dick ayers – Page 3 – Coke & Comics

Sgt. Fury #23

The Man Who Failed!

Featuring: Sgt. Fury and his Howling Commandos
Release: August 10, 1965
Cover:
12 cents
Stirring story by: Stan Lee
Powerful pencilling by: Dick Ayers
Bold brushwork by: Frank Ray
Lilting lettering by: Artie Simek
20 pages

Previous	#437	Next
Amazing Spider-Man #30	Reading order	Sgt. Fury #24
Sgt. Fury #22	Sgt. Fury	Sgt. Fury #24

Years from now, when our grandchildren tell stories of those who came before them, I rawther suspect that the exploits of Percy Pinkerton will be those that endure the longest!

I always have a general concern about Marvel’s depiction of Asian people during this era, which comes into play when the Commandos encounter the Japanese army on the Burma Road. I’m more on the fence about it than usual here.

The Commandos use racial slurs to refer to the Japanese, and the Japanese officers are depicted attempting to commit horrible atrocities. However, the language likely accurately (if tamely) reflects language soldiers of the time used. And the Japanese military really is responsible for countless atrocities during World War II, many far more horrific than the accusations here. There are certainly ethnic stereotypes in place, but it’s very similar to how the German soldiers are depicted.

The Commandos are sent to rescue Sister Theresa and a group of children who had been living at her mission. The Japanese had burned the mission and are seeking to kill the nun and children.

Sgt. Fury #22

Don’t Turn Your Back on Bull McGiveney!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 8, 1965
Cover: September 1965
12 cents
Story: The greatest, by Stan Lee
Art: The first-ratest, by Dick Ayers
Inking: The ornatest, by Carl Hubbell
Lettering: The straightest, by Art Simek
20 pages

Previous	#432	Next
Marvels #2	PRELUDE
Tales of Suspense #72	Reading order	Amazing Spider-Man #29
Sgt. Fury #21	Sgt. Fury	Sgt. Fury #23

“Figure it wuz worth it, Sarge?”
“That’s for the history books, soldier!”

This story sets the Howlers on a mission that ties into a famous mission from World War II, Operation: Tidal Wave. This shows us where we are in time. It’s now August 1, 1943. The real-life operation was an ambitious bombing of Nazi oil refineries near Ploiești, Romania, which this comic will spell “Ploesti”.

Sergeants Fury and McGiveney will both be assigned to take their squads to provide preliminary support by destroying Nazi flak guns. McGiveney’s Maulers will be assigned to sabotage the main emplacements, while Fury and his Howlers will be assigned to destroy a train used to deploy mobile flak guns.

Of course, these two squads don’t get along and we’ve never before seen them try to work together. In fact, the story opens with them in a typical brawl, which gets interrupted by Captain Sawyer.

A Sergeant Lee and Corporal Ayers witness the Howlers going off to their mission. Lee decides he’s going to write stories about the Howlers one day and that Ayers can draw them. Indeed, we’ve met this Lee fellow a couple times before. We know he would go on to write the Fantastic Four comics, but would not get an invite to the FF wedding.

Sure enough, the rival squads step on each others’ toes a bit come the mission. The squads run into each other in the dark and mistake each other for the enemy. The confusion created leads to the capture of Fury and McGiveney.

Avengers #19

The Coming of… The Swordsman!

Featuring: Avengers
Release: June 8, 1965
Cover: August 1965
12 cents
Writer: Stan Lee
Artist: Don Heck
Inker: Dick Ayers
Letterer: Artie Simek
20 pages

Previous	#410	Next
Tales of Suspense #71, Story B	Reading order	Avengers #20
Avengers #18	Avengers	Avengers #20

There must be no surrender!

“Marvel Pop Art Productions”? This phrase started appearing on covers these last couple months. The letters page explains that fans object to these magazines being called comics, perhaps as that implies they are humorous and juvenile. So Stan is going to start calling them “pop art books”. I started reading these things about 25 years later and heard they were called comics, so I’m not sure this rebranding will stick.

Swordsman tries to join the Avengers but is rebuffed after a fight.

Tales of Suspense #69, Story B

Midnight in Greymoor Castle!

Featuring: Captain America
Release: June 8, 1965
Cover: September 1965
12 cents
Script by: Friendly Stan Lee
Layouts by: Frolicksome Jack Kirby
Rendering by: Frivolous Dick Ayers
Lettering by: Fearless Artie Simek
10 pages

Previous	#405	Next
Tales of Suspense #69	Reading order	Tales of Suspense #70
Tales of Suspense #69	Tales of Suspense	Tales of Suspense #70

Cedric, even if you care nothing for yourself or me– think of your country! You’re betraying us all!

Kirby does the layouts. He’s been doing a lot of that this month as he is over-stretched. Ayers is credited with the rendering. The difference from the previous issues with proper Kirby art really shows.

The plot here is that a scientist has a radiation experiment the Nazis can use to kill Captain America and Bucky. But it will only work if they are first helpless captives. At which point a gun would probably suffice.

X-Men #16

The Supreme Sacrifice!

Featuring: X-Men
Release: November 4, 1965
Cover: January 1966
12 cents
Story: Stan Lee
Layouts: Jack Kirby
Pencilling: Jay Gavin
Delineation: Dick Ayers
Lettering: Art Simek
20 pages

Previous	#403	Next
X-Men #15	Reading order	Tales of Suspense #69
X-Men #15	X-Men	X-Men #17

In my ignorance, my fear, I created an evil far greater than the menace it was built to destroy!

They are still tweaking the tagline. “The most mysterious fighting team of all time!” Usually, they are “unusual” instead of “mysterious”.

This issue is about the redemption of Bolivar Trask. But we see in the pull quote above, that he still doesn’t quite get it. He figures out that the Sentinels are worse than mutants, but the lesson should be that he was wrong to hate and fear all mutants.

X-Men #15

Prisoners of the Mysterious Master Mold!

Featuring: X-Men
Release: October 5, 1965
Cover: December 1965
12 cents
Writer: Smilin’ Stan Lee
Designer: Jolly Jack Kirby
Penciller: Jovial Jay Gavin
Inker: Darlin’ Dick Ayers
Letterer: Adorable Artie Simek
20 pages

Previous	#402	Next
X-Men #14	Reading order	X-Men #16
X-Men #14	X-Men	X-Men #16

We can only guard the human race by becoming its master! Humans are too weak, too foolish to govern themselves! Henceforth, we shall rule!!

We pick up with Trask a prisoner of the Sentinels he created to hunt mutants, with the X-Men laying futile siege to the Sentinels’ underground layer.

For a long while, the tagline had been “The most unusual teen-agers of all time!”. They’ve changed it, deemphasizing the youthful nature of the team, now referring to them as “the most unusual fighting team of all time!” This recalls the original tagline, “the strangest super-heroes of all time!” The regular tagline about teen-agers first appeared in issue 3.

The Beast is confused about Xavier’s capabilities, unsure where his confidence comes from.

Sgt. Fury Annual 1

Commission in Korea!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 1, 1965
Cover: 1965
25 cents
Story: Smilin’ Stan Lee
Art: Darlin’ Dick Ayers
Inking: Frisky Frankie Ray
Lettering: Artful Artie Simek
15 pages

Previous	#391	Next
Tales to Astonish #76	Reading order	Journey Into Mystery #120
	Sgt. Fury Annual	Sgt. Fury Annual 2

They have been shown, in the only way they understand, that free men can always strike back!

We check in with Sgt. Fury during the Korean War. The Commandos are sent on a secret mission across the 38th Parallel. Based on a cursory knowledge of the war, the massive American presence combined with a reticence to cross the 38th Parallel would place this story in July-August 1950.

The remaining Commandos all survived WWII and re-enlisted when the Korean War broke out. All of them have attained at least the rank of Sergeant, but they still seem to be in the same formation with the same personnel from 1943.

The narrator reminds us that the US are the good guys, who play by the agreed-upon rules of war. Unlike those Reds.

Sgt. Fury #21

To Free a Hostage!

Featuring: Sgt. Fury and his Howling Commandos
Release: June 8, 1965
Cover: August 1965
12 cents
Story by: Smilin’ Stan Lee
Pencilling by: Darlin’ Dick Ayers
Inking by: Cheerful Carl Hubbell
Lettering by: Adorable Artie Simek
20 pages

Previous	#379	Next
Amazing Spider-Man Annual 2	Reading order	Strange Tales #136
Sgt. Fury #20	Sgt. Fury	Sgt. Fury #22

I’m sorry kid. I know what it’s like– to lose someone!

The Howlers seem to have been betrayed by their Czechoslovakian bomb maker, Dr. Zenish.

They deduce that it’s because his family is being used as hostages against him.

INTERLUDE: Two-Gun Kid #77

The Panther Will Get You If You Don’t Watch Out!

Featuring: Two-Gun Kid
Release: June 1, 1965
Cover: September 1965
12 cents
Edited by: Stan Lee
Written by: Al Hartley
Pencilling by: Dick Ayers
Inking by: Carl Hubbell
Lettering by: Artie Simek
17 pages

Previous		Next
	PRELUDE	Mystic Comics #3, Story B
Daredevil #9	Reading order	Journey Into Mystery Annual 1

He wore two guns and a mask?

We are reading Marvel’s superhero line, which they started back up in 1961. We’ve occasionally read stories older than 1961 that seem vaguely relevant, and refer to those as PRELUDE posts. We occasionally read stories long after 1961 and call those POSTLUDE posts. We will also be doing INTERLUDE posts, which we will read at the time they came out, but are disconnected from the normal superhero universe.

If you’ve been following along, this will be the first INTERLUDE post you’ve come across. But I’ve retroactively made a few other posts be INTERLUDE posts. Those stories featuring Medusa, Merlin, Odin, or Zeus that weren’t really properly connected to the superhero reading.

Superheroes are on the rise and starting to crowd out other genres, but Marvel is still publishing its romance and western comics. Marvel had a single western hero, the Masked Raider, way back in the beginning in Marvel Comics #1. But they’ve been regularly publishing westerns since 1948, starting with Annie Oakley and the Two-Gun Kid.

That’s the original Two-Gun Kid, mind you. Not to be confused with the character we are about to read about. The original Two-Gun Kid was Clay Harder.

In 1962, Lee and Kirby introduced a new hero with the same name, lawyer Matt Hawk.

Marvel’s other continuing western titles are Rawhide Kid, and Kid Colt: Outlaw.

Former western heroes include Wyatt Earp, Apache Kid, Outlaw Kid, Blaze Carson, Tex Morgan, and Tex Taylor.

One of Two-Gun Kid’s steadfast allies is Boom-Boom Brown, a former boxer turned blacksmith.

His most trusted ally of course is his horse Thunder.

Avengers #18

When the Commissar Commands!

Featuring: Avengers
Release: May 11, 1965
Cover: July 1965
12 cents
Slyly written by: Stan Lee
Smoothly drawn by: Don Heck
Suavely inked by: Dick Ayers
Superbly lettered by: Artie Simek
Stoically read by: You (if you’ll ever turn the page…!)
20 pages

Previous	#371	Next
Sgt. Fury #20	Reading order	Fantastic Four #41
Avengers #17	Avengers	Avengers #19

I thought our purpose was to battle crime! Why need we concern ourselves with international affairs?

Of all the stories in the early Marvel Universe, these Cold War stories are the worst across the board. The very worst are the Cold War stories set in Asia, as they tend to mix in racism with the blatant US government pro-war propaganda.

It’s awful because they are aimed at children, with the seeming intent to indoctrinate them into supporting the war in Vietnam or whatever else.

If you remove all the ways they are plainly awful jingoistic racist propaganda, they still tend to be pretty awful narratively. The closest thing to an exception is the recent Thor story, which did have an actual narrative about a conflict between brothers and a family divided because one brother joined the Viet Cong.

But maybe this story where the Avengers invade an Asian nation at random to battle their Communist leader and overthrow the government will be the exception.

Spoiler. It won’t be.

This story is interesting because it’s both forgettable and forgotten… at least mostly forgotten for about 55 years… until 2019 when someone decided it should be one of the foundational cornerstones of the entire history of the Marvel Universe.