nick fury – Page 5 – Coke ⊕ Comics

Sgt. Fury #20

The Blitz Squad Strikes!

Featuring: Sgt. Fury and His Howling Commandos
Release: May 11, 1965
Cover: July 1965
12 cents
Smashing script: Stan Lee
Awesome art: Dick Ayers
Inspired inking: Frank Ray
Luscious lettering: Artie Simek
20 pages

Previous	#370	Next
Strange Tales #135	Reading order	Avengers #18
Sgt. Fury #19	Sgt. Fury	Sgt. Fury #21

Mister, when it comes to being tough, us Commandos invented the word!! And we don’t need a ravin’ Fuehrer to remind us how good we are!! All we gotta do is pick up a history book!! Mebbe we don’t push our weight around like you Nazis do! But, mebbe it’s because we know we don’t haveta! We got all the muscle we need– when we need it! And the dictator don’t live who can push us around!! Waddaya think of us “inferior races” now? Answer me, ya creep!! And then answer all the innocent people, all over the world, that ya been tramplin’ on–!!

We just saw an eye-patched Colonel Fury take over the international spy agency, SHIELD in the 1960s. Let’s head back to the 1940s to see the adventures of Sgt. Fury with two good eyes.

The credits on these Sgt. Fury books have usually emphasized the creators’ status as former military. “Ex-Sgt. Stan Lee”, “Ex-Corp. Dick Ayers”, “Ex-Corp. Frank Ray”. In fact, I think they’ve done that in every one of the first 19 issues of this series, but seem to be done with the practice now. I wonder why. They’re not phasing it out; they’ll just never mention the military service of the creators again.

We see the return of Baron Strucker’s Blitzkrieg Squad, introduced in issue 14, the Nazi counterparts to the Howling Commandos.

That truck seems to have a target on it.

Unless somebody has a better explanation, I’m going to suggest the logo is the RAF roundel, simply miscolored here, and not indicative of the Target corporation. The Turkish Air Force roundels look like the Target logo, but no British ones that I can find.

A bit of poking fun at themselves here. Fury’s rival Bull McGiveney claims all Fury knows how to do is rip up shirts.

A torn chest-revealing shirt is basically Fury’s uniform.

Strange Tales #135

The Man for the Job!

Featuring: Nick Fury, Agent of SHIELD
Release: May 4, 1965
Cover: August 1965
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inked by: Dick Ayers
Lettered by: Artie Simek
12 pages

Previous	#369	Next
Amazing Spider-Man #27	Reading order	Sgt. Fury #20
Strange Tales #134, Story B	Strange Tales	Strange Tales #135, Story B

Your entire life qualifies you for this job!

It’s 1965. Thunderball will be hitting the cinemas in Decembr, the 4th consecutive year Sean Connery will go into action as 007.

In the second film, From Russia with Love, we were introduced to a global criminal organization that it takes a dedicated government to fight– SPECTRE (Special Executive for Counter-intelligence, Terrorism, Revenge, and Extortion).

The head of SPECTRE wasn’t named and we didn’t see his face, only his kitten. The kitten plainly identifies him as evil.

These movies are popular, and the rest of the entertainment industry is taking notice.

Michael Caine just went into “action” in a more subdued and bureaucratic spy tale as Harry Palmer, definitely not the world’s best spy.

Television will soon be satirizing this secret agent genre with Get Smart, in which Maxwell Smart of CONTROL fights against KAOS, an international organization of evil.

The following year, secret agents on TV will be offered an impossible mission, if they choose to accept it.

Probably most relevantly, the previous year introduced The Man from UNCLE (United Network Command for Law and Enforcement), letting us know that these organizations should have acronyms for names.

(Picture chosen especially for my mother)

In the 1950s, Marvel had dabbled in every genre, including the occasional spy series like Spy Fighters or Kent Blake of the Secret Service.

Now they are bursting at the seams with the expanding superhero genre. They have one current war title, Sgt. Fury, which we’ve been reading with the superhero comics for some reason.

They haven’t abandoned their long successful romance/humor girl genre, and Millie and Patsy each carry two titles still. And three western heroes still carry titles: Two-Gun Kid, Rawhide Kid, and Kid Colt.

They’re ready to ride on the booming spy genre with their own 007 or Man from Uncle. They’ll need a secret spy organization with a cool title that’s really an acronym. And they’ll need an evil organization to pit them against. Preferably headed by a mysterious man with a kitten.

And a star to headline these adventures. New character? Or look to their already expansive cast of characters.

We know from the pages of Fantastic Four that Sgt. Fury of World War II is now Colonel Fury of the CIA. Why invent a new top spy when you already have one?

Where to put them? Make a new title? No, you’re having crazy distribution problems at the moment and are artificially limited in the number of titles you can put out. Why Captain America and Iron Man need to share a book.

I’ve got it! Strange Tales. The Human Torch/Thing stories all sucked, so we cancelled them. Our new spy series can share this former horror title with Dr. Strange. Makes sense to me.

On that note, I then have to recall that we haven’t actually read any Dr. Strange stories since issue 129, 6 issues ago. We read the wonderful Human Torch stories from issues 130-134, but skipped the Dr. Strange stories.

But now that Nick Fury is taking over the first half of the book, I would like to… still not read the Dr. Strange stories. Not just yet. We’ll read this first half of this comic, then return to it later. Even though, with the new Dr. Strange movie out, a Dr. Strange post would be topical.

Sgt. Fury #15

Too Small to Fight, Too Young to Die!

Featuring: Sgt. Fury and his Howling Commandos
Release: December 10, 1964
Cover: February 1965
12 cents
Writer: Stan Lee
Artist: Dick Ayers
Inker: Steve Ditko
Letterer: S. Rosen
20 pages

Previous	#305	Next
Journey Into Mystery #113, Story B	Reading order	Amazing Spider-Man #22
Sgt. Fury #14	Sgt. Fury	Sgt. Fury #16

This is pretty exciting. Ditko inking Ayers. Definitely the first time we’ve seen that. And the opposite of the roles I most associate each artist with. It’s mostly not obvious to my untrained eye that Ditko is the inker, but I think I see him shining through on some of the faces, particularly Captain Sawyer and some of the ladies.

George Roussos had been the regular inker up to this point, under the pseudonym George Bell. It looks like last month marked the end of his regular Marvel work for now. He will return in a couple years and eventually become a staff colorist at Marvel.

Roussos has likely been coloring many of the comics we’ve read as well, but I don’t often have colorist credits in front of me, and am anyway often reading these stories in recolored reprints. So I’ve certainly failed to appreciate his coloring contributions.

We’ll see Roussos once more in the near future, because we still haven’t read the Hulk story from last month. And then we’ll see him again, eventually.

The idea of these 15 issues has been to take the Commandos to every theatre of the war– Germany, France, Italy, Belgium, England, Japan, Africa… Holland was due.

Sgt. Fury #14

The Blitzkrieg Squad of Baron Strucker!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1964
Cover: January 1965
12 cents
Written with the explosive power of a live grenade by: Ex-Sgt. Stan Lee
Drawn with the savage impact of a block-buster by: Ex-Corp. Dick Ayers
Inked with the smashing force of a Sherman tank by: Geo. Bell
Lettered with a brand new bottle of India ink by: Artie Simek
20 pages

Previous	#297	Next
Tales to Astonish #64	Reading order	Amazing Spider-Man #21
Sgt. Fury #13	Sgt. Fury	Sgt. Fury #15

We’ve met Baron Strucker twice before. Fury’s only recurring foe at this point. But now he’s got his own team of commandos backing him up, the Blitzkrieg Squad.

The idea of the Blitzkrieg Squad is that each is specifically chosen to be a match for a commando. The brawler matches Dugan; the charmer, Manelli; the musician, Gabe; the mechanic, Izzy; the horseman, Reb; the aristrocrat, Percy.

I was a bit confused by the word “Junker” in the context and had to look it up. It refers to a Prussian noble, not somebody who trades in scraps.

Sgt. Fury #13

Fighting Side-By-Side With… Captain America and Bucky!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 8, 1964
Cover: December 1964
12 cents
Written and drawn by the Titanic Two: Stan Lee and Jack Kirby
Inked by: Dick Ayers
Lettered by: A. Simek
23 pages

Previous	#283	Next
Amazing Spider-Man #20	Reading order	Fantastic Four #34
Sgt. Fury #12	Sgt. Fury	Sgt. Fury #14

Jack Kirby returns for one final issue of Sgt. Fury, likely motivated by the choice of guest star. Under Kirby, this was one of Marvel’s best titles. It’s perhaps lost a step under Ayers, though remains one of the better series we are reading.

So far, one could almost question why we are reading this World War II series along with all the superhero ones. It is certainly the odd duck in my reading list. We have had two points of crossover so far. The Commandos teamed with a young Mr. Fantastic when he was Major Richards of the OSS, and we saw an older Colonel Fury team up with the Fantastic Four. This is the third point of crossover between Nick Fury and the superhero titles. There will be more.

Sgt. Fury #12

When a Howler Turns Traitor!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 8, 1964
Cover: November 1964
12 cents
Possibly the most dramatic battle thriller ever written by: Sgt. Stan Lee
Perhaps the finest example yet of the artistic skill of: Cpl. Dick Ayers
A new inking triumph by: Geo. Bell
Another lettering victory by: S. Rosen
20 pages

Previous	#271	Next
X-Men #8	Reading order	Fantastic Four #33
Sgt. Fury #11	Sgt. Fury	Sgt. Fury #13

The Howlers are in an English pub. Axis Sally is on the radio. She is broadcasting Nazi propaganda from Berlin, calling on all Americans of German or Italian descent to turn against America and side with their own people. Of course, Dino Manelli is the Italian-American member of the Commandos, and has already had to deal with prejudice within the ranks.

Dino reminds us it’s possible to love his heritage and still want to fight against tyranny.

Sgt. Fury #11

The Crackdown of Capt. Flint!

Featuring: Sgt. Fury and his Howling Commandoes
Release: August 11, 1964
Cover: October 1964
12 cents
Two-fisted tale by: Ex-Sarge Stan Lee, U.S. Army
Power-packed pencilling by: Ex-Corp. Dick Ayers, U.S. Air Force
Inking by: Geo. Bell
Lettering by: Art Simek
21 pages

Previous	#257	Next
Avengers #9	Reading order	Amazing Spider-Man #17
Sgt. Fury #10	Sgt. Fury	Sgt. Fury #12

This is a familiar story. Captain Sawyer is temporarily replaced by the uptight rules-obsessed Captain Flint.

He does things like insist on uniform regulations that end up giving their position away on a mission that required subterfuge.

By the end of the story, the Howlers have taught him to loosen up a bit. I don’t much care for rule sticklers myself, hate when I have to work with them. My experience is that they don’t come around quite so easily in real life.

POSTLUDE: Marvels #1

A Time of Marvels

Featuring: Marvels
Release: November 9, 1993
Cover: January 1994
$5.95
Writer: Kurt Busiek
Artist: Alex Ross
Letters: Starkings w\ John Gauhsell
Editor: Marcus McLaurin
Assistant editor: Spencer Lamm
Editor in Chief: Tom DeFalco
Cover design & logo: Joe Kaufman
Interior Design: Comicraft
45 pages

Previous		Next
Human Torch #5	PRELUDE
Fantastic Four #27	Reading order	Sgt. Fury #8
Marvels #0	Marvels	Marvels #2

When this is over, I’d said. When would that be? It would blow over. The world wouldn’t stay like this. It couldn’t. Could it?

The 4 (or so) issues comprising this series are pretty close to being the best comics I have ever read. They inspire the journey we are taking here, where we read through the entire Marvel Universe starting in 1961, and I want them to frame the journey we are taking.

Through a man named Phil Sheldon, an “ordinary” photojournalist, we see a holistic view of all these many interconnected stories of Marvels, cohesing into a single narrative, leading us to understand that this world is not our own, and helping us imagine what it might be like to live in that world.

The tagline reads: “Experience the Marvel Universe from a whole new perspective– yours.”

We read Marvels #0 pretty early in the project, right after meeting the original Human Torch, who we introduced after meeting the new Human Torch.

Marvels #1 deals with Marvel’s Golden Age, stories from the 1930s and 1940s. We are reading it now in our reading order because we have met enough Golden Age heroes to justify it. Really, it comes down to the big three: Human Torch, Sub-Mariner, and Captain America. But our reading about characters like Angel, Electro and Black Widow will also help us appreciate the details.

And if there’s one word that can describe this comic, it’s “detailed”. Sitting in a hotel room in Dresden with the intent of doing a deep dive into this issue, I have the original comic in my hand, but also the recent annotated edition which can serve as a guide. Plus some Golden Age and other reference material.

With all that in front of me, I would like to look very closely at this comic; consider those details, and try to do so without losing sight of the powerful emotional journey in front of us, one that will seem very familiar in the year 2020.

I think I’ve already gushed at sufficient length over the creators Kurt Busiek and Alex Ross in our recent Astro City discussion, so we’ll jump right into the story.

A Time of Marvels

The bystanders had seen the stories in the paper– seen them, chuckled and dismissed them. But it’s one thing to read about the impossible– and another to look it in the face.

The story opens in 1939 with reporters talking about the tensions in Europe. Phil Sheldon is an ambitious photojournalist looking for an assignment overseas. His fellow reporter–resembling a young J. Jonah Jameson down to a well-placed shadow beneath the nose where Jameson’s mustache will eventually be–muses that one day he will be the one running the Bugle. Phil is off to cover a press conference with a scientist who he expects to be a crackpot, one Phineas T. Horton.

Fantastic Four #21

The Hate-Monger!

Featuring: Fantastic Four
Release: September 10, 1963
Cover: December 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: George Bell
22 pages

The cover tells me not to dare reveal Hate-Monger’s identity. I fear that I am going to have to do just that. Spoilers ahead.

This is George Roussos’ first time on Fantastic Four and the effects are noticeable. He makes less effort than the other inkers to smooth out Kirby, and if anything only emphasizes the sharp angles of the faces, creating a more exaggerated style. The first page is meant to show the FF looking angry and hate-filled, so perhaps is not the ideal introduction to his take on the characters.

The first page lets me know this will be the most unusual, thought-provoking tale I will read this season. Often, Stan uses hyperbole in these opening pages. But I think the ending (yes, the one I plan to spoil; you are warned) more than lives up to Stan’s promises.

Sgt. Fury #3

Midnight on Massacre Mountain!

Featuring: Sgt. Fury and his Howling Commandoes
Release: July 2, 1963
Cover: September 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
22 pages

The scans below are taken from a reprint in Special Marvel Edition #5, from 1972.

The goal of this blog is to get at the large meta-story that is the Marvel Universe. What we are mostly reading is a collection of titles that don’t seem to be particularly related except for one piece of glue: the Fantastic Four. At this point, the Fantastic Four have met Spider-Man, Hulk, Namor, and Ant-Man. They have not yet met up with Iron Man or Thor, but we have here a more unlikely connection. The story of how Reed Richards met Sgt. Fury.

Of course, the bonds will be forming even stronger in another comic that premieres this very same day, one which really ties the universe together, just as a rug might do to a room.