fantastic four – Page 7

Fantastic Four #16

The Micro-World of Doctor Doom!

Featuring: Fantastic Four
Release: April 9, 1963
Cover: July 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
22 pages

I read this story in Fantastic Four Omnibus vol. 1.

Astute readers are noting that this comic is from April of 1963 and recall that we’ve been reading comics from May of 1963. So what gives? Why is this one here in the reading order? Am I even paying attention to what I’m doing?

Well, issue 17 will pick up right where 16 leaves off, and the battle with Dr. Doom basically continues from one issue to the next. So I thought it would be good to read the two stories together.

One other chronology note. This issue also came out a month before Ant-Man’s appearance in Tales to Astonish #46. Which would leave me inclined to put that story after this two-part adventure. However, Ant-Man rides a flying ant in this. He first meets a flying ant in his own comic in issue 46. Prior to that, he always catapulted places. That suggests to me this story fits best after Tales to Astonish #46, despite the publication dates.

He catapults to the flying ants, which he uses like skis.

Now you’re wondering how Dr. Doom can be in this story when you recall him shrinking to nothingness. I, too, was convinced we would never see him again. But it turns out he didn’t shrink to nothingness but ended up in a micro-world populated by micro-people.

Well, I guess I was wrong when I thought he was gone for good.

It turns out sentient life is all around us. We know now the stars are populated by many aliens, some as close as Saturn. We’ve encountered–let’s see, carry the one and… 10 alien races in these superhero tales.

Plus other races live in neighboring dimensions, under the sea, beyond the Rainbow Bridge… and there are at least four underground kingdoms.

So we now add a micro-world kingdom to the list.

Fantastic Four #15

The Mad Thinker and His Awesome Android!

Featuring: Fantastic Four
Release: March 12, 1963
Cover: June 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
20 pages

I read this story in Fantastic Four Omnibus vol. 1

In general, the desire to be king of the city’s gangs is an uninteresting motivation. The FF villains are better when they think bigger than the Thinker seems to be thinking here. The lack of a good supervillain plot cheapens the new villain out of the box. Nonetheless, the Thinker (sometimes called the Mad Thinker) will become a major FF adversary.

Fantastic Four #14

The Merciless Puppet Master

Featuring: Fantastic Four
Release: February 12, 1963
Cover: May 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
22 pages

I read this story in Fantastic Four Omnibus vol. 1.

Kirby got a fill-in for almost every book he draws in the last couple months… except for this one. This is clearly his baby in a way the others are not. That is also evident in the fact that Lee does all the scripts. That the Human Torch, Thor, Ant-Man, and Iron Man stories have rotating scripters and fill-in artists tells you where they fall on the totem pole compared to Fantastic Four.

I’ve struggled some (actually, for years going on decades) with the question of what order to read these stories in. I’m not alone. Marvel has published indices dedicated to chronology. The Marvel Chronology Project has painstakingly ordered the events of each characters’ lives to make sense. The Complete Marvel Reading Order is focused on what makes the “best” read, which includes keeping stories together.

So far, I’ve mostly focused on release date, catalogued in Mike’s Amazing World. Going in order by date has yielded several insights. I can see when Kirby suddenly had lots of fill-in artists take over. I can see cool facts, like that Thor, Ant-Man, and Spider-Man were all introduced the same day. It’s added a lot to my understanding of the context of these stories to go in time order.

Since most issues have been self-contained and there’s been minimal crossover, there’s been no reason to go in anything but date order. But the stories will become increasingly complex. And it might be nice to read single story-arcs together to appreciate them best.

I did some light fudging last time. Fantastic Four #13 was released January 3, yet I chose to read it after two comics released January 10. Similarly, this comic was released on February 12, but I am reading it before two comics released on February 5. That is because issue 14 picks up right where #13 ended, with the FF still not back from the moon. This will become more common, that the ending of one story will lead into the beginning of the next, and I won’t always be able to place such stories together. But this was easy enough to do.

It says “Part 1”, but there seem to be no other parts. Part 1 of 1?

As an example of something lost in the shuffle if I don’t go in strictly chronological order… this is the first issue we see something pretty cool. There’s a new logo added to the cover, with the word “Marvel” appearing for the first time. I’ve been calling this the “Marvel Age”, and now we see why. This line of titles is officially taking the name “Marvel”! But it didn’t actually begin here. It began last week with Strange Tales and Journey Into Mystery. We’ll read those next.

Fantastic Four #13

He is sworn to watch, but never interfere…

The Fantastic Four Versus the Red Ghost and His Indescribable Super-Apes!/Menace on the Moon!/The Watcher Appears/Duel in the Dead City!
Featuring: Fantastic Four
Release: January 3, 1963
Cover: April 1963
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: S. Ditko
22 pages

I read this story in Fantastic Four Omnibus vol. 1.

The great Steve Ditko provides inks for Kirby’s pencils. We last saw this legendary combination in Incredible Hulk #2.

This issue is the first to get to the heart of what I think the Fantastic Four should be about: exploration of the wondrous; an adventure into the imagination. Kirby is famed for his creativity, but this is the first issue where he’s really letting it flex. This issue is bursting with ideas, many tangential to the main story. The FF head to the moon, learn the blue area has a breathable atmosphere, find the ruins of an ancient civilization, battle a super-villain and his super-apes, and meet the enigmatic Watcher. Plus glimpses of the past and future, and of the destruction of a world. That’s a comic bursting with ideas.

Fantastic Four #12

The Incredible Hulk/Mission: Stop the Hulk!/Who is the Wrecker?/The Hulk at Last!
Featuring: Fantastic Four
Release: December 10, 1962
Cover: March 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this comic in Fantastic Four Omnibus vol. 1.

Let’s review the key dates so far.

August 8, 1961 — The Fantastic Four debut
March 1, 1962 — The Incredible Hulk
June 5, 1962 — The most important day in Marvel’s history thus far: introducing Spider-Man, Thor, and Ant-Man!

It’s now December 10, 1962.

Another hugely important date in Marvel’s history. Four milestones, which we’ll be covering over the next few posts: we’ll see the debut of another iconic superhero; a superhero we haven’t seen in 6 months makes his return in the debut of his solo title; and, most excitingly, the Marvel comics start to coalesce into a universe. On this day, we get not only our first crossover of the Marvel Age, but our first two crossovers! The Fantastic Four will encounter two iconic Marvel characters on this very date.

Fantastic Four #11, Story B

The Impossible Man
Featuring: Fantastic Four
Release: November 1, 1962
Cover: February 1963
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this story in Fantastic Four Omnibus vol. 1.

In some ways, this is a fill-in issue of FF, a break from their serious adventures. The first half of the issue gave the team to address their real-life letters in-story in an extended letters page. This half features a gag character. He reminds one of DC antagonists such as Bat-Mite or Mr. Mxyp– I mean Mr. Mxyzpl– I mean, that imp who annoys Superman.

The adversary is from the planet Poppup, a race that has learned to instantly evolve. The Impossible Man is essentially unbeatable, but not really a villain. Their initial conflict is just intergalactic cross-cultural misunderstanding; later, the Impossible Man is just trying to amuse himself. The FF should probably have tried to deescalate and defuse the situation.

Fantastic Four #11

A Visit with the Fantastic Four
Featuring: Fantastic Four
Release: November 1, 1962
Cover: February 1963
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
11 pages

I read this comic in Fantastic Four Omnibus vol. 1.

I find this story interesting for all the biographical details we get filled in, even the stuff that contradicts the other stuff.

We learned last issue that Stan and Jack are characters in the Marvel Universe, publishing Fantastic Four comics. On the opening splash page, we see a new issue has come out. One child is excited to get his letter published. This is the second time we’ve seen the fan letters addressed in story. I’ll repeat what I said then: this is where Stan shines, interacting directly with young readers.

I like how popular they suggest their own comic is within the comic.

We then get a cute scene where they come across kids playing “Fantastic Four” and introduce themselves. Reed suggests the boy playing him ought to give flowers to the girl playing Invisible Girl. They offer a message to kids: don’t play with fire at home.

Fantastic Four #10

The return of Doctor Doom!/Back from the Dead!/The End of Mr. Fantastic?/No Place to Turn!
Featuring: Fantastic Four
Release: October 9, 1962
Cover: January 1963
12 cents
Script: Stan Lee
Pencilling: Jack Kirby
Inking: Dick Ayers
23 pages

Previous	#33	Next
Tales to Astonish #39	Reading order	Strange Tales #104
Fantastic Four #9	Fantastic Four	Fantastic Four #11

Our fans have grown to expect real exciting super-villains from us! Too bad that Doctor Doom was lost in space! He was possibly the greatest super-villain of all!

I read this comic in Fantastic Four Omnibus vol. 1.

Again, Stan gives relatively full credits, compared to the previous 25 years of comics. He has been inconsistent about crediting the letterer. He is also not careful to distinguish between plot and script, which has led to much confusion over the years. It is known Kirby contributed at least some, likely much, and perhaps all of most of these plots. Yet he is only ever credited for pencils or art. The plotting is just not in the credits here. Stan does credit himself with plots for the Human Torch and Thor stories when he credits his brother Larry with the scripts.

This comic is most famous for introducing the characters of Stan Lee and Jack Kirby. We learn they exist in the Marvel Universe, and they publish Fantastic Four comics, in consultation with the real team. To preserve a bit of mystery, Jack never draws either creator’s face.

Fantastic Four #9

The End of the Fantastic Four!/Sub-Mariner Gives the Orders!/The Fury of Mr. Fantastic/The Flame of Battle/Vengeace is Ours!
Featuring: Fantastic Four
Release: September 4, 1962
Cover: December 1962
12 cents
Script: Stan Lee
Art: Jack Kirby
Inking: Dick Ayers
23 pages

I read this comic in Fantastic Four Omnibus vol. 1.

As with the Thor story which premiered the same day, this features full credits. In fact, the credits are more complete than the Thor story, as they spotlight the lettering of Artie Simek. The coloring of Stan Goldberg is still omitted, and anyways lost in the reproductions I am looking at.

This is a pretty famous story. For decades to come, when people refer to how Stan Lee changed superheroes, they’ll point to things like Spider-Man being unpopular or the Fantastic Four having money problems. But for 8 issues, the FF seemed pretty wealthy. Here, we learn Reed lost all his money in a stock market crash, and the FF are bankrupt and having to sell everything and disband. They even sell the pogo plane!

Fantastic Four #8

Prisoners of the Puppet Master!/The Hands of the Puppet Maker/The Lady and the Monster!/Face-to-face with the Puppet Master!/Death of a puppet!
Featuring: Fantastic Four
Release: August 9, 1962
Cover: November 1962
12 cents
Credits: Stan Lee and Jack Kirby
Inker: Dick Ayers
23 pages

I read this issue in Fantastic Four Omnibus vol. 1. The comic has the signatures of Lee and Kirby. The collection lists Ayers as the inker.

We begin now the second year of adventures of the Fantastic Four.

Well, he did tell them to call him Thing…

I’ve found it weird the whole series that they always refer to him as ‘Thing’ instead of ‘Ben’. In later comics, they will mostly call him Ben. The writers seemed to have noticed it’s odd as they make a thing of it here. Sue calls him Ben, and he complains about how it’s only ‘Ben’ when they want something.