johnny storm – Page 10 – Coke & Comics

Fantastic Four #11, Story B

The Impossible Man
Featuring: Fantastic Four
Release: November 1, 1962
Cover: February 1963
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this story in Fantastic Four Omnibus vol. 1.

In some ways, this is a fill-in issue of FF, a break from their serious adventures. The first half of the issue gave the team to address their real-life letters in-story in an extended letters page. This half features a gag character. He reminds one of DC antagonists such as Bat-Mite or Mr. Mxyp– I mean Mr. Mxyzpl– I mean, that imp who annoys Superman.

The adversary is from the planet Poppup, a race that has learned to instantly evolve. The Impossible Man is essentially unbeatable, but not really a villain. Their initial conflict is just intergalactic cross-cultural misunderstanding; later, the Impossible Man is just trying to amuse himself. The FF should probably have tried to deescalate and defuse the situation.

Fantastic Four #11

A Visit with the Fantastic Four
Featuring: Fantastic Four
Release: November 1, 1962
Cover: February 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this comic in Fantastic Four Omnibus vol. 1.

I find this story interesting for all the biographical details we get filled in, even the stuff that contradicts the other stuff.

We learned last issue that Stan and Jack are characters in the Marvel Universe, publishing Fantastic Four comics. On the opening splash page, we see a new issue has come out. One child is excited to get his letter published. This is the second time we’ve seen the fan letters addressed in story. I’ll repeat what I said then: this is where Stan shines, interacting directly with young readers.

I like how popular they suggest their own comic is within the comic.

We then get a cute scene where they come across kids playing “Fantastic Four” and introduce themselves. Reed suggests the boy playing him ought to give flowers to the girl playing Invisible Girl. They offer a message to kids: don’t play with fire at home.

Strange Tales #104

The Human Torch Meets Paste-Pot Pete!
Featuring: Human Torch
Release: October 9, 1962
Cover: January 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

I think it goes without saying that Paste-Pot Pete is one of the greatest super-villains of all time. And that he has one of the greatest names. And therefore– I will say no more.

Fantastic Four #10

The return of Doctor Doom!/Back from the Dead!/The End of Mr. Fantastic?/No Place to Turn!
Featuring: Fantastic Four
Release: October 9, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Pencilling: Jack Kirby
Inking: Dick Ayers
23 pages

Previous	#33	Next
Tales to Astonish #39	Reading order	Strange Tales #104
Fantastic Four #9	Fantastic Four	Fantastic Four #11

Our fans have grown to expect real exciting super-villains from us! Too bad that Doctor Doom was lost in space! He was possibly the greatest super-villain of all!

I read this comic in Fantastic Four Omnibus vol. 1.

Again, Stan gives relatively full credits, compared to the previous 25 years of comics. He has been inconsistent about crediting the letterer. He is also not careful to distinguish between plot and script, which has led to much confusion over the years. It is known Kirby contributed at least some, likely much, and perhaps all of most of these plots. Yet he is only ever credited for pencils or art. The plotting is just not in the credits here. Stan does credit himself with plots for the Human Torch and Thor stories when he credits his brother Larry with the scripts.

This comic is most famous for introducing the characters of Stan Lee and Jack Kirby. We learn they exist in the Marvel Universe, and they publish Fantastic Four comics, in consultation with the real team. To preserve a bit of mystery, Jack never draws either creator’s face.

Strange Tales #103

Prisoner of the 5th Dimension!/Trapped in Another World!
Featuring: Human Torch
Release: September 11, 1962
Cover: December 1962
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1.

Once again, we see Stan is giving full credits for the art team, including the letterer Art Simek. Stan credits himself with the plot, but I’ll add some notes based on my general understanding of the usual working relationship; they details of this have been debated by lawyers and historians for decades, so take my musings as those of a non-expert relating what he’s heard. It was very common that Kirby also usually made significant plot contributions, despite the lack of annotation in the credits. The general working arrangement would be that Stan and Jack would talk out ideas together in loose terms, then Kirby would go draw the comic, which includes most of the storytelling details, and then the script and final inks would be filled in after. The busier Stan got, the looser those initial planning conversations were, and the more plotting work was left to Kirby when he was drawing the comic.

Seems like a perfect setup for a Scooby Doo mystery…

Fantastic Four #9

The End of the Fantastic Four!/Sub-Mariner Gives the Orders!/The Fury of Mr. Fantastic/The Flame of Battle/Vengeace is Ours!
Featuring: Fantastic Four
Release: September 4, 1962
Cover: December 1962
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this comic in Fantastic Four Omnibus vol. 1.

As with the Thor story which premiered the same day, this features full credits. In fact, the credits are more complete than the Thor story, as they spotlight the lettering of Artie Simek. The coloring of Stan Goldberg is still omitted, and anyways lost in the reproductions I am looking at.

This is a pretty famous story. For decades to come, when people refer to how Stan Lee changed superheroes, they’ll point to things like Spider-Man being unpopular or the Fantastic Four having money problems. But for 8 issues, the FF seemed pretty wealthy. Here, we learn Reed lost all his money in a stock market crash, and the FF are bankrupt and having to sell everything and disband. They even sell the pogo plane!

Fantastic Four #8

Prisoners of the Puppet Master!/The Hands of the Puppet Maker/The Lady and the Monster!/Face-to-face with the Puppet Master!/Death of a puppet!
Featuring: Fantastic Four
Release: August 9, 1962
Cover: November 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Dick Ayers
23 pages

I read this issue in Fantastic Four Omnibus vol. 1. The comic has the signatures of Lee and Kirby. The collection lists Ayers as the inker.

We begin now the second year of adventures of the Fantastic Four.

Well, he did tell them to call him Thing…

I’ve found it weird the whole series that they always refer to him as ‘Thing’ instead of ‘Ben’. In later comics, they will mostly call him Ben. The writers seemed to have noticed it’s odd as they make a thing of it here. Sue calls him Ben, and he complains about how it’s only ‘Ben’ when they want something.

Strange Tales #102

Prisoner of the Wizard/Wizard’s Wiles!
Release: August 9, 1962
Cover: November 1962
12 cents
Writers: Stan Lee and Larry Lieber
Penciler: Jack Kirby
Inker: Dick Ayers
13 pages

This is better than the previous Human Torch story. It at least introduces a notable villain. And Wizard is a pretty cool character.

But, man, that secret identity thing remains a rough plot point. First, the ultra-genius Wizard needs a convoluted plan to find the Torch because nobody knows his secret identity. And then, Wizard douses Torch’s flames to defeat him, but only on his body… leaving a flaming head. Why?

Strange Tales #101

The Human Torch/The Flaming Fury Strikes Back!!
Release: July 10, 1962
Cover: October 1962
12 cents
Writers: Stan Lee and Larry Lieber
Penciler: Jack Kirby
Inker: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1. I don’t see any credits within the issue. The collection’s table of contents gives the credits I list above.

In his first solo outing, Human Torch must battle the Destroyer in Glenville, while preserving his secret identity…

Wait? What?

He wasn’t that concerned about his secret identity when he flamed on in front of his mechanic friend… Or talked to his friends about his Fantastic Four problems… Or went to Congress to get awards and his photo taken… Or when he decided his costume didn’t need a mask. (Yes, I realize Superman thinks the same)

Fantastic Four #7

Prisoners of Kurrgo, Master of Planet X
It Came From the Skies!/Outlawed!/Bound for Planet X!/Twenty Four Hours Till Zero!
Release: July 3, 1962
Cover: October 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Dick Ayers
24 pages

I read this comic in Fantastic Four Omnibus vol. 1. Dick Ayers is credited within the omnibus, but not the issue itself.

It sounded incredible the first time, maybe even the second…

This is at least the fourth time aliens have come to earth in recent months, if you accept that all the stories we’ve been reading take place in the same continuity. The government may have covered up some of them, but the Toad Men broadcast their demands for surrender globally. There is no reason for a US military commander to be shocked by the appearance of a spaceship. Even if the Hulk and Thor stories were their own thing, the military guy should at least know the Skrulls attacked earth.

In general, I would prefer we move toward less scenes of characters being shocked by fantastic things. I prefer Betty’s observation from Incredible Hulk #1, recognizing that the world has fundamentally changed: “…with the strange and supernatural forces all around us, I feel as though we’re on the brink of some fantastic unimaginable adventure!” Or the phrasing from Marvels #0: “…the world would know the presence of the unnatural and extraordinary as part of reality.”

This issue concerns the Fantastic Four being summoned to Planet X to help prevent the world’s destruction.