Join me as I read through the entire Marvel Universe in order.
Great Zeus
Release: March 1, 1962
Cover: June 1962
12 cents
Story: Stan Lee
Art: Steve Ditko
5 pages
Zeus decides to head to earth to guide humans away from the path of self-destruction. At first, people think he is a crackpot. But when they see his powers, several agents want to sign him up. He is overwhelmed by the agents and retreats to Mount Olympus
Venus
Release: May 15, 1948
Cover: August 1948
10 cents
22 pages
No credits are given. Online sources uncertainly credit Lin Streeter with inks. The GCD once credited Ken Bald with pencils and George Klein with inks, but has removed those credits.
There are two chapters and perhaps two different stories here. But neither has a name, and they flow together well enough. Online sources refers to them as two stories with implicit titles “Venus Comes to Earth” and “The 10 Goddesses”. I don’t know where those titles come from.
Since we just met Thor, I figured we should look back at other mythological figures in the Marvel Universe. We’d already met Medusa, and I skipped an appearance of Zeus, which I am correcting. But the most mainstream I know of before Thor is Venus, goddess of love and beauty. Her series lasted 19 issues in the late ’40s and early ’50s.
Now, this isn’t a superhero comic. It’s aimed at women (though the ad on the last page is addressed to both fellows and girls), so about romance and fashion and such. But later writers will treat Venus as a superhero, and the story has some elements in common with Thor.
Continue reading “PRELUDE: Venus #1”The Stone Men from Saturn!
The Stone Men from Saturn!/The Power of Thor!/Thor the Mighty Strikes Back!
Release: June 5, 1962
Cover: August 1962
12 cents
Writing: Stan Lee, Larry Lieber
Pencils: Jack Kirby
Inks: Joe Sinnot
13 pages
| Previous | #13 | Next |
|---|---|---|
| PRELUDE | Venus #1 | |
| Ultimate Spider-Man #5 | POSTLUDE | |
| Amazing Fantasy #15 | Reading order | Tales to Astonish #35 |
| Journey Into Mystery | Journey Into Mystery #84 |
Whosoever holds this hammer, if he be worthy, shall possess the power of Thor!
The credits are taken from the table of contents for Marvel Masterworks: The Mighty Thor vol. 1. I don’t see any credits in the story itself.
How wild is it that Thor and Spider-Man were introduced on the exact same day? There are a lot of days in the last 80 years, and only so many super heroes as iconic as those two. In the last year, we’ve met the Fantastic Four and the Hulk. The pace is picking up. Within a year, we’ll meet many of our favorite heroes.
The opening splash page depicts Thor, with a distinctive “T” on his elaborate belt. Except for simplifying the belt, Kirby’s rendition of Thor will last for decades with only minor variations. Notice the smile on Thor’s face; we see that later in the issue as well. Kirby depicts Thor as full of mirth. There is generally a dynamic and playful quality to the art.
Continue reading “Journey Into Mystery #83”Life Lessons
Release: January 3, 2001
Cover: March 2001
$2.25
Story: Bill Jemas and Brian Michael Bendis
Script: Brian Michael Bendis
Pencils: Mark Bagley
Inks: Art Thibert
21 pages
They have lowered the price by a quarter. Maybe that will sell the comic better than the awful cover.
This concludes our look at the first 5 issues of Ultimate Spider-Man. This final issue sticks pretty closely to the last 3 pages of the original Spider-Man story. Although it does open with 3 irrelevant pages about Green Goblin.
We then get 4 pages at the crime scene, including a double-page spread.
Continue reading “POSTLUDE: Ultimate Spider-Man #5”With Great Power
Release: December 6, 2000
Cover: February 2001
$2.50
Story: Bill Jemas and Brian Michael Bendis
Script: Brian Michael Bendis
Pencils: Mark Bagley
Inks: Art Thibert and Dan Panosian
22 pages
Continuing to read the adaptation of the Spider-Man story from Amazing Fantasy #15 into Ultimate Spider-Man #1-5. This issue covers the events of page 8 and the first two panels of page 9 in the original story.
It dedicates 4 pages to Norman Osborn, finally becoming Green Goblin. His assistant, Justin, appears dead. Harry and Dr. Octavius look quite wounded.
4 pages are dedicated to Spider-Man’s wrestling career, including its end. The analogue in the original was his television career, which didn’t explicitly end in the original story. Perhaps it will be addressed later on. The previous issue had explained the mask/anonymity thing in terms of him being a kid who wouldn’t be allowed to wrestle otherwise. But now that schtick has gotten him into trouble. Somebody has stolen the petty cash and he gets the blame.
Continue reading “POSTLUDE: Ultimate Spider-Man #4”Wannabe
Release: November 1, 2000
Cover: January, 2001
$2.50
Story: Brian Michael Bendis and Bill Jemas
Script: Brian Michael Bendis
Pencils: Mark Bagley
Inks: Art Thibert
22 pages
So we’re working our way through Ultimate Spider-Man #1-5 and contrasting with the origin of Spider-Man in Amazing Fantasy #15, with particular emphasis on why one story is 12 times longer than the other. This issue covers the ground of pages 5-7 of the original story.
Part of the reason the story is longer is that other things happen. This issue dedicates 4 pages to the story of Norman Osborn on the path to becoming Green Goblin. And along the way is setting up Dr. Octopus. We had previously met Dr. Octavius, but first see his metal arms here.
Continue reading “POSTLUDE: Ultimate Spider-Man #3”Growing Pains
Release: October 4, 2000
Cover: December 2000
$2.50
Story: Brian Michael Bendis and Bill Jemas
Script: Brian Michael Bendis
Pencils: Mark Bagley
Inks: Art Thibert
22 pages
I’m reading Ultimate Spider-Man #1-5, a modern telling of the story of Spider-Man, originally told in Amazing Fantasy #15; a focus is figuring out why the same story takes 12x as many pages to tell. This issue in particular covers the same ground as about 4 panels on page 4 of the original, where Peter Parker starts to understand his powers.
Part of the answer for the page count lies in layout. This issue favors bigger panels, less per page, more varied layouts. The original adheres pretty rigidly to 3 rows of panels per page, with 2-3 panels per row. The only exceptions it make are for the first page splash page, and a larger panel to open chapter 2.
Continue reading “POSTLUDE: Ultimate Spider-Man #2”Powerless
Release: September 6, 2000
Cover: November 2000
$2.99
Story: Bill Jemas and Brian Michael Bendis
Script: Brian Michael Bendis
Pencils: Mark Bagley
Inks: Art Thibert
48 pages
I want to pause our main reading to jump forward into the future again, to the year 2000 and a new modern take on Spider-Man’s origin called Ultimate Spider-Man. This takes an 11 page story and spreads it over 135 pages and 5 issues. I’d like to look at exactly where that factor of 12 in the page count comes from. And also consider what changes the writers felt they need to make and why they made them. I agree the original story skimped on some details, but 124 pages worth of details?!?
This first issue is 48 pages long and covers the ground of about 3 pages of the original Spider-Man story. Why so much longer?
Part of the answer lies in focus. The original story was Peter Parker’s story and his story alone. Any characters we met, we met in relation to Peter. Peter was in every scene and most panels. Peter’s story never paused to make way for another character’s plot.
Continue reading “POSTLUDE: Ultimate Spider-Man #1”Spider-Man!
Featuring: Spider-Man
Release: June 5, 1962
Cover: August 1962
12 cents
Credits: Stan Lee and Steve Ditko
11 pages
| Previous | #12 | Next |
|---|---|---|
| POSTLUDE | Ultimate Spider-Man #1 | |
| Incredible Hulk #2 | Reading order | Journey Into Mystery #83 |
In this world, with great power there must also come– great responsibility!
I’ll just go ahead and let you know up front that I think this is the single best story in the history of comics.
It suffers only from being too often imitated. It has been retold so many times over the years in comic books and other media that many feel they know the story too well before ever picking up this comic. It can lose something in the repetition. But imagine coming to this story fresh, having never heard of Spider-Man, having never heard the phrase, “With great power there must also come– great responsibility!”
The story is this. Peter Parker is a nerd, loved by Aunt and Uncle, but ostracized by his high school classmates. When a bite from a radioactive spider gives him super powers, he tests them by entering a wrestling contest. An agent spots him and helps make him a celebrity. Caught up in his interest in fame and money, the self-absorbed Spider-Man doesn’t try to help a police officer chasing a burglar. In a twist of fate, the burglar he allowed to escape kills his Uncle Ben. He learns a valuable lesson about responsibility.
Continue reading “Amazing Fantasy #15”The Terror of the Toad Men
Enter…The Toad Men/
Release: May 1, 1962
Cover: July 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inks: Steve Ditko (uncredited)
24 pages
I read this comic in Incredible Hulk Omnibus vol. 1. The table of contents credits Steve Ditko with inks.
In truth, lots of aspects of this comic look more like Ditko than Kirby to me. Hulk himself looks very different from the first issue, and I attribute that to Ditko having a heavy influence on this issue.
It’s also attributable to Hulk being green. Pretty sure he was grey last issue. Did something happen to cause him to change color? Well, they recap his origin and when they illustrate him in events which happened last issue, they also color him green.
Continue reading “Incredible Hulk #2”
