963
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Steve Ditko
6 pages

This is a very odd story. Something of a remake. It takes pages 2-4 of the second story from Amazing Spider-Man #1 and redraws them, expanding the story to 6 pages. This time, drawn by Kirby and inked by Ditko.

I don’t know why. The opening editor’s note claims it’s because fans demanded it, but Stan Lee always claimed that fans demanded everything. In the original, each member takes one go at Spidey. This time, each gets two.

Sue has a different haircut and each artist renders her invisibility differently. Ditko makes her shape clearer. In contrast, it’s Kirby who more clearly renders Johnny’s outline when he’s aflame.

Rather than offer any commentary of possible general interest to a story we’ve already talked about, I’m going to focus on the academic, and just give a full comparison of the stories. Some dialogue is copied, some slightly changed, some original. Some panels are new, while others closely match original panels. All seem redrawn from scratch.

Fantastic Four Annual 1

Sub-Mariner Versus The Human Race!

Featuring: Fantastic Four
Release: July 2, 1963
Cover: 1963
25 cents <– whoa!
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
37 pages

We just read no less than 5 Sub-Mariner stories from the ’40s and ’50s to have some context for this giant-sized Fantastic Four/Sub-Mariner epic we are about to read. At 37 pages, this is the longest story we have yet read. And at 25 cents, this and the Strange Tales annual are the most expensive comics we’ve come across by a factor of 2.

When Sub-Mariner returned in Fantastic Four #4, he learned that his kingdom had been destroyed and his people were missing. He’s been searching for them ever since. Until now.

Is it the longest ever? Or might Stan be exaggerating?

Quite the opening couple pages. The bold imagination on display is Kirby at his best. But we haven’t seen that much of his true potential yet in these stories. He’s just been getting warmed up.

The Fantastic Four decide to take a vacation along with Alicia. Reed’s suggestion is to take a cruise to where some sea monsters have been sighted.

Strange Tales Annual 2

On the Trail of the Amazing Spider-Man!

Featuring: Human Torch
Release: June 11, 1963
Cover: 1963
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Steve Ditko
18 pages

Jack Kirby drew the cover for Spider-Man’s very first appearance. Besides that, this will be his first chance to draw the web-slinger. Fortunately, Spider-Man’s own Steve Ditko is on hand providing finishes to help keep the character on-model.

Nonetheless, they forgot his chest logo on the cover. I find it very weird to look at. And Kirby keeps drawing Spider-Man with his legs really awkwardly spread.

I think Ditko poses Spidey a little more organically.

This is our first “annual”. Mostly we’re reading monthly or bi-monthly comics. But ongoing series occasionally fit in one special issue per year they call an “annual”. This is Strange Tales annual 2, so it’s obviously not the first, but it’s the first since Strange Tales became a regular superhero feature. The first Fantastic Four annual will also be debuting shortly.

This issue is more than double the usual price at 25 cents, coming in at 72 pages. Normally, an issue of Strange Tales is about 23 story pages, featuring 3 stories, a Human Torch tale and two others. Soon, Dr. Strange will start regularly sharing the book. This annual features a whopping 11 stories. However, all except this Human Torch story are reprints of older stories. The previous annual was entirely reprints.

This is the first full story dedicated to Spider-Man and Human Torch meeting. They’ve met twice before, but only briefly, in Amazing Spider-Man #1 and #3. I’m excited as I consider this one of Marvel’s great superhero friendships.

Strange Tales #112

The Living Bomb!

Featuring: Human Torch
Release: June 11, 1963
Cover: September 1963
12 cents
Story plot: Stan Lee
Script: Joe Carter
Art: Dick Ayers
13 pages

Script is by Joe Carter. Carter… Hmmm… I’ve read a lot of comics, but not sure I know the name. Let’s google. Ah, it’s a pen name. No biggie. So is “Stan Lee”. His real name is apparently Jerry Siegel. Ah, apparently he wrote some comics under his own name. Let’s check his bibliography and see if anything sounds familiar.

Wonder what this Joe Carter guy has worked on before? Probably something super.

This seems to be his first Marvel work, but he’d done some stuff for DC (and probably wants to hide that he’s freelancing for Marvel). Often collaborated with Joe Shuster. He co-created Dr. Occult. That’s cool. Oh, and Slam Bradley. I like Slam. And some new members for the Legion of Superheroes like Bouncing Boy and Matter-Eater Lad. That’s quite the resume for this “Jerry Siegel” fella. Almost seems like slumming to work on a lowly Human Torch story for a creator of Slam Bradley. You’d think he’d be rolling in dough from royalties for all the characters he helped create for DC. He created a bunch more characters too, but I think those are the most notable ones.

Fantastic Four #18

A Skrull Walks Among Us!

Featuring: Fantastic Four
Release: June 11, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
21 pages

It’s perhaps cheating that I’ve seen so many later renderings of Super-Skrull, but hindsight being the new year, that’s not a great image of Super-Skrull on the cover. It suggests only that he has Human Torch powers. No hint that he has the powers of the entire Fantastic Four (well, no visual hint. I guess the text tells you). He should be rocky and flaming and stretching and invisible. My two cents. Though he’s also never rocky in the issue, just strong. But he should be rocky.

At this point, the earth has been invaded by about a dozen alien races this year. All of whom have given up and withdrawn entire fleets at the slightest hint of possible resistance. The Skrulls are the first to return, to try again after their ignoble defeat.

Their plan is to make an agent powerful enough to stop the Fantastic Four, reasoning it was the FF who defeated them before. But the Fantastic Four did not defeat the Skrulls, at least not with their powers. The Skrulls were scared off by pictures of monsters in comic books. So really, they should make an agent powerful enough to fight all the monsters that scared them away.

Amazing Spider-Man #4

Nothing can stop… the Sandman!

Featuring: Spider-Man
Release: June 11, 1963
Cover: September 1963
12 cents
By: Stan Lee and Steve Ditko
21 pages

Previous	#85	Next
Tales of Suspense #45	Reading order	Fantastic Four #18
Amazing Spider-Man #3	Amazing Spider-Man	Amazing Spider-Man #5

You teen-agers are all alike– You think the world owes you a living! Now go out and get me some shots of Spider-Man, and don’t come back till you do!

The covers so far have mostly been single images. Here, the cover is itself a comic. It’s not a common artistic choice, perhaps because it forces the images to be smaller. But it effectively shows off the range of Sandman’s powers.

Lee and Ditko share the credits for this issue with a simple “By”, rather than breaking up who did the story and who did the art.

In 4 issues, this series has introduced:

Chameleon
Vulture
Tinkerer
Dr. Octopus
Sandman

That’s 5 enduring villains, and at least 3 iconic ones.