Featuring: Iron Man Release: April 9, 1963 Cover: July 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Jack Kirby Inking: Don Heck 13 pages
I read this story in The Invincible Iron Man Omnibus vol. 1.
If there’s one thing I associate with Kirby (and there’s a lot more than one), it’s stylish headpieces on women.
Beyond that and maybe some of the machinery, the issue mostly reminds me of Heck’s art. I’m guessing Kirby’s art is really pretty loose design and layout, leaving a lot of the details, particular facial details, to Heck’s finishing. Just a guess.
Anthony Stark leaves costume behind, figuring it will be safe. This is called foreshadowing.
The world beneath the surface seems pretty crowded. I guess there’s lots of room down there, enough for a few underworld kingdoms. Kala is the third ruler of a subsurface kingdom we have met, after Moleman and Tyrannus. She won’t be the last. Let’s see who Thor fights next month…
What do I do now? I’ve never been beaten before! But this time my spider powers were not enough! Is this the end of Spider-Man?
I read this story in Amazing Spider-Man Epic Collection vol. 1: Great Power.
I’m going to go ahead and confess that I don’t know what the title of this comic is. I often don’t. Many times, the title is in quotes to make it clear. Even though what’s in quotes is often preceded by the name of the title hero with a “versus” or a “battles” after.
For example, Fantastic Four #15 had the opening text: “The Fantastic Four Battle… The Mad Thinker and His Awesome Android!” With the latter part in a much bigger font. Online sources vary.
This is even more confusing because the arrangement of the different pieces make the order unclear.
Possible titles:
Doctor Octopus
Spider-Man Versus Doctor Octopus
The Strangest Foe of All Time… Doctor Octopus
Spider-Man Versus the Stranges Foe of All Time… Doctor Octopus
The internet generally doesn’t agree on which of the above makes sense. For my part, I’m trusting the table of contents in the collection I’m reading this in.
The title page describes Doctor Octopus as “the only enemy ever to defeat Spider-Man!” Not sure that’s accurate. Vulture and Tinkerer both handed Spider-Man initial defeats last issue before Spider-Man was able to come back and win in round 2. Which is basically what’s going to happen in this issue.
Featuring: Thor Release: April 2, 1963 Cover: June 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Jack Kirby Inking: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
Another Cold War story, but this one tying itself closely to current events, seeming to be set during the Sino-Indian War.
This allows us to align the comic’s timeline with our own. The Sino-Indian War mainly took place October-November 1962, about 6 months before this comic came out. And since it takes some number of months to go from concept to the comic being finished, printed, distributed and appearing on stands, they were drawing from pretty current events.
Featuring: Iron Man Release: March 12, 1963 Cover: June 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Don Heck 13 pages
I read this story in the Invincible Iron Man Omnibus vol. 1.
I also have it reprinted in Marvel Collector’s Item Classics #5 from 1966, and include scans from that reprint below.
Robert Bernstein has been scripting more and more Marvel books. We just saw him in our last Human Torch entry and his name is showing up on Ant-Man and Wasp stories.
As we’ve discussed before, the comic treats Stark’s military work as entirely noble, as opposed to the more nuanced take the movie would have decades later. It’s about changing attitudes. But this comic really seems to push it. Stark invents a disintegrator ray, and notes among its applications that it could destroy a metropolis. Surely we recognize that as a purely evil application? That’s not much better than building a nuclear bomb.
Hulk’s origin had a subtle swipe at weapon-building, given that Dr. Banner was a victim of his own bomb. But it’s not clear to me how intentional that was on the part of Lee or Kirby. Or whether it’s interpretation that comes from reading the comic through a modern lens.
Featuring: Human Torch Release: March 12, 1963 Cover: June 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Jack Kirby Inks: Dick Ayers 13 pages
I read this story in Marvel Masterworks: The Human Torch vol. 1.
The Sorceror is a hermit who is mean to kids who trespass on his property. In return, Johnny is extremely mean to him. I thought Johnny was being quite the bully to a harmless hermit who just wants to be left alone.
Torch tells him: “You can’t have it both ways. If you want freedom of movement, others must have it as well!” But that hardly makes sense. In context, Torch is saying: “If you want to leave your own property, you have to let others onto it.”
Anyways, the Sorceror is not harmless. He’s actually a sorceror and has found Pandora’s Box. Which contains a bunch of evils, also called imps. We meet some of them: Flood, Hatred, Forgetfulness, Sleepiness, Paralysis, Cold, Disease, Foolishness, Laziness, Fire, Fear. They range from human traits to natural disasters.
We learn a bit of Greek myth, how Pandora released the evils but Circe put them back. Not clear what connection Circe will have to the Eternal named Sersi we will eventually meet.
In the last post, we spoke about characters getting ruined by having lame ambitions. The Sorceror has access to all the evils of the world. And what does he want to do with it? Rob a bank. Boring.
The most interesting thing in this story to me is that Johnny notes it’s 1963. He had noted in an issue of Fantastic Four that it was 1962, suggesting at least a year has passed. I am fascinated by trying to track how much time has passed and am looking for clues. But I must be careful reading too much into a single line of dialogue stating the year. As writers will almost always claim their story is happening in the current year, whether or not that makes sense.. But Reed is already in his ’40s by 1961 when we meet him. So he only has so many decades of superheroing left in him.
Rating: ★★☆☆☆, 39/100
Characters:
Johnny Storm/Human Torch
The Sorcerer
Flood
Ben Grimm/Thing
Reed Richards/Mr. Fantastic
Sue Storm/Invisible Girl
Pandora
Circe
Hatred
Forgetfullness
Sleepiness
Paralysis
Cold
Disease
Foolishness
Laziness
Fire
Fear
Story Notes:
Johnny notes it’s now 1963
The box contains hundreds of imps
In end, Sorcerer frozen with fear from Imp of Fear
Featuring: Fantastic Four Release: March 12, 1963 Cover: June 1963 12 cents Script: Stan Lee Art: Jack Kirby Inking: Dick Ayers 20 pages
I read this story in Fantastic Four Omnibus vol. 1
In general, the desire to be king of the city’s gangs is an uninteresting motivation. The FF villains are better when they think bigger than the Thinker seems to be thinking here. The lack of a good supervillain plot cheapens the new villain out of the box. Nonetheless, the Thinker (sometimes called the Mad Thinker) will become a major FF adversary.
Sgt. Fury, and His Howling Commandos/Seven Against the Nazis!
Featuring: Sgt. Fury and the Howling Commandos Release: March 5, 1963 Cover: May 1963 12 cents Story: Stan Lee Art: Jack Kirby Inking: Dick Ayers 21 pages
I read this comic in Sgt. Fury Epic Collection vol. 1: The Howling Commandos.
So why are we reading this comic in with the superhero stories? Well, the answer is probably obvious, but let’s think it through a little. What else is Marvel putting out in March of 1963 that I could be reading?
Two western comics: Gunsmoke Western and Rawhide Kid. And a few later time-travel stories will intersect these heroes with our superhero comics, so they’re not irrelevant. The problem is there are so many western comics, going back to well before we started our reading in 1961. The original Two-Gun Kid debuted in 1948, the same month as Annie Oakley #1. Kid Colt, Blaze Carson, Tex Morgan, and Tex Taylor debuted soon after. Point is, we are nowhere near a good jumping on point for the western stories.
There are two romance titles out this month, Love Romances and Patsy and Hedy. As we’ve mentioned, Patsy Walker will eventually become a superhero. But there are also a lot of these comics going back to the 1940s. Patsy’s had a regular feature since 1945.
(Notice that’s also Jack Kirby on the Love Romances comic. So he’s telling a lot of stories in a lot of genres this month.)
There are four fantasy anthology titles, each with a superhero feature we’ve been reading as the lead story. One pure superhero comic.
And now a war comic set in World War II. Why read the war comic with our superhero reading and not the westerns or romance comics?
Featuring: Thor Release: March 5, 1963 Cover: May 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Joe Sinnott 13 pages
I read this story in Marvel Masterworks: The Mighty Thor vol. 1.
The somewhat awkward title of this story underscores they haven’t yet decided that Thor’s magic hammer should have a name.
Now, the title also sounds pretty ominous. For we know that if Loki were to steal Thor’s magic hammer, the thunder god would be helpless within 60 seconds. Indeed, that is what happened in both of Thor’s previousencounters with Loki, both of which involved Loki stealing his magic hammer.
Featuring: Iron Man Release: February 12, 1963 Cover: May 1963 12 cents Plot: Stan Lee Script: R. Berns Art: Jack Kirby Inking: Dick Ayers 13 pages
Confession time. I just made a dumb mistake here. Got confused by numbers and dates. This post should have come before my previous Journey Into Mysterypost, as this issue is from February and the Thor story is from March. It’s a little confusing because both are cover-dated May. The Thor stories always seem a month out of sync in terms of their cover dates for some reason.
Robert Bernstein returns on scripting duties. He will be the regular scripter for a while. This is the first Iron Man story without Don Heck involved with the art (either as primary or finisher). This is perhaps why Tony looks so radically different from the previous 2 stories.
Though part of the problem is that his hair is brown in my omnibus (scanned above). Other modern recolorings make it black. It’s hard to speak intelligently to the coloring of these comics because of how wildly it varies between reproductions.
Iron Man is falling into a somewhat familiar pattern 3 issues in. After a very good origin issue, we get a sequence of pretty forgettable stories. Last issue, he fought Gargantus, and this issue introduces Dr. Strange. Neither of whom am I expecting to show up any time soon in a major motion picture.
Another familiar trope is that we’ve skipped the establishing of the hero. In this issue, the third Iron Man story, the first of which was set in a Vietnam jungle, we learn that children idolize Iron Man. So he, like the rest of the heroes, has fast become a sensation.