namor – Page 5 – Coke ⊕ Comics

Strange Tales #107

Human Torch battles Sub-Mariner for no particular reason!

Face-to-Face with Prince Namor, the Mighty Sub-Mariner
Featuring: Human Torch
Release: January 10, 1963
Cover: April 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1.

Dick Ayers is again the main artist. Kirby will be back next issue, but they will trade art duties for the remainder of the series. This is the pattern we have been seeing. Kirby is still around and will sometimes provide the art for the series he pioneered, but will be rotating with other artists. Heck has Ant-Man and Ayers has Human Torch.

This fairly useless series continues. The Fantastic Four series hasn’t once yet acknowledged anything about this series’ existence, including Sue and Johnny’s home in Glenville. In contrast, this series references lots of things about the Fantastic Four. The whole team has a cameo in this issue and there are references to the FF battles against Namor. You can tell which series is the ugly stepchild.

As the story–such as it is–begins, we find the three adult FF members had a meeting while Johnny was in school. They were taking notes on next month’s adventure, while Sue typed them up. It’s a bit odd, as most FF adventures are their responses to crises. It’s not clear what they’d be planning a month in advance.

Nice to see that even Sue had a role in the meeting…

The current issue of Fantastic Four came out a week earlier. We haven’t read it yet, because issue 14 picks up where it leaves off, so I’m reading it last this month. That adventure is a trip to the moon. Which does take some planning; however, in the issue itself, the trip is a surprise to the rest of the team. Only Reed had been planning it and had been planning not to take the others. So they must be referring to something else.

Fantastic Four #9

The End of the Fantastic Four!/Sub-Mariner Gives the Orders!/The Fury of Mr. Fantastic/The Flame of Battle/Vengeace is Ours!
Featuring: Fantastic Four
Release: September 4, 1962
Cover: December 1962
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this comic in Fantastic Four Omnibus vol. 1.

As with the Thor story which premiered the same day, this features full credits. In fact, the credits are more complete than the Thor story, as they spotlight the lettering of Artie Simek. The coloring of Stan Goldberg is still omitted, and anyways lost in the reproductions I am looking at.

This is a pretty famous story. For decades to come, when people refer to how Stan Lee changed superheroes, they’ll point to things like Spider-Man being unpopular or the Fantastic Four having money problems. But for 8 issues, the FF seemed pretty wealthy. Here, we learn Reed lost all his money in a stock market crash, and the FF are bankrupt and having to sell everything and disband. They even sell the pogo plane!

Fantastic Four #6

Captives of the Deadly Duo!/When Super-Menaces Unite/When Friends Fall Out!/Trapped!/The End… Or the Beginning?
Release: June 12, 1962
Cover: September 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Dick Ayers
24 pages

I read this in Fantastic Four Omnibus vol. 1. The table of contents credits Dick Ayers as the inker. The original comic just credits Lee and Kirby.

All posts regarding Fantastic Four comics featuring Namor are henceforth dedicated to my mother.

The plot of the story concerns Dr. Doom and Prince Namor the Submariner joining forces. It’s not clear if their duo has a name, and anyway the alliance won’t last long. Dr. Doom refers to them as the Diabolical Duo, which is what the cover calls them. So perhaps that’s official. But the story title calls them the Deadly Duo.

Notably, these are the first recurring nemeses for the FF, uniting the villains of the two previous issues.

Fantastic Four #4

The Coming of… Sub-Mariner
On the Trail of the Torch/Enter the Sub-Mariner/Let the World Beware!/Sub-Mariner’s Revenge!
Release: February 8, 1962
Cover: May 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inks: Sol Brodsky (uncredited)
23 pages

Famously, Human Torch meets a random amnesiac hobo and decides without permission to burn the hobo’s beard off his face. The hobo looks like a character Torch read about in a comic, which convinces him to toss the hobo into the ocean. I would argue this behavior on the part of the Torch is inappropriate. But nobody on the team is setting a better example.

PRELUDE: Marvel Comics #1, Story C

The Sub-Mariner
Credits: Bill Everett
12 pages

I read this comic in Marvel Masterpieces Golden Age Marvel Comics vol. 1. My copy of the book is filled with printing errors: pages missing or repeated; and, the copy seems off. The colors and inks seem pretty blurred, compared to scans I’m finding online. The coloring wasn’t great in those days to begin with, so it’s hard to tell without seeing the comic what it actually looks like, as reproductions vary widely. It’s particularly tricky as Everett wanted to make the undersea scenes murky.

This story is the beginning of a serial and doesn’t reach a satisfying conclusion in and of itself. It concerns Namor of the race of Sub-Mariners, recently come of age. He learns from his mother Fen of the ravages done to their people by the experiments of the surface dwellers, (who the comic refers to as the “white men”) and leads a crusade against the surface. His first step is to destroy a lighthouse. We’ll have to tune in next issue to see more.

The surface world will never recover from the destruction of the lighthouse; they may as well surrender now.

It begins in a familiar fashion, from the viewpoints of ordinary sailors, leaving the Sub-Mariner as a mystery in the background. Namor will become the point-of-view character soon, but first we learn who he is in snatches, as the humans do. An undersea diver notices oddities, like evidence that somebody had recently been there, even though they are the only ship in the area. It’s a mystery to investigate, a deadly one as it will turn out. It’s a technique we’ve seen frequently in superhero films (plus many a movie before them). Famously, when Batman first dons the suit in Batman Begins, the movie shifts its point-of-view to that of criminals. They only know something strange is happening, that they see out of the corner of their eye and hear above them– and that their numbers are thinning. This comic gives us a similar scene with divers.