Fantastic Four Annual 2, Story C

The Final Victory of Dr. Doom!

Featuring: Fantastic Four
Release: July 2, 1964
Cover: 1964
25 cents
A Stan Lee story spectacular!
A Jack Kirby illustrative idyll!
A Chic Stone delineation delight!
A Sam Rosen lettering landmark!
25 pages

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Never will this mass of teeming humanity ever forget that Doctor Doom once walked among them!

It’s interesting that this is the final story in this issue. It almost seems backwards. This is the full-length Fantastic Four story. That would usually go up front. The first story was a 12-page story which didn’t feature the Fantastic Four at all. That would usually be the back-up. But the 12 page story was better. So Stan put it first.

It’s still weird to me that this is the final thing in the comic, after the reprint and all the bonus material. This is the cover feature, after all.

How is it that we saw Dr. Doom alive in the previous story when clearly he was floating somewhere in space? Sure enough, a ship randomly rescued him… again. This time, it was Rama-Tut.

The story at least acknowledges that Fantastic Four #23 should have been the last we saw of Dr. Doom. It shows us what happened immediately afterwards. Dr. Doom was trapped in space, running out of oxygen reserves and falling toward Jupiter when his unlikely rescue occurred.

Rama-Tut notes this can’t have happened by chance. I’m inclined to agree.

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Fantastic Four Annual 2

The Fantastic Origin of Dr. Doom!

Featuring: Dr. Doom
Release: July 2, 1964
Cover: 1964
25 cents
Earth-shaking script by: Stan Lee
Breath-taking illustration by: Jack Kirby
Epoch-making delineation by: Chic Stone
No-faking lettering by: S. Rosen
12 pages

We get another 25 cent annual for 72 pages. The Amazing Spider-Man Annual we recently covered was a better deal. That was 72 pages of all new material, which is really quite the bargain for 25 cents. This issue reaches the page count by reprinting Fantastic Four #5. Now, if you’d never read the first appearance of Dr. Doom, and were having trouble finding it, that would make this just as good a deal.

The first page

Confusing opening. It seems to show Dr. Doom in a castle. Yet, we saw Dr. Doom get lost in space in Fantastic Four #23. Of course, he also got lost in space in issue 6 only to be miraculously rescued by the Ovoids. But the odds of something like that happening twice are too improbable to consider. After all, space is big. Perhaps this story is meant to be set before Doom fell into outer space. Because I was sure we’d seen the last of him.

This is the best drawing of Dr. Doom we’ve yet seen. At least, that’s my take. I’d like to see if I can break down what’s leading my instincts to that conclusion.

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Amazing Spider-Man Annual 1

The Sinister Six!

Featuring: Spider-Man
Release: June 11, 1964
Cover: 1964
25 cents
Written by: Stan Lee
Drawn by: Steve Ditko
Lettered by: S. Rosen
41 pages

It’s 1964. You’re young. You don’t have a lot of money. But you know some math. Most comics cost 12 cents. This one costs 25. You could get two comics for that price! But wait… those two comics between them would only net you 42-46 story pages. This one promises 72 pages! 72 big pages, at that.

Indeed, this first story is 41 pages, enough to give you your money’s worth. But there’re over 30 pages of bonus features as well!

Plus, most of those comics will give you one super-villain, two at most. This cover promises a sinister six villains for your hard-earned quarter.

If you’re not yet sold to drop two bits, the first page should do it. Aunt May and Betty Brant have been captured by the Sinister Six, and Spider-Man has lost his powers! Now that’s a story!

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Strange Tales #124, Story B

The Lady from Nowhere!

Featuring: Dr. Strange
Release: June 9, 1964
Cover: September 1964
12 cents
Written inside a haunted house by: Stan Lee
Illustrated inside a gypsy’s tent by: Steve Ditko
Inked inside a hidden cave by: Geo. Bell
Lettered inside… because it was raining outside by: S. Rosen
9 pages

Dr. Strange gets more than his usual amount of cover real estate. Some 15% of the page devoted to his story. Enough to actually depict the story within. The second time that’s happened. Strange’s day will come.

For the second of three issues, we have to put up with George Roussos finishing Ditko’s art. There’s a payoff that makes it all worth it, though. When Ditko resumes the full art duties in two issues, he’ll give us 20 of the best comics ever made.

The first page asks, “Can you guess the identity of the Lady from Nowhere??” This puts me in a bind I’ve been in before. The issue reveals her identity on the final page. I’m not a fan of spoilers and don’t want to spoil things for you. That said, this comic is over 55 years old, so it’s not like you haven’t had ample time to read it.

Even if I don’t spoil the ending in my write-up, I do like to give a listing of all the characters in this issue afterward, which would reveal who the Lady is. Tell you what. I’ll give you some hints and see if you can guess before we reach the character listing below. This is her second Marvel Age appearance, after the Iron Man story in Tales of Suspense #44. (Clicking the link will probably give away the answer.)

We’d actually already met her in one of our PRELUDE posts, when we read Venus #1. It’s not absolutely clear how or if these three versions of the character are related.

The page tags might also have spoilers…
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Tales of Suspense #57

Hawkeye, the Marksman!

Featuring: Iron Man
Release: June 9, 1964
Cover: September 1964
12 cents
Written by: Smiling Stan Lee
Illustrated by: Sparkling Don Heck
Lettered by: Sterling S. Rosen
18 pages

Interestingly, this is the first Iron Man cover not drawn by Kirby. In fact, it’s the first major cover of the era not drawn or partially drawn by Kirby or Ditko. In general, Ditko has been drawing the covers of his books, and Kirby has been drawing the covers of his own and everybody else’s. For example, Kirby has drawn very few Giant-Man stories, but has drawn every cover. Since covers were often drawn before the issue, Kirby often had a hand in the creation of the new villains, by virtue of being the first to actually draw them. But not Hawkeye. Hawkeye may be the first major character we’ve met not in any way attributable to Kirby or Ditko. He seems to be entirely the creation of Stan Lee and Don Heck.

For example, Kirby is generally not credited as a creator of Black Widow, but he was involved at the beginning, having drawn her first cover appearance. Same story for Daredevil. I see none of his fingerprints on Hawkeye, but may be unaware of some behind-the-scenes work.

When we met Daredevil, I declared our cast of original stars complete. That was an admittedly arbitrary cut-off. I could have waited just a few months and claimed Hawkeye completes the package.

I said what I said because Hawkeye is not of our stars. At least not yet. He is a just a new super-villain, one of many. Like Black Widow. Like Quicksilver and Scarlet Witch…

See the Our Cast So Far page to see how I’m breaking out the characters.

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Amazing Spider-Man #16

Duel with Daredevil

Featuring: Spider-Man
Release: June 9, 1964
Cover: September 1964
12 cents
Written by: Stan Lee, master of the spoken word
Illustrated by: Steve Ditko, dean of dramatic drawings
Lettered by: S. Rosen, sultan of sparkling spelling
22 pages

Let me start by wishing a happy birthday to Steve Ditko, who would have been 93 today had he not passed away in 2018.

Ditko has created a number of new villains for this series, while maintaining a generally pretty high quality (Green Goblin excepted). The team has only once borrowed a villain so far, when Spider-Man fought Dr. Doom in issue 5. This is the second time borrowing a villain, but they dig deeper, bringing back Ringmaster from Incredible Hulk #3 two years earlier. We’ve read over 200 comics since we last met Ringmaster and his Circus of Crime.

Aunt May still insists Peter accept a blind date with Mary Jane Watson. Peter makes the reasonable protestation that he has a girlfriend. May notes they are not engaged. Does May just not like Betty for some reason? On the other hand, it doesn’t necessarily have to be a date. Peter could just offer to hang out with Mrs. Watson’s niece as a favor to Aunt May. I feel like they could compromise here.

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Sgt. Fury #9

Mission: Capture Adolf Hitler!

Featuring: Sgt. Fury and his Howling Commandos
Release: June 9, 1964
Cover: August 1964
12 cents
Sensational story by: Ex-Sgt. Stan Lee!
Awe-inspiring art by: Ex-Corp. Dick Ayers!
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

Nick Fury is always on his best behavior when on a date with Pam. Unfortunately, their lovely evening is brought to a halt when Fury’s Howlers splash mud on him. He starts to lose his temper, only to be scolded by Pam, who is more impressed by Percy’s gentlemanliness. Fury then gets a scolding from the Captain for the muddy uniform. This remains the funniest title.

The Howlers’ mission is to sneak into Berlin and capture Hitler. Seems easy enough until Fury is recognized by Baron Strucker.

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Tales to Astonish #59, Story B

Let’s learn about Hank and Jan…

Featuring: Giant-Man and Wasp
Release: June 2, 1964
Cover: September 1965
12 cents
By: Stan Lee, Dick Ayers, Paul Reinman, S. Rosen
5 pages

Wasp’s solo adventures were cancelled, so there is a 5-page void. Starting next issue, Hulk will get half the pages. This issue, the void gets filled with an “About” section. We recently saw a similar feature for Iron Man.

I don’t own this comic, and the digital versions of Tales to Astonish #59 exclude this section for some reason. Which makes it a hard story to track down. It was reprinted in Marvel Tales #13.

While the story title claims we will learn about Hank and Jan, it’s almost entirely about Hank. Wasp is just not treated with sufficient dignity. When she is mentioned, it’s only in the context of talking about Hank. The comic mentions her air gun, but focuses on the fact that Hank invented it. The comic dedicates more space to talking about their headquarters.

The comic mostly walks through what we know about Giant-Man. I think the only new details are that Captain America taught him karate and the precise weight he can press: 2000 pounds.

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Daredevil #3

The Owl, Ominous Overlord of Crime!

Featuring: Daredevil
Release: June 2, 1964
Cover: August 1964
12 cents
Written with raw realism by: Stan Lee
Illustrated with daring drama by: Joe Orlando
Inked with actual artistry by: Vince Colletta
Lettered with Perfect Precision by: S. Rosen
22 pages

Some like him and some hate him, but so far he’s the easiest inker to spot. None of the other inkers we are following do the crosshatching like Colletta.

Last issue, Orlando and Colletta gave us an unusual amount of background detail for the period. This issue gives less, as is the style of the time, likely induced by deadline pressure.

All that said, we get some good visuals from the art team, notably a trippy opening panel with a lot of eyes.

Last issue, Daredevil borrowed a villain from Spider-Man. He now gets his first super-villain of his own, the Owl. The Owl is the worst kind of super-villain: a Wall Street investor, described as a ruthless financial wizard. Also, he can fly and likes to trap his enemies in giant bird cages. Typical Wall Street guy.

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Tales of Suspense #56

The Uncanny Unicorn!

Featuring: Iron Man
Release: May 12, 1964
Cover: August 1964
12 cents
Written with consummate skill by: Stan Lee
Illustrated with blazing drama by: Don Heck
Lettered with bloodshot eyes by: S. Rosen
18 pages

The time of the science fiction short stories has ended, allowing this comic to devote a full 18 pages to telling Iron Man’s story. I’m sure that making it longer was the missing ingredient in making it good.

This issue, Iron Man battles the Unicorn. I’m undecided if that name conjures a powerful Soviet menace. It doesn’t sound like something a tough bad guy would call themself, but then I wouldn’t want to have to fight a unicorn.

The character arc of the issue is that Tony Stark decides to give up being Iron Man and live a normal life. He then feels guilty when Happy is injured by the Unicorn because he had neglected his responsibilities.

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