Featuring: Human Torch and Thing Release: July 9, 1964 Cover: October 1964 12 cents Written by: Word-slingin’ Stan Lee Drawn by: Picture-sketchin’ Dick Ayers Inked by: Ink-splatterin’ Paul Reinman Lettered by: Pen-pushin’ S. Rosen 13 pages
Dr. Strange gets a mention, but the cover real estate is again mostly devoted to Human Torch and Thing.
Thing and Human Torch battle Namor at sea, where they really are completely outmatched.
This turns out to be an issue of misunderstandings.
Featuring: Sgt. Fury and his Howling Commandos Release: July 9, 1964 Cover: September 1964 12 cents Written by: Stan Lee (the ol’ three-striper himself) Illustrated by: Dick Ayers ( the ol’ high-flyin’ corporal) Inked by: Geo. Bell Lettered by: S. Rosen 22 pages
A feature of this comic has been a desire to send the Howlers to every theater of the war. They are based in England, but have already fought in Germany, Italy, Africa… now they’re off to Japan. Does it make any actual sense that a single squadron would have such geographically disparate missions? I don’t think we’re supposed to worry about it.
Captain Sawyer describes Okinawa as Japanese-occupied. An odd phrasing. Japan had conquered it over 60 years earlier. At some point, it’s just part of Japan. At the time the comic was published, Okinawa was occupied by America, but has since been returned to Japan. It remains part of Japan to this day.
Captain Sawyer and the other characters refer to the Japanese as “Japs”. Today, this is generally recognized as a racial slur that was prevalent among 1940s Americans. Having the characters use such language is likely historically accurate.
Featuring: Avengers Release: July 9, 1964 Cover: September 1964 12 cents Written by: Stan Lee (our answer to Victor Hugo!) Illustrated by: Jack Kirby (our answer to Rembrandt!) Inked by: Dick Ayers (our answer to Automation!) Lettered by: Sam Rosen (our answer to Artie Simek!) 21 pages
This is more like it.
If you look to Amazing Spider-Man, you’ll see that Lee and Ditko introduced 6 super-villains in 7 issues (Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard), and the pace hasn’t slowed down by issue 16. By contrast, over 7 issues Avengers introduced the Space Phantom and Zemo.
So it’s good that we’re getting a new villain at all. More than that, it’s good that this villain is plausibly a threat to the Avengers. That’s what they should be about, after all. Threats so great no single hero can stand against them. It’s also great this is an independent menace. Too much of the series was focused on internal squabbles or villains whose sole goal was to defeat the Avengers.
Kang is actually here to conquer the world. He’s tough enough that it’s going to take a team of superheroes to stop him.
Thank god Rick Jones is there for the Pentagon top priority meeting.
Technically speaking, Kang’s perhaps not a new villain. But close enough. While we’re being technical, Zemo was perhaps introduced in Sgt. Fury.
Of more personal significance, this is the oldest Avengers comic I actually own. I have a complete run of Avengers comics starting with issue 31 and going until I stopped collecting them in 2007. And then I have a handful of older issues, starting with this one.
Featuring: Giant-Man and Wasp Release: July 2, 1964 Cover: October 1964 12 cents Excitingly written by: Stan Lee Exquisitely drawn by: Dick Ayers Extravagantly inked by: Paul Reinman Emotionally lettered by: Art Simek 14 pages
The cover hints at a significant change to the title, but we’ll save discussion of that for the next post.
We begin with Giant-Man throwing a temper tantrum and kicking out his fan club. Wasp complains he’s scaring way their fans. She uses the phrase, “our fans”, but all the signs say “Giant-Man”, never “Wasp”.
This series is weird about secret identities in multiple ways. They sometimes act like they have secret identities that are important to protect. Other times, they seem pretty nonchalant about it. For example, Wasp calls him “Hank” in front of the fan club.
Featuring: Human Torch and Thing Release: June 9, 1964 Cover: September 1964 12 cents Written by: Smilin’ Stan Lee Illustrated by: Darlin’ Dick Ayers Inked by: Peerless P. Reinman Lettered by: Adorable Art Simek 14 pages
Starting with last issue, Thing and Human Torch are costars in this space, though last issue still described Thing as a guest star. Now Thing goes right in the title: “The Human Torch and The Thing Team Up to Battle The Menace of… Paste-Pot Pete.” Of course, Human Torch still gets top billing. This was his title first after all.
Paste-Pot Pete gets a new look this issue, a step toward becoming a more serious foe. He’s clean-shaven. He’s got on a real battle suit, almost like armor, from which he… well, from which he still just shoots paste.
Featuring: Sgt. Fury and his Howling Commandos Release: June 9, 1964 Cover: August 1964 12 cents Sensational story by: Ex-Sgt. Stan Lee! Awe-inspiring art by: Ex-Corp. Dick Ayers! Inked by: Geo. Bell Lettered by: S. Rosen 22 pages
Nick Fury is always on his best behavior when on a date with Pam. Unfortunately, their lovely evening is brought to a halt when Fury’s Howlers splash mud on him. He starts to lose his temper, only to be scolded by Pam, who is more impressed by Percy’s gentlemanliness. Fury then gets a scolding from the Captain for the muddy uniform. This remains the funniest title.
The Howlers’ mission is to sneak into Berlin and capture Hitler. Seems easy enough until Fury is recognized by Baron Strucker.
Featuring: Giant-Man and Wasp Release: June 2, 1964 Cover: September 1965 12 cents By: Stan Lee, Dick Ayers, Paul Reinman, S. Rosen 5 pages
Wasp’s solo adventures were cancelled, so there is a 5-page void. Starting next issue, Hulk will get half the pages. This issue, the void gets filled with an “About” section. We recently saw a similar feature for Iron Man.
I don’t own this comic, and the digital versions of Tales to Astonish #59 exclude this section for some reason. Which makes it a hard story to track down. It was reprinted in Marvel Tales #13.
While the story title claims we will learn about Hank and Jan, it’s almost entirely about Hank. Wasp is just not treated with sufficient dignity. When she is mentioned, it’s only in the context of talking about Hank. The comic mentions her air gun, but focuses on the fact that Hank invented it. The comic dedicates more space to talking about their headquarters.
The comic mostly walks through what we know about Giant-Man. I think the only new details are that Captain America taught him karate and the precise weight he can press: 2000 pounds.
Featuring: Giant-Man and Wasp Release: June 2, 1964 Cover: September 1965 12 cents Rapidly written by: Stan Lee Dashingly drawn by: Dick Ayers Instantly inked by: P. Reinman Lazily lettered by: Art Simek 18 pages
Art Simek’s lettering is referred to as “lazy”. Indeed, he seems to have forgotten Paul Reinman’s name, crediting him as R. Reinman, rather than the usual P. Reinman.
This is Ayers’ first time drawing the Hulk. In fact, it’s the first time anybody but Kirby or Ditko has drawn the Hulk.
It’s clear that prior to this point, Hulk is not yet the character modern readers (or TV viewers or moviegoers) have come to know. Steve Ditko will take over the art/plotting duties on Hulk’s new ongoing series, and often gets the credit for inventing Hulk as we know him. But it seems to me all the groundwork is laid right here by Lee and Ayers. This issue introduces a more recognizable version of Hulk.
For several months, Hulk has been bouncing title to title (Avengers, Fantastic Four, Amazing Spider-Man) ever since his own series got cancelled a year earlier. This guest appearance in Giant-Man’s comic is his final bounce, and a transition into the return of his ongoing solo adventures in this very title. This is why they cancelled Wasp’s solo adventure backups, to make room for Hulk’s return. And this time, Hulk’s series will endure for a long time.
They refer to Hulk as the “Jolly Green Giant”. Think they took that name off a mascot for canned vegetables.
Besides being the lead-in to his new series, this is a significant issue for Hulk. We learn his full name for the first time: Dr. Robert Bruce Banner. This explains why Stan sometimes called him Bruce and sometimes Bob. I had assumed Stan just got careless with details.
Featuring: Human Torch Release: May 12, 1964 Cover: August 1964 12 cents Written by: Stan Lee (‘Nuff Said) Illustrated by: Carl Burgos (Who was the first to draw the Torch way back in the Golden Age of comics!) Inked by: Darlin’ Dick Ayers Lettered by: Smilin’ Sam Rosen 14 pages
Check out the split cover. That’s about to come into vogue. Equal cover real estate for both Human Torch and Dr. Strange. The idea won’t take off right away in this title, but we’ll soon see the split cover all over the place as more and more superheroes share titles.
There’s even a certain symmetry to the halves of the cover, what with the respective guest star boxes.
I find myself with an unusually large amount of things to say about the first page. Strap in.
“Nuff Said”. I’ve now read almost 3 years of Marvel comics without seeing that phrase. Now, I’m usually reading reprints, and thus missing ads and letter pages, where that phrase is more likely to show up. Brian Cronin notes Nuff Said first appeared in the letters page of Fantastic Four #19, almost a year earlier. I missed it. This is the first time I’ve seen it show up in the credits of a story or anywhere within a story. It is now recognized as one of Stan’s signature catch phrases.
Carl Burgos is the artist. That’s pretty cool. Because Burgos created the original Human Torch 25 years earlier; Johnny Storm borrowed his name, look, and powers. However, the credits don’t quite let us know that. Similar to Avengers #4, they acknowledge some contribution from Burgos without attributing the character to him. They call him the “first to draw the Torch”. He was the first to draw and write the character, and the entire concept is his. Marvel just bought his work. From a modern eye, this is irksome for a couple reasons. First, the language may be careful for legal reasons, as these companies like to make clear that the company created these characters and no people were involved. It also feeds into the notion that Stan has taken too much credit for himself over the years, allowing himself to get recognized as the creator of many characters, while often failing to acknowledge the actual creators. If you polled people today and asked who created the Human Torch, Stan Lee’s name would likely come up far more often than Carl Burgos’. Misleading credits like this do not help with that.
Featuring: Giant-Man and Wasp Release: May 5, 1964 Cover: August 1964 12 cents Written completely by: Stan Lee Illustrated neatly by: Dick Ayers Inked discreetly by: P. Reinman Lettered sweetly by: Art Simek 16 pages
Wasp notes it’s skiing season. This note is very important for chronologists. I myself haven’t paid close attention to seasons, but experts in this field think very hard about the seasons, and how they relate to the school years of Peter Parker and Johnny Storm. The Official Marvel Index to the Avengers notes this story takes place in February, likely with references like the “skiing season” quote in mind.
It’s now been two issues since Hank bought that engagement ring, but he hasn’t mentioned it again. The relationship drama is now centered around the amount of time he spends in his lab, to the neglect of his girlfriend. She complains he has a test tube instead of a heart.
