X-Men #14

Among Us Stalks.. The Sentinels!

Featuring: X-Men
Release: September 2, 1965
Cover: November 1965
12 cents
Stan Lee, D.S. (Doctor of Story)
Jack Kirby, D.L. (Dean of Layout)
Jay Gavin, M.A. (Master of Art)
V. Colletta, B.I. (Bachelor of Inking)
Artie Simek, T.O.L. (Tired of Lettering)
20 pages

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The world must be shocked! The danger was never greater! We’ve been so busy worrying about cold wars, hot wars, atom bombs and the like, that we’ve overlooked the greatest menace of all! Mutants walk among us! Hidden! Unknown! Waiting–! –Waiting for their moment to strike! They are mankind’s most deadly enemy! For only they have the actual power to conquer the human race! Even as we speak, they are out there– scheming, plotting, planning– thinking we don’t suspect! But– there is still time to smash them! If we strike now!

We just read the wedding of Reed and Sue, followed by a retelling of the story form 1996. The retelling focused on a child named Mark caught up in the chaos. A child wearing a Fantastic Four t-shirt who idolized the superheroes, but was afraid of the X-Men, because they were mutants.

We’ll soon read Marvels #2, which will focus on this central dichotomy. The inspiration for Marvels #2 came from Kurt Busiek looking at the same continuity we are now. The X-Men attended a wedding, all seeming in good shape. But we know that the X-Men battled the Stranger and Juggernaut in a single day, and then were badly injured for a period of time. We further know, because Human Torch helped the X-Men battle Juggernaut, that the wedding had not yet occurred. As we read the coming issues, we will see the X-Men’s adventures leave them little space for a wedding after this issue.

The X-Men must attend the wedding within the pages of this issue. This issue affords them only a space of a couple days between getting their bandages removed and getting captured by the Sentinels. Thus we know very tightly when the wedding occurred.

The wedding was a big media circus. Celebrities like Tony Stark and Millie the Model were in attendance. The Fantastic Four fan club was outside cheering. It was front page news.

The Fantastic Four are celebrities and people love them.

On the days surrounding the wedding, Trask would go on the radio to talk about the mutant menace. And the public listened and took him seriously, and was sympathetic with his plan to create mutant-hunting robots to destroy the mutant scourge.

It’s a very strange dichotomy. The Fantastic Four gained their powers through cosmic accident. The X-Men were born with theirs, perhaps because their parents had been exposed to nuclear radiation. The “Children of the Atom”. That difference seems so insignificant, and yet, this is exactly how bigotry works.

We’ll explore this dichotomy further when we get to Marvels #2.

These continuity considerations and thematic contrast are why we’re reading this X-Men arc now, two months early. The FF wedding issue was released the same day as X-Men #13, which noted the wedding was “soon”. X-Men has been published bi-monthly, which doesn’t help. But we see on the cover that X-Men is now monthly, so we’ll have less alignment trouble in the future.

The issue opens with the X-Men recovering from the injuries left by the Juggernaut.

We see Professor X remind Beast not to think of “normal” humans as inferior. Probably they should find better language than to refer to one group of people as “normal”.

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PRELUDE: Mystic #39, Story B

The Fury!

Featuring: The Fury
Release: May 26, 1955
Cover: September 1955
10 cents
5 pages

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The GCD attributes the art to Werner Roth.

We’re reading this 1950s Marvel tale because we’re looking for the early Marvel appearances of Zeus. This is the earliest appearance I could find. We’ve seen some earlier appearances of Jupiter, who is perhaps the same person.

Zeus has a brief appearance, as the story is really about a Fury, one of the Erinyes, those powerful forces of cosmic justice.

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X-Men #13

Where Walks the Juggernaut!

Featuring: X-Men
Release: July 1, 1965
Cover: September 1965
12 cents
Story by smilin’ Stan Lee
Layouts by jolly Jack Kirby
Penciling by Jay Gavin
Inking by Joe Sinnott
Lettering by Swingin’ Sam Rosen
20 pages

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We are jumping a bit ahead with X-Men, as issues 11-13 all take place the same day, but the comic is bi-monthly. In general, we are still in March 1965, which is when X-Men #11 was released.

Last issue sort of introduced the Juggernaut. We mostly saw him in shadow and marveled at how easily he broke through the X-Men’s defenses. He was revealed in the last panel. Most of the issue had been about Xavier’s youth. Now, we meet Juggernaut properly.

We also had the legendary Alex Toth on art, as Kirby is moving off X-Men. Kirby has often been the go-to guy for getting series started, but then usually soon handed off the reins. Fantastic Four is the only series he’s really stuck with so far. Though he’ll do a decent stretch on Captain America, and his recent return to Thor is for the long haul.

Let’s look at the credits. Jay Gavin is a new name, and not even a real one. Jay and Gavin are the names of the sons of Werner Roth, our new artist. Werner Roth is not quite the legend that Alex Toth is. He is probably most notable for this stint on X-Men, where he is unfortunately stuck being “the guy that followed Kirby”. He got started in comics later than many peers, already 30 or so before working regularly. He’s already 44 at this point as he takes the reins on X-Men. He died tragically young at the age of 52, never quite having set the world of comics on fire.

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