Strange Tales #147, Story B

From the Nameless Nowhere Comes… Kaluu!

Featuring: Dr. Strange
Release: May 10, 1966
Cover: August 1966
12 cents
Script: (pgs. 1-5) Stan Lee.. (Our vacationin’ sorcerer)
Script: (pgs. 6-10) Denny O’Neil.. (Our sorcerer’s apprentice)
Art: Billy Everett… (Our peerless prestidigitator)
Lettering: Sam Rosen.. (Our naive necromancer)
Amulet polisher: Irv Forbush.. (Our stowaway)
10 pages

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“Zowie! He’s the ever-lovin’ gearest! Far as I’m concerned, the mods have had it! That crazy cape really comes on strong!”
“Man! Like there’s a boss bunch’a threads! That dad is gotta be what’s happenin’!”

The first issue of Dr. Strange without Steve Ditko. I think the first Spider-Man stories without Steve Ditko actually went pretty well. That John Romita guy is doing all right. But what even is Dr. Strange without Steve Ditko?

Stan Lee never cared about Dr. Strange. He never understood the character. He never understood the character’s appeal. He accepted the character had fans and was fine with that.

You can see this in his treatment of the character. The gap between the early issues, the character rarely being featured on the cover, the story always the back story of each issue, behind Human Torch and then Nick Fury.

He wrote the character for dozens of issues, but almost all the writing really came from Ditko.

On the other hand, Stan Lee loved Spider-Man. And you can tell. There are eternal disagreements over how much of the character and stories come from Lee and how much come from Ditko. But it was a much more collaborative process than Dr. Strange ever was, at least early on. And Stan Lee loved the character of Spider-Man like a son.

So when Ditko left Spider-Man, Lee put everything into making sure the next issue would keep the readership. He found the best artist for the job, told an extraordinarily eventful story, and plainly put his all into assuring readers that Spider-Man would continue to be great after Ditko.

For the first issue of Dr. Strange without Ditko… Lee writes half the script then hands the back pages to his new hire to write, a guy who’s scripted like 5 comics by this point. He just doesn’t care.

This is the second recent comic to refer to Stan Lee as being on vacation. Some reprints of this issue omit that, and change the credits to read “Smilin'” instead of “vacationing'”.

Bill Everett isn’t a bad choice for artist. He created Sub-Mariner and Daredevil. He’s been doing solid work illustrating the Hulk. But Ditko brought something wild and unique to these pages, while Everett is, well, less wild.

Though I’ll give him some credit for this image. He’s certainly taking his best shot at being Ditkoesque.

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Tales to Astonish #83, Story B

Less than Monster, More than Man!

Featuring: Hulk
Release: June 2, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Art: Wild Bill Everett
Lettering: Whammy Sammy Rosen
Applause: Honest Irving Forbush
10 pages

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If the man I love really is behind that grotesque face… does this mean I’ve lost him… forever?

“Less than Monster, More than Man!” A good title. Very Hulk.

These interactions between Betty and the Hulk give very significant insights into his character and their relationship.

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Tales to Astonish #82, Story B

The Battle Cry of Boomerang!

Featuring: Hulk
Release: May 5, 1966
Cover: August 1966
12 cents
Stan Lee, writer
Jack Kirby, designer
Bill Everett, illustrator
Artie Simek, letterer
A touch of the muse, inspirer
10 pages

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Simple boomerang! That can’t hurt Hulk!

Where were we? Namor tired of fighting Iron Man and continues his pursuit of Krang and Dorma. Tony Stark has made the decision to give in to Senator Byrd and turn over the secrets of Iron Man to the US Government.

Hulk has just made his way back to the surface from the subterranean realm where Mole Man and Tyrannus are at war. Tyrannus’ prisoners Talbot, Betty, and Rick, had also recently returned to the surface. They weren’t back long before Betty was captured by Boomerang, who was hired by the Secret Empire to steal some type of weapon.

“No one shoots Hulk! No one!” exclaims Hulk.

Actually, people shoot at Hulk all the time. They just never hurt him.

Ross blames Hulk for his daughter’s abduction. He blames the Hulk for most everything. Note he is talking about Betty’s previous abduction by Tyrannus. He doesn’t know she’s been abducted again since then.

Anybody else notice Betty gets abducted a lot?

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Tales to Astonish #81, Story B

The Stage is Set!

Featuring: Hulk
Release: April 5, 1966
Cover: July 1966
12 cents
Hulkable script by: Stan Lee
Hulksome layout by: Jack Kirby
Hulkorious art by: Bill Everett
Hulkated lettering by: Sam Rosen
Costumes by Tibor of Transylvania!
10 pages

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“His boomerang is causing a rock slide!”
“It’s returning to him like an arrow!”

A lot happening in this issue. For Hulk, he’s finishing up his encounter with Tyrannus and Mole Man from last issue. But in the background, important villains are being introduced. They will set up a confusing mess of coming issues.

The secret empire known as Hydra has fallen. Nick Fury and Captain America have been having trouble with a new secret empire called Them, which may be connected to AIM. Now we meet a new secret empire, known as, er, the Secret Empire.

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Tales to Astonish #80, Story B

They Dwell in the Depths!

Featuring: Hulk
Release: March 3, 1966
Cover: June 1966
12 cents
Script: Stan Lee, D.H. (Doctor of Hulkishness)
Layouts: Jack Kirby, M.H. (Master of Hulkability)
Art: Bill Everett, B.H. (Bachelor of Hulkosity)
Lettering: Artie Simek, P.H. (The Pride of Hulkdom)
10 pages

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There is no Banner! Only the Hulk! I’m the Hulk! The Hulk!

At this point, continuity becomes complicated, and things will move fast. Let’s recall where we were.

We read the first half of this issue a while back. Namor had defeated the Behemoth, but returned in victory to find Dorma had fled with Krang, and that they were to wed. She agreed to the marriage only to save Namor’s life. But Namor doesn’t know that. So now he’s angry.

Hulk just had a fight with Hercules.

Thor defeated the Troll army in a war. Spider-Man bought a bike and met a girl named Mary Jane. Daredevil escaped from the Owl’s trap, but had not been around to defend the Rhino. The Avengers have returned from a South American adventure (though this may lead to a small continuity hiccup we’ll discuss). Hank and Jan have recently rejoined the team. Wanda and Pietro remain in Europe recovering their powers. Dr. Strange has defeated Dormammu (well, Eternity did most of the work). Iron Man defeated Ultimo and returned home to find Senator Byrd had closed Stark factories, but not before they were able to make a suit to contain John Jameson’s newfound powers.

The Fantastic Four and X-Men are mostly doing their own thing lately, without much interaction with the other heroes.

Most relevantly, Nick Fury had warned Captain America about the threat of an organization of scientists named Them in Tales of Suspense #78. Meanwhile, in Strange Tales #146, an organization of scientists called AIM was offering to help the US government with weapons technology, but only if they removed Nick Fury as the head of SHIELD.

Our story opens with Hulk moping about not having friends. When Tyrannus pulls him beneath the surface.

We met Tyrannus in Incredible Hulk #5. Tyrannus has long ago been banished beneath the surface by Merlin; there he found the Fountain of Youth, and the race called the Tyrannoids who now serve him. A race similar to those Tyrannoids (but a little different-looking) was also revealed to serve the Mole Man in Fantastic Four #22. Several people claim to rule the underworld, including Kala, and the Lava Men.

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Daredevil #21

The Trap is Sprung

The Trap is Sprung
Featuring: Daredevil
Release: August 2, 1966
Cover: October 1966
12 cents
Spellbinding script: Stan Lee
Phenominal pencilling; Gene Colan
Dynamic delineation: Fearless Frank * Darlin’ Dick * Wild Bill
Laudatory lettering: Artie Simek
Bombastic bird-watching: Irving Forbush
20 pages

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“Daredevil!! B-but how–??”
“Would you believe– blind luck??”

The credited inkers are Frank, Dick, and Bill. I presume that means… Frank Giacoia, Dick Ayers, and Bill Everett.

Is Colan the regular artist now? It suggested last issue was a fill-in. But he’s now drawn 2 issues in a row and is set to draw the next 80 or so.

On a personal note, this is the earliest issue of Daredevil that I own.

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Tales to Astonish #79, Story B

The Titan and the Torment!

Featuring: Hulk
Release: February 3, 1966
Cover: April 1966
12 cents
Hulkish story by: Stan Lee
Hulkable layouts by: Jack Kirby
Hulking artwork by: Bill Everett
Hulksome lettering by: Artie Simek
10 pages

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Even he cannot suspect that Bruce Banner’s gamma rays have miraculously given Hulk the power to grow stronger, rather than weaker, so long as his rage keeps mounting!

As Richard recently pointed out in the comments, this is a great cover of Hulk battling Hercules, courtesy of Kirby and Everett. I fear the issue itself won’t quite live up to the image.

There is some pretty tight continuity on display. When we last saw Hercules, he and a casting agent had left New York bound for Los Angeles. Here we see them on a train from New York to LA. We’ll next see them arriving in LA in Thor #128. The casting agent doesn’t know this is the real Hercules. He’s been cast to play Hercules, so the agent assumes he’s method acting.

Note how little time there has been to breathe in these stories. Hulk’s battle with the Leader led right into his battles in the future, which have led right into his battle with Dr. Zaxon. There’s been no room to breathe. Cliffhanger after cliffhanger. Not so much one long story, as a bunch of story threads that don’t respect issue boundaries.

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Tales to Astonish #79

When Rises the Behemoth

Featuring: Prince Namor, the Sub-Mariner
Release: February 3, 1966
Cover: May 1966
12 cents
Now this is a story! By: Stan Lee
Now this is pencilling! By: Adam Austin
Now this is delineation! By: Bill Everett
Now this is lettering! By: Artie Simek
12 pages

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Back, you mortal rabble– back!!

Without much fanfare, we have Bill Everett inking Gene Colan. Bill Everett is the creator of the Sub-Mariner. Of course, for whatever reason, it’s the publisher and not he that controls the character. So Marvel gets to publish and profit off Sub-Mariner stories, and he only gets paid if he does more work. So here he is inking Colan’s pencils with Stan adding dialogue. Once Everett wrote and drew Namor’s adventures entirely on his own.

He’s slowly coming back to do more work for Marvel. The last thing he did for them was create Daredevil. But his Daredevil comic was drawn with immaculate detail and unfortunately not within deadline. So he got immediately removed from his own character, and only now 2 years later is starting to get regular work with Marvel again.

As of last issue, he’s the regular finisher on the Hulk stories within this title. He’s just filling in on this Namor story, but will be returning to Namor regularly soon.

I was down to two choices for the pull quote at the top of this quote. I went with one that best exhibited Namor’s personality. I could have gone with the more standard Stan Lee heroic purple prose: There is a time to flee– and a time to fight! While life endures–I shall ever choose the latter course!

I’m never quite clear on what the powers of all these characters are. Namor sometimes seems like Superman. But we see here he’s not bulletproof. He gets shot in the shoulder, and is wounded and losing blood.

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Tales to Astonish #78, Story B

The Hulk Must Die!

Featuring: Hulk
Release: January 4, 1966
Cover: April 1966
12 cents
Story by: Stan Lee (Certainly!)
Layouts by: Jack Kirby (Naturally!)
Artwork by: Bill Everett (Surprisingly!)
Lettering by: Sam Rosen
10 pages

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Everett is on art now. We know him as the creator of Sub-Mariner, who told Namor’s original stories. And as the co-creator of Daredevil with Stan Lee, who worked on that series for a single issue. He was removed for being very over-deadline. I think a full-length comic for an entirely new character takes longer than a 10 page Hulk story.

Nonetheless, Kirby is brought in for layouts. Though Everett is the more senior of the two and has long been a writer/artist.

Hulk’s story hasn’t had a pause to breathe since he got his new title. No sooner had the Leader finally been defeated than Hulk was transported into the future. Thinking him dead, Rick revealed Banner’s secret to Major Talbot. But Hulk lives, and has returned from the future.

Has Talbot not told anybody his news yet? Not even Ross?

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PRELUDE: Human Torch #5

The Human Torch Battles the Sub-Mariner as the World Faces Destruction!

Featuring: Human Torch
Release: October 8, 1941
Cover: Fall 1941
10 cents
60 pages (!)

The comic gives no credits. I’ll point you to the GCD, which notes work from Carl Burgos, Bill Everett, Jack D’Arcy, Hank Chapman, Mike Roy, Harry Sahle and George Kapitan. That’s… a lot of names. I will make no attempt to untangle who did what.

Counting to 5

Let’s get the confusing part out of the way. We are looking at Human Torch #5, with a cover date of Fall 1941.

The previous issue of Human Torch was… Human Torch #5, with a cover date of Summer 1941. Why? I have no idea. I think somebody counted wrong.

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