Fighting Side-By-Side With… Captain America and Bucky!
Featuring: Sgt. Fury and his Howling Commandos Release: October 8, 1964 Cover: December 1964 12 cents Written and drawn by the Titanic Two: Stan Lee and Jack Kirby Inked by: Dick Ayers Lettered by: A. Simek 23 pages
Jack Kirby returns for one final issue of Sgt. Fury, likely motivated by the choice of guest star. Under Kirby, this was one of Marvel’s best titles. It’s perhaps lost a step under Ayers, though remains one of the better series we are reading.
So far, one could almost question why we are reading this World War II series along with all the superhero ones. It is certainly the odd duck in my reading list. We have had two points of crossover so far. The Commandos teamed with a young Mr. Fantastic when he was Major Richards of the OSS, and we saw an older Colonel Fury team up with the Fantastic Four. This is the third point of crossover between Nick Fury and the superhero titles. There will be more.
Featuring: Captain America Release: September 8, 1864 Cover: December 1964 12 cents Writer: Stan Lee Artist: Jack Kirby Inked by: Chic Stone Lettered by: Art Simek 10 pages
Last issue, Captain America fought a gang of generic villains in purple jumpsuits. This issue, the generic villains are wearing green jumpsuits and work for Zemo. “Army of Assassins” may be their official name, as it’s used repeatedly.
There really won’t be much in the way of a story here, so what value we find will have to be in dramatic expressions and posing, and of course in the high energy action on display. I suspect Kirby will come through.
Featuring: Avengers Release: September 8, 1964 Cover: November 1964 12 cents Story superbly written by: Stan Lee Art adorably drawn by: Don Heck Inked by darlin’ Dick Ayers Lettered by stalwart Sam Rosen 20 pages
The issue’s title is “The Avengers Break Up”. Yet, at no point in the issue do the Avengers appear to break up. Instead, characters go to great lengths repeatedly to explain the title via the dialogue. “Now that Thor’s over there and Iron Man’s across the room, it’s basically like they’ve broken up.”
The Heck/Ayers art looks much as it did last issue, which I see as a negative. I’ll give them credit for a couple nice panels. A trippy one of Immortus and an easy-on-the-eyes Enchantress.
We get a weirdly sexist moment in an era filled with weirdly sexist moments. I don’t know if I’m ready to claim it’s the worst, but it’s up there. Iron Man recommends giving Rick Jones a uniform and making him an official Avenger. “…why don’t we make his membership in the Avengers official, as the Wasp’s is…”
Featuring: Hulk Release: September 1, 1964 Cover: December 1964 12 cents Sensationally scripted by: Stan Lee Dynamically drawn by: Steve Ditko Impeccably inked by: George Bell Lovingly lettered by: Sam Rosen 10 pages
Even if he escapes this mess, the status quo is unsustainable. If Hulk might revert to Banner at any moment and has no control… he can’t keep that identity a secret.
In a recent issue of Amazing Spider-Man, we remarked the Enforcers were distinguished from other super-villains in that they were content to be lackeys, serving a major super-villain. Most of the super-villains are to arrogant to serve anybody, a plot point whenever two try to team up. The other “lackey” villains we’ve met are Dr. Doom’s Terrible Trio and Magneto’s Evil Mutants. The Terrible Trio tried to make the leap from lackeys to being their own bosses with limited success. Magneto’s mutants only serve him, while the Enforcers are clearly for-hire.
Chameleon is the first villain we see make the leap from super-villain to lackey. He’d teamed up twice with Kraven, but those seemed more like partnerships. Now, he works for the Leader. Chameleon has been getting around. Originally a Spider-Man foe, he recently fought the Avengers, and now faces off against Hulk.
More than the major crossovers, I like the cameos. I like that Captain America can just show up for a panel if the story calls for it. Makes the universe feel cohesive.
I’m loathe to call this the introduction of the Leader since we don’t see his face. I suspect Ditko hadn’t even finished designing him yet.
Featuring: Spider-Man (for the moment) Release: August 11, 1964 Cover: November 1964 12 cents Written by: Stan Lee, author of “The Fantastic Four” Illustrated by: Steve Ditko, illustrator of “Dr. Strange” Lettered by: Sam Rosen, letterer of… “Patsy Walker”??? 22 pages
Check out that cover. Quite the contrast with pretty much every other superhero cover. The superhero is usually portrayed as tough, dramatically standing against the odds. In the worst case, the cover might show the villain winning, but the superhero remains defiant. This one has Spider-Man cowering and hiding from the villain.
In this story, Peter decides to quit being Spider-Man. He’s thought about it before, but he’s about to actually quit for the first time. It won’t be the last time, or even necessarily the most famous time. A similar story will get told and retold across decades of Spider-Man stories and even make its way into Spider-Man 2. (More directly, the film borrowed from Amazing Spider-Man #50, which borrowed from this issue.)
Note we’re reading this and the last issue together because they make a strong arc when read together. In terms of continuity, it has been weeks since the conclusion of the last issue, so it’s likely several other heroes’ adventures we’ve read occurred in the interim.
The story begins with everybody reacting to Spider-Man’s retreat: heroes, villains, people on the street… guy can’t run away from a single fight without everybody having an opinion. Ditko is great at people reacting to things.
Wasp notes that wasps and spiders are natural enemies. Always found that a weird thing to say. But she’s said it before and she’ll say it again; it’s an obsession of hers whenever the topic of Spider-man comes up.
This is an excellent comic for helping shape the nature of the relationship between Human Torch and Spider-Man. They’ve had some banter and conflict before, but also teamed up. A friendly rivalry. We saw how friendly last issue when Johnny attended the Spider-Man Fan Club meeting and then was quick to help Spider-Man against the Goblin. Now, he seems uncertain. He witnessed Spider-Man’s cowardice firsthand, but still wants to think better of his friend.
Featuring: Avengers Release: August 11, 1964 Cover: October 1964 12 cents Sensationally written by: Stan Lee Superbly illustrated by: Don Heck Selectively inked by: Dick Ayers Sufficienty lettered by: Art Simek 21 pages
Featuring: Captain America Release: August 11, 1964 Cover: November 1964 12 cents Author: Stan Lee Illustrator: Jack Kirby Inked by: Chic Stone Lettered by: S. Rosen 10 pages
Captain America is back with his own series, more or less. He doesn’t get the title of the magazine, but he gets a regular feature. He and Iron Man will be sharing Tales of Suspense. Very few characters get the title of the magazine. Daredevil and Spider-Man are special like that.
Captain America of course debuted in his own self-titled mag, Captain America Comics, way back in 1941. He was one of Marvel’s most popular superheroes for the entire decade. His comic was then retitled into Captain America’s Weird Tales for its final two issues to focus on the burgeoning horror genre. The final issue in 1950 didn’t even feature Captain America.
They tried a revival of the Captain America series in 1954, but it only lasted three issues. Fans were not as interested in seeing Cap smash Commies as they had been seeing him battle the Nazis a decade earlier.
Ten years later, they’re ready to try again. This time, the character will endure. Within 4 years, they’ll change the title of this comic to Captain America and that series will basically continue (with the occasional renumbering) to the present, over 55 years later.
All that said, this series doesn’t quite begin with a bang.
As the cover indicates, it’s a moment of big change for this title. The science fiction tales are gone, and the horror stories (or tales of suspense) this title was founded on are long gone. But gone now also are the Watcher stories, which blurred the line between the older science fiction tales and our new superhero ones.
Henceforth, this title will contain two stories: an Iron Man adventure and a Captain America adventure.
Captain America’s return has been successful enough to give him his own title, but Marvel is still artificially limited in the number of titles it can publish, and seemingly reluctant to get rid of titles, preferring to repurpose them. Thus Captain America and Iron Man have to share a book. Just as Hulk has to share Tales to Astonish with Giant-Man and Wasp, and as Dr. Strange has been sharing Strange Tales with Human Torch and Thing.
Recall that Professor Nathan Garrett adopted the identity of Black Knight and fought Giant-Man and Wasp. He was not the first Black Knight, but the first of modern times. He genetically engineered a flying horse and built an arsenal of gadgets and weapons, primarily his multifunctional lance.
The fancy credits neglect the contributions of Chic Stone and Art Simek.
Having been defeated, he agreed to join the Masters of Evil to fight Giant-Man and the rest of the Avengers.
Having been defeated by the team of superheroes he attacked, he now wants revenge, and so is planning to attack the Avengers individually. He begins with Iron Man, starting with an attack on Stark’s factory.
Featuring: Fantastic Four Release: July 9, 1964 Cover: October 1964 Written by: Stan Lee, the man with the talented typewriter! Illustrated by: Jack Kirby, the man with the power-packed pencil! Inked by: Chic Stone, the man with the panoramic paint-brush! Lettered by: S. Rosen, the man with the leaky lettering pen! 21 pages
I’d like to reflect back to Fantastic Four #11. Things were revealed there which are contrary to my general impression of these characters. Some key facts were that Reed and Ben had served in World War II. Prior to the war, they had both finished college. Further, he and Sue were sweethearts prior to the war.
We did a lot of math about what that meant, math I’m sure Stan Lee never did. But he must have had some sense of what he was saying. He had been a sergeant himself in World War II. He must have known that claiming Reed and Ben served in the same war he did made them about his age. He similarly knew that it was quite odd to have a sweetheart for 20 years and still not be married. He must have known these things.
The one thing I suspect he didn’t think about was that Johnny was in high school. This necessarily put a gap of almost twenty years in age between brother and sister. I have a friend whose brother is 30 years older than he, so I know this is possible. But I really don’t think Stan intended it.
Stan certainly gives the impression in the stories that Reed has let Sue stay single too long, but I assume he intends to mean she should have been married by 23 and she’s now like 26 or something. But that’s inconsistent with the World War II facts, which suggests she’s pushing 40 and still unmarried, but with at least two suitors.
Either way, Johnny is in high school. And whether his sister is ten or twenty years older than he, she is definitely much older and seems to be his guardian. There has been no mention of parents.
Featuring: Iron Man Release: July 9, 1964 Cover: October 1964 12 cents Every word you are about to read was written by ol’ faithful Stan Lee, one of the world’s most prolific script writers! Every drawing you are about to marvel at, was created by Don Heck, one of America’s most promising illustrators! Every bit of inking you are about to savor was done by Dick Ayers, one of the industry’s most painstaking artists! Every sentence you are about to scan was hand-printed by Sam Rosen, one of Marvel’s most perspicuous letterers! 18 pages
The story begins with Iron Man battling a shark. That’s cool.
This story will guest star Captain America. Remember in Strange Tales #123 when Thing was a guest star, and then he was sharing title billing by issue 124? Or how Hulk was a guest star in Tales to Astonish #59, and then had his own regular feature in Tales to Astonish #60? I don’t know why I’m bringing those up.
Kraven and Chameleon return to America after their most recent deportations. Iron Man catches Kraven sneaking ashore, but Chameleon gets away.
I really appreciate the battle between Iron Man and Kraven. So often in superhero comics, they exaggerate the threat the villain poses against the hero. This has been a particularly pernicious problem with heroes as powerful as Thor and Iron Man, who tend to outclass their villains. It is thus rather refreshing to see the battle between Iron Man and Kraven resolved within 3 panels, as it should be.
