Featuring: Hulk Release: February 4, 1965 Cover: May 1965 12 cents Script by Stan Lee, who created [sic] the Hulk! Art by Steve Ditko, who adopted the Hulk! Inking by Frankie Ray, who fears the Hulk! Lettering by Art Simek, who looks like the Hulk! 10 pages
Hulk remains in the unnamed “iron curtain nation”. We will learn this nation borders Mongolia.
We see an impressive battle with the Soviet military. Hulk’s been fighting the US military since issue 1, but this is the first real all-out battle between Hulk and a bunch of tanks.
The Mystery of the Hidden Man and his Rays of Doom!
Featuring: Giant-Man and Wasp Release: February 4, 1965 Cover: May 1965 12 cents Way-out story by: Stan Lee Ring-a-ding art by: Bob Powell Singin’ inkin’ by: Chic Stone Boss balloons by: Artie Simek 12 pages
We need to recall that everything is happening almost concurrently. The X-Men fight the Stranger and then Juggernaut. The Fantastic Four fight the Frightful Four and get lost at sea. The Avengers fight the Masters of Evil, then disband, then get replaced by the New Avengers. Thor fights Absorbing Man, then faces the Trial of the Gods, then the Destroyer. Hulk faces a series of villains controlled by the Leader.
These all overlap to some extent.
We’ve just caught up on 4 months of Hulk stories in this title. We’d been keeping up with the Giant-Man stories, but skipping the Hulk ones. Now we’re caught up to both. The Huk’s saga is continuing, so we’ll read the next 3 issues together.
That’s commentary on when these Giant-Man/Wasp stories take place. They fit better before Avengers #15 or perhaps in the middle of Avengers #16, before Giant-Man and Wasp announce their retirement (page 6). When the Avengers disbanded, it sure looked like Giant-Man and Wasp wanted a break from superheroing. These next 3 issues we are about to read are published concurrently with Avengers #15-17.
Featuring: Hulk Release: January 5, 1965 Cover: April 1965 12 cents Power-packed script by: Stan Lee Hard-hitting art by: Steve Ditko Two-fisted inking by: Vince Colletta Silken-soft lettering by: Art Simek 10 pages
We are almost up to date with our Hulk stories. This is the last issue where we’d read the Giant-Man/Wasp stories in the past.
We just had a discussion about how Colleta’s inking over Kirby.
How do we feel about Colletta over Ditko? The answer is that we dislike all inkers over Ditko. Ditko is best when inking himself. However, the final artwork here looks close enough to Ditko work. Ditko must have done tight pencils. So we don’t hate it. But we don’t prefer it.
Featuring: Hulk Release: November 3, 1964 Cover: February 1964 12 cents Written with the sparkling skill of Stan Lee! Drawn with the peerless power of Steve Ditko! Inked with the classic clarity of George Bell! Lettered with the TV set on by: Artie Simek 10 pages
Recall we read the Giant-Man/Wasp story in this issue a while back, but we’ve saved the Hulk stories for a big push.
Interesting that Stan refers to this as “the only super-hero soap opera”. I feel like that phrase with epitomize Marvel comics for decades to come.
I think it’s time to bid farewell to George Roussos, one of the most prominent inkers of our early reading, always under the pseudonym George Bell (oft abbreviated to Geo. Bell). We’ve read almost 50 stories with his inks, including Fantastic Four, Sgt. Fury, Iron Man, Thor, Human Torch, Giant-Man/Wasp, and Hulk stories. He’s off to do other work. He’ll return to Marvel in the 1970s and become one of Marvel’s most prominent colorists. He’s also been coloring much of the work we’ve been reading, but I’ve read most of his stories in recolored reprints, so miss out.
We open with Banner in jail, suspected of treason. He is taking tranquilizer pills to keep himself from transforming. Remember, it’s now strain that triggers the transformation.
Featuring: Tales of Asgard Release: June 1, 1965 Cover: August 1965 12 cents Written with gallantry by: Stan Lee Drawn with greatness by: Jack Kirby Inked with grandeur by: Vince Colletta Lettered with a straight face by: Artie Simek 5 pages
Featuring: Thor Release: June 1, 1965 Cover: August 1965 12 cents Who but Stan Lee could have written this tale? Who but Jack Kirby could have drawn it? Who but Vince Colletta could have inked it? Who but Artie Simek could be called Artie Simek? 16 pages
Interesting grid layout for the cover. Haven’t seen too many of those from Kirby. I’m guessing that’s because something went very wrong here. As all four cover panels are just taken from the interior art.
Either Kirby didn’t finish a cover or his cover was rejected. This looks like somebody scrambling at the last minute to get something, anything on the cover before the book got printed.
This is the June issue of Thor. We’ve read almost consecutively since January and are now 3 months ahead of the rest of our reading. We’re going to pause after this issue, despite the inconclusiveness of the ending. We need to check in on our other heroes. Because we’re mostly in March with our reading, I don’t want to worry too much about June things right now. Like, let’s not focus on the fact that “Marvel Comics Group” has apparently become “Marvel Pop Art Productions”. We’ll reflect on that when we reach June properly.
For now, a recap. Loki has helped an evil and unnamed hunter locate the Temple of Darkness, which housed the Destroyer, a mindless being imbued with the power of Odin who would one day defend Earth in its hour of need. The Destroyer took the hunter’s mind, and has awakened too early, and thinks Thor is who it’s meant to destroy.
It’s already destroyed his hammer.
But Thor really just wants to bring his bag of Norn Stones to Odin to prove Loki cheated in the Trial of the Gods. All-wise, all-seeing Odin is not aware of these Stones because he’s currently taking a nap.
Loki likes to torment Thor, but is afraid his latest scheme will result in Thor’s death. He doesn’t mind Thor being dead, but fears the punishment of Odin if he is blamed. He has thus attempted to wake Odin and save Thor, but was thrown in prison for it.
Whew. That’s where we left off.
Oh, and the Destroyer was moments away from killing Thor, and still is.
We are now 2 months ahead of everything else in our Thor reading because it’s all just flowing together. Thor still hasn’t returned to Asgard with the Norn Stones that will prove Loki cheated in the Trial of the Gods.
He is still flying with Kim, whose entire family was recently killed by her Communist brother.
In the early (generally awful) Thor stories (#83-100), the villains were pretty lame. Loki was the only real stand-out. A couple others, like Radioactive Man, had potential. When Kirby became the primary artist and the stories started to improve, we got some better villains: Executioner, Enchantress, and Grey Gargoyle.
Now that the series is kicking into high gear, we are getting great villains. We recently met Absorbing Man and now get introduced to the Destroyer.
Featuring: Tales of Asgard Release: April 1, 1965 Cover: June 1965 12 cents By: Stan Lee + Jack Kirby Inking: Vince Colletta Lettering: Artie Simek 5 pages
For 20 issues, these Tales of Asgard stories have been short stories that resolved in 5 pages. Now, a large saga begins. At least 11 parts, and even then it just rolls into the next saga.
For reading order, I like to keep story-arcs together. Based on that, I could read all 11 parts at once. This is what the CMRO recommends. It actually recommends reading the next 17 back up stories together.
But I also like to keep issues together. It seems weird to get out a comic, read half of it, put it away, then get it out again later to read the other half. Though we have done that sometimes in the name of keeping arcs together. For example, we read the last 5 Human Torch stories from Strange Tales without reading the corresponding Dr. Strange stories. We’ll have to get the comics back out of the box.
How to balance these two goals (keep a story together vice keep a physical comic together) is subjective, and I’m making a subjective call here: reading these Tales of Asgard stories together doesn’t improve the story in any way. I think they read best as they were published, as episodes in the back of the main Thor comic, to be read after that month’s Thor story. And that’s how we’ll read them. We’ll keep Thor story arcs together as best we can and let the main stories set the reading rhythm. That means it may take us a while to finish the Odinsword Saga. I think that will be okay.
We’re still spinning out of the events of issue 114, when Loki kidnapped Jane. This led directly to last issue’s Trial of the Gods, a challenge which Loki won by cheating, right as last issue closed.
We pick up precisely where we left off. For continuity’s sake, Thor is still without his cape. He’ll get another one when they get home.
This issue, Thor finds himself entangled in the Vietnam war. Marvel heroes have been fighting Communists for as long as we’ve been reading, often in Vietnam. The nature of US involvement in Vietnam was changing drastically, as this comic was published just 7 months after the Gulf of Tonkin incident. Here, we see the civil war that ravages South Vietnam, as South Vietnamese farmers face the terror of the Viet Cong, guerilla forces supported by the North Vietnamese.
Before we get to Viet Nam, we have unresolved plot points from last issue. Who won the Trial of the Gods? Will Jane be rescued from Enchantress and Executioner?
Featuring: Tales of Asgard Release: March 4, 1965 Cover: May 1965 12 cents Story: Stan Lee Pencilling: Jack Kirby Inking: Vince Colletta Lettering: Artie Simek 5 pages
Another early scheme of Loki. While Thor flirts with Princess Rinda, Loki schemes with King Hymir. Hymir issues two challenges Thor is honor-bound to accept. Those who fail Hymir’s challenges become his slaves.
