Featuring: Avengers Release: January 12, 1965 Cover: March 1965 12 cents Plot and editing by: Stan Lee Script by: Paul Laiken and Larry Lieber Layouts by: Jack Kirby Pencils by: Don Heck Inking by: Chic Stone Lettering by: S. Rosen 20 pages
That’s quite the credits listing. Sounds like they were running out of time to get this done and called in every hand they could to meet a deadline. That’s also how this story reads.
Larry Lieber had long since left superheroes behind to focus on comics like Rawhide Kid, but he pitches in.
Paul Laiken is a new name to us. This is the only superhero story he’ll ever be involved in writing. I literally think they recruited everybody in the building at the time to help get this one done. It seems like he’ll be best known for his work on the Marvel humor magazine which is totally not a Mad rip-off, Crazy.
Featuring: The Watcher Release: July 9, 1964 Cover: October 1964 12 cents A tale of most compelling merit by: Stan Lee Illustrations of singular excellence by: George Tuska Lettering of breath-taking adequacy by: Art Simek 5 pages
If you caught an early draft of my write-up for the previous issue, you saw me accidentally claim that was the final Watcher story. Either way, it ends with so little fanfare, that it’s hard to tell.
It’s hard to make a story about a character who never does anything. You’re tempted to have him do something in every issue, which is exactly what they did for this series.
The editor enthusiastically welcomes returning artist George Tuska. Tuska’s been working in comics since 1939, and worked for Marvel in the 1950s. Let’s see a sampling of his work.
The samples of Tuska’s work are from (in order, left to right, top to bottom):
Mystery Men Comics #1 (1939)
64 Pages of New Captain Marvel Adventures #2 (1941)
Crime Does Not Pay #22 (1942)
Casey – Crime Photographer #1 (1949)
Strange Tales #1 (1951)
Adventures Into Terror #7 (1951)
If Lee was that excited to have Tuska back, you’d think he could have found a more interesting assignment than filling in on the final Watcher story.
Tuska will continue to do occasional fill-in work for Marvel over the next few years, before eventually settling into a longterm stint on Iron Man.
The rest of the series had been drawn by Stan’s brother, Larry Lieber. Sad he’s not the one to bring it to a close. He’s already started what will be a very long run on Rawhide Kid. We’re not generally reading the western titles, so this is the last we’ll see of Larry for a while. He will pop up again here and there for the occasional fill-in issue or special, so this isn’t good-bye forever.
Featuring: Watcher Release: June 9, 1964 Cover: September 1964 12 cents Story plot by: Stan Lee Script + Art by: Larry Lieber Inking by: Geo. Bell Lettering by: Art Simek 5 pages
Larry Lieber celebrated his birthday last week. 89 years young. I think he is the only still-living creator we have encountered thus far. The Marvel superheroes of this era have become a cornerstore of our culture, but we have few remaining connections to those who helped make them. The most notable of those connections is Larry Lieber, younger brother of the late Stan Lieber, better known as Stan Lee.
Space pirates set to attack a world run afoul of the Watcher. Like the last would-be attacker to do so, they think the Watcher won’t be a problem, due to his oath. Unfortunately for them, they didn’t read the fine print of the oath.
Featuring: Watcher Release: May 12, 1964 Cover: August 1964 12 cents Story plot: Stan Lee Script + art: Larry Lieber Inking: Geo. Bell Lettering: Art Simek 5 pages
This story makes me cringe a bit.
There have always been off-color jokes made about the character of the Watcher, suggesting a certain voyeurism to his character. After all, he watches. There seem to be no limits to what we can or will watch. Personal privacy is not a particular concern of his.
I have always taken such comments as jest and not a serious critique of the character of the Watcher, who, after all, is an impossibly advanced cosmic being, indistinguishable to us from a god.
But then we come to this story. Where he falls in love with a woman he is watching.
Featuring: Fantastic Four Release: May 12, 1964 Cover: August 1964 12 cents Written with a dash of greatness by: Stan Lee Drawn with a hint of glory by: Jack Kirby Inked with a touch of drama by: Chic Stone Lettered with a bottle of India ink by: S. Rosen 22 pages
This is pretty easily my favorite cover so far. Years before I’d ever read the issue, I’d been enthralled by the cover. It seems to promise so much potential. What started on Yancy Street? Important enough to attract the attention of the Watcher.
Beyond my fascination with the ominous mood the cover suggests, there really hasn’t been a cover at all like this yet in our reading. First of all, it’s definitely the first Fantastic Four cover without a hint of a villain. The closest other example is Fantastic Four #13, which only shows Red Ghost’s hand. The mood of the characters is entirely different from the norm. Usually they’re mid-battle or primed for battle, with only a couple exceptions, notably FF#13 again. Now, they seem nervous, uncertain, hesitant. Moods that have never made it onto a cover. Reed is holding Sue’s hand. Ben looks uneasy. Johnny is nervously looking around.
Behind them all, the visage of the Watcher lurking ominously with glimpses of the cosmos behind him.
And yet. And yet. While almost everything about the visuals of the cover suggest this serious tone, we must also look to the street sign. Yancy Street. That creates an association which is far from serious. Since we first learned of the Yancy Street Gang back in issue 6, they have been comic relief, existing to knock Thing down a peg, to keep him humble. There is then some irony on the cover. Perhaps the super-serious tone is not meant to be taken quite so seriously.
Will the story live up to the incredible cover? As with most great works of this era, parts of it do and parts of it do not. In particular, the revelation of just what was happening on Yancy Street proves somewhat disappointing.
The first page seems almost a continuation of the cover, the Fantastic Four walking down Yancy Street, uncertain quite what they are looking for. Yet, the ominous tone of the cover is mixed with a certain wackiness as Thing steps in gum and somebody hurls lettuce at Mr. Fantastic. They are indeed on Yancy Street.
The first 5 pages of this comic are a quirky mix of foreboding and humor and relationship drama. The Fantastic Four get attacked by unseen members of the Yancy Street Gang. Reed bewilderingly concludes that a super-villain must be behind the Gang.
Featuring: Watcher Release: April 9, 1964 Cover: July 1964 12 cents Story plot: Stan Lee Script + Art: Larry Lieber Lettering: Art Simek 5 pages
The Watcher’s emotional state in the previous issue led me to conclude it was an ancient story of the Watcher’s youth. This story is clearly taking place closer to modern times, though still in the past. The Watcher has already set up shop on our moon, which he describes as his temporary domain; he will finally leave this home in Fantastic Four #13. The continents of Earth seem to be in their current position. He must already be an ancient being.
An alien plans to steal Earth’s sun to save his own world. The Watcher distracts him long enough to thwart his plans.
Featuring: Watcher Release: March 10, 1964 Cover: June 1964 12 cents Story plot by: Stan Lee Script + Art by: Larry Lieber Inking: Chic Stone Lettering: Art Simek 5 pages
As I mentioned in the last post, this is the first comic in our reading I actually own an original copy of. This story is the reason I have it. I had the Iron Man story already in the Essential Iron Man and Iron Man Omnibus. But at the time, nearly 20 years ago, I couldn’t find the Watcher story anywhere else. So I tracked down the original comic, shelling out several dollars for it, maybe as much as 7 or 8. Definitely more than the 12 cents it should have cost.
The Watcher is unusually passionate at the moment. I think of him as more reserved. Here, he plans to stick to his oath, but it torments him.
That makes me think this tale is set in very ancient times. The modern Watcher is a little more accepting of his role, and this tale takes place in his youth, when he struggled a bit more with his oath.
As I’ve expressed before, the Watcher’s conclusions about morality are wrong. It’s better to act. That said, they fascinate me. Especially stories like this that attempt to explore the morality of his oath.
Featuring: Watcher Release: February 11, 1964 Cover: May 1964 12 cents Story plot by: Stan Lee Script + art by: Larry Lieber Inking by: Paul Reinman Lettering by: Art Simek 5 pages
I learned this series existed relatively late in my Marvel reading. I’d gotten it into my head that I wanted every Marvel comic some 20 years ago and got to work. But it took time to even develop a good catalogue of what that meant. I had read the old Iron Man and Silver stories in the Essentialvolumes Marvel put out, but didn’t realize at the time about the Watcher backups not reprinted in those volumes.
As the internet took shape, and comic experts put forth their knowledge, I could borrow from that work to get a sense of the complete list. I meticulously studied the UHBMCC and MCP to find every Marvel Universe comic there was, including the oddities, like this short-lived series of Watcher tales.
My enthusiasm went through a bit of a roller coaster ride. I’d always loved the Watcher from his appearances in What If…? and was excited to learn he had solo adventures. Enthusiasm high. Then I learned the solo adventures were just a light wrapper around other stories he would narrate. Enthusiasm waned. Then I learned some of these stories were reprints of older stories with the Watcher parts added in. Further waning. But then I learned there were a few stories (like this one) which did feature the Watcher in his own adventures. Enthusiasm rising. And then I learned that we would learn the origin of the Watchers. Enthusiasm at its height.
What tragedy at the dawn of time caused this ancient race of immortals to take such a dark vow, to spend eternity observing the events of the cosmos without interference? I was excited to find out.
Then I read it. Enthusiasm has reached equilibrium. It doesn’t help to read so many of these Watcher stories and similar sci/fi tales in close proximity. A very large number of them have the moral that we should end the threat of nuclear war. While I agree, and appreciate that it was on people’s minds a lot back then, it really is overdone in these pages. And then to learn that’s the origin of the Watchers…
We begin with the Watcher making the choice he always makes, to watch a dying patient die and choose not to help, even though he could save the man’s life. He proceeds to explain why.
The Watcher refers to us as “lesser beings”. No offense taken.
His people once shared nuclear secrets with another race, who did with the knowledge what humanity has done and set on a path toward self-destruction.
Featuring: Watcher Release: January 10, 1964 Cover: April 1964 12 cents Story plot: Stan Lee Script + art: L.D. Lieber Inking: P. Reinman Lettering: S. Rosen 5 pages
With this story, we finally finish all the January comics, after some jumping around in time. We’d already ready some February books, but now we have officially reached February in our reading.
The Watcher has another tale for us, concerning the one man on Earth who was seen as a failure because he refused to pursue success in business. He and his lady end up rulers of a galactic empire. The Watcher asks: “Can any of us ever really know who is a failure and who is not?”
Featuring: Watcher Release: December 9, 1963 Cover: March 1964 12 cents Story plot: Stan Lee Script and art: Larry Lieber Inking: G. Bell Lettering: S. Rosen 5 pages
In general, these science fiction tales are a poor fit for the Marvel Universe. They do better as standalone stories. Within the context of the Marvel Universe, a scientist wouldn’t be desperately trying to prove there are advanced alien civilizations out there… we already know that because dozens have invaded Earth.
We know the Watcher is part of the Marvel Universe, and he claims to be telling us a story of the future. But perhaps it is not the future of our Marvel heroes. Perhaps it is another future, maybe even our own. It is set in the far-off 21st century.
