Tales to Astonish #36

The Challenge of Comrade X!
Featuring: Ant-Man
Release: July 10, 1962
Cover: October 1962
12 cents
Writers: Stan Lee and Larry Lieber
Penciler: Jack Kirby
Inker: Dick Ayers
13 pages

Some time has passed since the previous issue, which ended with Henry Pym pondering: “Will I ever be forced to become Ant-Man again?”

Turns out, it didn’t take much forcing. He immediately began positioning himself to find and stop crime, and has made a name for himself, trusted by the police and public.

The FF stories used a similar gap. Had their first tale tell of their first adventure, but jumped forward for their second tale, to where their heroism had already become routine and they had gained public acceptance.

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Strange Tales #101

The Human Torch/The Flaming Fury Strikes Back!!
Release: July 10, 1962
Cover: October 1962
12 cents
Writers: Stan Lee and Larry Lieber
Penciler: Jack Kirby
Inker: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1. I don’t see any credits within the issue. The collection’s table of contents gives the credits I list above.

In his first solo outing, Human Torch must battle the Destroyer in Glenville, while preserving his secret identity…

Wait? What?

He wasn’t that concerned about his secret identity when he flamed on in front of his mechanic friend… Or talked to his friends about his Fantastic Four problems… Or went to Congress to get awards and his photo taken… Or when he decided his costume didn’t need a mask. (Yes, I realize Superman thinks the same)

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Journey Into Mystery #84

The Mighty Thor vs. the Executioner
Release: July 3, 1962
Cover: September 1962
12 cents
Credits: Jack Kirby and Dick Ayers
Writers: Stan Lee and Larry Lieber
13 pages

I read this comic in Marvel Masterworks: The Mighty Thor vol. 1. The issue doesn’t seem to have formal credits, but the first page has the signatures of Kirby and Ayers. The collection’s table of contents notes Stan Lee and Larry Lieber are the writers.

Correction: “Only my hammer and I…”

There’s a revolution in the country of San Diablo (mi español es muy rusty, but I think that translates to “Saint Devil”, which suggests the requirements for sainthood have really loosened). A pro-communist dictator has seized power, but is engaged in civil war with a democratic faction. The dictator is called the Executioner because he executes a lot of people. Dr. Don Blake travels on a medical expedition to help out in San Diablo. The Executioner interferes as he wants the people weak and subservient. But, well… Thor.

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Tales to Astonish #35

The Return of the Ant-Man

The Return of the Ant-Man/An Army of Ants!/The Ant-Man’s Revenge!
Featuring: Ant-Man
Release: June 5, 1962
Cover: September 1962
12 cents
Writers: Stan Lee and Larry Lieber
Penciler: Jack Kirby
Inker: Dick Ayers
13 pages

Previous#14Next
Venus #1PRELUDE
Journey Into Mystery #83Reading orderFantastic Four #6
Tales to AstonishTales to Astonish #36

So great a discovery must not melt into nothingness! I must concoct the serums again!

The credits are taken from the table of contents for Marvel Masterworks Ant-Man/Giant-Man vol. 1. The book’s table of contents gives the credits I put above. I don’t see any credits in the actual issue.

June 5, 1962. Marvel introduces Spider-Man. And their take on the mythological Thor. Also: their scientist Henry Pym gets a costume and superhero identity and becomes Ant-Man. A decent chunk of the cast of Avengers: Endgame was introduced on that day. Stan Lee was involved in all three. Jack Kirby designed Thor and Ant-Man and was involved in initial designs for Spider-Man, before Steve Ditko came on board. Larry Lieber was involved in scripting for both the Thor and Ant-Man stories. That’s a lot of simultaneous creativity going on for a small group of people.

To recap, in Tales to Astonish #27, we met Dr. Henry Pym. He was a mad scientist type, in a story that seemed similar to many others of the time, likely intended as a one-off. We get a recap in this issue, which describes it as a “nightmarish story”. I mean, I guess if you hate ants.

But 8 issues later, Henry Pym returns. At the end of the last story, he decided his shrinking serum was too dangerous and destroyed it. Here, we learn he had a change of heart a few weeks later. He decided to concoct a new serum and hide it away until the world was ready. Wait… if he still thinks the world isn’t ready for the serum, why make a new one only to hide it? Why not just wait to make the new batch? Unless you expect an urgent need for it?

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Journey Into Mystery #83

The Stone Men from Saturn!

The Stone Men from Saturn!/The Power of Thor!/Thor the Mighty Strikes Back!
Release: June 5, 1962
Cover: August 1962
12 cents
Writing: Stan Lee, Larry Lieber
Pencils: Jack Kirby
Inks: Joe Sinnot
13 pages

Previous#13Next
PRELUDEVenus #1
Ultimate Spider-Man #5POSTLUDE
Amazing Fantasy #15Reading orderTales to Astonish #35
Journey Into MysteryJourney Into Mystery #84

Whosoever holds this hammer, if he be worthy, shall possess the power of Thor!

The credits are taken from the table of contents for Marvel Masterworks: The Mighty Thor vol. 1. I don’t see any credits in the story itself.

How wild is it that Thor and Spider-Man were introduced on the exact same day? There are a lot of days in the last 80 years, and only so many super heroes as iconic as those two. In the last year, we’ve met the Fantastic Four and the Hulk. The pace is picking up. Within a year, we’ll meet many of our favorite heroes.

The opening splash page depicts Thor, with a distinctive “T” on his elaborate belt. Except for simplifying the belt, Kirby’s rendition of Thor will last for decades with only minor variations. Notice the smile on Thor’s face; we see that later in the issue as well. Kirby depicts Thor as full of mirth. There is generally a dynamic and playful quality to the art.

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Tales to Astonish #32, Story C

The Girl in the Black Hood!
Release: March 8, 1962
Cover: June 1962
12 cents
Credits: Don Heck (uncredited)
5 pages

The story doesn’t have credits. The artist is Don Heck, and the writing is likely Stan Lee and Larry Lieber.

I think that’s a pretty cool picture and set-up. Made me want to read more.
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Tales to Astonish #30, Story A

The Return of the Gorilla-Man
Release: January 9, 1962
Cover: April, 1962
12 cents
Credits: Jack Kirby and Dick Ayers
7 pages

The issue has no credits. The Grand Comics Database identifies the artists as Jack Kirby and Dick Ayers, and guesses the writing credits are due to Stan Lee and Larry Lieber. I think Marvel only had two writers at the time, so this is a reasonable guess.

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Tales to Astonish #28

I am the Gorilla-Man

Featuring: Gorilla-Man
Release: November 9, 1961
Cover: February, 1961
12 cents
Credits: Stan Lee, Larry Lieber, Jack Kirby and Dick Ayers
7 pages

This is a tangential story, but it seemed worth including. Unlike Henry Pym last issue, Herr Radzik is a mad scientist bent on evil. He’ll also become less prominent of a character.

He is an evil scientist who invents a ray to switch bodies. He first changes places with a cat (I perhaps would have stayed there) and then decides a gorilla will be the ultimate form. His ambitions involve stealing money as a gorilla, and such. But, once he puts the gorilla into his body, the gorilla is able to use its new human brain to outsmart him and lock him in a zoo.

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Tales to Astonish #27, Story A

The Man in the Ant Hill
Release: September 28, 1961
Cover: January, 1962
10 cents
Story: Stan Lee and Larry Lieber
Pencils: Jack Kirby
Inks: Dick Ayers
7 pages

I read this in Marvel Masterworks: Ant-Man/Giant-Man vol. 1. The story gives no credits, but the collection does. Some online sources break that down as crediting Stan with the plot and Larry with the scripting.

The opening splash pages serves as a title page and cover for the story.

Marvel stands on the precipice between its era of short sci/fi tales and its era of superheroes. This comic comes out the same day as Fantastic Four #2 and fits squarely in the former category, a short cautionary sci/fi tale about a mad scientist. Not clear what the theme is. Be careful of inventing stuff, I guess.

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