The Thunder-God and the Thug! Featuring: Thor Release: December 3, 1962 Cover: February 1963 12 cents Plot: Stan Lee Script: L.D. Lieber Art: Jack Kirby Inking: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
Ray Holloway is credited as the letterer. First credit we have seen for him. Art Simek has been doing most of the lettering when it’s been credited.
As with his battle against the Soviets, fighting mobsters is unworthy of Thor’s power. They really don’t stand a chance. The only trick that works is taking a hostage, usually Jane.
The Vengeance of Loki!
Featuring: Thor
Release: November 1, 1962
Cover: January 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages
Loki is Thor’s first repeat villain. Coming up with new villains every month is exhausting, so it’s worth repeating the best ones. Loki was the best one. (His competition is: the Stone Men from Saturn, the Executioner, Zarrko, and some Soviet soldiers.) The Fantastic Four have now fought Doom and Sub-Mariner three times each. Human Torch has faced off twice against the Wizard. Ant-Man hasn’t had a repeat villain yet, but I suspect we’ll see the return of Egghead soon enough. Hulk has a persistent nemesis in Thunderbolt Ross, but otherwise hasn’t encountered any actual villains twice. I think repeating villains is good, unless it’s overdone. It is how you develop good rivalries and get an arch-nemesis. But once Joker appeared in the old Batman comics, he started showing up in every single issue of Batman. It’s a balance of having some variety in the foes while giving a chance for a proper rivalry to develop. So far, these comics are doing well enough on the variety side.
We see Heimdall at his post for the first time, guarding the Bifrost. Loki is forbidden to leave Asgard, so he must somehow sneak past Heimdall. He does so by disguising himself as a snake. I really thought of Heimdall as being better than that.
Prisoner of the Reds! Featuring: Thor Release: October 2, 1962 Cover: December 1962 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inking: Dick Ayers 10 pages
It seems overly sanctimonious to sit here almost 60 years later and dismiss comics like this as propaganda, though it’s evident that’s what it is. Thor, God of Thunder, refers to a Soviet stronghold as a “citadel of evil” and calls upon Odin to smite it. No, it’s a military facility, just like the ones the US has. And the Russian citizens depicted are sympathetic to America and its cause of freedom. That part at least allows it to rise above the propaganda comics of the ’40s, as it demonizes the enemy’s government and military, but not its people.
Why does Thor need Odin’s help to summon a storm?
But really it’s just a story of its time. Stan and Jack are looking for enemies. Twenty years earlier, during the last wave of superhero comics, the Nazis made convenient targets. In 1962, the Soviets seem a natural extension. I think it was a scary time in America, with nuclear war a barely understood but terrifyingly likely reality. Moreover, it’s October of 1962. This comic reached the shelves just 2 weeks before the Cuban Missile Crisis.
On the Trail of the Tomorrow Man! Featuring: Thor Release: September 4, 1962 Cover: November 1962 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inks: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
There’s a pretty significant milestone here. Relatively full credits are given at the bottom of the first page. Many comics we’ve read had no credits at all. Others bore a signature here or there. The Fantastic Four have featured the signatures of Stan and Jack fairly prominently. For the first time, we see explicit credit given to Lieber and Ayers, along with a breakdown of who did what. Online sources were generally clear Lee and been doing the plotting on Thor (though it’s likely Kirby also deserves credit) and leaving the scripting to Lieber. The table of contents of the Marvel Masterworks edition simply refers to Lee and Lieber as writers. Fantastic Four #9 debuts the same day and also features similarly robust credits. We’ll cover that shortly.
Finally some credit to Dick Ayers
I’ve been noting the main credits above–writers and artists–as best I can, drawing from the credits given in the collection I’ve been reading or from online sources. I’m not trying to be a definitive source for credits, so have not been giving full credits myself. I don’t mention above the lettering of Artie Simek or the coloring of Stan Goldberg. I mean no disservice to their talents; it’s just not the focus of this blog. (Notably, I am often looking at these reprint editions, not the originals, and they have often been recolored… so I am anyway in no position to speak intelligently to Goldberg’s coloring).
We just met Odin in Journey Into Mystery #85. That was his Marvel Age introduction. But of course the company had been publishing all sorts of fantasy tales for decades, often drawing from mythology. The CMRO reckons Odin’s introduction into its “expanded order” as Adventures Into Terror #26. I fear I have not read that issue.
I will give us a glimpse of an old Odin story, from 5 years earlier in the same Journey Into Mystery series.
This tale follows a pretty standard format. There is a less-than-reputable lead engaging in immoral activity, and a fantastic twist which serves him justice, often an ironic form of justice.
Trapped by Loki, the God of Mischief!/The Vengeance of Loki!/ Release: August 2, 1962 Cover: October 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1. The credits above come from the collection. I see no credits within the comic itself.
This is a pretty exciting story for me. I like the character of Thor, but what excites me most is the mythological world surrounding him. The first 2 issues told of a man in Thor’s body battling aliens and Commies. Now we finally get to Asgard.
“Beyond our segment of time and space, there exists Asgard, the citadel of the Norse gods, which is connected to earth by a rainbow bridge called the Bifrost!”
