robert rebel ralston – Page 2

Sgt. Fury #11

The Crackdown of Capt. Flint!

Featuring: Sgt. Fury and his Howling Commandoes
Release: August 11, 1964
Cover: October 1964
12 cents
Two-fisted tale by: Ex-Sarge Stan Lee, U.S. Army
Power-packed pencilling by: Ex-Corp. Dick Ayers, U.S. Air Force
Inking by: Geo. Bell
Lettering by: Art Simek
21 pages

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Avengers #9	Reading order	Amazing Spider-Man #17
Sgt. Fury #10	Sgt. Fury	Sgt. Fury #12

This is a familiar story. Captain Sawyer is temporarily replaced by the uptight rules-obsessed Captain Flint.

He does things like insist on uniform regulations that end up giving their position away on a mission that required subterfuge.

By the end of the story, the Howlers have taught him to loosen up a bit. I don’t much care for rule sticklers myself, hate when I have to work with them. My experience is that they don’t come around quite so easily in real life.

Sgt. Fury #10

On to Okinawa!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 9, 1964
Cover: September 1964
12 cents
Written by: Stan Lee (the ol’ three-striper himself)
Illustrated by: Dick Ayers ( the ol’ high-flyin’ corporal)
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

A feature of this comic has been a desire to send the Howlers to every theater of the war. They are based in England, but have already fought in Germany, Italy, Africa… now they’re off to Japan. Does it make any actual sense that a single squadron would have such geographically disparate missions? I don’t think we’re supposed to worry about it.

Captain Sawyer describes Okinawa as Japanese-occupied. An odd phrasing. Japan had conquered it over 60 years earlier. At some point, it’s just part of Japan. At the time the comic was published, Okinawa was occupied by America, but has since been returned to Japan. It remains part of Japan to this day.

Captain Sawyer and the other characters refer to the Japanese as “Japs”. Today, this is generally recognized as a racial slur that was prevalent among 1940s Americans. Having the characters use such language is likely historically accurate.

Sgt. Fury #9

Mission: Capture Adolf Hitler!

Featuring: Sgt. Fury and his Howling Commandos
Release: June 9, 1964
Cover: August 1964
12 cents
Sensational story by: Ex-Sgt. Stan Lee!
Awe-inspiring art by: Ex-Corp. Dick Ayers!
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

Nick Fury is always on his best behavior when on a date with Pam. Unfortunately, their lovely evening is brought to a halt when Fury’s Howlers splash mud on him. He starts to lose his temper, only to be scolded by Pam, who is more impressed by Percy’s gentlemanliness. Fury then gets a scolding from the Captain for the muddy uniform. This remains the funniest title.

The Howlers’ mission is to sneak into Berlin and capture Hitler. Seems easy enough until Fury is recognized by Baron Strucker.

Sgt. Fury #8

The Death Ray of Dr. Zemo!

Featuring: Sgt. Fury and his Howling Commandos
Release: May 5, 1964
Cover: July 1964
12 cents
Not a bad story by: Ex-Sgt. Stan Lee
Passable art by: Ex-Corp. Dick Ayers
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

I know what you’re thinking.
Didn’t we just read Sgt. Fury #7 pretty recently?
Yes.
But isn’t Sgt. Fury bimonthly?
Yes.
Wait. This comic is from May. You were just reading March comics.
Yes.
You haven’t even finished March yet. We haven’t read the March Iron Man story.
True.
I know you’re mostly going in publishing order, but sometimes move things around for story reasons.
I do.
But that doesn’t make any sense here, right? You only move things around when comics tie into each other, and Sgt. Fury is set in WWII. How can it tie in directly with any superhero comics?

Well, there’s the rub. For reasons we’ll go into later, we are reading Avengers #6 two months early. And, as noted on the first page, this issue does tie into Avengers #6! Sort of, at least. They were released the same day and star the same villain, Dr. Zemo.

It makes for a pretty uncommon occurrence in comics, where fans like to track what a character’s first appearance is. Dr. Zemo has two. He was introduced on the same day in two different titles, two stories set twenty years apart. We’ll meet him here in Sgt. Fury, then see what he’s up to twenty years later menacing the Avengers.

It’s a pretty cool and unique quasi-crossover. In service of it, we’re reading Sgt. Fury #8 two months early.

Sgt. Fury #7

The Court-Martial of Sergeant Fury

Featuring: Sgt. Fury and his Howling Commandos
Release: March 3, 1964
Cover: May 1964
12 cents
Powerfully written by: Ex-Sergeant Stan Lee
Brilliantly drawn by: Ex-Infantryman Jack Kirby
Inked by: Geo. Bell
Lettered by: Art Simek
22 pages

We’re losing track of time a little because we’ve already read four comics from March and even one from April, but we are now actually finished with February and officially starting our March reading with this issue. So let’s take a moment to see what else is going on in the comics world in March 1964.

Our reading began in 1961 with Fantastic Four #1. We haven’t been covering every Marvel title; we’ve skipped all the western and humor comics that predate FF#1. We’ve been reading parts of all the horror titles as they have slowly transitioned to being superhero titles. We’ve read every new series Marvel has put out since, all superhero comics except for this title, Sgt. Fury. A new Marvel title premieres this month, the first new title that will be outside our scope: Monsters to Laugh With. It’s a comic I’ve never read and don’t have easy access to. The comic uses actual stills from monster movies and adds humorous word balloons to them, for some definition of “humorous”. Taint the Meat has a good description of the series.

This month also sees a significant comic show up at the Distinguished Competition. Detective Comics #327 debuts the “new look” Batman with the now-famous yellow oval around the logo and a new style of storytelling to go with it. Upping their game a bit, perhaps to compete with Marvel.

But this is also a significant issue in the history of Sgt. Fury. As Jack Kirby bids the series goodbye. Now that he’s the regular artist on Thor, it makes sense that something had to give. But it’s too bad it’s this. I think this series has so far been Lee and Kirby’s best work, and Kirby seemed to have a real passion and enthusiasm for these characters and stories. I am sad to see him go.

Sgt. Fury #6

The Fangs of the Desert Fox!

Featuring: Sgt. Fury and his Howling Commandos
Release: January 3, 1964
Cover: March 1964
12 cents
Written by: Ex-Sergeant Stan Lee, U.S. Army
Illustrated by: Ex-infantryman Jack Kirby, U.S. Army
Inked by: Geo. Bell
Lettering: Art Simek
23 pages

The cover claims this story is based on a little known incident of the North African campaign. There’s a lot going on in this comic, plenty rooted partially in history, so I can’t pinpoint what incident the cover is referring to.

Rommel was a celebrated Nazi general and field marshal of their army in World War II. He did lead Axis forces in the North African campaign. His nickname was “the Desert Fox”. And he was involved in a plot to assassinate Hitler.

Sgt. Fury #5

At the Mercy of Baron Strucker

Featuring: Sgt. Fury and his Howling Commandos
Release: November 5, 1963
Cover: January 1964
12 cents
Written by: Ex-Sgt. Stan Lee, U.S. Army
Illustrated by: Ex-Infantryman Jack Kirby, U.S. Army
Inked by: G. Bell
23 pages

Last issue gave us the death of a Howler. The series hasn’t forgotten that, and the opening of the issue shows Sgt. Fury processing the death of Junior Juniper in his own way.

They also haven’t forgotten about the girl Nick met last issue. We see the Sergeant and Lady Hawley on a date. She encourages more gentlemanly behavior on his part. They seem to be an item.

Sgt. Fury #4

Lord Ha-Ha’s Last Laugh!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 3, 1963
Cover: November 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
22 pages

The cover lets us know that one Commando will fight no more after this mission. Comic covers of the time are full of exaggerated dramatic assertions. This is not one of those.

George Roussos is fast becoming one of the more regular inkers, using the pseudonym George Bell. This is his first time on Sgt. Fury. Dick Ayers handled the inking for the first 3 issues.

The opening page is a good test for me to see if I’ve been paying attention. Last issue offered the name of each character on the opening page. This time the question is whether I can identify each Commando to fill out my character section below. Sgt. Fury and Dum-Dum are distinctive, and I know them well from many later comics. Gabe Jones is clear, the only black man on the team. Fortunately, Dino Manelli is combing his hair; that comb is a signature; recall he’s a famous Hollywood actor. The scraggly guy is Izzy Cohen. That leaves the two blonde guys to not mix up, and I had to peek at the previous issue. I think the green hat is meant to be distinctive for Rebel Ralston, making the other one Junior Juniper. Junior is freckled, but that’s not obvious in this picture.

Sgt. Fury #3

Midnight on Massacre Mountain!

Featuring: Sgt. Fury and his Howling Commandoes
Release: July 2, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

The scans below are taken from a reprint in Special Marvel Edition #5, from 1972.

The goal of this blog is to get at the large meta-story that is the Marvel Universe. What we are mostly reading is a collection of titles that don’t seem to be particularly related except for one piece of glue: the Fantastic Four. At this point, the Fantastic Four have met Spider-Man, Hulk, Namor, and Ant-Man. They have not yet met up with Iron Man or Thor, but we have here a more unlikely connection. The story of how Reed Richards met Sgt. Fury.

Of course, the bonds will be forming even stronger in another comic that premieres this very same day, one which really ties the universe together, just as a rug might do to a room.

Sgt. Fury #2

7 Doomed Men!

Featuring: Sgt. Fury and the Howling Commandoes
Release: May 2, 1963
Cover: July 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this story in Sgt. Fury Epic Collection vol. 1: The Howling Commandoes. Scans are taken from a reprint in Sgt. Fury #95 from 1972.

The story opens at a Nazi u-boat port in occupied France.

The plan is to create a diversion so that Nazis don’t notice a destroyer coming in to destroy the port. I have one concern with the plan. Sgt. Fury notes the destroyer is coming at 1300. The narration tells us it’s currently dark out. The implication is that it’s nighttime, presumably no later than 0400 or so. Are they supposed to create a 9-hour long diversion? Even if it’s just a dark morning, we’re still looking at 0800 at latest, well before it seems an appropriate time to start the diversion.