Strange Tales #155

Death Trap!

Featuring: Nick Fury, Agent of SHIELD
Release: January 10, 1967
Cover: April 1967
12 cents
Edited by: Stan Lee (Marvel’s James Bond)
Written and drawn by: Jim Steranko (Marvel’s Man Flint)
Letted by: Sam Rosen (Marvel’s Secret Squirrel)
12 pages

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And so saying, the SHIELD agent’s finger begins to tighten on the trigger… his trance-like face telling of the incredible turmoil seething within… Then, the overwhelming force of the spell sweeps over his ego, as once again, the Supreme Hydra’s command echoes through his mind…

Jim Steranko is now writing and drawing Nick Fury, Agent Of SHIELD, and credited for doing so. Wally Wood had wanted that for Daredevil but was turned down.

Does this show Lee’s faith in the newcomer Steranko? Or is it just that he’s busy and become somewhat indifferent?

Steranko delivers quite the opening splash page, so maybe he’ll do okay with this assignment.

What are we looking at? It’s called the Vortex Beam. It seems to be like a tractor beam they use as a fancy elevator. Best as I can tell, people get onto a disc on the ground and then get lifted onto the Heli-Carrier. We see some VIPs and a strange device coming on the ship that way.

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Strange Tales #154

Beware… the Deadly Dreadnought!

Featuring: Nick Fury, Agent of SHIELD
Release: December 8, 1966
Cover: March 1967
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Plotted and drawn by: Jim Steranko
Lettered by: Sam Rosen
12 pages

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Leave the thinkin’ to AUTOFAC…

The training wheels are off for Jim Steranko. In his first couple issues, he’d been drawing off layouts from Kirby, but Kirby has stepped away. The newcomer Steranko has drawn this all by himself.

And he even gets a plotting credit for his work. Something it took Ditko and Kirby years to get. That folks like Orlando and Wood left the company over.

Roy Thomas was also on scripting duties last issue, but this won’t be a regular gig for him. This is his second and final turn on the series.

AUTOFAC is the AI system that does SHIELD’s thinking. If they feed it what they know about Supreme Hydra, it will deduce their identity.

Can you, reader, deduce the identity of Supreme Hydra before AUTOFAC can? If not, maybe we should just surrender to AI.

We get a detailed diagram of the Heli-Carrier. Below the story notes, we recorded all the rooms and notes.

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Strange Tales #153

The Hiding Place!

Featuring: Nick Fury, Agent of SHIELD
Release: November 10, 1966
Cover: February 1967
12 cents
Seldom-equalled editing by Stan Lee
Seldom-surpassed scripting by Roy Thomas
Seldom-lacking layouts by Jack Kirby
Seldom-rivaled rendering by Jim Steranko
Seldom-legible lettering by Artie Simek
12 pages

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The hour of Hydra has come at last– And nothing that the human race can do will cease our relentless march toward world domination!

Steranko takes on the cover solo, and does an impressive job. He probably won’t need Kirby’s handholding much longer.

Inside, it’s still the Kirby/Steranko art team, with the art seeming more and more Steranko each issue. What’s changed is the writer. Thomas has been the regular on X-Men and Sgt. Fury and occasionally filled in elsewhere. This is in that fill-in category. He won’t be a regular writer on this series.

We open in the barbershop. Not clear the status of it after the attack by AIM. Is it still a SHIELD base? Is it still secret?

We recognize the two agents working in the barbershop, but still haven’t learned their names.

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Strange Tales #152

The Power of SHIELD!

The Power of SHIELD!
Featuring: Nick Fury, Agent of SHIELD!
Release: October 11, 1966
Cover: January 1967
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Artwork: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
12 pages

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So long as men such as you exist– men who are dedicated not merely to the cause of nationalism– but to international freedom– to global justice– so long will the lamp of liberty continue to burn bright– until men of good will, everywhere, put down their arms and come forth to reason together!

Once again, Kirby is on layouts with Steranko on art, but the character work looks more like Steranko this issue than last, perhaps suggesting looser layouts from Kirby.

Worth noting this will be Stan Lee’s final work on Nick Fury, Agent of SHIELD. He remains the editor, of course.

Last issue, Nick had escaped Hydra, but was unwittingly piloting their Overkill Horn. We pick up there this issue. Sitwell is in charge of SHIELD, and manages to destroy the Horn, fearing he has killed Fury in doing so. But Nick gets free.

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Strange Tales #141

Brain Blast!

Featuring: Nick Fury, Agent of SHIELD
Release: November 11, 1965
Cover: February 1966
12 cents
Rapturously written by: Stan Lee
Resplendently drawn by: Jack Kirby
Rollickingly inked by: Frank Ray
Reluctantly lettered by: Sam Rosen
12 pages

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If he’s what ya say, he’s the most dangerous guy in the world!

Jack Kirby returns to full pencils after several issues of laying out the series for various artists, with Frank Giacoia on inks. The difference is noticeable, though I did quite appreciate John Severin’s take on these characters.

They do what is to my mind a very weird thing. The 7-part Hydra Saga is really 6.5 parts. As it’s over by page 7 of this story. They then just begin their next saga mid-issue. It’s a bit obnoxious. I’d like to keep the arcs together to best appreciate them, but Stan seems to want to end everything on cliffhangers now, so the arcs aren’t well-defined.

They’ll head-scratchingly do the same thing next month with Fantastic Four.

We will take a break after this issue. We’ll have started the first few pages of the Mentallo/Fixer Saga, and we’ll return to it one day.

First up, the half-issue Hydra finale. The organization was defeated, but Imperial Hydra, in his true identity as Arnold Brown, is about to destroy the place, killing everybody.

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Strange Tales #140

The End of Hydra!

Featuring: Nick Fury, Agent of SHIELD
Release: October 12, 1965
Cover: January 1966
12 pages
Senses-shattering story by: Stan Lee
Power-packed presentation by: Jack Kirby
Drama-drenched drawing by: Don Heck
Dreamy-designed delineation by: Joe Sinnott
Booboo-bulging balloons by: Sam Rosen
12 pages

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Mankind cannot live in fear of Hydra! In the name of SHIELD… in the name of universal freedom… I cannot fail!

Kirby. Heck. Sinnott. That’s a lot of artists to draw 12 pages of comic. (A heck of a lot.)

“Booboo-bulging balloons” took a bit of deciphering. I think Stan’s claiming the letterer makes a lot of mistakes. The word balloons are bulging fit to burst with mistakes.

Hydra could have served as a looming background threat for some time to come. But they decided it was time to settle it up. This is part 6 of the “Hydra Saga”. SHIELD agents are swarming Hydra’s headquarters for the final battle.

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Strange Tales #139

The Brave Die Hard!

Featuring: Nick Fury, Agent of SHIELD
Release: September 9, 1965
Cover: December 1965
12 cents
Sensationally written by: Stan Lee
Spectacularly laid-out by: Jack Kirby
Superbly illustrated by: Joe Sinnott
Silently lettered by: Artie Simek
12 pages

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You know that no insurance company would give a policy to a SHIELD man! There’s only one thing we won’t die of– and that’s old age!

I think you can tell at a glance my copy of this comic has seen better days.

The cover’s an interesting gimmick. It’s mostly just the first page of the issue, but then it has Dr. Strange holding the page. The caption tells us, “Amost everybody reads SHIELD!”

The Dr. Strange figure is drawn by Marie Severin, sister of John Severin, who drew the last couple issues of SHIELD. She’s been doing staff work at Marvel, but will soon enough be chosen to draw Dr. Strange herself.

You kind of get the sense that they didn’t have a cover at all, and this got thrown together by staff. But they get a nice test run for Ms. Severin on the Doctor.

The story opens with Nick Fury in outer space being pursued by…err… that… thing.

Ah, he’s being subjected to some virtual reality thing designed to pry from his mind the secrets of Stark’s new weapon, the, err, braino-saur.

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Strange Tales #138

Sometime the Good Guys Lose!

Featuring: Nick Fury, Agent of SHIELD
Release: August 10, 1965
Cover: November 1965
12 cents
Written by: Stan Lee, sultan of script!
Laid out by: Jack Kirby, master of melodrama!
Drawn by: Johnny Severin, archduke of art!
Lettered by: S. Rosen, prince of penmanship!
12 pages

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And knock off that “Colonel” jazz, Mister! I keep thinkin’ ya mean someone else!

Nick Fury gets the cover again, even though the Dr. Strange story is one of the single greatest issues of all time.

Last issue, we watched three SHIELD agents sacrifice their lives in an attempt to find Hydra’s Betatron Bomb. Nick reflects on that as he realizes they are just moments too late to prevent the launch. And Hydra can now hold the world hostage.

Even Hydra has an org chart in every presentation.

Tony Stark has a secret invention which can help, but before he shows it to Fury, Hydra attacks the Stark plant. Tony is able to save himself, but not Fury, who is captured by Hydra.

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Strange Tales #137

The Prize is… Earth!

Featuring: Nick Fury, Agent of SHIELD
Release: July 8, 1965
Cover: October 1965
12 cents
Story: Stan Lee
Layouts: J. Kirby
Art: J. Severin
Lettering: Art Simek
12 pages

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Well, we can’t just stand here cryin’ in our soup, like kids! That won’t bring those joes back! We gotta make sure they didn’t cash in their chips for nothin’!

It’s a pretty big deal that Severin is given the cover. Even when Stan’s used different interior artists, he’s wanted Kirby on the cover. Heck’s been the regular artist on Iron Man since day 1, but Kirby’s almost always done the covers. All but one, so far. Kirby got all the Giant-Man covers, whether it was Heck or Ayers on art. But the artist base is starting to expand. Colan’s been doing the Sub-Mariner covers, and now Severin gets a SHIELD cover.

We get something new with the credits. The art attempts to integrate them into the story. Rather than a separate box, they show up on a computer screen at SHIELD HQ.

We see the “Q” scene as Nick Fury gets his fancy gadgeted clothing. The dialogue is pretty rote at this point. “Why are you giving me an ordinary hat?” “Ho ho, it just looks like an ordinary hat…”

I think the hat is cool because it seems like it might actually work. There’s nothing too fancy going on in their diagram. A hat whose brim works like a periscope to allow you to see what’s going on behind you.

I’m not sure I would want to wear a suit made of explosive fabric.

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