Fantastic Four #46

Those Who Would Destroy Us!

Featuring: Fantastic Four
Release: October 12, 1965
Cover: January 1966
12 cents
Story by our leader, Stan Lee
Illustrations by our idol, Jack Kirby
Inking by our star, Joe Sinnott
Lettering by our letterer, Artie Simek
20 pages

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Although I die– I die– free!

Who is Black Bolt? He’s fast. He’s strong. Strong enough to stagger the Thing with one blow. The antenna on his mask converts electrons into his strength and speed.

He doesn’t speak.

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Fantastic Four #45

Among Us Hide… The Inhumans

Featuring: Fantastic Four
Release: September 9, 1965
Cover: December 1965
12 cents
Incredible story by: Stan Lee!
Incomparable pencilling by: Jack Kirby!
Invincible inking by: Joe Sinnott!
Inevitable lettering by: Artie Simek!
20 pages

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I know how it feels to be a misfit– to haveta depend on your strength– because you aint got anythin’ else to offer anyone!

This is an incredible moment in Marvel’s history. The same month that introduces the Inhumans, the Eternity Saga comes to a climax as Dr. Strange engages Baron Mordo in final battle. And the Master Planner Saga begins in the pages of Amazing Spider-Man. (We’ll read that story right after this one.)

Plus X-Men meet the Sentinels; SHIELD vs. Hydra; Odin vs. Absorbing Man. These coming months are the best period in Marvel’s history.

Gorgon has captured Medusa. Dragon Man has captured Sue. The remaining FF members are caught in a collapsing building caused by Gorgon’s shock wave kick.

Thing seems particularly down on himself: “I’ve been nothin’ but a thorn in yer sides for months anyway!” In fairness, he did quit the team and join the Frightful Four.

The Torch too. “I failed you–both of you–when you needed me the most!” Quite the pity party here.

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Fantastic Four #44

The Gentleman’s Name is Gorgon!

Featuring: Fantastic Four
Release: August 10, 1965
Cover: November 1965
12 cents
Dreamed up by: Stan Lee
Sketched down by: Jack Kirby
Inked in by: Joe Sinnott
Lettered around by: S. Rosen
20 pages

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I’ve had enough of this domestic bliss bit! Hanging around here is like being on the set of Ozzie and Harriet!

“The world’s greatest comic magazine!” That’s what is says on the cover. Despite being a comic not as good as the company’s own Dr. Strange or Spider-Man stories. But it’s always been one of Marvel’s best comics and has gotten continually better. We’ve noted assorted leaps forward in quality, such as in issues 13, 29, 35, 36, 38, 39… At some point, we enter into the great era of Fantastic Four. And if we weren’t there already, we’re definitely there now.

One missing ingredient was Joe Sinnott on inks. Often cited as Kirby’s best inker. He’s not entirely new, as he inked the introduction of Dr. Doom back in issue 5. He’d also been the regular artist on Thor for a bit, but did a pretty terrible job. He later recalled in interviews that he hadn’t realized at the time anybody expected these comics to be good. He took the Thor assignment as a job to churn out some disposable work. He seems to take this Fantastic Four assignment more seriously.

Why are Joe’s inks special?

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