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Fantastic Four #34

A House Divided!

Featuring: Fantastic Four
Release: October 8, 1864
Cover: January 1965
12 cents
Rapturously written by: Stan Lee
Deliciously drawn by: Jack Kirby
Impeccably inked by: Chic Stone
Lavishly lettered by: Art Simek
20 pages

Previous	#284	Next
Sgt. Fury #13	Reading order	Strange Tales #128
Fantastic Four #33	Fantastic Four	Fantastic Four #35

We begin with Ben and Johnny fighting as usual.

Then Ben trying on the Beatles wig he received from the Yancy Street Gang.

Mr. Gideon is a ruthless multi-billionaire financial wizard. By his reckoning, he is about 3 years away from buying out his top competitors and gaining financial control of the world. Impatient, he proposes they speed things up with a gamble. They propose the challenge. If he wins, they sell out now; if he loses, he stops trying to conquer the world. The challenge they propose: the defeat of the Fantastic Four.

Fantastic Four #28

We have to fight the X-Men!

Featuring: Fantastic Four
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Stan Lee (The leader!)
Drawn by: Jack Kirby (The king!)
Inked by: Chic Stone (The master!)
Lettered by: Art Simek (The letterer!)
22 pages

Stan’s been doing “clever credits” for a while now, giving all sorts of nicknames to the creators. This one happens to be Kirby’s most famous nickname. He is generally known today as Jack “King” Kirby. This is the first time we’ve seen the “king” nickname in our reading. Can’t confirm whether it’s been used anywhere else before. This project began 20 years into Jack’s rather prolific career.

We turn now to the story, where the Fantastic Four and X-Men meet for the first time. (Well, Human Torch and Iceman had already met…)

We begin with a statue of Thing that has been sculpted by the brilliant Alicia, working by touch alone.

Fantastic Four #21

The Hate-Monger!

Featuring: Fantastic Four
Release: September 10, 1963
Cover: December 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: George Bell
22 pages

The cover tells me not to dare reveal Hate-Monger’s identity. I fear that I am going to have to do just that. Spoilers ahead.

This is George Roussos’ first time on Fantastic Four and the effects are noticeable. He makes less effort than the other inkers to smooth out Kirby, and if anything only emphasizes the sharp angles of the faces, creating a more exaggerated style. The first page is meant to show the FF looking angry and hate-filled, so perhaps is not the ideal introduction to his take on the characters.

The first page lets me know this will be the most unusual, thought-provoking tale I will read this season. Often, Stan uses hyperbole in these opening pages. But I think the ending (yes, the one I plan to spoil; you are warned) more than lives up to Stan’s promises.

Fantastic Four #19

Prisoners of the Pharaoh!

Featuring: Fantastic Four
Release: July 9, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

This bears some resemblance to the Iron Man story where he traveled to Ancient Egypt to battle a time-traveling Pharaoh (Pharoah?). Of course, this is much better.

Mr. Fantastic deduces from some museum hieroglyphs that blindness had once been cured in Ancient Egypt. So the Fantastic Four return to the castle where they first met Dr. Doom, where we find his time machine has just been sitting there this whole time. They use the machine to travel to a time when Egypt was ruled by Rama-Tut, who came from the future. Similar to Zarrko, Rama-Tut has been bored with the peace of his time and craved adventure.

I feel like you should have gone back for this equipment before now…

Attempting to reflect on what future comics will do with this story hurts my brain. There will be contradictions and explanations. Rama-Tut will be connected to several other time-traveling characters. And they’ll further explore this moment in history to learn Apocalypse, Dr. Strange, and the Avengers are lurking around behind the scenes. We’ll spend no more time on such reflections until we need to.

Fantastic Four #18

A Skrull Walks Among Us!

Featuring: Fantastic Four
Release: June 11, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
21 pages

It’s perhaps cheating that I’ve seen so many later renderings of Super-Skrull, but hindsight being the new year, that’s not a great image of Super-Skrull on the cover. It suggests only that he has Human Torch powers. No hint that he has the powers of the entire Fantastic Four (well, no visual hint. I guess the text tells you). He should be rocky and flaming and stretching and invisible. My two cents. Though he’s also never rocky in the issue, just strong. But he should be rocky.

At this point, the earth has been invaded by about a dozen alien races this year. All of whom have given up and withdrawn entire fleets at the slightest hint of possible resistance. The Skrulls are the first to return, to try again after their ignoble defeat.

Their plan is to make an agent powerful enough to stop the Fantastic Four, reasoning it was the FF who defeated them before. But the Fantastic Four did not defeat the Skrulls, at least not with their powers. The Skrulls were scared off by pictures of monsters in comic books. So really, they should make an agent powerful enough to fight all the monsters that scared them away.

Fantastic Four #10

The return of Doctor Doom!/Back from the Dead!/The End of Mr. Fantastic?/No Place to Turn!
Featuring: Fantastic Four
Release: October 9, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Pencilling: Jack Kirby
Inking: Dick Ayers
23 pages

Previous	#33	Next
Tales to Astonish #39	Reading order	Strange Tales #104
Fantastic Four #9	Fantastic Four	Fantastic Four #11

Our fans have grown to expect real exciting super-villains from us! Too bad that Doctor Doom was lost in space! He was possibly the greatest super-villain of all!

I read this comic in Fantastic Four Omnibus vol. 1.

Again, Stan gives relatively full credits, compared to the previous 25 years of comics. He has been inconsistent about crediting the letterer. He is also not careful to distinguish between plot and script, which has led to much confusion over the years. It is known Kirby contributed at least some, likely much, and perhaps all of most of these plots. Yet he is only ever credited for pencils or art. The plotting is just not in the credits here. Stan does credit himself with plots for the Human Torch and Thor stories when he credits his brother Larry with the scripts.

This comic is most famous for introducing the characters of Stan Lee and Jack Kirby. We learn they exist in the Marvel Universe, and they publish Fantastic Four comics, in consultation with the real team. To preserve a bit of mystery, Jack never draws either creator’s face.

Fantastic Four #9

The End of the Fantastic Four!/Sub-Mariner Gives the Orders!/The Fury of Mr. Fantastic/The Flame of Battle/Vengeace is Ours!
Featuring: Fantastic Four
Release: September 4, 1962
Cover: December 1962
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this comic in Fantastic Four Omnibus vol. 1.

As with the Thor story which premiered the same day, this features full credits. In fact, the credits are more complete than the Thor story, as they spotlight the lettering of Artie Simek. The coloring of Stan Goldberg is still omitted, and anyways lost in the reproductions I am looking at.

This is a pretty famous story. For decades to come, when people refer to how Stan Lee changed superheroes, they’ll point to things like Spider-Man being unpopular or the Fantastic Four having money problems. But for 8 issues, the FF seemed pretty wealthy. Here, we learn Reed lost all his money in a stock market crash, and the FF are bankrupt and having to sell everything and disband. They even sell the pogo plane!

Fantastic Four #6

Captives of the Deadly Duo!/When Super-Menaces Unite/When Friends Fall Out!/Trapped!/The End… Or the Beginning?
Release: June 12, 1962
Cover: September 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Dick Ayers
24 pages

I read this in Fantastic Four Omnibus vol. 1. The table of contents credits Dick Ayers as the inker. The original comic just credits Lee and Kirby.

All posts regarding Fantastic Four comics featuring Namor are henceforth dedicated to my mother.

The plot of the story concerns Dr. Doom and Prince Namor the Submariner joining forces. It’s not clear if their duo has a name, and anyway the alliance won’t last long. Dr. Doom refers to them as the Diabolical Duo, which is what the cover calls them. So perhaps that’s official. But the story title calls them the Deadly Duo.

Notably, these are the first recurring nemeses for the FF, uniting the villains of the two previous issues.

Fantastic Four #3

The Menace of the Miracle Man/The Monster Lives!/The Flame that Died!/In the Shadow of defeat!/The Final Challenge!
Featuring: Fantastic Four
Release: December 12, 1961
Cover: March, 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inks: Sol Brodsky (uncredited)
23 pages

I read this comic in Fantastic Four Omnibus vol. 1. The issue has signatures for Stan and Jack. The Table of Contents for the Omnibus credits Sol with inks.

The price of the comic has jumped up from 10 to 12 cents. Not sure we’ll be able to afford to continue this series at this rate.

The Fantastic Four battle Miracle Man, a largely forgotten villain. We see he can: fly; become a giant; change into water, metal, or gas; control elements, storms, thunder, and lightning; slice a tree trunk in half with his finger; withstand the Thing’s strongest blow; etcetera. How can the FF defeat such a villain? Well, there’s a twist I’ll let you read for yourselves.