jack kirby – Page 11 – Coke & Comics

Journey Into Mystery #117

Into the Blaze of Battle!

Featuring: Thor
Release: April Fools Day, 1965
Cover: June 1965
12 cents
Regally written by: Stan Lee
Dazzlingly drawn by: Jack Kirby
Invincibly inked by: Vince Colletta
Lonesomely lettered by: Artie Simek
16 pages

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Journey Into Mystery #116, Story B	Reading order	Journey Into Mystery #117, Story B
Journey Into Mystery #116, Story B	Journey Into Mystery	Journey Into Mystery #117, Story B

We’re still spinning out of the events of issue 114, when Loki kidnapped Jane. This led directly to last issue’s Trial of the Gods, a challenge which Loki won by cheating, right as last issue closed.

We pick up precisely where we left off. For continuity’s sake, Thor is still without his cape. He’ll get another one when they get home.

This issue, Thor finds himself entangled in the Vietnam war. Marvel heroes have been fighting Communists for as long as we’ve been reading, often in Vietnam. The nature of US involvement in Vietnam was changing drastically, as this comic was published just 7 months after the Gulf of Tonkin incident. Here, we see the civil war that ravages South Vietnam, as South Vietnamese farmers face the terror of the Viet Cong, guerilla forces supported by the North Vietnamese.

Before we get to Viet Nam, we have unresolved plot points from last issue. Who won the Trial of the Gods? Will Jane be rescued from Enchantress and Executioner?

Journey Into Mystery #116, Story B

The Challenge!

Featuring: Tales of Asgard
Release: March 4, 1965
Cover: May 1965
12 cents
Story: Stan Lee
Pencilling: Jack Kirby
Inking: Vince Colletta
Lettering: Artie Simek
5 pages

Previous	#341	Next
Journey Into Mystery #116	Reading order	Journey Into Mystery #117
Journey Into Mystery #116	Journey Into Mystery	Journey Into Mystery #117

Another early scheme of Loki. While Thor flirts with Princess Rinda, Loki schemes with King Hymir. Hymir issues two challenges Thor is honor-bound to accept. Those who fail Hymir’s challenges become his slaves.

Journey Into Mystery #116

The Trial of the Gods!

Featuring: Thor
Release: March 4, 1965
Cover: May 1965
12 cents
Written by imperial Stan Lee
Illustrated by impregnable Jack Kirby
Inked by implacable Vince Colletta
Lettered by impossible Artie Simek
16 pages

Previous	#340	Next
Daredevil #7	Reading order	Journey Into Mystery #116, Story B
Journey Into Mystery #115, Story B	Journey Into Mystery	Journey Into Mystery #116, Story B

Colletta graduates from inking the backup stories to the main Thor feature. He will be the Thor artist for a very long time to come. For better or worse. In fact, he will ink the next 52 consecutive Thor stories, and a good many of the next 50 after that over the course of an 8-year run.

We’ll reserve commentary on the his style for now. Let’s spend a few issues taking in this new art style before we try to see how we think Colletta compares to Chic Stone.

Another compelling Thor title. “The Trial of the Gods!”

We’ve known the phrase since we read Avengers #16, which was actually published a week after this, but took place earlier. At least, Thor’s appearance in the story took place before this issue.

Kirby seemed to use the same concept for cover and first page.

I’ve never really understood Odin and never will. Everybody seems to agree he is wise, but his wisdom must be too much for my mortal intelligence to grasp. Thor claims Loki kidnapped Jane to Asgard; Loki claims Thor brought Jane to Asgard because he loves her. Who is lying? The God of Thunder or the God of Lies?

Only one way to find out, says Odin. The Trial of the Gods!

Journey Into Mystery #115, Story B

A Viper in Our Midst!

Featuring: Tales of Asgard
Release: February 4, 1965
Cover: April 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Delineator: Vince Colletta
Letterer: Artie Simek
5 pages

Previous	#338	Next
Journey Into Mystery #115	Reading order	Daredevil #7
Journey Into Mystery #115	Journey Into Mystery	Journey Into Mystery #116

This is the third Loki-centric story. Not really sure why this is a significant chapter in his life. I guess it’s an early example of him being evil. They seem to make a big deal that this is his first time forming an evil alliance.

Journey Into Mystery #115

The Vengeance of the Thunder God

Featuring: Thor
Release: February 4, 1965
Cover: April 1965
12 cents
Story by: Stan Lee the sage of the Marvel Age!
Penciling by: Jack Kirby the rage of the Marvel Age!
Inking by: Frankie Ray for his wage in the Marvel Age!
Lettering by: Artie Simek from his cage in the Marvel Age!
16 pages

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Journey Into Mystery #114, Story B	Reading order	Journey Into Mystery #115, Story B
Journey Into Mystery #114, Story B	Journey Into Mystery	Journey Into Mystery #115, Story B

Recall last issue Thor and Absorbing Man were locked in battle when Balder transported Thor away to Asgard because Loki had imprisoned Jane Foster.

I noted that starting just about last issue, the Thor title is finally getting good. In the old stories, Mr. Hyde or Cobra would kidnap Jane and Thor would fight them.

Admittedly the plot of this issue is that Loki kidnaps Jane and Thor fights him. But it’s good.

At least Loki imprisoning Jane makes sense, as Loki is well aware of Thor’s secret identity– which makes one question the value of the secret identity. Mr. Hyde would just pick the right victim by chance.

Admittedly the plot of next issue is that Enchantress and Executioner kidnap Jane, but I still maintain these stories are getting better.

Journey Into Mystery #114, Story B

The Golden Apples!

Featuring: Tales of Asgard
Release: January 5, 1965
Cover: March 1965
12 cents
By: Stan Lee + Jack Kirby
Inking: Vince Coletta [sic]
Lettering: Artie Simek
5 pages

Previous	#336	Next
Journey Into Mystery #114	Reading order	Journey Into Mystery #115
Journey Into Mystery #114	Journey Into Mystery	Journey Into Mystery #115

The past two issues focused on Loki and his early days. We are informed more Loki stories are coming, but this tale is an interlude.

We meet Haakun the Hunter and the goddess Iduna. Iduna is notably wearing a red hood, perhaps suitable for riding.

Journey Into Mystery #114

The Stronger I Am, the Sooner I Die!

Featuring: Thor
Release: January 5, 1965
Cover: March 1965
12 cents
Written at white heat by: Stan Lee
Drawn with purple passion by: Jack Kirby
Inked with golden serenity by: Chic Stone
Lettered on a blue Monday by: Sam Rosen
16 pages

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Avengers #16	Reading order	Journey Into Mystery #114, Story B
Journey Into Mystery #113, Story B	Journey Into Mystery	Journey Into Mystery #114, Story B

“The Stronger I Am, the Sooner I Die!”

Well, damn. That’s maybe the most compelling title yet. It turns out to also make complete sense into the context of the story. I like it.

This is the issue Thor finally gets good.

Quality-wise, Thor’s been turning around since about a dozen issues back. It went from being the single worst title to a pretty decent one. The stories still haven’t been much to speak of, but the art and action have been excellent. There’s been great storytelling of late, even if not applied to many stories worth telling.

The great storytelling has been owed to the pairing of Kirby and Stone. We just bid farewell to Stone’s tenure on FF. Now we must bid farewell to him on Thor (recall we’ve jumped back in time, so this is a month before his final FF issue). Vince Colletta will graduate from the Tales of Asgard backups and start on the main strip. There are those who love Colletta’s work on Thor, and there are many others who… don’t. We’ll see what we think in the months to come.

We are jumping back in time a couple months. Thor is changing. It has so far mostly consisted of identifiable discrete stories, usually one or two issues long. No more. Stories will flow into each other; it will be hard to tell where one begins and ends. It will be hard to identify where Thor gets enough of a breather to go be an Avenger. (Though we know that soon won’t be an issue.) We’re already behind on our Dr. Strange and Hulk reading because they’ve started the “saga” approach to storytelling.

To that end, the plan is to read the next 6 issues of Thor basically together, pausing only to check in on Daredevil, because it’s relevant to the happenings in Thor.

Most of the issue is dedicated to Thor’s battle against the Absorbing Man, but it ends indecisively. It’s over for the moment, but Thor’s foe remains at large. Meanwhile, we get a second conflict in the final pages. Loki has kidnapped Jane and holds her in his stronghold. Thor must go battle Loki and rescue Jane. Next issue will pick up both of these plots, but the Absorbing Man story still won’t conclude, and it will bleed into the Trial of the Gods” arc, which has already been hinted at in our Avengers reading because we got 2 months ahead.

We’ll talk in more detail about chronology next issue, but my loose idea is that this story takes place between the pages of Avengers #15. After the first Thor scene but before the second. The MCP disagrees, placing this squarely after Avengers #16.

Let’s dive in.

Avengers #16

The Old Order Changeth!

Featuring: Avengers
Release: March 11, 1965
Cover: May 1965
12 cents
Dazzling script by: Stan Lee
Dashing layouts by: Jack Kirby
Darlin’ artwork by: Dick Ayers
Delicate lettering by: Artie Simek
20 pages

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Avengers #15	Reading order	Journey Into Mystery #114
Avengers #15	Avengers	Avengers #17

“Avengers Assemble!” shouts Captain America. With quite the assemblage of heroes and villains behind him. Check out our pretty full cast list near the end.

A little annoyed with myself as I make this post. I screwed up. In the middle of a move and all my comics are in transit. I have this issue, my second oldest Avengers comic after issue 8, and I thought I had scanned this before I packed and shipped it. I remembered doing so. Apparently I only scanned the single page I used in my Wandavision post.

I considered pausing our reading for a bit until I could scan my comic, but who knows when that will be. So we’ll press forward with scans, err, found on the internet. We’ll call them temporary. I’ll come back in a month or so and replace them with my own. You probably won’t even notice the difference. I just prefer to scan my own comics when I can.

And this issue means a lot to me.

Had it since early childhood somehow. My cousin had borrowed it for an extended period of time, but I eventually got it back.

This is a pretty historic issue. For whatever reason, Heck chose this issue of all issues to take a breather, leaving Ayers to do the artwork over Kirby’s layouts… or perhaps Kirby’s loose pencils, or maybe full pencils for some of the comic.

Here’s an interesting post on the breakdown of artistic labor in this issue, including speculation that Carl Hubbell was involved: https://nick-caputo.blogspot.com/2014/06/the-unknown-art-of-carl-hubbell.html

First, we need to wrap up the story from last issue. Captain America had just fatally defeated Zemo, and now needs to get back to New York with Rick. He’ll have some trouble with Zemo’s henchmen. Meanwhile, the battle with the Masters of Evil continues in New York.

Let’s just say the Avengers win, though Enchantress and Executioner escape. The battle’s anyway over by page 4, and we have more important things to discuss.

It turns out this was these heroes’ final battle together.

Avengers #15

Now, By My Hand, Shall Die a Villain!

Featuring: Avengers
Release: February 11, 1965
Cover: April 1965
12 cents
Script: Stan Lee
Layouts: Jack Kirby
Pencilling: Don Heck
Inking: Mickey Demeo
Lettering: Artie Simek
20 pages

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Fantastic Four #38	Reading order	Avengers #16
Avengers #14	Avengers	Avengers #16

For several issues, Avengers had become a Lee/Heck production and was much the worse for it. Last issue had everybody working at Marvel pitch in. Now, Kirby is on hand with the layouts. Recall, we’re basically talking positioning of characters, but with that comes the storytelling, and this story is a cut above the last several issues. That’s likely Kirby’s hand. He’s been the missing ingredient. He’s back to do layouts for two issues, and they’ll be two of the best Avengers stories of the era.

Ordering is funny, as continuity is getting tight. Everybody is embroiled in multi-issue arcs, stories are flowing into each other; Avengers is always tricky continuity because it needs to be fit around the solo titles; and there’s a wedding any day now.

That’s why we already skipped ahead 5 months in our X-Men reading and are so far behind in our Dr. Strange and Hulk reading. Trying to fit it all together. This is the February issue of Avengers. We’re already mostly on to March, but about to read the January Thor. I think it all makes sense. This issue for significant reasons plainly takes place after the July issue of X-Men.

Fantastic Four #38

Defeated by the Frightful Four!

Featuring: Fantastic Four
Release: February 11, 1965
Cover: May 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Inker: Chic Stone
Letterer: S. Rosen
20 pages

Previous	#332	Next
X-Men #13	Reading order	Avengers #15
Fantastic Four #37	Fantastic Four	Fantastic Four #39

My sincerest apologies, faithful readers. Been a few weeks now since we covered the epic battle between the X-Men and the unstoppable Juggernaut. That’s life nonsense getting in the way of my priorities. Let’s pick up our reading with the Fantastic Four.

I’ve teased for years now that at some point this title goes from “good” to “transcendentally great”. The precise transition point is unclear and I’ve repeatedly noted some key issues that seemed to step up the quality. I feel like that transcendentally great era is now here. I could maybe hear an argument it begins with issue 44, but I feel like it’s here now.

We’ll talk about 44 when we get there, as there is a notable change that issue. This issue also represents a change. This is Chic Stone’s final issue of Fantastic Four.

Stone has inked the last 10 issues of Fantastic Four, and it’s now hard to remember the title without him. Prior, it had been Roussos or Ayers, and the difference is just night and day. The only standout prior to Stone was the couple issues inked by Joe Sinnott. (Hint, hint.)

The art popped under Stone. He highlighted the melodrama Kirby was infusing the stories with. He didn’t soften the exaggerations of Kirby’s faces or poses. He outlined them; he leaned in to just how over the top–and larger than life– Kirby wanted this all to be. And you see this across titles, just as evidently in the Thor stories, for example. The action and tension and emotion and drama are all just illustrated to the max under the Kirby/Stone collaboration. It will be sad to see him go.

This isn’t goodbye forever to Stone. He did a couple other titles this month we’re yet to read, and he has the odd cover or fill-in issue still to come. But here we bid goodbye to his work on Fantastic Four.