Fantastic Four #47

Beware the Hidden Land!

Featuring: Fantastic Four
Release: November 11, 1965
Cover: February 1966
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: Joe Sinnott
Lettering: Art Simek
20 pages

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If ya got a few spare minutes, it’s time fer us ‘ta save humanity again!

All Johnny can think about is Crystal. Guess we’re over Dorrie. Also, a man is dying. Luckily, Sue is there to point out Triton needs to get to water immediately. Johnny’s head is elsewhere. He’s only thinking with his, let’s say, heart.

The Great Refuge is the home of the Inhumans. They are ruled by Maximus the Magnificent. He had ordered the Seeker to return the others, such as Triton. He had ordered Gorgon to bring Medusa to the Great Refuge. He wanted Medusa back so he could marry her.

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Fantastic Four #46

Those Who Would Destroy Us!

Featuring: Fantastic Four
Release: October 12, 1965
Cover: January 1966
12 cents
Story by our leader, Stan Lee
Illustrations by our idol, Jack Kirby
Inking by our star, Joe Sinnott
Lettering by our letterer, Artie Simek
20 pages

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Although I die– I die– free!

Who is Black Bolt? He’s fast. He’s strong. Strong enough to stagger the Thing with one blow. The antenna on his mask converts electrons into his strength and speed.

He doesn’t speak.

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Fantastic Four #44

The Gentleman’s Name is Gorgon!

Featuring: Fantastic Four
Release: August 10, 1965
Cover: November 1965
12 cents
Dreamed up by: Stan Lee
Sketched down by: Jack Kirby
Inked in by: Joe Sinnott
Lettered around by: S. Rosen
20 pages

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I’ve had enough of this domestic bliss bit! Hanging around here is like being on the set of Ozzie and Harriet!

“The world’s greatest comic magazine!” That’s what is says on the cover. Despite being a comic not as good as the company’s own Dr. Strange or Spider-Man stories. But it’s always been one of Marvel’s best comics and has gotten continually better. We’ve noted assorted leaps forward in quality, such as in issues 13, 29, 35, 36, 38, 39… At some point, we enter into the great era of Fantastic Four. And if we weren’t there already, we’re definitely there now.

One missing ingredient was Joe Sinnott on inks. Often cited as Kirby’s best inker. He’s not entirely new, as he inked the introduction of Dr. Doom back in issue 5. He’d also been the regular artist on Thor for a bit, but did a pretty terrible job. He later recalled in interviews that he hadn’t realized at the time anybody expected these comics to be good. He took the Thor assignment as a job to churn out some disposable work. He seems to take this Fantastic Four assignment more seriously.

Why are Joe’s inks special?

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