Journey Into Mystery #100, Story C

The Storm Giants!

Featuring: Tales of Asgard
Release: November 5, 1963
Cover: January 1964
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: P. Reinman
5 pages

We continue with the anniversary issue of Journey Into Mystery. There is the main Thor tale, then a prose story, a sci/fi tale, and this, a story from Thor’s childhood. We get an extra subtitle for the feature: “Tales of Asgard, Home of the Mighty Norse Gods!: The Boyhood of Thor”.

Up until this point, the series had focused on the earliest days of creation, with Odin as the main star, prior to the birth of Thor. We jump forward in time now to Thor’s childhood.

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Journey Into Mystery #99, Story C

Surtur the Fire Demon!

Featuring: Tales of Asgard
Release: October 1, 1963
Cover: December 1963
12 cents
Presented with pride by: Stan Lee and Jack Kirby
5 pages

As with previous issues, this tale of Asgard is short, terse, and very plot-dense. Odin battles trolls and Surtur the fire-god. By the end, the moon has been created, the Rainbow Bridge has been created, Odin has started Earth’s rotation, and Surtur has been imprisoned in Earth’s core.

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Amazing Spider-Man #8, Story B

Spider-Man Tackles the Torch!

Featuring: Spider-Man
Release: October 8, 1964
Cover: January 1964
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Steve Ditko
6 pages

This is Kirby’s third comic story featuring Spider-Man. All 3 have had Ditko on inks. Of course, he also drew the cover of Spider-Man’s first appearance. Also with Ditko on inks.

This is a pretty slight story. A piece of frivolity squeezed into the back of an issue. Spider-Man and Human Torch annoy each other.

Their antics lead to Spider-Man fighting with Mr. Fantastic and Thing as well. Fighting is what superheroes do when they meet.

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Fantastic Four #22

The Return of the Mole Man!

Featuring: Fantastic Four
Release: October 8, 1963
Cover: January 1964
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
22 pages

Happy birthday, Mom!

Lee and Kirby put their heads together to solve a problem that’s plagued this series since the beginning: Sue.

Readers have written in to complain. Lee and Kirby even had Reed and Ben respond in-story to their complaints. They listed everything Sue had accomplished with her powers, but also compared her importance to that of Lincoln’s mother and claimed her place was to help morale. Stan even had a poll as to whether she should even stay on the team. Readers voted overwhelmingly in her favor.

But there are genuine problems with her, at least 3. The first is that Lee is very bad at writing female characters. Not sure how to fix that. Maybe hire a single female writer or artist? Perhaps you could lure Ramona Fradon away from DC. There’s a woman named Marie Severin who I think is presently working on the production end of your comics. Perhaps she could help.

The second is that all the female characters feel like tokens. They have 3 superhero teams, each with precisely one female character. The Avengers are four extremely powerful males and a woman the size of a wasp. They will soon introduce the Brotherhood of Evil Mutants, again with one female. When we get an all-new team of Avengers in a dozen issues, it will again consist of exactly one female. This is a clear problem with their titles.

The final problem is her powers. Invisibility can be handy, but its uses in a fight are limited. It’s just not a very offensive power.

It’s this final problem they tackle this issue. They will expand the limits of her invisibility powers to actually make her a formidable fighter. This is a good step in the right direction.

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Tales to Astonish #51

Showdown with the Human Top!

Featuring: Giant-Man and Wasp
Release: October 1, 1963
Cover: January 1964
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Dick Ayers
13 pages

This continues the story of the previous issue. This is arguably the first real 2-part story we’ve seen. The Fantastic Four took two issues to defeat Dr. Doom in Fantastic Four #1617. But as one encounter was in the Micro-World alongside Ant-Man, and the other was not, it could be argued those were two different stories, the main plot of issue 16 being resolved. Here, issue 50 clearly ended with a note the story was to be continued. Nothing was resolved. So that makes this something of a milestone within our reading.

They presumably mean his worst defeat since becoming Giant-Man. As Ant-Man, he was defeated by a vacuum.
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Tales to Astonish #50

The Human Top!

Featuring: Giant-Man and Wasp
Release: September 3, 1963
Cover: December 1963
12 cents
Written by: Stan Lee
Illustrated by: Jack Kirby
Rendered by: Steve Ditko
23 pages

Kirby and Ditko is a rare and special combination. I think this is now the 4th time we’ve seen the combo.

Giant-Man gets a costume change, though less dramatic than the Iron Man one we just saw. Since he’s no longer Ant-Man, the ant logo is vestigial. He thus drops it in favor of some vertical stripes that resembles suspenders.

We get a major new villain, Human Top. For many characters, it’s obvious who their arch-nemesis is. Thor has Loki, the X-Men, Magneto. For Dr. Pym, it’s less clear. I had suggested it was Egghead, but a friend argued it was the Human Top. Both are contenders.

We learn Dave Cannon was born with super speed and the ability to whirl really fast like a top. This makes him a mutant as Professor X explained the term. Though this comic does not use that word.

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Tales of Suspense #48

The Mysterious Mr. Doll!

Featuring: Iron Man
Relese: September 10, 1963
Cover: December 1963
12 cents
Written by: Stan Lee
Art: Steve Ditko
18 pages

Iron Man gets a new look.

Steve Ditko is the artist on this issue. Jack Kirby drew the cover. Covers were often completed first. Most internet sites claim Ditko designed the new armor, but it might have been Kirby. These questions have been the subject of decades of debates and lawsuits. I do not know what is true, though I have my guesses.

I do know this new armor is better than the old one. I also know Ditko is responsible for the quality storytelling in the interior.

I also know that Mr. Doll looks much more like a Kirby villain than a Ditko villain. Simple color scheme. Weird headgear. All seems trademark Kirby.

Also, he has a dumb name. The GCD informs me Mr. Doll was supposed to be named Mr. Pain. That’s slightly better, I guess.

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Fantastic Four #21

The Hate-Monger!

Featuring: Fantastic Four
Release: September 10, 1963
Cover: December 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: George Bell
22 pages

The cover tells me not to dare reveal Hate-Monger’s identity. I fear that I am going to have to do just that. Spoilers ahead.

This is George Roussos’ first time on Fantastic Four and the effects are noticeable. He makes less effort than the other inkers to smooth out Kirby, and if anything only emphasizes the sharp angles of the faces, creating a more exaggerated style. The first page is meant to show the FF looking angry and hate-filled, so perhaps is not the ideal introduction to his take on the characters.

The first page lets me know this will be the most unusual, thought-provoking tale I will read this season. Often, Stan uses hyperbole in these opening pages. But I think the ending (yes, the one I plan to spoil; you are warned) more than lives up to Stan’s promises.

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Sgt. Fury #4

Lord Ha-Ha’s Last Laugh!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 3, 1963
Cover: November 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
22 pages

The cover lets us know that one Commando will fight no more after this mission. Comic covers of the time are full of exaggerated dramatic assertions. This is not one of those.

George Roussos is fast becoming one of the more regular inkers, using the pseudonym George Bell. This is his first time on Sgt. Fury. Dick Ayers handled the inking for the first 3 issues.

The opening page is a good test for me to see if I’ve been paying attention. Last issue offered the name of each character on the opening page. This time the question is whether I can identify each Commando to fill out my character section below. Sgt. Fury and Dum-Dum are distinctive, and I know them well from many later comics. Gabe Jones is clear, the only black man on the team. Fortunately, Dino Manelli is combing his hair; that comb is a signature; recall he’s a famous Hollywood actor. The scraggly guy is Izzy Cohen. That leaves the two blonde guys to not mix up, and I had to peek at the previous issue. I think the green hat is meant to be distinctive for Rebel Ralston, making the other one Junior Juniper. Junior is freckled, but that’s not obvious in this picture.

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The Avengers #2

The Space Phantom

Featuring: Avengers
Release: September 3, 1963
Cover: November 1963
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Paul Reinman
22 pages

Cover box of the second issue matches the first. Wasp is still left out. Ant-Man has not yet been updated to Giant-Man.

Now that Ant-Man is Giant-Man, his strength is at least vaguely in the same class as the rest of his male teammates. The giant-formula has not been shared with his partner, the Wasp. And will not be any time soon.

Thor comments on Hulk’s outfit. We saw a similar exchange in Avengers #1½.

Notice Hulk clearly has 3 toes on each foot.
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