Featuring: Thor Release: June 2, 1964 Cover: August 1964 12 cents Written by: Stan Lee, who needs the money Drawn by: Jack Kirby, who enjoys the practice Inked by: Chic Stone, who loves the publicity Lettered by: Art Simek, whoever he is! 18 pages
We get a significant new addition to the canon of Marvel villains with the Grey Gargoyle. He’s got a pretty cool hook; he turns people to stone. In whatever early comics I first saw the character in, I didn’t fully appreciate the name. I got the alliteration and that gargoyles are often rendered in stone. But there’s a little more to it that I think later artists would fail to capture. We see in this initial image of the character that Kirby really has gone out of his way to make it so he can look like a gargoyle in the right pose.
It’s a particularly good opening splash page, and that’s before we even get to the light poetry of the narration rhyming: “small” with “all”.
Featuring: Watcher Release: May 12, 1964 Cover: August 1964 12 cents Story plot: Stan Lee Script + art: Larry Lieber Inking: Geo. Bell Lettering: Art Simek 5 pages
This story makes me cringe a bit.
There have always been off-color jokes made about the character of the Watcher, suggesting a certain voyeurism to his character. After all, he watches. There seem to be no limits to what we can or will watch. Personal privacy is not a particular concern of his.
I have always taken such comments as jest and not a serious critique of the character of the Watcher, who, after all, is an impossibly advanced cosmic being, indistinguishable to us from a god.
But then we come to this story. Where he falls in love with a woman he is watching.
Featuring: Iron Man Release: May 12, 1964 Cover: August 1964 12 cents Written with consummate skill by: Stan Lee Illustrated with blazing drama by: Don Heck Lettered with bloodshot eyes by: S. Rosen 18 pages
The time of the science fiction short stories has ended, allowing this comic to devote a full 18 pages to telling Iron Man’s story. I’m sure that making it longer was the missing ingredient in making it good.
This issue, Iron Man battles the Unicorn. I’m undecided if that name conjures a powerful Soviet menace. It doesn’t sound like something a tough bad guy would call themself, but then I wouldn’t want to have to fight a unicorn.
The character arc of the issue is that Tony Stark decides to give up being Iron Man and live a normal life. He then feels guilty when Happy is injured by the Unicorn because he had neglected his responsibilities.
Featuring: Spider-Man Release: May 12, 1964 Cover: August 1964 12 cents Written by: Stan Lee (because we couldn’t afford Mickey Spillane) Illustrated by: Steve Ditko (because Picasso was out of town) Lettered by: Art Simek (because his name fits this space) 22 pages
I feel like the golden era of Ditko coming up with cool Spider-Man villains may be over. At least Kraven is more interesting than Green Goblin. Like Green Goblin, it’s generally agreed the best story for each is the one where they die.
I will give Green Goblin and Kraven credit for one thing… they’re different from the other villains. They’re both unique, for better or worse.
But, while one form of Goblin or another was the villain or a background threat for the first four Spider-Man films, we’re seven films in without so much as a hint of Kraven. Guy’s gotta be a little insulted.
Kraven’s motive is different from the other villains we’ve met. He’s not interested in money, power or revenge. His goal is sport. His namesake is not an animal like many of Spider-Man’s villains, but his outfit does suggest a lion motif.
The story begins with the return of Spider-Man’s first super-villain foe: the Chameleon, who we learn is an old friend of Kraven the Hunter.
While Chameleon’s mask has the same basic idea as before, it’s been cleaned up and altered. This new look will endure for 60 years.
Featuring: Fantastic Four Release: May 12, 1964 Cover: August 1964 12 cents Written with a dash of greatness by: Stan Lee Drawn with a hint of glory by: Jack Kirby Inked with a touch of drama by: Chic Stone Lettered with a bottle of India ink by: S. Rosen 22 pages
This is pretty easily my favorite cover so far. Years before I’d ever read the issue, I’d been enthralled by the cover. It seems to promise so much potential. What started on Yancy Street? Important enough to attract the attention of the Watcher.
Beyond my fascination with the ominous mood the cover suggests, there really hasn’t been a cover at all like this yet in our reading. First of all, it’s definitely the first Fantastic Four cover without a hint of a villain. The closest other example is Fantastic Four #13, which only shows Red Ghost’s hand. The mood of the characters is entirely different from the norm. Usually they’re mid-battle or primed for battle, with only a couple exceptions, notably FF#13 again. Now, they seem nervous, uncertain, hesitant. Moods that have never made it onto a cover. Reed is holding Sue’s hand. Ben looks uneasy. Johnny is nervously looking around.
Behind them all, the visage of the Watcher lurking ominously with glimpses of the cosmos behind him.
And yet. And yet. While almost everything about the visuals of the cover suggest this serious tone, we must also look to the street sign. Yancy Street. That creates an association which is far from serious. Since we first learned of the Yancy Street Gang back in issue 6, they have been comic relief, existing to knock Thing down a peg, to keep him humble. There is then some irony on the cover. Perhaps the super-serious tone is not meant to be taken quite so seriously.
Will the story live up to the incredible cover? As with most great works of this era, parts of it do and parts of it do not. In particular, the revelation of just what was happening on Yancy Street proves somewhat disappointing.
The first page seems almost a continuation of the cover, the Fantastic Four walking down Yancy Street, uncertain quite what they are looking for. Yet, the ominous tone of the cover is mixed with a certain wackiness as Thing steps in gum and somebody hurls lettuce at Mr. Fantastic. They are indeed on Yancy Street.
The first 5 pages of this comic are a quirky mix of foreboding and humor and relationship drama. The Fantastic Four get attacked by unseen members of the Yancy Street Gang. Reed bewilderingly concludes that a super-villain must be behind the Gang.
Featuring: Dr. Strange Release: May 12, 1964 Cover: August 1964 12 cents Written by: Stan (Miracle Man) Lee Illustrated by: Steve (Marvel Man) Ditko Inked by: George (Mystical Man) Bell Lettered by: Art (Magical Man) Simek 9 pages
This is the most cover real estate Dr. Strange has yet gotten. A full vertical half of the page. Really moving up in the world.
Stan’s “clever credits” aren’t entirely original this time. He refers to himself as Miracle Man… but that was already a name he himself gave to a Fantastic Four villain. Marvelman is the British superhero who is not actionably copied from Captain Marvel.
For the entirety of the series, as well as of Amazing Spider-Man, Ditko has done all his own art. For the best. For the next three issues, George Roussos will be inking Ditko on Dr. Strange. It is a sad sight to see.
Stan the narrator often speaks directly to the audience, and he often apologizes to them. I haven’t taken note of any apologies prior to this, but it almost seems like he’s trying to apologize that Thor looks different from normal. Because Ditko’s style isn’t Kirby’s.
Featuring: Human Torch Release: May 12, 1964 Cover: August 1964 12 cents Written by: Stan Lee (‘Nuff Said) Illustrated by: Carl Burgos (Who was the first to draw the Torch way back in the Golden Age of comics!) Inked by: Darlin’ Dick Ayers Lettered by: Smilin’ Sam Rosen 14 pages
Check out the split cover. That’s about to come into vogue. Equal cover real estate for both Human Torch and Dr. Strange. The idea won’t take off right away in this title, but we’ll soon see the split cover all over the place as more and more superheroes share titles.
There’s even a certain symmetry to the halves of the cover, what with the respective guest star boxes.
I find myself with an unusually large amount of things to say about the first page. Strap in.
“Nuff Said”. I’ve now read almost 3 years of Marvel comics without seeing that phrase. Now, I’m usually reading reprints, and thus missing ads and letter pages, where that phrase is more likely to show up. Brian Cronin notes Nuff Said first appeared in the letters page of Fantastic Four #19, almost a year earlier. I missed it. This is the first time I’ve seen it show up in the credits of a story or anywhere within a story. It is now recognized as one of Stan’s signature catch phrases.
Carl Burgos is the artist. That’s pretty cool. Because Burgos created the original Human Torch 25 years earlier; Johnny Storm borrowed his name, look, and powers. However, the credits don’t quite let us know that. Similar to Avengers #4, they acknowledge some contribution from Burgos without attributing the character to him. They call him the “first to draw the Torch”. He was the first to draw and write the character, and the entire concept is his. Marvel just bought his work. From a modern eye, this is irksome for a couple reasons. First, the language may be careful for legal reasons, as these companies like to make clear that the company created these characters and no people were involved. It also feeds into the notion that Stan has taken too much credit for himself over the years, allowing himself to get recognized as the creator of many characters, while often failing to acknowledge the actual creators. If you polled people today and asked who created the Human Torch, Stan Lee’s name would likely come up far more often than Carl Burgos’. Misleading credits like this do not help with that.
Featuring: X-Men Release: May 5, 1964 Cover: July 1964 12 cents Written: With the flair of Stan Lee Drawn: With the air of Jack Kirby Inked: With the care of Chic Stone Lettered: On a dare by S. Rosen 22 pages
Once again, we see that Namor and Hulk are the binding that holds this nascent Marvel Universe together. Most of the heroes haven’t met each other, but they’ve almost all met Hulk or Namor. (Daredevil hasn’t met either yet, but we’ve only read two issues; he’ll meet Namor soon.)
My confusion about what to call Magneto’s group remains. It’s becoming clearer that “Evil Mutants” is how Xavier and the narrator refer to them. It’s less clear what they would call themselves. They were called the “Brotherhood of Evil Mutants” on the cover, and in the title, of their first appearance; however, that name has never shown up in-story.
Featuring: Wasp Release: May 5, 1964 Cover: August 1964 12 cents Story plot: Stan Lee Script and art: Larry Lieber Lettering: S. Rosen 7 pages
The Magician escaped prison, so Wasp has to take his picture off her weird trophy wall of super-villains she has defeated. Considering the rate at which these villains seem to get out of prison, she must have to update that wall a lot.
Do we recognize all the villains on the wall? I see: Egghead, Black Knight, Magician, Human Top, the Creature from Kosmos, Porcupine. There are two pictures we can’t see. The wall is missing Cyclops, Trago, Living Eraser, El Toro, and Colossus. It’s possible we just can’t see the entire wall and those photos are off to the side. It’s also possible she was unable to get a picture of some of them. The Living Eraser lives in another dimension, so getting a photo may be hard.
Concerned for her safety, Hank phones Wasp to suggest she go to the lab. The lab is publicly known to be the headquarters of Giant-Man. I would argue that is the least safe place. What about his house in New Jersey? He apparently somehow has a secret identity.
Wasp refuses, as there is a new line of Wasp-themed fashion debuting at Benson’s department store.
Featuring: Giant-Man and Wasp Release: May 5, 1964 Cover: August 1964 12 cents Written completely by: Stan Lee Illustrated neatly by: Dick Ayers Inked discreetly by: P. Reinman Lettered sweetly by: Art Simek 16 pages
Wasp notes it’s skiing season. This note is very important for chronologists. I myself haven’t paid close attention to seasons, but experts in this field think very hard about the seasons, and how they relate to the school years of Peter Parker and Johnny Storm. The Official Marvel Index to the Avengers notes this story takes place in February, likely with references like the “skiing season” quote in mind.
It’s now been two issues since Hank bought that engagement ring, but he hasn’t mentioned it again. The relationship drama is now centered around the amount of time he spends in his lab, to the neglect of his girlfriend. She complains he has a test tube instead of a heart.
