Featuring: Dr. Strange Release: December 8, 1966 Cover: March 1967 12 cents A mystic Marvel masterwork by: Stan Lee and Marie Severin Lettered by: Sam Rosen 10 pages
I must endure their blows… regardless of the pain… By the Omnipotent Oshtur, I shall not fail… I shall not fall!
After Ditko left, Bill Everett became the regular artist on Dr. Strange for the next half dozen issues. And I was unimpressed. But I do really like Bill Everett. Last post, I rattled off Sub-Mariner, Venus, and Daredevil. All great works by him.
We get a new artist. Marie Severin. We haven’t seen her work yet. We saw her coloring when we read an old tangentially related EC comic. We saw an issue of Nick Fury illustrated by John Severin. Some possible connection, there. Siblings, perhaps.
But she’s actually been with Marvel for the entirety of our reading, just one of those unsung heroes behind the scenes, working on the production of the comics, sometimes as a colorist, perhaps lending a hand to some bits of art here or there.
“Zowie! He’s the ever-lovin’ gearest! Far as I’m concerned, the mods have had it! That crazy cape really comes on strong!” “Man! Like there’s a boss bunch’a threads! That dad is gotta be what’s happenin’!”
The first issue of Dr. Strange without Steve Ditko. I think the first Spider-Man stories without Steve Ditko actually went pretty well. That John Romita guy is doing all right. But what even is Dr. Strange without Steve Ditko?
Stan Lee never cared about Dr. Strange. He never understood the character. He never understood the character’s appeal. He accepted the character had fans and was fine with that.
You can see this in his treatment of the character. The gap between the early issues, the character rarely being featured on the cover, the story always the back story of each issue, behind Human Torch and then Nick Fury.
He wrote the character for dozens of issues, but almost all the writing really came from Ditko.
On the other hand, Stan Lee loved Spider-Man. And you can tell. There are eternal disagreements over how much of the character and stories come from Lee and how much come from Ditko. But it was a much more collaborative process than Dr. Strange ever was, at least early on. And Stan Lee loved the character of Spider-Man like a son.
So when Ditko left Spider-Man, Lee put everything into making sure the next issue would keep the readership. He found the best artist for the job, told an extraordinarily eventful story, and plainly put his all into assuring readers that Spider-Man would continue to be great after Ditko.
For the first issue of Dr. Strange without Ditko… Lee writes half the script then hands the back pages to his new hire to write, a guy who’s scripted like 5 comics by this point. He just doesn’t care.
This is the second recent comic to refer to Stan Lee as being on vacation. Some reprints of this issue omit that, and change the credits to read “Smilin'” instead of “vacationing'”.
Bill Everett isn’t a bad choice for artist. He created Sub-Mariner and Daredevil. He’s been doing solid work illustrating the Hulk. But Ditko brought something wild and unique to these pages, while Everett is, well, less wild.
Though I’ll give him some credit for this image. He’s certainly taking his best shot at being Ditkoesque.
Featuring: Dr. Strange Release: December 12, 1965 Cover: March 1966 12 cents Extravagantly edited and written by… Stan Lee! Painstakingly plotted and drawn by… Steve Ditko! Lovingly lettered and bordered by… Artie Simek! 10 pages
I was born to battle the forces of evil– and though death be my reward, I would have it no other way!
Ditko’s time on this title draws short, and Lee is starting to hand off more and more of his scripting duties. So this is the final Dr. Strange story to be written by the team of Lee and Ditko. (I use the word “team” a bit loosely, as Ditko is by this point utterly refusing to even speak to Stan Lee.)
Dr. Strange’s adventures had been characterized by stories that fit entirely within 10 pages. Then his first battle with Dormammu lasted twoissues and 20 pages, the size of a normal Spider-Man or Fantastic Four comic.
Then Strange Tales #130 ended with a cliffhanger. Dormammu and Mordo had teamed up; they’d seriously injured the Ancient One, and Dr. Strange was on the run. Without a break, Dr. Strange struggled against this duo of foes for a full 12 issues. Then finally it seemed as though Mordo and Dormammu were defeated, and Dr. Strange could rest.
But not quite! The woman from the Dark Dimension who befriended Strange remains a prisoner. Dormammu was humbled by Strange but remains a threat. And Mordo’s servants remain at large, and in fact have planted a bomb in Dr. Strange’s sanctum, and the last issue ended with the bomb about to go off.
We then paused and checked in with the many other Marvel titles. That was 8 months ago our time. Thank you for your patience in learning what’s up with that bomb. We won’t quite see the resolution of all the threads at present, but at least we’ll resolve this bomb question.
It’s actually a clever resolution. This cleverness is important as sometimes it seems Dr. Strange could maybe magic his way out of anything, so it’s good when we understand how. The villains left an ordinary bomb, because he would have sensed a mystical trap. And they erased traces of their presence, so he would not detect they had been there.
But… he sensed no trace of evil presences! And knew Mordo had been there recently, thus realizing someone had used a spell to eliminate traces of evil presences! See, clever. Anyways, this puts him on guard, and he finds the bomb. It was a close one, though.
And while he evades the bomb, he’s caught in the shockwave and captured by the baddies.
Mordo’s servants don’t know what’s happened in the Dark Dimension. They just know they can’t contact Mordo. They are unaware Dormammu had him banished for being a pathetic loser.
Featuring: Dr. Strange Release: November 11, 1965 Cover: February 1966 12 cents Dialogue and captions: Stan Lee Plot and artwork: Steve Ditko Lettering and more lettering: Artie Simek 10 pages
…I must destroy him! And destroy him I shall!! For I am truly– the Dread Dormammu!!
Chapter 12. Dr. Strange had defeated and humiliated Mordo, so Dormammu challenged Strange directly to a duel of honor for the fate of Earth. They fought using “pincers of power”. Dr. Strange was on the edge of victory when the treacherous Mordo intervened and struck a cowardly blow, leaving Dr. Strange defeated.
And so we continue the Eternity Saga.
Notice the plotting credit for Ditko. He’s plotted every Dr. Strange story.
Generally these stories have really been 9 pages, with the opening splash page serving as a sort of cover for the issue, since the actual issue covers always go to Nick Fury. However, this time Ditko seems to need all 10 pages, so a lot of plot is covered on the opening splash page.
Dormammu banishes Mordo for daring to presume he needed help. That’s the end of that partnership and Mordo’s last bow for this story.
Then Dormammu gallingly still tries to claim his prize despite clearly cheating.
Featuring: Dr. Strange Release: May 4, 1965 Cover: August 1965 12 cents Written and edited by Marvel’s mystical madman: Stan Lee Plotted and illustrated by fandom’s favorite fiend: Steve Ditko Lettered and bordered by comicdom’s cuddlesome conjurer: Sam Rosen 10 pages
By the Seven Rings of Raggadorr… By Cyttorak’s Crimson Bands! I send thee through the unseen door… go thou where my spell commands!
This is a big issue for Strange Tales, as Nick Fury takes over the lead feature. This was the issue that introduced SHIELD and Hydra. But in the backup feature, Dr. Strange’s saga is still barreling along. Anybody picking up the title for the first time to check out the new Nick Fury stories will find themselves smack in the middle of a long Dr. Strange story.
Notice Ditko gets credited with the plotting. He’s plotted every Dr. Strange story, but now he’s getting credit. Proper credit is at the heart of his conflicts with Stan Lee.
We enter into a new status quo for the story. Mordo continues his pursuit of Strange, but Strange is no longer just on the run. He has a goal now, to find Eternity.
He seeks out a former disciple of the Ancient One, Sir Baskerville.
Featuring: Dr. Strange Release: April 8, 1965 Cover: July 1965 12 cents Written by Marvel’s own living legend, Stan Lee Illustrated by Marvel’s own unsung genius, Steve Ditko Lettered by Marvel’s own beaming pixie, Artie Simek 10 pages
This is the final issue of Strange Tales to feature Ben and Johnny. We read their finale over a year ago, but are long delayed in finishing the comic.
With the end of the Human Torch/Thing and Giant-Man/Wasp series, Marvel basically stopped putting out bad superhero books. They aren’t all great. Hulk is flailing a bit without Ditko. Colan’s Namor is off to a rocky start. Iron Man hasn’t quite found his footing, but is much improved. And Ayers isn’t delivering on Sgt. Fury the way Kirby did, and I anyway think the best of Ayers’ work is mostly behind us on the series. But they’re all at least decent now. And the best of them–Spider-Man, Dr. Strange, and Fantastic Four–are getting even better.
We get some progress in our big arc, and we’ll have some pedantic questions.
Let’s start with the progress. Dr. Strange at last learns that Ancient One has been occasionally awakening to say “Eternity”, and agrees to uncover the secret. That quest should occupy him for a few issues.
Mordo and his wraiths find Dr. Strange again, and again Dr. Strange is basically helpless against Dormammu’s power.
Featuring: Dr. Strange Release: March 11, 1965 Cover: June 1965 12 cents Strange is this script by: Stan Lee! Awesome is this art by: Steve Ditko! Lilting is this lettering by: S. Rosen! 10 pages
For I have truly gained the greatest power of all… that which is the fountainhead of all other power… I have gained the gift of knowledge!
Dormammu and Mordo have teamed up. The Ancient One is comatose. He keeps ominously referring to Eternity. Last issue ended with Dormammu possessing Mordo to destroy Dr. Strange, and Dr. Strange died.
I expect this to be a short issue.
Wait. Maybe I should read the first panel better. Dormammu claims Dr. Strange still lives. Strange summoned all his remaining power to transport himself to another dimension.
I’ve claimed repeatedly this is a great story arc. I think there’s some excellent melodrama throughout and some cool ideas coming, but it’s also a perfect showcase for what Ditko’s Dr. Strange is best known for: these bizarre almost formless dimensions that defy description or visualization, yet somehow rendered on our page.
More than that, what Ditko seems to be depicting in these first three panels is the transition from one strange dimension to another.
Featuring: Dr. Strange Release: November 10, 1964 Cover: February 1965 12 cents Edited by: Stan Lee, and his magic typewriter. Script by: Don Rico, and his mystic fountain pen. Illustrated by: Steve Ditko, and his miraculous lead pencil. Lettered by: Sam Rosen, and his melancholy penpoint. 10 pages
Welcome to the 300th Marvel Age story! We’re almost 1% finished!
I think the periods that end each credit above are the first periods we have ever seen. Stan Lee holds to a pretty strict exclamation point-only policy. But then, Stan Lee didn’t write this.
For the second time this month, and the second time in our entire Marvel Age reading, Stan Lee claims no story credit for the issue. His name still comes first, but he takes credit for editing. The only other time we’ve seen this is with Tales to Astonish #64, published just a week earlier, and scripted by Leon Lazarus.
Rumor is that publisher Martin Goodman was concerned of the power Lee held by being the sole writer on these increasingly successful titles, and instructed Lee to diversify the writing staff. However, neither Rico nor Lazarus became regular writers. So if that was Goodman’s intent, he was not successful.
We’ve met Don Rico twice before, though he used the alias of N. Korok, when he worked on Tales of Suspense #52–53 and helped introduce Black Widow. The first time we saw him work with Stan, Stan credited himself with “story” and Rico with “plot”. I don’t know the difference either.
This is Rico’s final scripting assignment for Marvel, a company he’s worked for off and on for 25 years at this point. It’s pretty close to his last comics work. He’d basically already left comics behind for prose writing at this point. A couple miscellaneous pieces in the 70s, including the art for a short Captain America story.
Featuring: Dr. Strange Release: August 11, 1964 Cover: November 1964 12 cents Written by: Stan Lee Prince of Prestidigitators! Illustrated by: Steve Ditko Lord of Legerdemain! Lettered by: Art Simek Nabob of Necromancy! 10 pages
The last few issues of Dr. Strange have essentially been filler. Forgettable stories, with Ditko not even supplying his own finishes on the art. I begged your indulgence, promising they had something good in the works. They did. This is it.
Lee and Ditko’s work on Dr. Strange is recognized as one of the best runs of comic books ever. For the next 20 issues, we’ll see why.
Generally speaking, Ditko does the heavy lifting on this series. But, assuming all the narration is attributable to Stan, he does his share here with some evocative prose.
There is a world half-hidden between the real and the imaginary!
A world in which the impossible is believable, and the incredible is commonplace…
Original
Dr. Strange enters the Realm of Darkness, ruled by the Dread Dormammu. Dormmamu is a powerful sorcerer the Ancient One himself had once fought and been unable to defeat. Now, Dormammu plans to expand his domain and conquer Earth. Only Dr. Strange can stop him.
