Featuring: Sgt. Fury and his Howling Commandos Release: June 8, 1965 Cover: August 1965 12 cents Story by: Smilin’ Stan Lee Pencilling by: Darlin’ Dick Ayers Inking by: Cheerful Carl Hubbell Lettering by: Adorable Artie Simek 20 pages
Featuring: Sgt. Fury and His Howling Commandos Release: May 11, 1965 Cover: July 1965 12 cents Smashing script: Stan Lee Awesome art: Dick Ayers Inspired inking: Frank Ray Luscious lettering: Artie Simek 20 pages
Mister, when it comes to being tough, us Commandos invented the word!! And we don’t need a ravin’ Fuehrer to remind us how good we are!! All we gotta do is pick up a history book!! Mebbe we don’t push our weight around like you Nazis do! But, mebbe it’s because we know we don’t haveta! We got all the muscle we need– when we need it! And the dictator don’t live who can push us around!! Waddaya think of us “inferior races” now? Answer me, ya creep!! And then answer all the innocent people, all over the world, that ya been tramplin’ on–!!
We just saw an eye-patched Colonel Fury take over the international spy agency, SHIELD in the 1960s. Let’s head back to the 1940s to see the adventures of Sgt. Fury with two good eyes.
The credits on these Sgt. Fury books have usually emphasized the creators’ status as former military. “Ex-Sgt. Stan Lee”, “Ex-Corp. Dick Ayers”, “Ex-Corp. Frank Ray”. In fact, I think they’ve done that in every one of the first 19 issues of this series, but seem to be done with the practice now. I wonder why. They’re not phasing it out; they’ll just never mention the military service of the creators again.
We see the return of Baron Strucker’s Blitzkrieg Squad, introduced in issue 14, the Nazi counterparts to the Howling Commandos.
That truck seems to have a target on it.
Unless somebody has a better explanation, I’m going to suggest the logo is the RAF roundel, simply miscolored here, and not indicative of the Target corporation. The Turkish Air Force roundels look like the Target logo, but no British ones that I can find.
A bit of poking fun at themselves here. Fury’s rival Bull McGiveney claims all Fury knows how to do is rip up shirts.
A torn chest-revealing shirt is basically Fury’s uniform.
Featuring: Nick Fury, Agent of SHIELD Release: May 4, 1965 Cover: August 1965 12 cents Writer: Stan Lee Artist: Jack Kirby Inked by: Dick Ayers Lettered by: Artie Simek 12 pages
It’s 1965. Thunderball will be hitting the cinemas in Decembr, the 4th consecutive year Sean Connery will go into action as 007.
In the second film, From Russia with Love, we were introduced to a global criminal organization that it takes a dedicated government to fight– SPECTRE (Special Executive for Counter-intelligence, Terrorism, Revenge, and Extortion).
The head of SPECTRE wasn’t named and we didn’t see his face, only his kitten. The kitten plainly identifies him as evil.
These movies are popular, and the rest of the entertainment industry is taking notice.
Michael Caine just went into “action” in a more subdued and bureaucratic spy tale as Harry Palmer, definitely not the world’s best spy.
Television will soon be satirizing this secret agent genre with Get Smart, in which Maxwell Smart of CONTROL fights against KAOS, an international organization of evil.
The following year, secret agents on TV will be offered an impossible mission, if they choose to accept it.
Probably most relevantly, the previous year introduced The Man from UNCLE (United Network Command for Law and Enforcement), letting us know that these organizations should have acronyms for names.
(Picture chosen especially for my mother)
In the 1950s, Marvel had dabbled in every genre, including the occasional spy series like Spy Fighters or Kent Blake of the Secret Service.
Now they are bursting at the seams with the expanding superhero genre. They have one current war title, Sgt. Fury, which we’ve been reading with the superhero comics for some reason.
They haven’t abandoned their long successful romance/humor girl genre, and Millie and Patsy each carry two titles still. And three western heroes still carry titles: Two-Gun Kid, Rawhide Kid, and Kid Colt.
They’re ready to ride on the booming spy genre with their own 007 or Man from Uncle. They’ll need a secret spy organization with a cool title that’s really an acronym. And they’ll need an evil organization to pit them against. Preferably headed by a mysterious man with a kitten.
And a star to headline these adventures. New character? Or look to their already expansive cast of characters.
We know from the pages of Fantastic Four that Sgt. Fury of World War II is now Colonel Fury of the CIA. Why invent a new top spy when you already have one?
Where to put them? Make a new title? No, you’re having crazy distribution problems at the moment and are artificially limited in the number of titles you can put out. Why Captain America and Iron Man need to share a book.
I’ve got it! Strange Tales. The Human Torch/Thing stories all sucked, so we cancelled them. Our new spy series can share this former horror title with Dr. Strange. Makes sense to me.
On that note, I then have to recall that we haven’t actually read any Dr. Strange stories since issue 129, 6 issues ago. We read the wonderful Human Torch stories from issues 130-134, but skipped the Dr. Strange stories.
But now that Nick Fury is taking over the first half of the book, I would like to… still not read the Dr. Strange stories. Not just yet. We’ll read this first half of this comic, then return to it later. Even though, with the new Dr. Strange movie out, a Dr. Strange post would be topical.
Featuring: Sgt. Fury and his Howling Commandos Release: December 10, 1964 Cover: February 1965 12 cents Writer: Stan Lee Artist: Dick Ayers Inker: Steve Ditko Letterer: S. Rosen 20 pages
This is pretty exciting. Ditko inking Ayers. Definitely the first time we’ve seen that. And the opposite of the roles I most associate each artist with. It’s mostly not obvious to my untrained eye that Ditko is the inker, but I think I see him shining through on some of the faces, particularly Captain Sawyer and some of the ladies.
George Roussos had been the regular inker up to this point, under the pseudonym George Bell. It looks like last month marked the end of his regular Marvel work for now. He will return in a couple years and eventually become a staff colorist at Marvel.
Roussos has likely been coloring many of the comics we’ve read as well, but I don’t often have colorist credits in front of me, and am anyway often reading these stories in recolored reprints. So I’ve certainly failed to appreciate his coloring contributions.
We’ll see Roussos once more in the near future, because we still haven’t read the Hulk story from last month. And then we’ll see him again, eventually.
The idea of these 15 issues has been to take the Commandos to every theatre of the war– Germany, France, Italy, Belgium, England, Japan, Africa… Holland was due.
Featuring: Sgt. Fury and his Howling Commandos Release: November 10, 1964 Cover: January 1965 12 cents Written with the explosive power of a live grenade by: Ex-Sgt. Stan Lee Drawn with the savage impact of a block-buster by: Ex-Corp. Dick Ayers Inked with the smashing force of a Sherman tank by: Geo. Bell Lettered with a brand new bottle of India ink by: Artie Simek 20 pages
We’ve met Baron Strucker twicebefore. Fury’s only recurring foe at this point. But now he’s got his own team of commandos backing him up, the Blitzkrieg Squad.
The idea of the Blitzkrieg Squad is that each is specifically chosen to be a match for a commando. The brawler matches Dugan; the charmer, Manelli; the musician, Gabe; the mechanic, Izzy; the horseman, Reb; the aristrocrat, Percy.
I was a bit confused by the word “Junker” in the context and had to look it up. It refers to a Prussian noble, not somebody who trades in scraps.
Fighting Side-By-Side With… Captain America and Bucky!
Featuring: Sgt. Fury and his Howling Commandos Release: October 8, 1964 Cover: December 1964 12 cents Written and drawn by the Titanic Two: Stan Lee and Jack Kirby Inked by: Dick Ayers Lettered by: A. Simek 23 pages
Jack Kirby returns for one final issue of Sgt. Fury, likely motivated by the choice of guest star. Under Kirby, this was one of Marvel’s best titles. It’s perhaps lost a step under Ayers, though remains one of the better series we are reading.
So far, one could almost question why we are reading this World War II series along with all the superhero ones. It is certainly the odd duck in my reading list. We have had two points of crossover so far. The Commandos teamed with a young Mr. Fantastic when he was Major Richards of the OSS, and we saw an older Colonel Fury team up with the Fantastic Four. This is the third point of crossover between Nick Fury and the superhero titles. There will be more.
Featuring: Sgt. Fury and his Howling Commandos Release: September 8, 1964 Cover: November 1964 12 cents Possibly the most dramatic battle thriller ever written by: Sgt. Stan Lee Perhaps the finest example yet of the artistic skill of: Cpl. Dick Ayers A new inking triumph by: Geo. Bell Another lettering victory by: S. Rosen 20 pages
The Howlers are in an English pub. Axis Sally is on the radio. She is broadcasting Nazi propaganda from Berlin, calling on all Americans of German or Italian descent to turn against America and side with their own people. Of course, Dino Manelli is the Italian-American member of the Commandos, and has already had to deal with prejudice within the ranks.
Dino reminds us it’s possible to love his heritage and still want to fight against tyranny.
Featuring: Sgt. Fury and his Howling Commandoes Release: August 11, 1964 Cover: October 1964 12 cents Two-fisted tale by: Ex-Sarge Stan Lee, U.S. Army Power-packed pencilling by: Ex-Corp. Dick Ayers, U.S. Air Force Inking by: Geo. Bell Lettering by: Art Simek 21 pages
This is a familiar story. Captain Sawyer is temporarily replaced by the uptight rules-obsessed Captain Flint.
He does things like insist on uniform regulations that end up giving their position away on a mission that required subterfuge.
By the end of the story, the Howlers have taught him to loosen up a bit. I don’t much care for rule sticklers myself, hate when I have to work with them. My experience is that they don’t come around quite so easily in real life.
Featuring: Marvels Release: November 9, 1993 Cover: January 1994 $5.95 Writer: Kurt Busiek Artist: Alex Ross Letters: Starkings w\ John Gauhsell Editor: Marcus McLaurin Assistant editor: Spencer Lamm Editor in Chief: Tom DeFalco Cover design & logo: Joe Kaufman Interior Design: Comicraft 45 pages
When this is over, I’d said. When would that be? It would blow over. The world wouldn’t stay like this. It couldn’t. Could it?
The 4 (or so) issues comprising this series are pretty close to being the best comics I have ever read. They inspire the journey we are taking here, where we read through the entire Marvel Universe starting in 1961, and I want them to frame the journey we are taking.
Through a man named Phil Sheldon, an “ordinary” photojournalist, we see a holistic view of all these many interconnected stories of Marvels, cohesing into a single narrative, leading us to understand that this world is not our own, and helping us imagine what it might be like to live in that world.
The tagline reads: “Experience the Marvel Universe from a whole new perspective– yours.”
We read Marvels #0 pretty early in the project, right after meeting the original Human Torch, who we introduced after meeting the new Human Torch.
Marvels #1 deals with Marvel’s Golden Age, stories from the 1930s and 1940s. We are reading it now in our reading order because we have met enough Golden Age heroes to justify it. Really, it comes down to the big three: Human Torch, Sub-Mariner, and Captain America. But our reading about characters like Angel, Electro and Black Widow will also help us appreciate the details.
And if there’s one word that can describe this comic, it’s “detailed”. Sitting in a hotel room in Dresden with the intent of doing a deep dive into this issue, I have the original comic in my hand, but also the recent annotated edition which can serve as a guide. Plus some Golden Age and other reference material.
With all that in front of me, I would like to look very closely at this comic; consider those details, and try to do so without losing sight of the powerful emotional journey in front of us, one that will seem very familiar in the year 2020.
I think I’ve already gushed at sufficient length over the creators Kurt Busiek and Alex Ross in our recent Astro City discussion, so we’ll jump right into the story.
A Time of Marvels
The bystanders had seen the stories in the paper– seen them, chuckled and dismissed them. But it’s one thing to read about the impossible– and another to look it in the face.
The story opens in 1939 with reporters talking about the tensions in Europe. Phil Sheldon is an ambitious photojournalist looking for an assignment overseas. His fellow reporter–resembling a young J. Jonah Jameson down to a well-placed shadow beneath the nose where Jameson’s mustache will eventually be–muses that one day he will be the one running the Bugle. Phil is off to cover a press conference with a scientist who he expects to be a crackpot, one Phineas T. Horton.
Featuring: Fantastic Four Release: September 10, 1963 Cover: December 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: George Bell 22 pages
The cover tells me not to dare reveal Hate-Monger’s identity. I fear that I am going to have to do just that. Spoilers ahead.
This is George Roussos’ first time on Fantastic Four and the effects are noticeable. He makes less effort than the other inkers to smooth out Kirby, and if anything only emphasizes the sharp angles of the faces, creating a more exaggerated style. The first page is meant to show the FF looking angry and hate-filled, so perhaps is not the ideal introduction to his take on the characters.
The first page lets me know this will be the most unusual, thought-provoking tale I will read this season. Often, Stan uses hyperbole in these opening pages. But I think the ending (yes, the one I plan to spoil; you are warned) more than lives up to Stan’s promises.
