Who is Kang?

That which is written, is written… and an eternity of raging will not alter one instant of that which will be. Only one maddening enigma remains! Who knows that which is written? Who knows what will be — in the end?

This post was requested by a reader, Bill. Actually, what Bill requested was a brief history of Kang. But brevity is not my strong suit. So I’ll do what I can, which is a comprehensive history of Kang from 1962-2007, the year I stopped reading Marvel regularly.

Who is Kang? In short, he is Kang the Conquerer. He’d conquered the world of the future, and while Alexander wept for there were no new worlds to conquer, Kang found new worlds by setting his sights on conquering history. His story only gets confusing because he’s also gone by other names, like Rama-Tut, Immortus, Scarlet Centurion, Nathaniel Richards, Victor Timely, Whisperer, Iron Lad, and maybe Dr. Doom. And because there is a whole multiverse of Kang variants out there.

In the Marvel Cinematic Universe, we met Kang in Loki, portrayed by Jonathan Majors, and he plays a significant role in Ant-Man and Wasp: Quantumania.

This post is broken into 3 pages.

  1. 1962-1969 Meet Rama-Tut, Kang, Immortus, Ravonna, and the Scarlet Centurion.
  2. 1974-1990 Learn the truth about Immortus; witness the death of Immortus; meet He Who Remains, the Time-Keepers, Marcus, Nathanial Richards, and Nebula; witness the death of Immortus again; then learn the real truth about Immortus. (Still not the real truth)
  3. 1990-2005 Meet Mr. Mobius of the Time Variance Authority, learn the actual truth about everything, and meet Iron Lad of the Young Avengers.
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Avengers #24

From the Ashes of Defeat!

Featuring: Avengers
Release: November 11, 1965
Cover: January 1966
12 cents
Writer: Stan Lee
Penciller: Don Heck
Inker: Dick Ayers
Letterer: Artie Simek
20 pages

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Avengers #23AvengersAvengers #25

Let us each meet our fate with valor– and heaven bless you all!

When we left off, Ravonna had rejected Kang’s offer of marriage, so he’s now sending his armies to invade her kingdom.

This treatment of Kang makes more sense to me than his previous appearances, and it better conveys his title of “…the Conqueror”. That he commands a legion of troops ready to invade kingdoms. His last attempt to conquer the 20th century involved sending a robot Spider-Man against the Avengers. Invading with an army just makes more sense to me.

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Avengers #23

Once an Avenger…

Featuring: Avengers
Release: August 10, 1965
Cover: December 1965
12 cents
Stan Lee, Rollickin’ writer!
Don Heck, prancin’ penciller!
John Romita, dazzlin’ delineator!
Sherigail, liltin’ letterer!
20 pages

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Modeling with Millie #44INTERLUDE
Sgt. Fury #24Reading orderAvengers #24
Avengers #22AvengersAvengers #24

The crown is still yours by my leave only! ‘Tis Kang who is the power here! Though countless worlds have fallen before my banner, yours have I spared… but only because of love for you!

Serendipitous timing. We get to see a major battle between Kang and the Avengers just in time for Kang to make his big screen debut in Ant-Man and the Wasp: Quantumania this Friday, portrayed by Jonathan Majors. We had met Jonathan Majors as Kang before in the Loki series.

This story is particularly notable for introducing Kang’s great love, the Princess Ravonna. She was portrayed by Gugu Mbatha-Raw in the Loki series.

John Romita is a new name in the modern Marvel reading, but we’d seen him before in our looks back, as he was the Captain America artist in the 1950s. We’ll be seeing more of him, and have more to say soon.

Sherigail we recall is an alias for for Morrie Kuramoto. We haven’t seen him in a while, with Rosen and Simek dividing up most lettering between them. He married Gail Masuoka in 1955, and they had a daughter Sheri– hence the pen name. As a young adult, Morrie had seen his possessions confiscated and his family sent into prison camps by the US government for having Japanese ancestry. He was able to enlist in the military to escape imprisonment. He worked as a letterer after the war, and continued to do irregular lettering work until his death in 1985.

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INTERLUDE: Modeling with Millie #44

Whom Can I Turn To?/Millie Accused!/A Time for Crying!

Featuring: Millie the Model
Release: October 5, 1965
Cover: December 1965
12 cents
18 pages

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Sgt. Fury #24Reading orderAvengers #23

Someday I’m gonna marry this adorable gal… but I’ve got to wait until she gets this career idea out of her system!

No credits are given. This was a production error as the title usually includes credits. Pencils are by Stan Goldberg with inks by Frank Giacoia and Joe Giella. The script is by a young man named Roy Thomas.

It seems like Millie’s dreams have come true when she, Tony, and Chili are sent to Paris by Mr. Hanover to model for Jacques D’eau, the most famous fashion designer in the world.

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Sgt. Fury #24

When the Howlers Hit the Home Front!

Featuring: Sgt. Fury and his Howling Commandos
Relase: September 9, 1965
Cover: November 1965
12 cents
Written by: Stan Lee, Army Vet!
Pencilled by Dick Ayers, Air Force Vet!
Inked by Frank Ray, Air Force Vet!
Lettered by S. Rosen, Teacher’s Pet!
20 pages

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INTERLUDEModeling with Millie #44
Sgt. Fury #23Reading orderAvengers #23
Sgt. Fury #23Sgt. FurySgt. Fury #25

Stan and Dick want to take this opportunity to give a heartfelt thanks and well done to the countless wonderful guys and gals who did so much under the banner of the U.S.O., to keep up the morale of lonely Allied fighting men, both near and far from home! We’ll never forget ’em!

Happy Sam orders the Howlers on a furlough back to the States, including Percy and Hans.

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Sgt. Fury #23

The Man Who Failed!

Featuring: Sgt. Fury and his Howling Commandos
Release: August 10, 1965
Cover:
12 cents
Stirring story by: Stan Lee
Powerful pencilling by: Dick Ayers
Bold brushwork by: Frank Ray
Lilting lettering by: Artie Simek
20 pages

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Sgt. Fury #22Sgt. FurySgt. Fury #24

Years from now, when our grandchildren tell stories of those who came before them, I rawther suspect that the exploits of Percy Pinkerton will be those that endure the longest!

I always have a general concern about Marvel’s depiction of Asian people during this era, which comes into play when the Commandos encounter the Japanese army on the Burma Road. I’m more on the fence about it than usual here.

The Commandos use racial slurs to refer to the Japanese, and the Japanese officers are depicted attempting to commit horrible atrocities. However, the language likely accurately (if tamely) reflects language soldiers of the time used. And the Japanese military really is responsible for countless atrocities during World War II, many far more horrific than the accusations here. There are certainly ethnic stereotypes in place, but it’s very similar to how the German soldiers are depicted.

The Commandos are sent to rescue Sister Theresa and a group of children who had been living at her mission. The Japanese had burned the mission and are seeking to kill the nun and children.

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Amazing Spider-Man #30

The Claws of the Cat!

Featuring: Spider-Man
Release: August 10, 1965
Cover: November 1965
12 cents
Heroically written and edited by: Stan Lee
Homerically plotted and drawn by: Steve Ditko
Hastily lettered and bordered by: Artie Simek
20 pages

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THUNDER Agents #1INTERLUDE
Daredevil #11Reading orderSgt. Fury #23
Amazing Spider-Man #29Amazing Spider-ManAmazing Spider-Man #31

Why wouldn’t he listen?? What is it that always stands between us? The one secret he keeps locked within him– the secret he never shares, or talks about–!

We may as well start with the striking cover. Extremely unusual when compared to every cover we’ve yet seen. Look at how small Spider-Man is on the cover, your eyes hardly drawn to him. The covers usually have the hero big and bold. The issue’s super-villain is easy to miss at a glance. He’s a small figure up in the corner. What draws your eye is the falling water tower. Everything else is designed to give you a sense of scale, to make it look like Spider-Man might have a long drop ahead of him.

Similar to the recent Daredevil story we read, this is another story where behind-the-scenes drama has bled onto the page, but perhaps in ways more subtle.

Let’s try to keep off my soapbox for the moment and read the comic. The question is, which comic do I read? The comic that Ditko wrote? Or the one that Stan wrote? I guess we’ll go with what Stan wrote, since that’s what got published, and maybe we’ll note some oddities as we go.

The opening splash page is a great mini-cover for the story, one that again emphasizes the importance of the supporting cast.

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INTERLUDE: THUNDER Agents #1

The Higher United Nations Defense Enforcement Reserves

Featuring: THUNDER Agents
Release: September 1965
Cover: November 1965
25 cents

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Daredevil #11Reading orderAmazing Spider-Man #30

We must find and train at least three special agents… the best!

We’re breaking my normal format for posts beyond the fact that this is plainly not a Marvel comic.

Normally, we read one story at a time, but I want to read the entire issue in one go. It consists of several shorter stories by different creative teams that add up to one larger story, all overseen by Wally Wood.

The issue has no credits, though sometimes artist signatures are visible. I have this in a collection, which credits the writers and artists involved when known. One or two names may be lost to history.

One of the disagreements between Wood and Lee was Lee taking the writer’s credit when Wood felt he was doing most of the writing. But this comic doesn’t credit anybody. In fact, most comics of the era don’t credit their creative teams. Lee was ahead of his time in trying to credit everybody. He just claimed a lot of credit for himself as well. Perhaps to Wood it was more about credit in the form of compensation than his name appearing in a box.

A couple notable differences from what we’ve been reading. First, the publisher is Tower Comics, a brand new publisher. Second, the price is 25 cents rather than 12 cents. Marvel prices its Annual comics at 25 cents, but its normal comics at 12 cents.

For 12 cents, Marvel comics give you 20-22 pages of content. The Annuals tend to be 70-72 pages for 25 cents, but with a lot of that dedicated to reprint material. This give you 60 pages of story for 25 cents.

Across the decades, comic prices had not changed much. Marvel Comics were 10 cents in 1939 and 10 cents in 1961 and 12 cents in 1965. They were very averse to raising the price, and had instead steadily decreased the page count over the years.

Thus, the page count of this comic is more reminiscent of 1940s comics than of its contemporary competitors. The idea that the individual stories all tie loosely together isn’t novel either, as 1940s Justice Society stories from DC had a similar structure, one Marvel imitated in the later 1940s with its All-Winners Squad.

We learn from the cover that THUNDER is an acronym. (Note for this blog, we’re not often including the “.”s in acronynms. I’m just too lazy to repeatedly type out S.H.I.E.L.D., finding it easier to type SHIELD.)

THUNDER: The Higher United Nations Defense Enforcement Reserves.

I can’t believe the “T” stands for “The”.

This title is a mix of superhero and spy adventure, with the acronym name likely inspired by “The Man from UNCLE”, and of course, the aforementioned SHIELD.

The concept was created by Len Brown and Wally Wood, who had previously co-created the science fiction trading card series, Mars Attacks.

Why are we reading this anyway? Because I wanted to see what Wally Wood got up to when he left Marvel. I think it will illuminate some discussions.

We’ll read through each story at a time, noting the title, creative team, and page count as we go. So don’t just stop when you get to the character lists. More stories to come below.

Continue reading “INTERLUDE: THUNDER Agents #1”

Daredevil #11

A Time to Unmask!

Featuring: Daredevil
Release: October 5, 1965
Cover: December 1965
12 cents
Writer: Smilin’ Stan Lee
Penciller: Bubbly Bobby Powell
Inker: Wonderful Wally Wood
Letterer: Swingin’ Sammy Rosen
20 pages

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INTERLUDETHUNDER Agents #1
Daredevil #10Reading orderAmazing Spider-Man #30
Daredevil #10DaredevilDaredevil #12

Wally Wood wrote part one of this two-parter just for a lark! But now it’s up to sly ol’ Stan to put all the pieces together and make it come out right in the end! Can he do it? See for yourself!

This really is goodbye for Wally Wood. He was heavily involved with 4 issues of Daredevil, then partially involved with 3 more. Now he’s just on inks, making no claim to having written this story in any part. After this job, he’s out the door.

Bob Powell provides the main art.

The narration box is again important. Stan is speaking in his normal salesman voice, but it barely conceals the behind-the-scenes drama of Wood writing the first half of this tale and then resigning.

I’m guessing Wood left before making a cover, as the cover is just a repurposed interior panel.

Here’s a good rundown from the Marvel in the Silver Age blog about Wally Wood’s career and time with Marvel and on Daredevil.

We’re left with one of those “What If” scenarios. What if Wood and Lee had gotten along better? Then Wood was probably going to be the one to revive Sub-Mariner instead of Colan. We got a taste of Wood’s Sub-Mariner in Daredevil #7.

I want to take a peek at Tower Comics to see what Wood is up to next. We’ll see he’s cocreated the superhero/espionage team the THUNDER Agents. Maybe he could have brought ideas like that to Marvel. Who knows what he and Lee could have come up with if they’d been able to work together.

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Daredevil #10

While the City Sleeps!

Featuring: Daredevil
Release: August 3, 1965
Cover: October 1965
12 cents
Exquisite editing by: Stan Lee
Lustrous layouts by: Bob Powell
Stunning script and art by: Wally Wood
Lots of lettering by: Artie Simek
20 pages

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Wally Wood has always wanted to try his hand at writing a story as well as drawing it, and big-hearted Stan (who wanted a rest anyway) said okay! So, what follows next is anybody’s guess! You may like it or not, but, you can be sure of this… it’s gonna be different!

This comic’s cool because if you look closely you can see all the behind-the-scenes drama playing out on the page.

The hype box is unusually important. Stan notes Wally had always wanted to try writing a story as well as drawing it, so Stan’s giving him a shot. Really, Wally claims he’s already been writing these comics, but not being paid for doing so.

The precise way in which this issue was constructed is unclear to me, in part because the people who could describe it to history weren’t in agreement, and nobody involved is still living. My best guess is the process here is something like this. Wally came up with the story and gave it to Bob Powell to lay out. Wood filled in the final art and supplied the script. Lee made his final edits.

The other important part of that narration box is that this is a mystery with clues. We’ll see that the mystery isn’t resolved in this issue, but we’ll also see that Wood doesn’t write the next issue and instead leaves the company.

Having his one writing gig be the setup to a mystery he doesn’t tell anybody the ending of may have been an intentional parting shot from Mr. Wood.

Continue reading “Daredevil #10”