Reading the Marvel Universe – Page 42

Tales to Astonish #56

The Coming of the Magician!

Featuring: Giant-Man and Wasp
Release: March 3, 1964
Cover: June 1964
12 cents
Written by: Stan Lee
Drawn by: Dick Ayers
18 pages

The story leaves out the letterer credit for some reason. The GCD notes it’s Sam Rosen.

They spend a page detailing how Giant-Man’s ring transport method works. It really might be the dumbest thing in this series.

Giant-Man’s costume has been undergoing a gradual evolution. Ayers has been drawing him with these thick black suspenders, while everybody else has favorited light vertical stripes, as on the cover. They will eventually converge on the black suspenders look. Ayers adjusts them slightly in this issue. They had always been vertical like suspenders on the front, but now Ayers has them in a V-shape, meeting at his belt. I’d like to use costumes as a clue for how these issues fit around the Avengers issues, but Giant-Man must be changing back and forth.

Wasp also gets a new look this issue. This is also unhelpful to chronology considerations as this look never shows up in the Avengers comic. She has a new hairdo and new headpiece to show it off. In Avengers #5, she appears to have her old hairdo and headpiece. By Avengers #6, she is wearing a whole new costume. It will be hard to reconcile.

The big news of this issue, besides Wasp’s new do, is that Hank has finally bought a ring, and intends to propose to Jan. She’s been wanting that basically since they met while he has always been too preoccupied with science and superheroing.

Journey Into Mystery #104, Story C

Heimdall, Guardian of the Mystic Rainbow Bridge

Featuring: Tales of Asgard
Release: March 3, 1964
Cover: May 1964
12 cents
A tale told in splendor by: Stan Lee
A drama drawn in glory by: Jack Kirby
Inked by: Don Heck
Lettering: Art Simek
5 pages

I appreciate that the Tales of Asgard stories are willing to try different things. The initial offerings concerned Odin and the early days of creation. Then we got a series of stories about Thor as a youth. Now we will get a series focused on Heimdall. Stories about Balder will follow. The series feels it has the freedom to explore a variety of characters and eras of Asgard.

Heimdall was briefly introduced to us in Journey Into Mystery #85, where we learned he was the Warder of the Bifrost. We are given the general sense that he is very good at his job and that almost nothing slips past him. However, we haven’t seen much evidence of that. Indeed, we’ve seen Loki fool him twice. In issue 88, Loki disguised himself as a snake to escape Asgard. In an ancient tale told in issue 101, young Loki created a hole in Asgard’s defenses without Heimdall realizing it.

We now learn the story of how Heimdall was awarded his post. The right to stand eternal watch at a station is not something I would have competed for, but Heimdall did. Agnar the Fierce and Gotron the Agile both presented their cases to Odin. But they could not compete with Heimdall’s heightened senses. He could hear a plant growing far away in hills thought to be barren, and his eyes that can scan time and space could see an approaching army of Storm Giants still two days away.

Journey Into Mystery #104

Giants Walk the Earth!

Featuring: Thor
Release: March 3, 1964
Cover: May 1964
12 cents
…only the inspired talent of Stan Lee could have written it…
Only the gifted hand of Jack Kirby could have illustrated it!!
Inked by: Chic Stone
Lettered by: S. Rosen
13 pages

As with last month’s Tales of Suspense, this issue sees Thor take a more significant place on the cover. He gets his own logo, prominent on the cover, with the series’ title taking a subordinate position. “Journey Into Mystery with The Mighty Thor”. This is Thor’s comic now.

Thor has spent most of this series battling threats that really should be beneath his notice. Cobra with his slithering power? Finally, Thor’s mettle gets tested. In fact, it’s a test too great for him. He’ll need the help of Balder and his father Odin to overcome this threat.

The story begins soon after the end of the previous issue. Loki is chastising Enchantress and Executioner for their recent failure. If Enchantress could only have waited a few seconds to turn Executioner into a tree…

We really need to talk about Loki. I mean, we already did, but it’s getting more confounding. Odin had sentenced him to eternal imprisonment. I really must stress the word “eternal”. But then suddenly Loki was seemingly Odin’s most trusted advisor. No explanation was offered. Loki manipulated the supposedly wise Odin into causing Thor’s most recent grief, both his battles against Zarrko and the Enchantress. Now, Loki not only convinces Odin to travel to Earth, but Odin lets Loki rule in his stead, and grants him extra power to do so.

Tales of Suspense #53, Story C

The Way It Began…

Featuring: Watcher
Release: February 11, 1964
Cover: May 1964
12 cents
Story plot by: Stan Lee
Script + art by: Larry Lieber
Inking by: Paul Reinman
Lettering by: Art Simek
5 pages

I learned this series existed relatively late in my Marvel reading. I’d gotten it into my head that I wanted every Marvel comic some 20 years ago and got to work. But it took time to even develop a good catalogue of what that meant. I had read the old Iron Man and Silver stories in the Essential volumes Marvel put out, but didn’t realize at the time about the Watcher backups not reprinted in those volumes.

As the internet took shape, and comic experts put forth their knowledge, I could borrow from that work to get a sense of the complete list. I meticulously studied the UHBMCC and MCP to find every Marvel Universe comic there was, including the oddities, like this short-lived series of Watcher tales.

My enthusiasm went through a bit of a roller coaster ride. I’d always loved the Watcher from his appearances in What If…? and was excited to learn he had solo adventures. Enthusiasm high. Then I learned the solo adventures were just a light wrapper around other stories he would narrate. Enthusiasm waned. Then I learned some of these stories were reprints of older stories with the Watcher parts added in. Further waning. But then I learned there were a few stories (like this one) which did feature the Watcher in his own adventures. Enthusiasm rising. And then I learned that we would learn the origin of the Watchers. Enthusiasm at its height.

What tragedy at the dawn of time caused this ancient race of immortals to take such a dark vow, to spend eternity observing the events of the cosmos without interference? I was excited to find out.

Then I read it. Enthusiasm has reached equilibrium. It doesn’t help to read so many of these Watcher stories and similar sci/fi tales in close proximity. A very large number of them have the moral that we should end the threat of nuclear war. While I agree, and appreciate that it was on people’s minds a lot back then, it really is overdone in these pages. And then to learn that’s the origin of the Watchers…

We begin with the Watcher making the choice he always makes, to watch a dying patient die and choose not to help, even though he could save the man’s life. He proceeds to explain why.

The Watcher refers to us as “lesser beings”. No offense taken.

His people once shared nuclear secrets with another race, who did with the knowledge what humanity has done and set on a path toward self-destruction.

Tales of Suspense #53

The Black Widow Strikes Again!

Featuring: Iron Man
Release: February 11, 1964
Cover: May 1964
12 cents
Story plot by: Stan Lee
Script by: N. Korok
Art by: Don Heck
13 pages

Iron Man takes a big step forward. Since his debut, he’s been the lead feature of Tales to Suspense, featured on the cover with his name somewhere prominently, and his visage in the little box up top. This issue, he gets a logo. Large font in a standard position atop the page reads, “The Power of Iron Man”. The comic is still “Tales of Suspense”, as noted at the top; yet, the comic’s title is the subordinate font. In big bold letters, we see clearly this is Iron Man’s comic. Marvel will do the same with Thor next month. For whatever reason, they seem less inclined to advertise Human Torch or Giant-Man so boldly.

While less impressive, it should be noted that The Watcher gets acknowledged on the cover in a text box. No other covers have or will mention his backup features. That coincides with a change in the Watcher tales. He will no longer be narrating other tales but starring in his own adventures.

Black Widow returns, now with black hair (though this time it looks red on the cover). Last issue, her only role was distraction by seduction. Here, she steals a powerful new Stark weapon, but we still don’t see her demonstrating many talents of her own.

Her plan largely hinges on Stark’s stupidity (which worked well for her last time). He shows her his new top secret super weapon, perhaps because he is smitten with her. She then steals the weapon. We learn Stark was not smitten, but pretending to trust her to learn her plans. There was no need for that. The events of last issue provide plenty of evidence she was a Soviet spy and an accomplice in the murder of Professor Vanko. There was no reason to learn her new plan. Just have her arrested.

Tales of Suspense #52, Story C

The Failure!

Featuring: Watcher
Release: January 10, 1964
Cover: April 1964
12 cents
Story plot: Stan Lee
Script + art: L.D. Lieber
Inking: P. Reinman
Lettering: S. Rosen
5 pages

With this story, we finally finish all the January comics, after some jumping around in time. We’d already ready some February books, but now we have officially reached February in our reading.

The Watcher has another tale for us, concerning the one man on Earth who was seen as a failure because he refused to pursue success in business. He and his lady end up rulers of a galactic empire. The Watcher asks: “Can any of us ever really know who is a failure and who is not?”

Tales of Suspense #52

The Crimson Dynamo Strikes Again!

Featuring: Iron Man
Release: January 10, 1964
Cover: April 1964
12 cents
Plot by: Stan Lee
Story by: N. Korok
Art by: Don Heck
Lettering by: S. Rosen
13 pages

N. Korok is an alias for Don Rico. Stan credits Rico with the story and himself with the plot. I would love to know what Stan thinks the difference between “plot” and “story” is. Rico had been working with comics, and Marvel Comics in particular, since 1939, as artist or writer or editor. By this time, he had mostly left comics behind and become a successful novelist– likely why he’s not using his real name on this comic work. Any comics work by Rico from this point forward will be quite uncommon.

Khrushchev decides it’s time to deal with the traitorous Crimson Dynamo. He sends for Russia’s best agents, Boris and Natasha.

No, not those two.

PRELUDE: Mystic Comics #4, Story E

The Black Widow

Featuring: Black Widow
Release: June 12, 1940
Cover: August 1940
10 cents
By: George Kapitan and Harry Sahle
7 pages

I’ll confess I have very little idea what I just read. Sometimes, that’s because the storytelling is wonky and I can’t parse what’s happening in the moment. Othertimes, I think I do follow what’s happening and that confuses me even more.

We’re about to meet the modern Black Widow. So I thought it would be worth looking at the original 1940s Black Widow. I may come to regret that decision.

On the other hand, Black Widow might be the very first female superhero. If so, it certainly makes this a notable–if very strange–story.

Toonpedia discusses the question in gory detail. Don Markstein notes Black Widow has two notable superheroesque predecessors. Fantomah used extraordinary powers to combat evil. The Woman in Red wore a flashy costume while battling evil. Black Widow was the first woman in comics to do both.

However, while undeniably super, was she a “hero”, given that her charge was to collect souls for her master Satan? I’ll leave that to you to decide.

Let’s get to the story, such as it is.

We’re at a seance. Check. Claire Voyant. I get it. I’m with it for one panel. I’m not sure what’s happening in the second panel. Maybe Satan is appearing?

Whatever happened, the customer is very upset by the third panel. She wanted a seance, not witchcraft. She apparently sees some clear distinctions, where I personally find the lines pretty fuzzy. By the fourth panel of this story, Claire is cursing the family who was just attending her seance. Perhaps because she’s possessed by Satan. Maybe? By the end of the second page, I think I’m starting to follow. But a lot happened really fast.

As best I can gather, the psychic promised to make the woman’s late husband appear. Instead, Satan appeared, upset the family, possessed the psychic, who cursed the family, which caused a car crash. That’s a dense 6 panels.

James Wagler’s mother and sister are killed in the crash. He swears revenge, being himself now under the influence of Satan.

See how it’s weird even when I’m starting to follow?

Fantastic Four #26

The Avengers Take Over!

Featuring: Fantastic Four
Release: February 11, 1964
Cover: May 1964
12 cents
Unforgettably written in the grand manner by: Stan Lee
Powerfully drawn in the heroic manner by: Jack Kirby
Inked by: George Bell
Lettered by: Art Simek
23 pages

Thing stands alone no longer.

The Avengers and Fantastic Four team up to battle the Hulk. If there’s a better issue that serves as a microcosm for what the Marvel Universe is all about, I don’t know what it is.

I think this is perhaps the best comic cover we have yet come across. It’s very atypical of the Kirby covers in a number of ways. Likely stemming from having to cram an atypical number of characters in. But we see the full figure of each character, each taking up a small amount of cover real estate. He usually likes characters on his covers to be bigger. He also shows less concern about perspective than usual, since we see neither the floor nor any overlapping characters. He allows the action to be basically 2-dimensional and each character to be small, while overlapping none of the characters. He wants us to be able to see each character and their pose clearly. I’m reminded more than anything of posing action figures.

The whole of the scene with its 11 characters still fills a small amount of the cover. Kirby gives a lot of top real estate to word balloons. He could have zoomed in more if he wanted to. He didn’t. He wanted what is probably the widest cover shot we’ve seen yet.

This concludes a two-part Fantastic Four story, the best Fantastic Four story yet, but it’s also part of a bigger saga. It’s been building since Hulk quit the Avengers in Avengers #2, carried over into the Avengers’ battles with Hulk and Namor in Avengers #3 and #4 and will have an epilogue in Avengers #5, where the Avengers have one last encounter with Hulk, at least for now.

Still, it doesn’t really end there. Events at the end of Avengers #5 lead directly into issue 6, which itself ties in with Sgt. Fury #8. And the Hulk’s story continues, with the toll these events have taken on him leading indirectly to his upcoming battles with Spider-Man and Giant-Man. These two issues are at the center of a giant interconnected web of stories, which revolve around Hulk being (justifiably) upset with how the world’s been treating him.

It’s all part of the long build-up to Hulk finally getting his solo adventures again. He was the first superhero of the new Marvel Age to have his title cancelled and will be the first to be revived.

Fantastic Four #25

The Hulk vs. The Thing

Featuring: Fantastic Four
Release: January 10, 1964
Cover: April 1964
12 cents
Sensational story by: Stan Lee
Astonishing art by: Jack Kirby
Incredible inking by: G. Bell
Lighthearted lettering by: S. Rosen
22 pages

I have no idea why it took us so long to get to something like this. It seems like such an obvious superhero story to me: a good old-fashioned slugfest. Take two very strong characters and just have them duke it out. Thing and Hulk are perfect for a brawl. They met before, but it wasn’t a brawl. There was a mystery and a Commie plot and all this stuff. This time, the rest of the team is quickly taken out of contention. And it’s up to Ben Grimm to hold his own against the Hulk.

Worth the wait.

We get some preamble. Hulk has returned to New Mexico with the Avengers in pursuit. Unbeknownst to them, he turned around suddenly and went to New York to find them. He read in the paper that Captain America had replaced him and thought Rick had betrayed him. He is off to finally destroy the Avengers. Of course, Rick never betrayed him. And the Avengers only replaced him because he quit.