Fantastic Four #33

Side-by-side with Sub-Mariner!

Featuring: Fantastic Four
Release: September 8, 1964
Cover: December 1964
12 cents
Script: Smilin’ S. Lee
Art: Jolly Jack Kirby
Inks: Chucklin’ Chic Stone
Lettering: Amiable Art Simek
20 pages

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Kirby has used these photo collages a few times now, but this is the first cover that combines art with photographs in a cool collage.

This is the first time Stan’s name has ever been abbreviated in the credits: “S. Lee”. I’m guessing the letterer just ran out of room.

Namor is again the king of Atlantis (the exact same month Aquaman is first named king of Atlantis at the Distinguished Competition). Namor has the most fickle people. They moved the entire kingdom once so he couldn’t find them because of his affection for Sue. But I guess that’s all forgotten now.

Meet Attuma. We’ll be seeing him again.

The story is that Dorma betrayed Namor because he scorned her love, so she helped Attuma’s armies gain entry to Atlantis so Attuma could seize the throne. Women, eh?

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PRELUDE: Young Men #28, Story C

The Land Below the Sun!

Featuring: Sub-Mariner
Release: February 25, 1954
Cover: June 1954
10 cents
By: Bill Everett
8 pages

If the Nazis were the favorite enemy in the ’40s, by the ’50s it will be the Soviets. They are portrayed as rather silly here, believing their leader without question, constantly insulting capitalism, and generally being blind lemmings praising their fascist state.

That’s exactly how Soviets talked, I imagine.

Now, we read in Sub-Mariner Comics #1 how the Emperor died. Well, now he’s not dead. In truth, I haven’t read very many comics in the intervening 13 years, but I’ve done some internet research, and it doesn’t seem like the comics had explained this discrepancy. As far as I can tell, this is the first time we’ve seen the Emperor since his death. And nobody remarks on how alive he is. Eventually, we will come to a 1980s series called Saga of the Sub-Mariner that attempts to explain the wonky continuity on display.

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PRELUDE: Marvel Comics #1, Story C

The Sub-Mariner
Credits: Bill Everett
12 pages

I read this comic in Marvel Masterpieces Golden Age Marvel Comics vol. 1. My copy of the book is filled with printing errors: pages missing or repeated; and, the copy seems off. The colors and inks seem pretty blurred, compared to scans I’m finding online. The coloring wasn’t great in those days to begin with, so it’s hard to tell without seeing the comic what it actually looks like, as reproductions vary widely. It’s particularly tricky as Everett wanted to make the undersea scenes murky.

This story is the beginning of a serial and doesn’t reach a satisfying conclusion in and of itself. It concerns Namor of the race of Sub-Mariners, recently come of age. He learns from his mother Fen of the ravages done to their people by the experiments of the surface dwellers, (who the comic refers to as the “white men”) and leads a crusade against the surface. His first step is to destroy a lighthouse. We’ll have to tune in next issue to see more.

The surface world will never recover from the destruction of the lighthouse; they may as well surrender now.

It begins in a familiar fashion, from the viewpoints of ordinary sailors, leaving the Sub-Mariner as a mystery in the background. Namor will become the point-of-view character soon, but first we learn who he is in snatches, as the humans do. An undersea diver notices oddities, like evidence that somebody had recently been there, even though they are the only ship in the area. It’s a mystery to investigate, a deadly one as it will turn out. It’s a technique we’ve seen frequently in superhero films (plus many a movie before them). Famously, when Batman first dons the suit in Batman Begins, the movie shifts its point-of-view to that of criminals. They only know something strange is happening, that they see out of the corner of their eye and hear above them– and that their numbers are thinning. This comic gives us a similar scene with divers.

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