stan lee – Page 37 – Coke ⊕ Comics

Journey Into Mystery #105

The Cobra and Mr. Hyde!

Featuring: Thor
Release: April 2, 1964
Cover: June 1964
12 cents
Written by: Happy Stan Lee
Drawn by: Healthy Jack Kirby
Inked by: Husky Chic Stone
Lettered by: Hasty Art Simek
18 pages

I really am excited that Kirby is the regular on Thor, especially when paired with a great inker like Chic Stone. I remain hopeful that the quality of the “Tales of Asgard” backups will soon be reflected in the main stories, turning around what has been Marvel’s worst title so far. Enchantress and Executioner were two good additions to the rogues gallery. And last issue we got a taste of mythic armageddon. Far more interesting than Thor fighting mobsters. I like the direction they’re going. I hope they keep it u–

Oh. Huh. Cobra and Mr. Hyde, eh.

Sigh. Ah well. Teach me to get my hopes up.

Because there are no longer sci/fi backup tales, the entire issue is dedicated to Thor. Which means they have to drag this story over 18 pages. And then they make it a two-parter! 36 pages of Cobra and Mr. Hyde.

The Avengers show up. The costumes they are wearing could be clues to where this story places amidst the Avengers comics and other titles… except they provide inconsistent evidence.

Amazing Spider-Man #14

The Grotesque Adventure of the Green Goblin

Featuring: Spider-Man
Release: April 9, 1964
Cover: July 1964
12 cents
Writen by: Stan Lee (The poor man’s Shakespeare)
Illustrated by: Steve Ditko (The poor man’s Da Vinci)
Lettered by: Art Simek (The poor man’s rich man)
22 pages

There are things to like about this comic. The new villain is pretty goofy, perfect for a one-off issue of frivolity. Bring back the Enforcers and throw in the Hulk, and you have a recipe for a fun time.

But look to this first panel. It’s very interesting. A great panel, actually. You see the villain’s mask in the foreground and the shadowed villain in the background. Spider-Man has had a few unmasking scenes of late. Electro turned out to be someone he’d never heard of. Big Man turned out to be Peter’s colleague, Fred Foswell. This opening panel suggests we will get another dramatic unmasking… except we won’t.

They will save the unmasking for a later issue. Spider-Man actually fails to decisively defeat this goofy villain. Which suggests the Green Goblin will return. A bad idea. The character might be fun for one issue, but not as a recurring villain. Especially when Spider-Man aready has such a robust rogues gallery of far more interesting characters: Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard, Living Brain, Electro, Big Man, Enforcers, and Mysterio.

The second panel is a line that’s rather amusing with the benefit of hindsight. “I made the controls simple enough that there’s no chance of fatal error.” If you’ve read further in Amazing Spider-Man, you know he will redesign his flying device and forget that particular design principle. I had suggested this panel to my friend Brian for his Past Was Close Behind series.

The Green Goblin refers to his device as a “flying broomstick”, keeping to a magic/fairy tale theme.

Fantastic Four #28

We have to fight the X-Men!

Featuring: Fantastic Four
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Stan Lee (The leader!)
Drawn by: Jack Kirby (The king!)
Inked by: Chic Stone (The master!)
Lettered by: Art Simek (The letterer!)
22 pages

Stan’s been doing “clever credits” for a while now, giving all sorts of nicknames to the creators. This one happens to be Kirby’s most famous nickname. He is generally known today as Jack “King” Kirby. This is the first time we’ve seen the “king” nickname in our reading. Can’t confirm whether it’s been used anywhere else before. This project began 20 years into Jack’s rather prolific career.

We turn now to the story, where the Fantastic Four and X-Men meet for the first time. (Well, Human Torch and Iceman had already met…)

We begin with a statue of Thing that has been sculpted by the brilliant Alicia, working by touch alone.

Strange Tales #122, Story B

The World Beyond

Featuring: Dr. Strange
Release: April 9, 1964
Cover: July 1964
12 cents
Written, with a touch of sorcery by: Stan Lee
Drawn, with a dash of necromancy by: Steve Ditko
Lettered, with a number 6 pen point by: Art Simek
9 pages

We finish up Strange Tales #122. A couple things to recall from last time. I actually own this comic. And Dr. Strange is now a corner box star.

Dr. Strange, exhausted from recent battles against supernatural evil, falls asleep without proper protective chants, which leaves him vulnerable to Nightmare. This is Dr. Strange’s third battle with Nightmare.

Strange Tales #122

3 Against the Torch!

Featuring: Human Torch
Release: April 9, 1964
Cover: July 1964
12 cents
Rapidly written by: Stan Lee
Speedily sketched by: Dick Ayers
Instantly inked by: Geo. Bell
Lazily lettered by: S. Rosen
14 pages

Move over, Johnny. Human Torch now has to share the corner box with Dr. Strange. Getting your face into the corner box is how you know you’ve made it.

And hey! I own this comic. That cover is scanned from my collection. I bought it not all that long ago for $15, which seemed a reasonable price. For those keeping count, this is #3 for comics I actually own in original form.

But now I want to return it. Because of blatant false advertising. The cover clearly says “Dr. Doom does not appear in this story.”

Yet, look here on page 1. Who is that? It’s Dr. Doom!

Turn the page, who do we see on page 3? Dr. Doom again!

In three different panels, no less!

Now, these panels are all flashback sequences to the last battle with Dr. Doom. Since it ended with Dr. Doom falling into space, it’s obvious we’ll never actually see him again. Wait… but the note informs us he will return in Fantastic Four Annual 2. How can that possibly be?

Daredevil #2

The Evil Menace of Electro!

Featuring: Daredevil
Release: April 2, 1964
Cover: June 1964
12 cents
Story: Stan Lee
Art: Joe Orlando
Inking: Vince Colletta
Lettering: S. Rosen
22 pages

The credits have two names that are new to us. Last issue was drawn by Bill Everett, who did an excellent job, but apparently also missed his deadline by a wide margin. Whatever happened, he was not invited back.

The artist is now Joe Orlando, who has been working in comics since the early ’50s, including occasional freelance work for Marvel. This is his first superhero work, previously drawing horror, western, and war comics, most notably for EC Comics. He worked in the comics field for many decades as artist, writer, and editor, most of that time with DC comics. As far as I can tell, this short stint on Daredevil is the last work he’ll ever do at Marvel.

Here’s a peek at some of the work he’d been doing in the previous 13 years.

Vault of Horror #9 (1951), Battle #47 (1956), Classics Illustrated #147 (1958), Mad #44 (1959)

Vince Colletta had been working as an artist for Marvel for about a decade, primarily on romance comics. He had recently moved toward inking. He will soon become a regular inker over Jack Kirby, and begin a very long run inking Thor. I believe this is also his first ever superhero work.

His work is not always loved by critics or his colleagues. He has a reputation for choosing professionalism over artistry. I see no evidence of this or any other flaw in this particular comic. I will caveat that I haven’t always the best eye for art, nor any particular talent for separating the contributions of the penciler from the inker when I look upon a page.

Here’s a sampling of his prior work.

Love Romances #44 (1954), Jungle Action #4 (1955), Love Diary #6 (1959), Kid Colt Outlaw #100 (over Kirby’s pencils, 1961)

Tales of Suspense #55, Story C

The Sun-Stealer!

Featuring: Watcher
Release: April 9, 1964
Cover: July 1964
12 cents
Story plot: Stan Lee
Script + Art: Larry Lieber
Lettering: Art Simek
5 pages

The Watcher’s emotional state in the previous issue led me to conclude it was an ancient story of the Watcher’s youth. This story is clearly taking place closer to modern times, though still in the past. The Watcher has already set up shop on our moon, which he describes as his temporary domain; he will finally leave this home in Fantastic Four #13. The continents of Earth seem to be in their current position. He must already be an ancient being.

An alien plans to steal Earth’s sun to save his own world. The Watcher distracts him long enough to thwart his plans.

Tales of Suspense #55, Story B

All About Iron Man

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Presented by: Stan Lee and Don Heck
Lettered by S. Rosen
5 pages

This is pushing the line between what I’d call a story and what I’d call a special feature at the end of a story. It’s long enough and told in a comics format, so I decided to give it its own entry, but I could have included it at the end of the last one.

This feature fits in where the science fiction tale would normally have gone, but those are done now.

The first page shows some of Iron Man’s major villains:

Black Widow
Mysterious Melter
Mandarin
Scarecrow
Mr. Doll
Crimson Dynamo
Gargantus
Jack Frost

It’s not an exhaustive list. I don’t see:

Wong-Chu
Kala and the Netherworlders
Dr. Strange
Red Barbarian
The Actor
The Mad Pharaoh

One villain is unnamed, and I don’t recognize him.

Tales of Suspense #55

No one escapes the Mandarin!

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Friendly Stan Lee
Illustrated by: Faithful Don Heck
Lettered by: Fearless Art Simek
13 pages

For the second issue in a row, a comic I own in original form, because it was too hard to find the Watcher story in the back any other way.

The title is, “No one escapes the Mandarin!” Iron Man is currently a prisoner. Willing to bet money someone will escape the Mandarin by issue’s end. (In fact, someone will escape the Mandarin by page 3.)

I need everybody to agree on a couple points. Iron Man is a captive. He is tied up just like he was at the end of last issue. That’s the first point. The second is that he is wearing a different helmet than he was a moment ago. There is a clear lack of bolts down the face. Somebody explain.

Tales of Suspense #54, Story C

Hands Off!

Featuring: Watcher
Release: March 10, 1964
Cover: June 1964
12 cents
Story plot by: Stan Lee
Script + Art by: Larry Lieber
Inking: Chic Stone
Lettering: Art Simek
5 pages

As I mentioned in the last post, this is the first comic in our reading I actually own an original copy of. This story is the reason I have it. I had the Iron Man story already in the Essential Iron Man and Iron Man Omnibus. But at the time, nearly 20 years ago, I couldn’t find the Watcher story anywhere else. So I tracked down the original comic, shelling out several dollars for it, maybe as much as 7 or 8. Definitely more than the 12 cents it should have cost.

The Watcher is unusually passionate at the moment. I think of him as more reserved. Here, he plans to stick to his oath, but it torments him.

That makes me think this tale is set in very ancient times. The modern Watcher is a little more accepting of his role, and this tale takes place in his youth, when he struggled a bit more with his oath.

As I’ve expressed before, the Watcher’s conclusions about morality are wrong. It’s better to act. That said, they fascinate me. Especially stories like this that attempt to explore the morality of his oath.