Tales to Astonish #52, Story B

Not What They Seem!

Featuring: Wasp
Release: November 6, 1963
Cover: February 1964
12 cents
Story plot: Stan Lee
Script and art: Larry Lieber
Inking: G. Bell
5 pages

Wasp visits an orphanage to tell another sci/fi tale. The main plot about prisoners pursued by the Space Patrol doesn’t have too much going for it. But along the way, one convict lists some weird planets he was aware of. And those planets all represent some cool sci/fi ideas.

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Sgt. Fury #5

At the Mercy of Baron Strucker

Featuring: Sgt. Fury and his Howling Commandos
Release: November 5, 1963
Cover: January 1964
12 cents
Written by: Ex-Sgt. Stan Lee, U.S. Army
Illustrated by: Ex-Infantryman Jack Kirby, U.S. Army
Inked by: G. Bell
23 pages

Last issue gave us the death of a Howler. The series hasn’t forgotten that, and the opening of the issue shows Sgt. Fury processing the death of Junior Juniper in his own way.

They also haven’t forgotten about the girl Nick met last issue. We see the Sergeant and Lady Hawley on a date. She encourages more gentlemanly behavior on his part. They seem to be an item.

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Strange Tales #116

The Human Torch In the Clutches of the Puppet Master!

Featuring: Human Torch
Release: October 8, 1963
Cover: January 1964
12 cents
Written by: Stan Lee
Drawn by: Dick Ayers
Inked by : Geo. Bell
13 pages

Can’t say I care much for the Ayers/Roussos team on art. Not sure what they’re doing in their rendering of the Thing.

Stan gives an acknowledgement this issue that the story is inspired by an idea from Tommy and Jimmy Goodkind. These were the children of a friend of Stan’s, who lived in his neighborhood.

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Fantastic Four #22

The Return of the Mole Man!

Featuring: Fantastic Four
Release: October 8, 1963
Cover: January 1964
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
22 pages

Happy birthday, Mom!

Lee and Kirby put their heads together to solve a problem that’s plagued this series since the beginning: Sue.

Readers have written in to complain. Lee and Kirby even had Reed and Ben respond in-story to their complaints. They listed everything Sue had accomplished with her powers, but also compared her importance to that of Lincoln’s mother and claimed her place was to help morale. Stan even had a poll as to whether she should even stay on the team. Readers voted overwhelmingly in her favor.

But there are genuine problems with her, at least 3. The first is that Lee is very bad at writing female characters. Not sure how to fix that. Maybe hire a single female writer or artist? Perhaps you could lure Ramona Fradon away from DC. There’s a woman named Marie Severin who I think is presently working on the production end of your comics. Perhaps she could help.

The second is that all the female characters feel like tokens. They have 3 superhero teams, each with precisely one female character. The Avengers are four extremely powerful males and a woman the size of a wasp. They will soon introduce the Brotherhood of Evil Mutants, again with one female. When we get an all-new team of Avengers in a dozen issues, it will again consist of exactly one female. This is a clear problem with their titles.

The final problem is her powers. Invisibility can be handy, but its uses in a fight are limited. It’s just not a very offensive power.

It’s this final problem they tackle this issue. They will expand the limits of her invisibility powers to actually make her a formidable fighter. This is a good step in the right direction.

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Tales of Suspense #49, Story B

The Saga of the Sneepers!

Featuring: The Watcher
Release: October 8, 1963
Cover: January 1964
12 cents
Story plot: Stan Lee
Script and art: Larry Lieber
Inking: G. Bell
5 pages

“The Saga of the Sneepers” is the type of story that’s occupied this title since before Iron Man showed up, and has continued to exist in the form of backups to the main Iron Man stories. The difference between this and the ones we’ve opted not to read is that the Watcher is narrating it. That is the format of the first of these “Tales of the Watcher” stories.

The same format showed up this month in Tales to Astonish with “The Wonderful Wasp Tells a Tale“. The Watcher seems a more natural narrator of science fiction tales than the Wasp. The Wasp seems like she should be living adventures. The Watcher is forbidden to interfere in events, so narrating the events he observes is a more sensible use for the character than what he’s done in his two Fantastic Four appearances: interfering in events.

A notable difference between the two is that Wasp was presumably spinning a fictional story about the future to entertain, whereas the Watcher is narrating actual events. So the Sneepers are an actual alien race within the Marvel Universe; the Wobbows likely are not.

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Tales to Astonish #51, Story C

Somewhere Waits a Wobbow!

Featuring: Wasp
Release: October 1, 1963
Cover: January 1964
12 cents
Story plot: Stan Lee
Script and art: Larry Lieber
Inking: G. Bell
5 pages

Wasp finally gets her own solo adventures… the first female character to do so. And she’ll spend the series… reading science fiction stories to sick children.

Huh. Not exactly where I thought her character arc was going.

So far, she has shown an interest in men, makeup, and fashion. At least her interest in science fiction is less stereotypical.

Really, this is the same type of story that has been appearing in this series after the Ant-Man tales all along. Weird little science fiction shorts. We’ve been skipping most of them. But now they’re part of our superhero reading because the Wasp is narrating them.

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Fantastic Four #21

The Hate-Monger!

Featuring: Fantastic Four
Release: September 10, 1963
Cover: December 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: George Bell
22 pages

The cover tells me not to dare reveal Hate-Monger’s identity. I fear that I am going to have to do just that. Spoilers ahead.

This is George Roussos’ first time on Fantastic Four and the effects are noticeable. He makes less effort than the other inkers to smooth out Kirby, and if anything only emphasizes the sharp angles of the faces, creating a more exaggerated style. The first page is meant to show the FF looking angry and hate-filled, so perhaps is not the ideal introduction to his take on the characters.

The first page lets me know this will be the most unusual, thought-provoking tale I will read this season. Often, Stan uses hyperbole in these opening pages. But I think the ending (yes, the one I plan to spoil; you are warned) more than lives up to Stan’s promises.

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Sgt. Fury #4

Lord Ha-Ha’s Last Laugh!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 3, 1963
Cover: November 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
22 pages

The cover lets us know that one Commando will fight no more after this mission. Comic covers of the time are full of exaggerated dramatic assertions. This is not one of those.

George Roussos is fast becoming one of the more regular inkers, using the pseudonym George Bell. This is his first time on Sgt. Fury. Dick Ayers handled the inking for the first 3 issues.

The opening page is a good test for me to see if I’ve been paying attention. Last issue offered the name of each character on the opening page. This time the question is whether I can identify each Commando to fill out my character section below. Sgt. Fury and Dum-Dum are distinctive, and I know them well from many later comics. Gabe Jones is clear, the only black man on the team. Fortunately, Dino Manelli is combing his hair; that comb is a signature; recall he’s a famous Hollywood actor. The scraggly guy is Izzy Cohen. That leaves the two blonde guys to not mix up, and I had to peek at the previous issue. I think the green hat is meant to be distinctive for Rebel Ralston, making the other one Junior Juniper. Junior is freckled, but that’s not obvious in this picture.

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Journey Into Mystery #97, Story C

Tales of… Asgard! Home of the Mighty Norse Gods

Featuring: Tales of Asgard
Release: August 1, 1963
Cover: October 1963
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
5 pages

The inks are by George Roussos, who often used the pseudonym George Bell. This is the first work of his we’ve seen.

The Thor series has not been very good. But I know there are good Thor comics. I even know there are good Thor comics made by Lee and Kirby. We just haven’t seen them yet. There’s been no real consistent artistic voice on the series, with a variety of artists and scripters taking a hand.

Thor is at his best when the stories explore the mythological. He’s generally better in Asgard than on Earth. Indeed, the best Thor story so far introduced Loki, and told the story of how he freed himself from the tree where Odin had imprisoned him. That was the only glimmer of greatness we’ve yet seen.

Here is the next glimmer. After the main tale and a Larry Lieber-helmed sci/fi tale, we get the first installment of a new series: Tales of Asgard. These stories will give Kirby a chance to flex his mythological cred.

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