Thor #131

They Strike from Space!

Featuring: Thor
Release: June 2, 1966
Cover: August 1966
12 cents
Script: Smilin’ Stan Lee
Art: Jolly Jack Kirby
Inks: Vivacious V. Colletta
Lettering: Affable Artie Simek
Celestial guided tours: Honest Irving Forbush
16 pages

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Thor #130, Story BThorThor #131, Story B

Ay! The gladness in his heart doth make mine own regal soul rejoice! Too long hath he been brother to sorrow! Too long hath grim duty o’ershadowed his days! Yet, a feeling of unease lies within my heart! I fear that happiness may still be denied to the so-richly-deserving, most noble Thor!

Thor’s comic has become one ongoing saga to the point where it’s hard to figure out where to cut. We obviously did cut after the last issue, which basically ended the Hercules/Pluto saga. But here we are picking up right where that left off, with Thor and Hercules returning from the Netherworld to Olympus.

We’re just going to plow through the next 6 issues of Thor, getting a bit ahead in time of the rest of the Marvel Universe. There are probably 3 distinct arcs among them, but they all just flow together. Really, the main plot of this issue has been building for a bit now. Jane has had a strange roommate named Tana Nile, who’s up to some stuff. It’s been in the background, but now comes to the foreground. And Jane’s encounter with Tana Nile will be the springboard for the next two arcs.

Of course the other springboard is Thor’s decision to marry Jane, even though a god and a mortal may not marry. Thor is ready to surrender his immortality for this.

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Sgt. Fury #13

Fighting Side-By-Side With… Captain America and Bucky!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 8, 1964
Cover: December 1964
12 cents
Written and drawn by the Titanic Two: Stan Lee and Jack Kirby
Inked by: Dick Ayers
Lettered by: A. Simek
23 pages

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Jack Kirby returns for one final issue of Sgt. Fury, likely motivated by the choice of guest star. Under Kirby, this was one of Marvel’s best titles. It’s perhaps lost a step under Ayers, though remains one of the better series we are reading.

So far, one could almost question why we are reading this World War II series along with all the superhero ones. It is certainly the odd duck in my reading list. We have had two points of crossover so far. The Commandos teamed with a young Mr. Fantastic when he was Major Richards of the OSS, and we saw an older Colonel Fury team up with the Fantastic Four. This is the third point of crossover between Nick Fury and the superhero titles. There will be more.

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Fantastic Four #32

Death of a Hero!

Featuring: Fantastic Four
Release: August 11, 1964
Cover: November 1964
12 cents
Story by: Stan Lee who has never been more dramatic!
Illustrations by: Jack Kirby who has never been more thrilling!
Inking by: Chic Stone who has never been more realistic!
Lettering by: S. Rosen who has never been more than an hour late!
21 pages

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Fantastic Four #31Fantastic FourFantastic Four #33

Kirby continues his experimental depictions of outer space, using a collage of art and photos.

That’s not a great reprint. Let’s see the cleaned-up digital version:

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Fantastic Four #29

It Started on Yancy Street!

Featuring: Fantastic Four
Release: May 12, 1964
Cover: August 1964
12 cents
Written with a dash of greatness by: Stan Lee
Drawn with a hint of glory by: Jack Kirby
Inked with a touch of drama by: Chic Stone
Lettered with a bottle of India ink by: S. Rosen
22 pages

This is pretty easily my favorite cover so far. Years before I’d ever read the issue, I’d been enthralled by the cover. It seems to promise so much potential. What started on Yancy Street? Important enough to attract the attention of the Watcher.

Beyond my fascination with the ominous mood the cover suggests, there really hasn’t been a cover at all like this yet in our reading. First of all, it’s definitely the first Fantastic Four cover without a hint of a villain. The closest other example is Fantastic Four #13, which only shows Red Ghost’s hand. The mood of the characters is entirely different from the norm. Usually they’re mid-battle or primed for battle, with only a couple exceptions, notably FF#13 again. Now, they seem nervous, uncertain, hesitant. Moods that have never made it onto a cover. Reed is holding Sue’s hand. Ben looks uneasy. Johnny is nervously looking around.

Behind them all, the visage of the Watcher lurking ominously with glimpses of the cosmos behind him.

And yet. And yet. While almost everything about the visuals of the cover suggest this serious tone, we must also look to the street sign. Yancy Street. That creates an association which is far from serious. Since we first learned of the Yancy Street Gang back in issue 6, they have been comic relief, existing to knock Thing down a peg, to keep him humble. There is then some irony on the cover. Perhaps the super-serious tone is not meant to be taken quite so seriously.

Will the story live up to the incredible cover? As with most great works of this era, parts of it do and parts of it do not. In particular, the revelation of just what was happening on Yancy Street proves somewhat disappointing.

The first page seems almost a continuation of the cover, the Fantastic Four walking down Yancy Street, uncertain quite what they are looking for. Yet, the ominous tone of the cover is mixed with a certain wackiness as Thing steps in gum and somebody hurls lettuce at Mr. Fantastic. They are indeed on Yancy Street.

The first 5 pages of this comic are a quirky mix of foreboding and humor and relationship drama. The Fantastic Four get attacked by unseen members of the Yancy Street Gang. Reed bewilderingly concludes that a super-villain must be behind the Gang.

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