Featuring: Dr. Strange Release: January 10, 1967 Cover: April 1967 12 cents A mystical Marvel masterwork by: Stan Lee and Marie Severin Lettered by: Artie Simek 10 pages
So long as this bridge endures– this bridge which is not a bridge– and yet, which is more a bridge than any other– Just so long shall hope of escape remain alive within us–
In an opening page clearly meant to evoke Ditko, Dr. Strange hurtles at the speed of thought to outrace the death spell Umar has sent toward Clea.
At last, Dr. Strange has rescued Clea, but it’s a long road to get her to Earth. They encounter many hazards along the way. Perhaps too many for a ten page comic, as each is too easily evaded.
But some of them are cool, like when they get caught in a road of repetition, stuck in a loop.
Featuring: Dr. Strange Release: December 8, 1966 Cover: March 1967 12 cents A mystic Marvel masterwork by: Stan Lee and Marie Severin Lettered by: Sam Rosen 10 pages
I must endure their blows… regardless of the pain… By the Omnipotent Oshtur, I shall not fail… I shall not fall!
After Ditko left, Bill Everett became the regular artist on Dr. Strange for the next half dozen issues. And I was unimpressed. But I do really like Bill Everett. Last post, I rattled off Sub-Mariner, Venus, and Daredevil. All great works by him.
We get a new artist. Marie Severin. We haven’t seen her work yet. We saw her coloring when we read an old tangentially related EC comic. We saw an issue of Nick Fury illustrated by John Severin. Some possible connection, there. Siblings, perhaps.
But she’s actually been with Marvel for the entirety of our reading, just one of those unsung heroes behind the scenes, working on the production of the comics, sometimes as a colorist, perhaps lending a hand to some bits of art here or there.
Featuring: Dr. Strange Release: October 11, 1966 Cover: January 1967 12 cents Truly hath Stan Lee authored yon awesome epic– Verily hath Bill Everett such scenes depicted– And, finally didst Artie Simek the lettering incribe! 10 pages
I’d say this issue picks up where the last issue left off, but nothing happened last issue. Except that Clea was captured by Umar after a recap of the last 40 issues.
Everett’s depiction of Dark Dimension is fine, maybe even good. Maybe I’m just in a bad mood since Ditko left and am being unfair to Everett. I do appreciate Everett for his work on Sub-Mariner, Venus, and Daredevil… just not here.
Featuring: Dr. Strange Release: September 8, 1966 Cover: December 1966 12 cents Script by Stan Lee, defender of the faith! Art by Bill Everett, keeper of the flame! Lettering by Artie Simek, printer of the word! 10 pages
By the Demons of Darkness! By the oath I now speak! Umar commands– reveal what I seek!
At the end of last issue, we briefly met Dormammu’s sister Umar.
Given how weird and cool Dormammu looked, it’s disappointing to see his sister look just like a human woman. You can try to explain it off as these beings having amorphous forms or such. But it mostly seems like a failure of creativity and design.
Featuring: Dr. Strange Release: August 9, 1966 Cover: November 1966 12 cents Gloriously edited by Stan Lee Graniloquently scripted by Roy Thomas Gorgeously drawn by Wild Bill Everett Grudgingly lettered by Artie Simek 10 pages
It is the Sacred Griffin– the beast appointed by the priests of the Babylonian god Marduk to stand eternal vigil over the mystic text! It has ever been written in the Words of Flame that he who defeats the fearsome sentinel… is the destined possessor of the book!
Dr. Strange gets the cover again. Seems like he and Nick Fury will be trading off who gets featured.
We’re skipping the Nick Fury half of this comic to finish off the Kaluu arc.
O’Neill had been the writer for the last few issues, but Thomas fills in for this one. His scripting is described as “graniloquent”. Looks like Stan will return to the title next issue.
As you can see from the list down the page, Thomas is all in on the invocations.
So far, the Kaluu story has been terrible. Will Thomas turn it around?
Four issues into the battle, and Dr. Strange and Kaluu still haven’t met. So if we get that far, it will be a step up.
We’d heard Ancient One whine for several issues now about how powerful Kaluu is. But now Kaluu seems to fear that he will lose if his foes get any time to plan.
“Zowie! He’s the ever-lovin’ gearest! Far as I’m concerned, the mods have had it! That crazy cape really comes on strong!” “Man! Like there’s a boss bunch’a threads! That dad is gotta be what’s happenin’!”
The first issue of Dr. Strange without Steve Ditko. I think the first Spider-Man stories without Steve Ditko actually went pretty well. That John Romita guy is doing all right. But what even is Dr. Strange without Steve Ditko?
Stan Lee never cared about Dr. Strange. He never understood the character. He never understood the character’s appeal. He accepted the character had fans and was fine with that.
You can see this in his treatment of the character. The gap between the early issues, the character rarely being featured on the cover, the story always the back story of each issue, behind Human Torch and then Nick Fury.
He wrote the character for dozens of issues, but almost all the writing really came from Ditko.
On the other hand, Stan Lee loved Spider-Man. And you can tell. There are eternal disagreements over how much of the character and stories come from Lee and how much come from Ditko. But it was a much more collaborative process than Dr. Strange ever was, at least early on. And Stan Lee loved the character of Spider-Man like a son.
So when Ditko left Spider-Man, Lee put everything into making sure the next issue would keep the readership. He found the best artist for the job, told an extraordinarily eventful story, and plainly put his all into assuring readers that Spider-Man would continue to be great after Ditko.
For the first issue of Dr. Strange without Ditko… Lee writes half the script then hands the back pages to his new hire to write, a guy who’s scripted like 5 comics by this point. He just doesn’t care.
This is the second recent comic to refer to Stan Lee as being on vacation. Some reprints of this issue omit that, and change the credits to read “Smilin'” instead of “vacationing'”.
Bill Everett isn’t a bad choice for artist. He created Sub-Mariner and Daredevil. He’s been doing solid work illustrating the Hulk. But Ditko brought something wild and unique to these pages, while Everett is, well, less wild.
Though I’ll give him some credit for this image. He’s certainly taking his best shot at being Ditkoesque.
Featuring: Dr. Strange Release: December 12, 1965 Cover: March 1966 12 cents Extravagantly edited and written by… Stan Lee! Painstakingly plotted and drawn by… Steve Ditko! Lovingly lettered and bordered by… Artie Simek! 10 pages
I was born to battle the forces of evil– and though death be my reward, I would have it no other way!
Ditko’s time on this title draws short, and Lee is starting to hand off more and more of his scripting duties. So this is the final Dr. Strange story to be written by the team of Lee and Ditko. (I use the word “team” a bit loosely, as Ditko is by this point utterly refusing to even speak to Stan Lee.)
Dr. Strange’s adventures had been characterized by stories that fit entirely within 10 pages. Then his first battle with Dormammu lasted twoissues and 20 pages, the size of a normal Spider-Man or Fantastic Four comic.
Then Strange Tales #130 ended with a cliffhanger. Dormammu and Mordo had teamed up; they’d seriously injured the Ancient One, and Dr. Strange was on the run. Without a break, Dr. Strange struggled against this duo of foes for a full 12 issues. Then finally it seemed as though Mordo and Dormammu were defeated, and Dr. Strange could rest.
But not quite! The woman from the Dark Dimension who befriended Strange remains a prisoner. Dormammu was humbled by Strange but remains a threat. And Mordo’s servants remain at large, and in fact have planted a bomb in Dr. Strange’s sanctum, and the last issue ended with the bomb about to go off.
We then paused and checked in with the many other Marvel titles. That was 8 months ago our time. Thank you for your patience in learning what’s up with that bomb. We won’t quite see the resolution of all the threads at present, but at least we’ll resolve this bomb question.
It’s actually a clever resolution. This cleverness is important as sometimes it seems Dr. Strange could maybe magic his way out of anything, so it’s good when we understand how. The villains left an ordinary bomb, because he would have sensed a mystical trap. And they erased traces of their presence, so he would not detect they had been there.
But… he sensed no trace of evil presences! And knew Mordo had been there recently, thus realizing someone had used a spell to eliminate traces of evil presences! See, clever. Anyways, this puts him on guard, and he finds the bomb. It was a close one, though.
And while he evades the bomb, he’s caught in the shockwave and captured by the baddies.
Mordo’s servants don’t know what’s happened in the Dark Dimension. They just know they can’t contact Mordo. They are unaware Dormammu had him banished for being a pathetic loser.
Featuring: Dr. Strange Release: November 11, 1965 Cover: February 1966 12 cents Dialogue and captions: Stan Lee Plot and artwork: Steve Ditko Lettering and more lettering: Artie Simek 10 pages
…I must destroy him! And destroy him I shall!! For I am truly– the Dread Dormammu!!
Chapter 12. Dr. Strange had defeated and humiliated Mordo, so Dormammu challenged Strange directly to a duel of honor for the fate of Earth. They fought using “pincers of power”. Dr. Strange was on the edge of victory when the treacherous Mordo intervened and struck a cowardly blow, leaving Dr. Strange defeated.
And so we continue the Eternity Saga.
Notice the plotting credit for Ditko. He’s plotted every Dr. Strange story.
Generally these stories have really been 9 pages, with the opening splash page serving as a sort of cover for the issue, since the actual issue covers always go to Nick Fury. However, this time Ditko seems to need all 10 pages, so a lot of plot is covered on the opening splash page.
Dormammu banishes Mordo for daring to presume he needed help. That’s the end of that partnership and Mordo’s last bow for this story.
Then Dormammu gallingly still tries to claim his prize despite clearly cheating.
Featuring: Dr. Strange Release: September 9, 1965 Cover: December 1965 12 cents Script by sterling Stan Lee Art by stalwart Steve Ditko Lettering by stoical Artie Simek 10 pages
