Tales of Suspense #67

Where Walk the Villains!

Featuring: Iron Man
Release: April 8, 1965
Cover: July 1965
12 cents
Written by our roguish writer: Stan Lee
Pencilled by our prankish penciller: Don Heck
Inked by our impish inker: Mickey Demeo
Lettered by our other letter: S. Rosen
12 pages

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Tales of Suspense #66, Story BReading orderTales of Suspense #67, Story B
Tales of Suspense #66, Story BTales of SuspenseTales of Suspense #67, Story B

The drama from last issue continues. Happy has quit; Pepper is sad; she blames Iron Man.

Count Nefaria of the Maggia returns, but with a new gimmick and identity. He now calls himself the Master of Dreams. Perhaps also Dream-Maker or Dream-Master; Stan can’t decide from one page to the next. He controls Iron Man’s dreams and sends old foes against him; if Iron Man dies in the dream, he will die.

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Tales of Suspense #40

The armor makes him a superhero and keeps his heart beating.

Iron Man Versus Gargantus!
Featuring: Iron Man
Release: January 10, 1963
Cover: April 1963
12 cents
Plot: Stan Lee
Script: R. Berns
Art: J. Kirby
Inking: D. Heck
13 pages

I read this story in Iron Man Omnibus vol. 1.

Most of the credits only get first initials, perhaps to fit on a line. The letterer John Duffy doesn’t even get an initial, referred to as “Duffi”. Heck was the primary artist on the first issue of Iron Man, though building off some initial character work by Kirby. Here, Heck is credited with inking over Kirby. But to my eye, this issue mostly reminds me more of Heck than Kirby.

The script is credited to “R. Berns”. The first time we’ve seen that name. In fact, I think it’s the first writing credits given to anybody except for Stan or his brother Larry. The scripter is Robert Bernstein, who used the pseudonym “R. Berns” for all of his Marvel work, as he was mostly known for his DC superhero work at the time. He’d been working in comics for at least 17 years at this point, and had worked with Lee before on western and war stories. But he’d spent the last 4 years working in superhero comics at DC, famously reviving Aquaman for the Silver Age, and adding Aqualad and Aquagirl to the cast (working with Ramona Fradon). His Superboy stories (with George Papp) introduced the menace of General Zod and other Kryptonian criminals imprisoned in the Phantom Zone, concepts that would make it into the 1978 Superman film and the 2013 reboot. And he transformed Congo Bill into Congorilla (alongside Howard Sherman). An impressive pedigree to join our crew.

We saw 18 months of superhero comics made almost entirely by 3 people. It wasn’t sustainable as the number of heroes continued to grow, so we’ve seen an infusion of new writers and artists in the last month, some filling in, some here to stay.

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