sam rosen – Page 14 – Coke & Comics

Tales of Suspense #58

In Mortal Combat with Captain America!

Featuring: Iron Man
Release: July 9, 1964
Cover: October 1964
12 cents
Every word you are about to read was written by ol’ faithful Stan Lee, one of the world’s most prolific script writers!
Every drawing you are about to marvel at, was created by Don Heck, one of America’s most promising illustrators!
Every bit of inking you are about to savor was done by Dick Ayers, one of the industry’s most painstaking artists!
Every sentence you are about to scan was hand-printed by Sam Rosen, one of Marvel’s most perspicuous letterers!
18 pages

The story begins with Iron Man battling a shark. That’s cool.

This story will guest star Captain America. Remember in Strange Tales #123 when Thing was a guest star, and then he was sharing title billing by issue 124? Or how Hulk was a guest star in Tales to Astonish #59, and then had his own regular feature in Tales to Astonish #60? I don’t know why I’m bringing those up.

Kraven and Chameleon return to America after their most recent deportations. Iron Man catches Kraven sneaking ashore, but Chameleon gets away.

I really appreciate the battle between Iron Man and Kraven. So often in superhero comics, they exaggerate the threat the villain poses against the hero. This has been a particularly pernicious problem with heroes as powerful as Thor and Iron Man, who tend to outclass their villains. It is thus rather refreshing to see the battle between Iron Man and Kraven resolved within 3 panels, as it should be.

Strange Tales #125

The Sub-Mariner Must Be Stopped!

Featuring: Human Torch and Thing
Release: July 9, 1964
Cover: October 1964
12 cents
Written by: Word-slingin’ Stan Lee
Drawn by: Picture-sketchin’ Dick Ayers
Inked by: Ink-splatterin’ Paul Reinman
Lettered by: Pen-pushin’ S. Rosen
13 pages

Dr. Strange gets a mention, but the cover real estate is again mostly devoted to Human Torch and Thing.

Thing and Human Torch battle Namor at sea, where they really are completely outmatched.

This turns out to be an issue of misunderstandings.

Sgt. Fury #10

On to Okinawa!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 9, 1964
Cover: September 1964
12 cents
Written by: Stan Lee (the ol’ three-striper himself)
Illustrated by: Dick Ayers ( the ol’ high-flyin’ corporal)
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

A feature of this comic has been a desire to send the Howlers to every theater of the war. They are based in England, but have already fought in Germany, Italy, Africa… now they’re off to Japan. Does it make any actual sense that a single squadron would have such geographically disparate missions? I don’t think we’re supposed to worry about it.

Captain Sawyer describes Okinawa as Japanese-occupied. An odd phrasing. Japan had conquered it over 60 years earlier. At some point, it’s just part of Japan. At the time the comic was published, Okinawa was occupied by America, but has since been returned to Japan. It remains part of Japan to this day.

Captain Sawyer and the other characters refer to the Japanese as “Japs”. Today, this is generally recognized as a racial slur that was prevalent among 1940s Americans. Having the characters use such language is likely historically accurate.

Avengers #8

Kang, the Conqueror!

Featuring: Avengers
Release: July 9, 1964
Cover: September 1964
12 cents
Written by: Stan Lee (our answer to Victor Hugo!)
Illustrated by: Jack Kirby (our answer to Rembrandt!)
Inked by: Dick Ayers (our answer to Automation!)
Lettered by: Sam Rosen (our answer to Artie Simek!)
21 pages

This is more like it.

If you look to Amazing Spider-Man, you’ll see that Lee and Ditko introduced 6 super-villains in 7 issues (Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard), and the pace hasn’t slowed down by issue 16. By contrast, over 7 issues Avengers introduced the Space Phantom and Zemo.

So it’s good that we’re getting a new villain at all. More than that, it’s good that this villain is plausibly a threat to the Avengers. That’s what they should be about, after all. Threats so great no single hero can stand against them. It’s also great this is an independent menace. Too much of the series was focused on internal squabbles or villains whose sole goal was to defeat the Avengers.

Kang is actually here to conquer the world. He’s tough enough that it’s going to take a team of superheroes to stop him.

Thank god Rick Jones is there for the Pentagon top priority meeting.

Technically speaking, Kang’s perhaps not a new villain. But close enough. While we’re being technical, Zemo was perhaps introduced in Sgt. Fury.

Of more personal significance, this is the oldest Avengers comic I actually own. I have a complete run of Avengers comics starting with issue 31 and going until I stopped collecting them in 2007. And then I have a handful of older issues, starting with this one.

Tales to Astonish #60, Story B

The Incredible Hulk

Featuring: Hulk
Release: July 2, 1964
Cover: October 1964
12 cents
Written by: Incredible Stan Lee
Illustrated by: Incredible Steve Ditko
Inked by: Incredible Geo. Bell
Lettered by: Inedibile S. Rosen
10 pages

Hulk was the first character to ignomiously get his title cancelled; he’s also the first character to get his own title back.

Well, sort of. Originally, he starred in a series called The Incredible Hulk, dedicated entirely to him. That’s a lot of pages to fill for a character whose creators seemed to have no idea what to do with him.

Now he gets 10 pages in the back of Tales to Astonish, a title he will be sharing with Giant-Man and Wasp, taking the place of Wasp’s solo features.

“Can a man with green skin and a petulant personality find true happiness in today’s status-seeking society?”

See, for as long as we’ve been reading, Marvel has had distribution issues which have artificially limited the number of titles they can produce in a month. They are ready to start featuring more of their characters, but that will require characters to share titles.

Hulk went about 18 months without his own series, but he never really disappeared. He’s been a frequent guest star and antagonist in many a title. He’s remained a fixture of the Marvel Universe, even without his own comic.

Last issue was a feature-length story featuring both Giant-Man and Hulk. That was the subtle lead-in to the new title-sharing status. Soon we’ll see a feature-length Iron Man story which co-stars Captain America. We’ll see where that will lead.

Fantastic Four Annual 2, Story C

The Final Victory of Dr. Doom!

Featuring: Fantastic Four
Release: July 2, 1964
Cover: 1964
25 cents
A Stan Lee story spectacular!
A Jack Kirby illustrative idyll!
A Chic Stone delineation delight!
A Sam Rosen lettering landmark!
25 pages

Previous	#234	Next
Fantastic Four Annual 2	Reading order	Tales to Astonish #60
Fantastic Four Annual 2	Fantastic Four Annual	Fantastic Four Annual 3

Never will this mass of teeming humanity ever forget that Doctor Doom once walked among them!

It’s interesting that this is the final story in this issue. It almost seems backwards. This is the full-length Fantastic Four story. That would usually go up front. The first story was a 12-page story which didn’t feature the Fantastic Four at all. That would usually be the back-up. But the 12 page story was better. So Stan put it first.

It’s still weird to me that this is the final thing in the comic, after the reprint and all the bonus material. This is the cover feature, after all.

How is it that we saw Dr. Doom alive in the previous story when clearly he was floating somewhere in space? Sure enough, a ship randomly rescued him… again. This time, it was Rama-Tut.

The story at least acknowledges that Fantastic Four #23 should have been the last we saw of Dr. Doom. It shows us what happened immediately afterwards. Dr. Doom was trapped in space, running out of oxygen reserves and falling toward Jupiter when his unlikely rescue occurred.

Rama-Tut notes this can’t have happened by chance. I’m inclined to agree.

Fantastic Four Annual 2

The Fantastic Origin of Dr. Doom!

Featuring: Dr. Doom
Release: July 2, 1964
Cover: 1964
25 cents
Earth-shaking script by: Stan Lee
Breath-taking illustration by: Jack Kirby
Epoch-making delineation by: Chic Stone
No-faking lettering by: S. Rosen
12 pages

We get another 25 cent annual for 72 pages. The Amazing Spider-Man Annual we recently covered was a better deal. That was 72 pages of all new material, which is really quite the bargain for 25 cents. This issue reaches the page count by reprinting Fantastic Four #5. Now, if you’d never read the first appearance of Dr. Doom, and were having trouble finding it, that would make this just as good a deal.

The first page

Confusing opening. It seems to show Dr. Doom in a castle. Yet, we saw Dr. Doom get lost in space in Fantastic Four #23. Of course, he also got lost in space in issue 6 only to be miraculously rescued by the Ovoids. But the odds of something like that happening twice are too improbable to consider. After all, space is big. Perhaps this story is meant to be set before Doom fell into outer space. Because I was sure we’d seen the last of him.

This is the best drawing of Dr. Doom we’ve yet seen. At least, that’s my take. I’d like to see if I can break down what’s leading my instincts to that conclusion.

Amazing Spider-Man Annual 1

The Sinister Six!

Featuring: Spider-Man
Release: June 11, 1964
Cover: 1964
25 cents
Written by: Stan Lee
Drawn by: Steve Ditko
Lettered by: S. Rosen
41 pages

It’s 1964. You’re young. You don’t have a lot of money. But you know some math. Most comics cost 12 cents. This one costs 25. You could get two comics for that price! But wait… those two comics between them would only net you 42-46 story pages. This one promises 72 pages! 72 big pages, at that.

Indeed, this first story is 41 pages, enough to give you your money’s worth. But there’re over 30 pages of bonus features as well!

Plus, most of those comics will give you one super-villain, two at most. This cover promises a sinister six villains for your hard-earned quarter.

If you’re not yet sold to drop two bits, the first page should do it. Aunt May and Betty Brant have been captured by the Sinister Six, and Spider-Man has lost his powers! Now that’s a story!

Strange Tales #124, Story B

The Lady from Nowhere!

Featuring: Dr. Strange
Release: June 9, 1964
Cover: September 1964
12 cents
Written inside a haunted house by: Stan Lee
Illustrated inside a gypsy’s tent by: Steve Ditko
Inked inside a hidden cave by: Geo. Bell
Lettered inside… because it was raining outside by: S. Rosen
9 pages

Dr. Strange gets more than his usual amount of cover real estate. Some 15% of the page devoted to his story. Enough to actually depict the story within. The second time that’s happened. Strange’s day will come.

For the second of three issues, we have to put up with George Roussos finishing Ditko’s art. There’s a payoff that makes it all worth it, though. When Ditko resumes the full art duties in two issues, he’ll give us 20 of the best comics ever made.

The first page asks, “Can you guess the identity of the Lady from Nowhere??” This puts me in a bind I’ve been in before. The issue reveals her identity on the final page. I’m not a fan of spoilers and don’t want to spoil things for you. That said, this comic is over 55 years old, so it’s not like you haven’t had ample time to read it.

Even if I don’t spoil the ending in my write-up, I do like to give a listing of all the characters in this issue afterward, which would reveal who the Lady is. Tell you what. I’ll give you some hints and see if you can guess before we reach the character listing below. This is her second Marvel Age appearance, after the Iron Man story in Tales of Suspense #44. (Clicking the link will probably give away the answer.)

We’d actually already met her in one of our PRELUDE posts, when we read Venus #1. It’s not absolutely clear how or if these three versions of the character are related.

Tales of Suspense #57

Hawkeye, the Marksman!

Featuring: Iron Man
Release: June 9, 1964
Cover: September 1964
12 cents
Written by: Smiling Stan Lee
Illustrated by: Sparkling Don Heck
Lettered by: Sterling S. Rosen
18 pages

Interestingly, this is the first Iron Man cover not drawn by Kirby. In fact, it’s the first major cover of the era not drawn or partially drawn by Kirby or Ditko. In general, Ditko has been drawing the covers of his books, and Kirby has been drawing the covers of his own and everybody else’s. For example, Kirby has drawn very few Giant-Man stories, but has drawn every cover. Since covers were often drawn before the issue, Kirby often had a hand in the creation of the new villains, by virtue of being the first to actually draw them. But not Hawkeye. Hawkeye may be the first major character we’ve met not in any way attributable to Kirby or Ditko. He seems to be entirely the creation of Stan Lee and Don Heck.

For example, Kirby is generally not credited as a creator of Black Widow, but he was involved at the beginning, having drawn her first cover appearance. Same story for Daredevil. I see none of his fingerprints on Hawkeye, but may be unaware of some behind-the-scenes work.

When we met Daredevil, I declared our cast of original stars complete. That was an admittedly arbitrary cut-off. I could have waited just a few months and claimed Hawkeye completes the package.

I said what I said because Hawkeye is not of our stars. At least not yet. He is a just a new super-villain, one of many. Like Black Widow. Like Quicksilver and Scarlet Witch…

See the Our Cast So Far page to see how I’m breaking out the characters.