Featuring: Spider-Man Release: November 10, 1966 Cover: February 1967 12 cents A Stan (The Man) Lee — John (Ring-a-ding) Romita adventure in agonizing action Lettering – Sam Rosen Web-untangling – Irv Forbush 20 pages
When your two arms were helpless against me before, what did you expect to accomplish now?
In this story, Spider-Man fights the Lizard again. With one arm tied in front of his back.
Romita gets the same credit Stan had been giving Ditko and Kirby. Rather then merely crediting him with illustration, Lee gives them each co-credit for creating the entire story, acknowledging that Romita is doing much of the writing.
Featuring: Spider-Man Release: October 11, 1966 Cover: January 1967 12 cents Story: Smilin’ Stan Lee Illustration: Jazzy John Romita Lettering: Swingin’ Sam Rosen Luggage: Honest Irving Forbush 20 pages
Ditko and Lee created a number of great villains for Spider-Man: Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard, Living Brain, Electro, Big Man and the Enforcers, Mysterio, Green Goblin, Kraven the Hunter, Scorpion, the Spider Slayer, Molten Man, the Cat, Looter, Robot Master, a Guy Named Joe…
A temptation when writing a Spider-Man story is to have the premise: “Spider-Man fights _ again.”
Which is the worst idea for a Spider-Man story. In fact, two of Ditko’s weakest issues, written after he had basically given up on the series, involve Spider-Man fighting Kraven or Molten Man again.
That’s not to say these villains shouldn’t return. They should. But their return needs to tell a different story with them or move their own story forward.
That’s the big question. Is this story advancing the saga of this villain or bringing it in circles?
Dr. Octopus fought Spider-Man. When they fought again, it led to the death of Betty Brant’s brother and Spider-Man being unmasked. The villain returned but it was a new story. When they fought again, Dr. Octopus assembled six of Spider-Man’s most sinister foes to battle him. Again, a different story. Finally, they had their greatest battle with Dr. Octopus in the guise of the Master Planner. I heaped plenty of praise on that saga at the time. But suffice it to say, I think there was more of a premise to that story than “Spider-Man fights Dr. Octopus again.”
Spider-Man fought the Lizard, but then learned he was a good man Dr. Connors transformed by his own science experiments.
We saw that man again, cured of his Lizard ways, now acting as a scientific advisor to Spider-Man. We saw him again last issue in a similar capacity, advising against the Rhino. That time he idly wondered if the powers of the Lizard could be used against the Rhino. Spider-Man convinced him that thinking is dangerous.
So as we read stories where Spider-Man fights a classic villain again, I have a couple thought questions. Is the story moving the villain’s story forward? Is it telling a new story with the villain? Is there more to the premise than “Spider-Man fights _ again”?
I’m not objecting per se to Spider-Man fighting the Lizard again. Romita is an artist with a distinctive style from Ditko, so it’s fun to see his take on Ditko’s villains.
And the story will be good because Romita’s art is good and because he’ll do a good job with the side characters and soap opera. But will the story be good?
Featuring: Spider-Man Release: September 8, 1966 Cover: December 1966 12 cents Stan (The Man) Lee, writer John (Ring-a-ding) Romita, artist Artie (stout-hearted) Simek, letterer 20 pages
Aunt May had been trying to set up Peter with Anna Watson’s niece since he was in high school. Her matchmaking finally paid off, and Peter met Mary Jane Watson at the end of last issue.
She was not quite as ugly as he’d feared.
Dinner is going well, but there are other things going on that will affect Peter’s life. For example, the Rhino is breaking out of prison. They took him out easily with some smoke gas last issue. But maybe they ran out of smoke gas?
Featuring: Spider-Man Release: August 9, 1966 Cover: November 1966 12 cents Smilin’ Stan Lee, writer Jazzy Johnny Romita, artist Slammin’ Sammy Rosen, letterer 20 pages
Featuring: Spider-Man Release: March 11, 1965 Cover: June 1965 12 cents Swingin’ script by: Stan Lee Dazzlin’ drawings by: Steve Ditko Loquacious lettering by: S. Rosen 20 pages
I appreciate that the splash page centers Spider-Man’s supporting cast. It really is what separates this comic from all the others we’re reading. And this issue is significant for an almost-addition to that cast!
In addition to the normal credits, there’s an extra note crediting Ditko with the plot. Ditko has been responsible for all the plots and most of the writing without credit for it. And his relationship with Stan is starting to deteriorate over this and other concerns. Pretty soon, we’ll be at the point where Ditko has made a condition of his continued employment that he never has to speak to Stan.
Featuring: Spider-Man Release: June 9, 1964 Cover: September 1964 12 cents Written by: Stan Lee, master of the spoken word Illustrated by: Steve Ditko, dean of dramatic drawings Lettered by: S. Rosen, sultan of sparkling spelling 22 pages
Let me start by wishing a happy birthday to Steve Ditko, who would have been 93 today had he not passed away in 2018.
Ditko has created a number of new villains for this series, while maintaining a generally pretty high quality (Green Goblin excepted). The team has only once borrowed a villain so far, when Spider-Man fought Dr. Doom in issue 5. This is the second time borrowing a villain, but they dig deeper, bringing back Ringmaster from Incredible Hulk #3 two years earlier. We’ve read over 200 comics since we last met Ringmaster and his Circus of Crime.
Aunt May still insists Peter accept a blind date with Mary Jane Watson. Peter makes the reasonable protestation that he has a girlfriend. May notes they are not engaged. Does May just not like Betty for some reason? On the other hand, it doesn’t necessarily have to be a date. Peter could just offer to hang out with Mrs. Watson’s niece as a favor to Aunt May. I feel like they could compromise here.
Featuring: Spider-Man Release: May 12, 1964 Cover: August 1964 12 cents Written by: Stan Lee (because we couldn’t afford Mickey Spillane) Illustrated by: Steve Ditko (because Picasso was out of town) Lettered by: Art Simek (because his name fits this space) 22 pages
I feel like the golden era of Ditko coming up with cool Spider-Man villains may be over. At least Kraven is more interesting than Green Goblin. Like Green Goblin, it’s generally agreed the best story for each is the one where they die.
I will give Green Goblin and Kraven credit for one thing… they’re different from the other villains. They’re both unique, for better or worse.
But, while one form of Goblin or another was the villain or a background threat for the first four Spider-Man films, we’re seven films in without so much as a hint of Kraven. Guy’s gotta be a little insulted.
Kraven’s motive is different from the other villains we’ve met. He’s not interested in money, power or revenge. His goal is sport. His namesake is not an animal like many of Spider-Man’s villains, but his outfit does suggest a lion motif.
The story begins with the return of Spider-Man’s first super-villain foe: the Chameleon, who we learn is an old friend of Kraven the Hunter.
While Chameleon’s mask has the same basic idea as before, it’s been cleaned up and altered. This new look will endure for 60 years.
Life Lessons Release: January 3, 2001 Cover: March 2001 $2.25 Story: Bill Jemas and Brian Michael Bendis Script: Brian Michael Bendis Pencils: Mark Bagley Inks: Art Thibert 21 pages
They have lowered the price by a quarter. Maybe that will sell the comic better than the awful cover.
This concludes our look at the first 5 issues of Ultimate Spider-Man. This final issue sticks pretty closely to the last 3 pages of the original Spider-Man story. Although it does open with 3 irrelevant pages about Green Goblin.
This really has nothing to do with anything.
We then get 4 pages at the crime scene, including a double-page spread.
With Great Power Release: December 6, 2000 Cover: February 2001 $2.50 Story: Bill Jemas and Brian Michael Bendis Script: Brian Michael Bendis Pencils: Mark Bagley Inks: Art Thibert and Dan Panosian 22 pages
Continuing to read the adaptation of the Spider-Man story from Amazing Fantasy #15 into Ultimate Spider-Man #1-5. This issue covers the events of page 8 and the first two panels of page 9 in the original story.
It dedicates 4 pages to Norman Osborn, finally becoming Green Goblin. His assistant, Justin, appears dead. Harry and Dr. Octavius look quite wounded.
This big scary monster has literally nothing to do with the story yet.
4 pages are dedicated to Spider-Man’s wrestling career, including its end. The analogue in the original was his television career, which didn’t explicitly end in the original story. Perhaps it will be addressed later on. The previous issue had explained the mask/anonymity thing in terms of him being a kid who wouldn’t be allowed to wrestle otherwise. But now that schtick has gotten him into trouble. Somebody has stolen the petty cash and he gets the blame.
Wannabe Release: November 1, 2000 Cover: January, 2001 $2.50 Story: Brian Michael Bendis and Bill Jemas Script: Brian Michael Bendis Pencils: Mark Bagley Inks: Art Thibert 22 pages
So we’re working our way through Ultimate Spider-Man #1-5 and contrasting with the origin of Spider-Man in Amazing Fantasy #15, with particular emphasis on why one story is 12 times longer than the other. This issue covers the ground of pages 5-7 of the original story.
Part of the reason the story is longer is that other things happen. This issue dedicates 4 pages to the story of Norman Osborn on the path to becoming Green Goblin. And along the way is setting up Dr. Octopus. We had previously met Dr. Octavius, but first see his metal arms here.
