jack kirby – Page 24 – Coke & Comics

Tales of Suspense #40

The armor makes him a superhero and keeps his heart beating.

Iron Man Versus Gargantus!
Featuring: Iron Man
Release: January 10, 1963
Cover: April 1963
12 cents
Plot: Stan Lee
Script: R. Berns
Art: J. Kirby
Inking: D. Heck
13 pages

I read this story in Iron Man Omnibus vol. 1.

Most of the credits only get first initials, perhaps to fit on a line. The letterer John Duffy doesn’t even get an initial, referred to as “Duffi”. Heck was the primary artist on the first issue of Iron Man, though building off some initial character work by Kirby. Here, Heck is credited with inking over Kirby. But to my eye, this issue mostly reminds me more of Heck than Kirby.

The script is credited to “R. Berns”. The first time we’ve seen that name. In fact, I think it’s the first writing credits given to anybody except for Stan or his brother Larry. The scripter is Robert Bernstein, who used the pseudonym “R. Berns” for all of his Marvel work, as he was mostly known for his DC superhero work at the time. He’d been working in comics for at least 17 years at this point, and had worked with Lee before on western and war stories. But he’d spent the last 4 years working in superhero comics at DC, famously reviving Aquaman for the Silver Age, and adding Aqualad and Aquagirl to the cast (working with Ramona Fradon). His Superboy stories (with George Papp) introduced the menace of General Zod and other Kryptonian criminals imprisoned in the Phantom Zone, concepts that would make it into the 1978 Superman film and the 2013 reboot. And he transformed Congo Bill into Congorilla (alongside Howard Sherman). An impressive pedigree to join our crew.

We saw 18 months of superhero comics made almost entirely by 3 people. It wasn’t sustainable as the number of heroes continued to grow, so we’ve seen an infusion of new writers and artists in the last month, some filling in, some here to stay.

Fantastic Four #12

The Incredible Hulk/Mission: Stop the Hulk!/Who is the Wrecker?/The Hulk at Last!
Featuring: Fantastic Four
Release: December 10, 1962
Cover: March 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this comic in Fantastic Four Omnibus vol. 1.

Let’s review the key dates so far.

August 8, 1961 — The Fantastic Four debut
March 1, 1962 — The Incredible Hulk
June 5, 1962 — The most important day in Marvel’s history thus far: introducing Spider-Man, Thor, and Ant-Man!

It’s now December 10, 1962.

Another hugely important date in Marvel’s history. Four milestones, which we’ll be covering over the next few posts: we’ll see the debut of another iconic superhero; a superhero we haven’t seen in 6 months makes his return in the debut of his solo title; and, most excitingly, the Marvel comics start to coalesce into a universe. On this day, we get not only our first crossover of the Marvel Age, but our first two crossovers! The Fantastic Four will encounter two iconic Marvel characters on this very date.

Journey Into Mystery #89

The Thunder-God and the Thug!
Featuring: Thor
Release: December 3, 1962
Cover: February 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Mighty Thor vol. 1.

Ray Holloway is credited as the letterer. First credit we have seen for him. Art Simek has been doing most of the lettering when it’s been credited.

As with his battle against the Soviets, fighting mobsters is unworthy of Thor’s power. They really don’t stand a chance. The only trick that works is taking a hostage, usually Jane.

Tales to Astonish #40

The Day that Ant-Man failed!
Featuring: Ant-Man
Release: November 8, 1962
Cover: February 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Sol Brodsky
11 pages

We’re 6 issues in to these Ant-Man stories, and it’s time to state the obvious conclusion: they’re not very good. Now, the first story in issue 35 was good. It was a clever story about a scientist quickly having to put his inventions to work to stop some Commies. But it then falls apart. Somewhere between issue 35 and 36.

In issue 35, Ant-Man is forced to be born by circumstance– he has hostages to rescue. The issue ends with him musing whether he will ever be forced to become Ant-Man again. Issue 36 begins some time later. Ant-Man is now a regular crimefighter, internationally famous, beloved by people and law enforcement, who has specially constructed an ant-sized headquarters in his home, and who uses his network of ant friends to help him find crime to battle.

That’s a pretty big leap. It’s possible there’s some interesting character development there– but we don’t see it. In that first story, Dr. Pym had lab assistants. We’ve since met nobody else in his life: no friends, no colleagues, no love interest. The entire story in each issue is devoted to the mission. We learn nothing about his inner life, nothing about his personal life, and get no good sense of why he is Ant-Man. He just battles boring villain after boring villain (plus one giant beetle— that was cool.)

Journey Into Mystery #88

The Vengeance of Loki!
Featuring: Thor
Release: November 1, 1962
Cover: January 1963
12 cents
Plot: Stan Lee
Script: L.D. Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

Loki is Thor’s first repeat villain. Coming up with new villains every month is exhausting, so it’s worth repeating the best ones. Loki was the best one. (His competition is: the Stone Men from Saturn, the Executioner, Zarrko, and some Soviet soldiers.) The Fantastic Four have now fought Doom and Sub-Mariner three times each. Human Torch has faced off twice against the Wizard. Ant-Man hasn’t had a repeat villain yet, but I suspect we’ll see the return of Egghead soon enough. Hulk has a persistent nemesis in Thunderbolt Ross, but otherwise hasn’t encountered any actual villains twice. I think repeating villains is good, unless it’s overdone. It is how you develop good rivalries and get an arch-nemesis. But once Joker appeared in the old Batman comics, he started showing up in every single issue of Batman. It’s a balance of having some variety in the foes while giving a chance for a proper rivalry to develop. So far, these comics are doing well enough on the variety side.

We see Heimdall at his post for the first time, guarding the Bifrost. Loki is forbidden to leave Asgard, so he must somehow sneak past Heimdall. He does so by disguising himself as a snake. I really thought of Heimdall as being better than that.

Incredible Hulk #5, Story B

The Incredible Hulk vs The Hordes of General Fang!
Featuring: Hulk
Release: November 1, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this story in Incredible Hulk Omnibus vol. 1.

There are ways in which Stan and Jack are ahead of their time on social issues, and ways in which they are not. Their depictions of Asian people remain pretty racist. It will take a couple decades before Marvel is able to do much better. General Fang is an awful stereotype, and the story is more cold war propaganda, depicting the forces of Red China as strangely-drawn, yellow-skinned, and cartoonishly evil. Even the Asian people depicted as allies–including the citizens of Llhasa (Lhasa, Tibet) and the soldiers of Formosa (Taiwan)– have cringeworthy depictions.

This is the year after Breakfast at Tiffany’s came out…

Incredible Hulk #5

Beauty and the Beast!
Featuring: Hulk
Release: November 1, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this story in Incredible Hulk Omnibus vol. 1.

In a twist from the usual, the titular “Beauty” in this story is likely a man: Tyrannus by name. At least, that’s my interpretation of the title, given how beautiful he is. Though I guess he’s more of the Gaston character in the story. So maybe Betty is the beauty. Hmm… well, let’s read on.

Dr. Banner is the top scientist on Ross’ staff, assigned to help capture the Hulk. Rick Jones is his assistant. But Rick is known to have connections to the Hulk: they have been seen together often; Rick has been seen riding on Hulk’s back; in fact, the military once asked Rick to bring the Hulk to them and he did; then, Rick took over the controls of a military rocket and helped Hulk escape. Ross is well aware of all this. And yet Rick is still part of the government team to help capture Hulk.

Strange Tales #105

The Return of the Wizard!
Featuring: Human Torch
Release: November 8, 1962
Cover: February 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1.

It’s time to reflect back on this series so far: it’s not very good. Now, the Fantastic Four comic is pretty good. This has the same creators and features a character from that comic. But they don’t seem to be bringing their A-game to this title.

There’s a couple things to notice about the Fantastic Four comics. The first is that Johnny has a pretty minor role in those stories. Most of the focus and character development is on Reed and Ben. Those are the characters Lee and Kirby seem interested in, notably the two male characters about their age, as opposed to the woman and teenager, who almost seem to be there as token characters.

Also, notice the Fantastic Four comic never gives any hints that this series exists. It’s never mentioned Glenville. Johnny continues to be open about his Human Torch identity there, while hiding it here. Johnny seems to always be in the Baxter Building; it seems like he lives there. Johnny’s solo adventures are just never mentioned.

Fantastic Four #11, Story B

The Impossible Man
Featuring: Fantastic Four
Release: November 1, 1962
Cover: February 1963
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this story in Fantastic Four Omnibus vol. 1.

In some ways, this is a fill-in issue of FF, a break from their serious adventures. The first half of the issue gave the team to address their real-life letters in-story in an extended letters page. This half features a gag character. He reminds one of DC antagonists such as Bat-Mite or Mr. Mxyp– I mean Mr. Mxyzpl– I mean, that imp who annoys Superman.

The adversary is from the planet Poppup, a race that has learned to instantly evolve. The Impossible Man is essentially unbeatable, but not really a villain. Their initial conflict is just intergalactic cross-cultural misunderstanding; later, the Impossible Man is just trying to amuse himself. The FF should probably have tried to deescalate and defuse the situation.

Fantastic Four #11

A Visit with the Fantastic Four
Featuring: Fantastic Four
Release: November 1, 1962
Cover: February 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this comic in Fantastic Four Omnibus vol. 1.

I find this story interesting for all the biographical details we get filled in, even the stuff that contradicts the other stuff.

We learned last issue that Stan and Jack are characters in the Marvel Universe, publishing Fantastic Four comics. On the opening splash page, we see a new issue has come out. One child is excited to get his letter published. This is the second time we’ve seen the fan letters addressed in story. I’ll repeat what I said then: this is where Stan shines, interacting directly with young readers.

I like how popular they suggest their own comic is within the comic.

We then get a cute scene where they come across kids playing “Fantastic Four” and introduce themselves. Reed suggests the boy playing him ought to give flowers to the girl playing Invisible Girl. They offer a message to kids: don’t play with fire at home.