spider-man – Page 5 – Coke & Comics

Amazing Spider-Man #14

The Grotesque Adventure of the Green Goblin

Featuring: Spider-Man
Release: April 9, 1964
Cover: July 1964
12 cents
Writen by: Stan Lee (The poor man’s Shakespeare)
Illustrated by: Steve Ditko (The poor man’s Da Vinci)
Lettered by: Art Simek (The poor man’s rich man)
22 pages

There are things to like about this comic. The new villain is pretty goofy, perfect for a one-off issue of frivolity. Bring back the Enforcers and throw in the Hulk, and you have a recipe for a fun time.

But look to this first panel. It’s very interesting. A great panel, actually. You see the villain’s mask in the foreground and the shadowed villain in the background. Spider-Man has had a few unmasking scenes of late. Electro turned out to be someone he’d never heard of. Big Man turned out to be Peter’s colleague, Fred Foswell. This opening panel suggests we will get another dramatic unmasking… except we won’t.

They will save the unmasking for a later issue. Spider-Man actually fails to decisively defeat this goofy villain. Which suggests the Green Goblin will return. A bad idea. The character might be fun for one issue, but not as a recurring villain. Especially when Spider-Man aready has such a robust rogues gallery of far more interesting characters: Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard, Living Brain, Electro, Big Man, Enforcers, and Mysterio.

The second panel is a line that’s rather amusing with the benefit of hindsight. “I made the controls simple enough that there’s no chance of fatal error.” If you’ve read further in Amazing Spider-Man, you know he will redesign his flying device and forget that particular design principle. I had suggested this panel to my friend Brian for his Past Was Close Behind series.

The Green Goblin refers to his device as a “flying broomstick”, keeping to a magic/fairy tale theme.

Amazing Spider-Man #13

The Menace of… Mysterio!

Featuring: Spider-Man
Release: March 10, 1964
Cover: June 1964
12 cents
Author: Stan Lee
Artist: Steve Ditko
Lettered by: Art Simek
22 pages

I love the web dissolving on the cover.

Spider-Man has turned to crime. He commits a robbery and then gets away by crawling a wall and using webbing. He must be guilty. Jameson was right all along.

Of course, there was the time the Skrulls convinced everybody the Fantastic Four had turned to crime. Or the time Thor was framed by Mr. Hyde. Or the two times Wizard impersonated Human Torch to frame him for crimes. Spider-Man himself has been framed for crimes now by Chameleon and the Fox. And Jameson accused Spidey of being Electro and of being in cahoots with almost every other villain. So maybe the public shouldn’t jump to any conclusions.

Sandman #19

A Midsummer Night’s Dream
by Neil Gaiman and Charles Vess

Things have changed and will change more; and Gaia no longer welcomes us as she once did.

But he did not understand the price. Mortals never do. They only see the prize, their heart’s desire, their dream… But the price of getting what you want is getting what once you wanted.

Things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes, and forgot.

Thirty years ago today, one of the finest comics I have ever read was published. I would like to take a moment to reflect on Sandman #19, “A Midsummer Night’s Dream”; admittedly at some considerable length.

Due to its length, the post is broken into 3 pages. The first page gives an overview of the Sandman series, and some background. The second page discusses this issue in depth, as well as Sandman #13 and #75, which serve as prologue and epilogue respectively. The third page examines particular themes of this issue and how they resonate throughout the entire series.

Please find the buttons at the bottom of each page to navigate.

Pages: 123

Tales to Astonish #57

On the Trail of the Amazing Spider-Man

Featuring: Giant-Man and Wasp
Release: April 2, 1964
Cover: July 1964
12 cents
Brilliantly written by good ol’ Stan Lee
Bashfully drawn by loveable ol’ Dick Ayers
Boldly inked by faithful ol’ Paul Reinman
Bravely lettered by fearless ol’ S. Rosen
16 pages

We’re throwing two issues of Tales to Astonish together because the Avengers’ series only leaves so much space for Giant-Man/Wasp adventures and because Wasp’s hairdo is difficult to reconcile with Avengers continuity.

Last issue, Hank was ready to propose. He’d even bought a ring. But then he got insecure and doubted that Wasp really loved him. By the end of the issue, he seemed more confident in Jan’s love. But I still don’t see a ring on her finger and there’s no mention of it this issue.

Wasp gets a new addition to her arsenal: a stinger. It’s a compressed air gun. She’d previously had a weapon she referred to as a stinger, but it was just a pin she held. In issue 46, they refer to it as though it’s a regular part of the arsenal. She’d picked up a pin the previous issue. In the backup story of this issue, which takes place before this story, she’ll also pick up a random pin and refer to it as her sting.

Amazing Spider-Man #12

Unmasked by Dr. Octopus!

Featuring: Spider-Man
Release: February 11, 1964
Cover: May 1964
12 cents
Written in the white heat of inspiration by: Stan Lee
Drawn in a wild frenzy of enthusiasm by: Steve Ditko
Lettered in a comfortable room by: Art Simek
22 pages

We’re reading this story an entire month early. A few reasons for this. One is that a lot of plot and thematic elements remain unresolved from issue 11. So these two issues read well together. The other is that I’ll be shuffling around a lot of Avengers-related comics due to chronological complications, including Spider-Man’s upcoming guest appearance in Tales to Astonish. I’ll be pulling that story forward, which also pulls this story forward.

Since the Dr. Octopus subplot remains unresolved from last issue, I think it’s best if Spider-Man’s guest appearances with Human Torch or Giant-Man don’t break up these issues.

Just keep in mind this comic was actually was published after a lot of the exciting events we are about to read, including the return of Captain America, the introduction of Black Widow, the epic Thing/Hulk showdown, and the introduction of Daredevil. But I think it reads better before all that. So here we are.

This is actually one of my very favorite Spider-Man comics. Let’s dive in.

We see a Daily Bugle article in an unusual level of detail. Spider-Man is blamed for letting Dr. Octopus escape by interfering in police business. Jameson’s articles are often over the top, but this seems a reasonable assessment to me. Spider-Man is a child who barged into a delicate hostage situation. One person was killed and the villain escaped. We know he did his best, but he is an amateur. Nonetheless, Spider-Man is outraged by the article. He should perhaps instead be remorseful about Bennet’s death. That’s what happens when you provoke a criminal into wildly firing shots.

Amazing Spider-Man #11

Turning Point

Featuring: Spider-Man
Release: January 10, 1964
Cover: April 1964
12 cents
None but Stan Lee could have written this epic tale!!
None but Steve Ditko could have drawn such gripping scenes!
Lettered by S. Rosen
21 pages

“None but Stan Lee could have written this epic tale!!” I don’t know, Stan. I have my suspicions that’s not precisely accurate. There’s at least one other person who could have, and perhaps did.

With a title like “Turning Point”, this is probably going to be good.

This story has been building for two issues now, and won’t quite resolve in this one. Let’s remind ourselves of what’s been happening.

Two issues back, Peter and Betty were getting closer, but Betty had concerns, and those concerns seemed to hint at larger troubles.

"You're beginning to enjoy the danger-- the excitement! Just like--someone else I once knew--"

"Peter, I never told you why I left high school last year and took a job! I never told you about someone I once knew who-- who remind me of you! But I don't want to be hurt again!"

Last issue, we learn she had been in debt to a loan shark, which leads to her running afoul of the Enforcers. For Peter’s protection, she decides to leave town.

This issue, we see the return of Spider-Man’s greatest villain, Dr. Octopus. Dr. Octopus marks Spidey’s second recurring villain, after the Vulture. (Of course, not counting his persistent nemesis, J. Jonah Jameson.)

Strange Tales #119

The Torch Goes Wild!

Featuring: Human Torch
Release: January 10, 1964
Cover: April 1964
12 cents
Written by: Stan Lee
Drawn by: Dick Ayers
Lettered by: S. Rosen
13 pages

No picture this time, but at least the covers are now consistently mentioning that Dr. Strange exists.

The title of this story is, “The Torch Goes Wild!” Not quite sure what that leads me to expect. Maybe Johnny will take his top off, show a little skin.

Our more observant readers might be wondering if we completely forgot about Avengers #4. We did not. For various reasons about story flow and chronology and such, we will be waiting a bit to read it. I promise a future post that explains all these decisions in excruciating detail.

Our story begins with Johnny having a bad day. Perhaps the Rabble Rouser is to blame.

Happy Spider-Man Day

58 years young.

The entire staff here at Coke & Comics would like to wish a happy birthday to Spider-Man, created 58 years ago today, June 5 1962.

Of course, it was a big day for Marvel, as they also introduced Thor and Ant-Man the very same day.

We don’t celebrate their birthdays today because of technicalities. I did some research and it turns out the character of Thor was actually introduced many centuries earlier. It’s only Marvel’s well-known version that was introduced in 1962. And while Dr. Henry Pym first donned the Ant-Man costume on this date, he himself was introduced almost a year earlier, a scientist with a shrinking formula who hadn’t yet thought to become a superhero.

To celebrate this auspicious occasion, we invite you to look back on the posts we made over a year ago, discussing the introduction of Spider-Man. And sure, of Thor and Ant-Man as well.

Amazing Spider-Man #10

The Enforcers!

Featuring: Spider-Man
Release: December 9, 1963
Cover: March 1964
12 cents
Written by: Smiling Stan Lee
Illustrated by: Swinging Steve Ditko
Lettered by: Sparkling Sam Rosen
22 pages

Warning that spoilers follow. You may not want to read this post until you go read the comic and learn the shocking identity of the Big Man! Otherwise it will be revealed unceremoniously in my character listing.

Once again, we see clever credits. Several comics released this month had them.

The Enforcers remind me somewhat of Dr. Doom’s henchmen we met in last month’s Fantastic Four. But the Enforcers are the better team of henchmen and will prove more enduring. In fact, Big Man is the “big” villain of this issue, with the Enforcers his henchmen. But the Enforcers will become the more famous villains.

Amazing Spider-Man #9

The Man Called Electro!

Featuring: Spider-Man
Release: November 12, 1963
Cover: February 1964
12 cents
Written by: Stan Lee
Illustrated by: Steve Ditko
Lettered by: Art Simek
22 pages

We’ve had some great superhero battles in these pages. Put Spider-Man’s wits and abilities to the test against great foes. We get a new foe this issue.

But this issue also gets to the core of what Spider-Man is really about: balance.

His first appearance ended with the famous phrase about responsibility. That suggested he had a responsibility to use his powers to stop criminals and such. But this comic underscores other responsibilities. His aunt is sick and he has a responsibility to her. He also has financial responsibilities. He’s also a student, responsible for his studies. But what of his social responsibilities? What does he owe the kids in his class toward attempting to be friends with them? What about responsibilities to his romantic life? He’s also a photojournalist, and has a responsibility to journalistic integrity. He has a lot of responsibilities. How to balance them all? That’s the main theme of this series, and this issue is the best microcosm yet.

In fact, Stan’s opening hype seems pretty accurate to me for once. I’ll go ahead and call that my review.

There’s a lot going on in this issue, as my preamble may have implied. Let’s dive in.