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Tales to Astonish #81, Story B

The Stage is Set!

Featuring: Hulk
Release: April 5, 1966
Cover: July 1966
12 cents
Hulkable script by: Stan Lee
Hulksome layout by: Jack Kirby
Hulkorious art by: Bill Everett
Hulkated lettering by: Sam Rosen
Costumes by Tibor of Transylvania!
10 pages

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Tales to Astonish #81	Reading order	Tales of Suspense #79
Tales to Astonish #81	Tales to Astonish	Tales to Astonish #82

“His boomerang is causing a rock slide!”
“It’s returning to him like an arrow!”

A lot happening in this issue. For Hulk, he’s finishing up his encounter with Tyrannus and Mole Man from last issue. But in the background, important villains are being introduced. They will set up a confusing mess of coming issues.

The secret empire known as Hydra has fallen. Nick Fury and Captain America have been having trouble with a new secret empire called Them, which may be connected to AIM. Now we meet a new secret empire, known as, er, the Secret Empire.

Tales to Astonish #77, Story B

Bruce Banner is the Hulk!

Featuring: Hulk
Release: December 2, 1965
Cover: March 1966
12 cents
Script by: Stan Lee
Layouts by: Jack Kirby
Pencilling + inking by: Johnny Romita!
Lettering by: Sam Rosen
10 pages

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Tales to Astonish #77	Reading order	Tales to Astonish #78
Tales to Astonish #77	Tales to Astonish	Tales to Astonish #78

Why shouldn’t I tell? It’s time the world learned the truth…!

That’s a damn compelling cover, a collaboration between Kirby and Romita, with the Romita influence coming in heavy, but a unique look for the Hulk that is very distinctive compared to either man’s style. Dramatically, we shockingly hear Rick Jones tell an officer (presumably Talbot) Hulk’s secret. We’ll see how that plays out.

John Romita took over as the regular artist on Daredevil last month. He’s just filling in here, as the series has floundered without a regular artist for the last 10 months. Bill Everett will be taking over next issue. We also saw Romita filling in on last month’s Captain America

As we noted in our recent Daredevil post, John Romita just recently passed away in June 2023 at the age of 93. One of the greatest comic artists of all time.

It is a compelling title. “Bruce Banner is the Hulk!” Is this the issue where his secret identity is finally revealed? Secret identities have been revealed on occasion before, but the learner of the identity usually develops amnesia or dies.

Recall from last issue the army built Banner’s T-Gun without knowing what it did. They hit Hulk with it and now everybody assumes Hulk is dead. In fact, Hulk has been transported to the future.

Tales to Astonish #76, Story B

I, Against a World!

Featuring: Hulk
Release: November 4, 1965
Cover: February 1966
12 cents
Script: Stan Lee
Layout: Jack Kirby
Pencilling: Scott Edward
Inking: Mickey Demeo
Lettering: Artie Simek
10 pages

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Tales to Astonish #75, Story B	Reading order	Tales to Astonish #77
Tales to Astonish #76	Tales to Astonish	Tales to Astonish #77

Stay back!! Back!! You’re just a pack of men– but me, I’m the Hulk!

I like to think I know Marvel decently well, but I’ve never heard of Scott Edward. Usually means a regular DC artist is moonlighting at Marvel on the down low. Indeed, Scott Edward is the already legendary Gil Kane. He’s got some great work at Marvel ahead of him. Of course, Gil Kane isn’t actually his name either. His birth name is Eli Katz, but we all know him as Gil Kane.

But let’s see what he’s done in his 20+ years in comics before getting here. We technically did meet him as one of the artists working with Wood on Thunder AGENTS.

By this point in his career, his biggest claim to fame is the creation of the new Green Lantern, Hal Jordan.

As well as the new Atom, Ray Palmer.

Arguably, the sleek stylish sci-fi looks of Gil Kane– along with those of Carmine Infantino– are what gave birth to DC’s Silver Age of comics.

Tales to Astonish #75, Story B

Not All My Power Can Save Me!

Featuring: Hulk
Release: October 5, 1965
Cover: January 1966
12 cents
Story: Stan Lee
Layouts: Jack Kirby
Illustrations: M. Demeo
Lettering: S. Rosen
Enjoying: That’s your job, pussycat!
10 pages

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Tales of Suspense #76, Story B	Reading order	Tales to Astonish #76, Story B
Tales to Astonish #75	Tales to Astonish	Tales to Astonish #76

At last I got somethin’ to smash out against… somethin’ to fight… a chance to do the thing I can do better than anything that lives!

This picks up right where the last issue left off, though we paused for a bit since reading the last issue and since reading the earlier half of this comic.

Hulk had just acquired the Ultimate Machine for the Leader from the Watcher’s world. Leader’s attempt to use the machine resulted in his death.

Tales to Astonish #62, Story B

Enter… The Chameleon!

Featuring: Hulk
Release: September 1, 1964
Cover: December 1964
12 cents
Sensationally scripted by: Stan Lee
Dynamically drawn by: Steve Ditko
Impeccably inked by: George Bell
Lovingly lettered by: Sam Rosen
10 pages

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Tales to Astonish #62	Reading order	Fantastic Four #32
Tales to Astonish #62	Tales to Astonish	Tales to Astonish #63

Even if he escapes this mess, the status quo is unsustainable. If Hulk might revert to Banner at any moment and has no control… he can’t keep that identity a secret.

In a recent issue of Amazing Spider-Man, we remarked the Enforcers were distinguished from other super-villains in that they were content to be lackeys, serving a major super-villain. Most of the super-villains are to arrogant to serve anybody, a plot point whenever two try to team up. The other “lackey” villains we’ve met are Dr. Doom’s Terrible Trio and Magneto’s Evil Mutants. The Terrible Trio tried to make the leap from lackeys to being their own bosses with limited success. Magneto’s mutants only serve him, while the Enforcers are clearly for-hire.

Chameleon is the first villain we see make the leap from super-villain to lackey. He’d teamed up twice with Kraven, but those seemed more like partnerships. Now, he works for the Leader. Chameleon has been getting around. Originally a Spider-Man foe, he recently fought the Avengers, and now faces off against Hulk.

More than the major crossovers, I like the cameos. I like that Captain America can just show up for a panel if the story calls for it. Makes the universe feel cohesive.

I’m loathe to call this the introduction of the Leader since we don’t see his face. I suspect Ditko hadn’t even finished designing him yet.