iron man – Page 5 – Coke & Comics

Tales of Suspense #58

In Mortal Combat with Captain America!

Featuring: Iron Man
Release: July 9, 1964
Cover: October 1964
12 cents
Every word you are about to read was written by ol’ faithful Stan Lee, one of the world’s most prolific script writers!
Every drawing you are about to marvel at, was created by Don Heck, one of America’s most promising illustrators!
Every bit of inking you are about to savor was done by Dick Ayers, one of the industry’s most painstaking artists!
Every sentence you are about to scan was hand-printed by Sam Rosen, one of Marvel’s most perspicuous letterers!
18 pages

The story begins with Iron Man battling a shark. That’s cool.

This story will guest star Captain America. Remember in Strange Tales #123 when Thing was a guest star, and then he was sharing title billing by issue 124? Or how Hulk was a guest star in Tales to Astonish #59, and then had his own regular feature in Tales to Astonish #60? I don’t know why I’m bringing those up.

Kraven and Chameleon return to America after their most recent deportations. Iron Man catches Kraven sneaking ashore, but Chameleon gets away.

I really appreciate the battle between Iron Man and Kraven. So often in superhero comics, they exaggerate the threat the villain poses against the hero. This has been a particularly pernicious problem with heroes as powerful as Thor and Iron Man, who tend to outclass their villains. It is thus rather refreshing to see the battle between Iron Man and Kraven resolved within 3 panels, as it should be.

Avengers #8

Kang, the Conqueror!

Featuring: Avengers
Release: July 9, 1964
Cover: September 1964
12 cents
Written by: Stan Lee (our answer to Victor Hugo!)
Illustrated by: Jack Kirby (our answer to Rembrandt!)
Inked by: Dick Ayers (our answer to Automation!)
Lettered by: Sam Rosen (our answer to Artie Simek!)
21 pages

This is more like it.

If you look to Amazing Spider-Man, you’ll see that Lee and Ditko introduced 6 super-villains in 7 issues (Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard), and the pace hasn’t slowed down by issue 16. By contrast, over 7 issues Avengers introduced the Space Phantom and Zemo.

So it’s good that we’re getting a new villain at all. More than that, it’s good that this villain is plausibly a threat to the Avengers. That’s what they should be about, after all. Threats so great no single hero can stand against them. It’s also great this is an independent menace. Too much of the series was focused on internal squabbles or villains whose sole goal was to defeat the Avengers.

Kang is actually here to conquer the world. He’s tough enough that it’s going to take a team of superheroes to stop him.

Thank god Rick Jones is there for the Pentagon top priority meeting.

Technically speaking, Kang’s perhaps not a new villain. But close enough. While we’re being technical, Zemo was perhaps introduced in Sgt. Fury.

Of more personal significance, this is the oldest Avengers comic I actually own. I have a complete run of Avengers comics starting with issue 31 and going until I stopped collecting them in 2007. And then I have a handful of older issues, starting with this one.

Journey Into Mystery #108

At the Mercy of Loki, Prince of Evil!

Featuring: Thor
Release: July 2, 1964
Cover: September 1964
12 cents
Written by: Stan Lee, the idol of millions!
Illustrated by: Jack Kirby, the toast of the town!
Inked by: Chic Stone, the man of the hour!
Lettered by Art Simek, the people’s choice!
18 pages

Stan Lee grants himself the tagline that will eventually get applied (usually self-applied) frequently to Ben Grimm: “the idol of millions”.

We get an offbeat opening sequence. Maybe it’s cool. I find it stretches credibility, though I confess a difficulty expressing what doesn’t in Thor stories. Thor appears to go mad, striking the ground with his hammer to create an earthquake. This shaking threw a truck off the ground a few blocks away, just high enough to not hit a boy. I find it hard to believe Thor could be that precise, and that nobody else was injured. Thor claims there was only some damaged property, which could be paid for out of the Avengers emergency fund.

The notable event in this issue is the first meeting of Thor and Dr. Strange. Dr. Strange had just barely defeated Baron Mordo and was left weakened by the battle. Strange fights Mordo pretty often. The last battle we saw was a few months ago and didn’t seem to leave Strange this weakened. There is likely some untold battle between Strange and Mordo that precedes this story.

Amazing Spider-Man Annual 1

The Sinister Six!

Featuring: Spider-Man
Release: June 11, 1964
Cover: 1964
25 cents
Written by: Stan Lee
Drawn by: Steve Ditko
Lettered by: S. Rosen
41 pages

It’s 1964. You’re young. You don’t have a lot of money. But you know some math. Most comics cost 12 cents. This one costs 25. You could get two comics for that price! But wait… those two comics between them would only net you 42-46 story pages. This one promises 72 pages! 72 big pages, at that.

Indeed, this first story is 41 pages, enough to give you your money’s worth. But there’re over 30 pages of bonus features as well!

Plus, most of those comics will give you one super-villain, two at most. This cover promises a sinister six villains for your hard-earned quarter.

If you’re not yet sold to drop two bits, the first page should do it. Aunt May and Betty Brant have been captured by the Sinister Six, and Spider-Man has lost his powers! Now that’s a story!

Tales of Suspense #57

Hawkeye, the Marksman!

Featuring: Iron Man
Release: June 9, 1964
Cover: September 1964
12 cents
Written by: Smiling Stan Lee
Illustrated by: Sparkling Don Heck
Lettered by: Sterling S. Rosen
18 pages

Interestingly, this is the first Iron Man cover not drawn by Kirby. In fact, it’s the first major cover of the era not drawn or partially drawn by Kirby or Ditko. In general, Ditko has been drawing the covers of his books, and Kirby has been drawing the covers of his own and everybody else’s. For example, Kirby has drawn very few Giant-Man stories, but has drawn every cover. Since covers were often drawn before the issue, Kirby often had a hand in the creation of the new villains, by virtue of being the first to actually draw them. But not Hawkeye. Hawkeye may be the first major character we’ve met not in any way attributable to Kirby or Ditko. He seems to be entirely the creation of Stan Lee and Don Heck.

For example, Kirby is generally not credited as a creator of Black Widow, but he was involved at the beginning, having drawn her first cover appearance. Same story for Daredevil. I see none of his fingerprints on Hawkeye, but may be unaware of some behind-the-scenes work.

When we met Daredevil, I declared our cast of original stars complete. That was an admittedly arbitrary cut-off. I could have waited just a few months and claimed Hawkeye completes the package.

I said what I said because Hawkeye is not of our stars. At least not yet. He is a just a new super-villain, one of many. Like Black Widow. Like Quicksilver and Scarlet Witch…

See the Our Cast So Far page to see how I’m breaking out the characters.

Tales to Astonish #59

Enter: The Hulk

Featuring: Giant-Man and Wasp
Release: June 2, 1964
Cover: September 1965
12 cents
Rapidly written by: Stan Lee
Dashingly drawn by: Dick Ayers
Instantly inked by: P. Reinman
Lazily lettered by: Art Simek
18 pages

Art Simek’s lettering is referred to as “lazy”. Indeed, he seems to have forgotten Paul Reinman’s name, crediting him as R. Reinman, rather than the usual P. Reinman.

This is Ayers’ first time drawing the Hulk. In fact, it’s the first time anybody but Kirby or Ditko has drawn the Hulk.

It’s clear that prior to this point, Hulk is not yet the character modern readers (or TV viewers or moviegoers) have come to know. Steve Ditko will take over the art/plotting duties on Hulk’s new ongoing series, and often gets the credit for inventing Hulk as we know him. But it seems to me all the groundwork is laid right here by Lee and Ayers. This issue introduces a more recognizable version of Hulk.

For several months, Hulk has been bouncing title to title (Avengers, Fantastic Four, Amazing Spider-Man) ever since his own series got cancelled a year earlier. This guest appearance in Giant-Man’s comic is his final bounce, and a transition into the return of his ongoing solo adventures in this very title. This is why they cancelled Wasp’s solo adventure backups, to make room for Hulk’s return. And this time, Hulk’s series will endure for a long time.

They refer to Hulk as the “Jolly Green Giant”. Think they took that name off a mascot for canned vegetables.

Besides being the lead-in to his new series, this is a significant issue for Hulk. We learn his full name for the first time: Dr. Robert Bruce Banner. This explains why Stan sometimes called him Bruce and sometimes Bob. I had assumed Stan just got careless with details.

Avengers #7

Their Darkest Hour!

Featuring: Avengers
Release: June 9, 1964
Cover: August 1964
12 cents
Magnificently written by: Stan Lee
Majestically illustrated by: Jack Kirby
Masterfully inked by: Chic Stone
Meticulously lettered by: Art Simek
22 pages

In Tales of Suspense #56, Tony Stark very briefly flirted with giving up his Iron Man identity. He now faces a board of inquiry for his failure to answer an Avengers call. At that very moment, Odin is rendering judgment on Enchantress and Executioner for their part in the events of Journey Into Mystery #103. These events show the ever-tightening interconnectedness of the series.

Recall that Thor’s title went over a dozen issues without referencing or being referenced by any other series. There was no evidence it was set in the same world as that of the other heroes. Now, they are rather intertwined.

But continuity brings continuity errors, even when a single writer is nominally writing every title. The inquiry is tricky to reconcile with the details of Tales of Suspense #56 in a few ways. Thor charges Iron Man with ignoring a call. However, the Avengers didn’t really know how to contact him and never reached him. They talked to Mr. Stark’s secretary. She was able to talk to Mr. Stark, but never (as far as anyone knows) Iron Man. It would be like somebody who doesn’t know my phone number charging me with not answering my phone they didn’t call.

Secondly, they were trying to contact Iron Man to ask him to look into the Unicorn. Within a couple hours of that failed call, Iron Man did indeed find, battle, and defeat the Unicorn. So they attempted to contact Iron Man, didn’t know how to, never reached him, and thus it was, say, 2 hours between their attempt at contact and his completing the mission they sought to assign him. That hardly seems worth an inquiry.

There was no mention of this coming inquiry in the Iron Man comic. In fact, at the time, the Avengers all seemed to agree that Iron Man was in his rights to live his own life.

Tales of Suspense #56

The Uncanny Unicorn!

Featuring: Iron Man
Release: May 12, 1964
Cover: August 1964
12 cents
Written with consummate skill by: Stan Lee
Illustrated with blazing drama by: Don Heck
Lettered with bloodshot eyes by: S. Rosen
18 pages

The time of the science fiction short stories has ended, allowing this comic to devote a full 18 pages to telling Iron Man’s story. I’m sure that making it longer was the missing ingredient in making it good.

This issue, Iron Man battles the Unicorn. I’m undecided if that name conjures a powerful Soviet menace. It doesn’t sound like something a tough bad guy would call themself, but then I wouldn’t want to have to fight a unicorn.

The character arc of the issue is that Tony Stark decides to give up being Iron Man and live a normal life. He then feels guilty when Happy is injured by the Unicorn because he had neglected his responsibilities.

Journey Into Mystery #105

The Cobra and Mr. Hyde!

Featuring: Thor
Release: April 2, 1964
Cover: June 1964
12 cents
Written by: Happy Stan Lee
Drawn by: Healthy Jack Kirby
Inked by: Husky Chic Stone
Lettered by: Hasty Art Simek
18 pages

I really am excited that Kirby is the regular on Thor, especially when paired with a great inker like Chic Stone. I remain hopeful that the quality of the “Tales of Asgard” backups will soon be reflected in the main stories, turning around what has been Marvel’s worst title so far. Enchantress and Executioner were two good additions to the rogues gallery. And last issue we got a taste of mythic armageddon. Far more interesting than Thor fighting mobsters. I like the direction they’re going. I hope they keep it u–

Oh. Huh. Cobra and Mr. Hyde, eh.

Sigh. Ah well. Teach me to get my hopes up.

Because there are no longer sci/fi backup tales, the entire issue is dedicated to Thor. Which means they have to drag this story over 18 pages. And then they make it a two-parter! 36 pages of Cobra and Mr. Hyde.

The Avengers show up. The costumes they are wearing could be clues to where this story places amidst the Avengers comics and other titles… except they provide inconsistent evidence.

Tales of Suspense #55, Story B

All About Iron Man

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Presented by: Stan Lee and Don Heck
Lettered by S. Rosen
5 pages

This is pushing the line between what I’d call a story and what I’d call a special feature at the end of a story. It’s long enough and told in a comics format, so I decided to give it its own entry, but I could have included it at the end of the last one.

This feature fits in where the science fiction tale would normally have gone, but those are done now.

The first page shows some of Iron Man’s major villains:

Black Widow
Mysterious Melter
Mandarin
Scarecrow
Mr. Doll
Crimson Dynamo
Gargantus
Jack Frost

It’s not an exhaustive list. I don’t see:

Wong-Chu
Kala and the Netherworlders
Dr. Strange
Red Barbarian
The Actor
The Mad Pharaoh

One villain is unnamed, and I don’t recognize him.