Featuring: Captain America Release: May 11, 1965 Cover August 1965 12 cents Writer: Stan Lee Artist: Jack Kirby Inker: Frank Ray Letterer: Sam Rosen 10 pages
The story’s title, “The Sentinel and the Spy”, seems to refer to Captain America’s nickname, “The Sentinel of Liberty”. It’s not clear to me how established that nickname is at this point. It’s been associated with the character since his first appearance in 1941, as the Sentinels of Liberty was the name of his fan club.
At the end of last issue, Cap still seemed to be brainwashed, but he’s snapped out of it by the opening splash page.
Featuring: Captain America Release: April 8, 1965 Cover: July 1965 12 cents Story and art by: Stan Lee and Jack Kirby Inking: Frank Ray Lettering: Artie Simek 10 pages
Featuring: Captain America Release: March 11, 1965 Cover: June 1965 12 cents By: Stan Lee and Jack Kirby Inked by: Chic Stone Lettered by: Artie Simek 10 pages
We’ve been very slowly saying goodbye to Chic Stone, as this represents his last month with Marvel. So we’ve seen his last work on many titles already. This is his final Captain America Story. He is Kirby’s best inker on these books so far, for my money. And he will be missed.
These Captain America stories have been set in his early days. The last three issues retold stories from Captain America Comics #1, with last issue retelling the introduction of the Red Skull (and making it really lame). This issue offers a new Red Skull story. At last we learn his origin.
In the original story, Red Skull was revealed to be American industrialist George Maxon. Last issue played out similarly, (though now he was John instead of George), but it added that Red Skull was not the real Maxon. He had killed Maxon and was impersonating him. That leaves room for his new origin here. As we’ve noted before, for my purposes we are treating the post-1961 stories as canonical for this Marvel Universe. The 1940s Marvel canon is separate. So the origin of the Red Skull is what gets told here. He is not Maxon.
We learn in this issue that he had also not been impersonating Maxon. That was someone pretending to be the Red Skull pretending to be Maxon. Yeesh. And apparently Captain America is desperate to hunt down the real Red Skull based on the crimes of a fake Red Skull. Maybe?
Will the real Red Skull please stand up?
The story opens with Captain America a prisoner of the Skull. That is not where the last issue left off at all. Perhaps they will fill us in how we got here.
Featuring: Hulk Release: April 1, 1965 Cover: July 1965 12 cents Hulking story by: Stan Lee Hulksome art by: Jack Kirby Hulkish inking by: Mickey Demeo Hulkable lettering by: Art Simek 10 pages
This is the 10th chapter of the Leader Saga. For 9 issues, Leader has been lurking in the background, secretly behind various threats Hulk has faced. Now they finally meet.
This weird scene weird Hulk is being transported by magnetic waves is notable as it directly ties into Avengers #17, which we will read next.
Featuring: Hulk Release: March 4, 1965 Cover: June 1965 12 cents Story and art by Marvel’s modern masters: Stan Lee and Jack Kirby Inking: Mickey Demeo Lettering: Artie Simek 10 pages
With Ditko off the title, Kirby is back to take another shot at his co-creation. Stan shares the top billing with Jack for this triumphant return. The original Lee/Kirby run on Hulk lasted 5 issues. This one will make it around 15 or so. I’m expecting it to be largely immemorable.
We open with a trick out of the Ditko run. The last issue ended with Banner facing impending death and transforms to the Hulk just in time to be saved. Banner and Talbot are falling to their death when Banner transforms.
Hulk crosses the Pacific with leaps. Isle to isle, plane to plane.
That’s… a very long distance, even if you can jump very far. Maybe there are enough islands between Japan and Hawaii to hopscotch it, but it’s 2500 miles from Hawaii to California with nothing in between.
Featuring: Tales of Asgard Release: June 1, 1965 Cover: August 1965 12 cents Written with gallantry by: Stan Lee Drawn with greatness by: Jack Kirby Inked with grandeur by: Vince Colletta Lettered with a straight face by: Artie Simek 5 pages
Featuring: Thor Release: June 1, 1965 Cover: August 1965 12 cents Who but Stan Lee could have written this tale? Who but Jack Kirby could have drawn it? Who but Vince Colletta could have inked it? Who but Artie Simek could be called Artie Simek? 16 pages
Interesting grid layout for the cover. Haven’t seen too many of those from Kirby. I’m guessing that’s because something went very wrong here. As all four cover panels are just taken from the interior art.
Either Kirby didn’t finish a cover or his cover was rejected. This looks like somebody scrambling at the last minute to get something, anything on the cover before the book got printed.
This is the June issue of Thor. We’ve read almost consecutively since January and are now 3 months ahead of the rest of our reading. We’re going to pause after this issue, despite the inconclusiveness of the ending. We need to check in on our other heroes. Because we’re mostly in March with our reading, I don’t want to worry too much about June things right now. Like, let’s not focus on the fact that “Marvel Comics Group” has apparently become “Marvel Pop Art Productions”. We’ll reflect on that when we reach June properly.
For now, a recap. Loki has helped an evil and unnamed hunter locate the Temple of Darkness, which housed the Destroyer, a mindless being imbued with the power of Odin who would one day defend Earth in its hour of need. The Destroyer took the hunter’s mind, and has awakened too early, and thinks Thor is who it’s meant to destroy.
It’s already destroyed his hammer.
But Thor really just wants to bring his bag of Norn Stones to Odin to prove Loki cheated in the Trial of the Gods. All-wise, all-seeing Odin is not aware of these Stones because he’s currently taking a nap.
Loki likes to torment Thor, but is afraid his latest scheme will result in Thor’s death. He doesn’t mind Thor being dead, but fears the punishment of Odin if he is blamed. He has thus attempted to wake Odin and save Thor, but was thrown in prison for it.
Whew. That’s where we left off.
Oh, and the Destroyer was moments away from killing Thor, and still is.
Featuring: Tales of Asgard Release: May 4, 1965 Cover: July 1965 12 cents Story by: Stan Lee the legend teller! Art by: Jack Kirby the legend maker! Inking by: Vince Colletta the legend portrayer! Lettering by: Sam Rosen the letterer! 5 pages
This is the second part of what I’ll dub the “Odinsword Saga”. Unlike most sagas which we’ll try to read all together, I’ve deemed this one reads best one chapter at a time, as the backups to the main Thor feature.
To recap, warriors of Asgard were getting restless, when Odin revealed the Oversword was broken, and directed Thor and Loki to go on a quest to learn who was responsible.
Now Thor is visiting Morduk the map maker.
Is that candle holder a monstrous hand? That’s cool.
Morduk warns Thor’s course will take him… into the unknown.
We are now 2 months ahead of everything else in our Thor reading because it’s all just flowing together. Thor still hasn’t returned to Asgard with the Norn Stones that will prove Loki cheated in the Trial of the Gods.
He is still flying with Kim, whose entire family was recently killed by her Communist brother.
In the early (generally awful) Thor stories (#83-100), the villains were pretty lame. Loki was the only real stand-out. A couple others, like Radioactive Man, had potential. When Kirby became the primary artist and the stories started to improve, we got some better villains: Executioner, Enchantress, and Grey Gargoyle.
Now that the series is kicking into high gear, we are getting great villains. We recently met Absorbing Man and now get introduced to the Destroyer.
Featuring: Tales of Asgard Release: April 1, 1965 Cover: June 1965 12 cents By: Stan Lee + Jack Kirby Inking: Vince Colletta Lettering: Artie Simek 5 pages
For 20 issues, these Tales of Asgard stories have been short stories that resolved in 5 pages. Now, a large saga begins. At least 11 parts, and even then it just rolls into the next saga.
For reading order, I like to keep story-arcs together. Based on that, I could read all 11 parts at once. This is what the CMRO recommends. It actually recommends reading the next 17 back up stories together.
But I also like to keep issues together. It seems weird to get out a comic, read half of it, put it away, then get it out again later to read the other half. Though we have done that sometimes in the name of keeping arcs together. For example, we read the last 5 Human Torch stories from Strange Tales without reading the corresponding Dr. Strange stories. We’ll have to get the comics back out of the box.
How to balance these two goals (keep a story together vice keep a physical comic together) is subjective, and I’m making a subjective call here: reading these Tales of Asgard stories together doesn’t improve the story in any way. I think they read best as they were published, as episodes in the back of the main Thor comic, to be read after that month’s Thor story. And that’s how we’ll read them. We’ll keep Thor story arcs together as best we can and let the main stories set the reading rhythm. That means it may take us a while to finish the Odinsword Saga. I think that will be okay.
