don heck – Page 5 – Coke & Comics

Tales of Suspense #57

Hawkeye, the Marksman!

Featuring: Iron Man
Release: June 9, 1964
Cover: September 1964
12 cents
Written by: Smiling Stan Lee
Illustrated by: Sparkling Don Heck
Lettered by: Sterling S. Rosen
18 pages

Interestingly, this is the first Iron Man cover not drawn by Kirby. In fact, it’s the first major cover of the era not drawn or partially drawn by Kirby or Ditko. In general, Ditko has been drawing the covers of his books, and Kirby has been drawing the covers of his own and everybody else’s. For example, Kirby has drawn very few Giant-Man stories, but has drawn every cover. Since covers were often drawn before the issue, Kirby often had a hand in the creation of the new villains, by virtue of being the first to actually draw them. But not Hawkeye. Hawkeye may be the first major character we’ve met not in any way attributable to Kirby or Ditko. He seems to be entirely the creation of Stan Lee and Don Heck.

For example, Kirby is generally not credited as a creator of Black Widow, but he was involved at the beginning, having drawn her first cover appearance. Same story for Daredevil. I see none of his fingerprints on Hawkeye, but may be unaware of some behind-the-scenes work.

When we met Daredevil, I declared our cast of original stars complete. That was an admittedly arbitrary cut-off. I could have waited just a few months and claimed Hawkeye completes the package.

I said what I said because Hawkeye is not of our stars. At least not yet. He is a just a new super-villain, one of many. Like Black Widow. Like Quicksilver and Scarlet Witch…

See the Our Cast So Far page to see how I’m breaking out the characters.

Tales of Suspense #56

The Uncanny Unicorn!

Featuring: Iron Man
Release: May 12, 1964
Cover: August 1964
12 cents
Written with consummate skill by: Stan Lee
Illustrated with blazing drama by: Don Heck
Lettered with bloodshot eyes by: S. Rosen
18 pages

The time of the science fiction short stories has ended, allowing this comic to devote a full 18 pages to telling Iron Man’s story. I’m sure that making it longer was the missing ingredient in making it good.

This issue, Iron Man battles the Unicorn. I’m undecided if that name conjures a powerful Soviet menace. It doesn’t sound like something a tough bad guy would call themself, but then I wouldn’t want to have to fight a unicorn.

The character arc of the issue is that Tony Stark decides to give up being Iron Man and live a normal life. He then feels guilty when Happy is injured by the Unicorn because he had neglected his responsibilities.

Tales of Suspense #55, Story B

All About Iron Man

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Presented by: Stan Lee and Don Heck
Lettered by S. Rosen
5 pages

This is pushing the line between what I’d call a story and what I’d call a special feature at the end of a story. It’s long enough and told in a comics format, so I decided to give it its own entry, but I could have included it at the end of the last one.

This feature fits in where the science fiction tale would normally have gone, but those are done now.

The first page shows some of Iron Man’s major villains:

Black Widow
Mysterious Melter
Mandarin
Scarecrow
Mr. Doll
Crimson Dynamo
Gargantus
Jack Frost

It’s not an exhaustive list. I don’t see:

Wong-Chu
Kala and the Netherworlders
Dr. Strange
Red Barbarian
The Actor
The Mad Pharaoh

One villain is unnamed, and I don’t recognize him.

Tales of Suspense #55

No one escapes the Mandarin!

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Friendly Stan Lee
Illustrated by: Faithful Don Heck
Lettered by: Fearless Art Simek
13 pages

For the second issue in a row, a comic I own in original form, because it was too hard to find the Watcher story in the back any other way.

The title is, “No one escapes the Mandarin!” Iron Man is currently a prisoner. Willing to bet money someone will escape the Mandarin by issue’s end. (In fact, someone will escape the Mandarin by page 3.)

I need everybody to agree on a couple points. Iron Man is a captive. He is tied up just like he was at the end of last issue. That’s the first point. The second is that he is wearing a different helmet than he was a moment ago. There is a clear lack of bolts down the face. Somebody explain.

Tales of Suspense #54

The Mandarin’s Revenge!

Featuring: Iron Man
Release: March 10, 1964
Cover: June 1964
12 cents
Written (in his magic Marvel manner) by: Stan lee
Drawn (in his famous flashing fashion) by: Don Heck
Lettered (in his smooth subtle style) by: Art Simek
13 pages

We reach a personal milestone for me in this reading. Up to this point, every story I’ve read, I’ve used some form of reprint, often a collection from one of their reprint lines like Marvel Masterworks, sometimes a later comic that happens to reprint the old story.

This comic I own. Cover barely hanging on, brown at the edges, but this is mine. That cover? That’s a scan of my copy. Most of the other covers have been taken from the GCD.

So that’s pretty exciting.

Now for the bad news. The Mandarin returns. Iron Man’s lamest villain yet (despite some stiff competition) is back for round 2.

Iron Man gets a new helmet. The face mask no longer protrudes out, making his head a smoother shape, and there are visible bolts along the mask. I get the bolts along where the facemask meets the helmet, but not sure what the ones down the middle are doing. They won’t be around long. In fact, they’ll disappear mid-story suddenly without any plausible explanation.

It’s a pretty weird look, frankly. It will be better when that middle line of bolts goes away.

Journey Into Mystery #104, Story C

Heimdall, Guardian of the Mystic Rainbow Bridge

Featuring: Tales of Asgard
Release: March 3, 1964
Cover: May 1964
12 cents
A tale told in splendor by: Stan Lee
A drama drawn in glory by: Jack Kirby
Inked by: Don Heck
Lettering: Art Simek
5 pages

I appreciate that the Tales of Asgard stories are willing to try different things. The initial offerings concerned Odin and the early days of creation. Then we got a series of stories about Thor as a youth. Now we will get a series focused on Heimdall. Stories about Balder will follow. The series feels it has the freedom to explore a variety of characters and eras of Asgard.

Heimdall was briefly introduced to us in Journey Into Mystery #85, where we learned he was the Warder of the Bifrost. We are given the general sense that he is very good at his job and that almost nothing slips past him. However, we haven’t seen much evidence of that. Indeed, we’ve seen Loki fool him twice. In issue 88, Loki disguised himself as a snake to escape Asgard. In an ancient tale told in issue 101, young Loki created a hole in Asgard’s defenses without Heimdall realizing it.

We now learn the story of how Heimdall was awarded his post. The right to stand eternal watch at a station is not something I would have competed for, but Heimdall did. Agnar the Fierce and Gotron the Agile both presented their cases to Odin. But they could not compete with Heimdall’s heightened senses. He could hear a plant growing far away in hills thought to be barren, and his eyes that can scan time and space could see an approaching army of Storm Giants still two days away.

Tales of Suspense #53

The Black Widow Strikes Again!

Featuring: Iron Man
Release: February 11, 1964
Cover: May 1964
12 cents
Story plot by: Stan Lee
Script by: N. Korok
Art by: Don Heck
13 pages

Iron Man takes a big step forward. Since his debut, he’s been the lead feature of Tales to Suspense, featured on the cover with his name somewhere prominently, and his visage in the little box up top. This issue, he gets a logo. Large font in a standard position atop the page reads, “The Power of Iron Man”. The comic is still “Tales of Suspense”, as noted at the top; yet, the comic’s title is the subordinate font. In big bold letters, we see clearly this is Iron Man’s comic. Marvel will do the same with Thor next month. For whatever reason, they seem less inclined to advertise Human Torch or Giant-Man so boldly.

While less impressive, it should be noted that The Watcher gets acknowledged on the cover in a text box. No other covers have or will mention his backup features. That coincides with a change in the Watcher tales. He will no longer be narrating other tales but starring in his own adventures.

Black Widow returns, now with black hair (though this time it looks red on the cover). Last issue, her only role was distraction by seduction. Here, she steals a powerful new Stark weapon, but we still don’t see her demonstrating many talents of her own.

Her plan largely hinges on Stark’s stupidity (which worked well for her last time). He shows her his new top secret super weapon, perhaps because he is smitten with her. She then steals the weapon. We learn Stark was not smitten, but pretending to trust her to learn her plans. There was no need for that. The events of last issue provide plenty of evidence she was a Soviet spy and an accomplice in the murder of Professor Vanko. There was no reason to learn her new plan. Just have her arrested.

Tales of Suspense #52

The Crimson Dynamo Strikes Again!

Featuring: Iron Man
Release: January 10, 1964
Cover: April 1964
12 cents
Plot by: Stan Lee
Story by: N. Korok
Art by: Don Heck
Lettering by: S. Rosen
13 pages

N. Korok is an alias for Don Rico. Stan credits Rico with the story and himself with the plot. I would love to know what Stan thinks the difference between “plot” and “story” is. Rico had been working with comics, and Marvel Comics in particular, since 1939, as artist or writer or editor. By this time, he had mostly left comics behind and become a successful novelist– likely why he’s not using his real name on this comic work. Any comics work by Rico from this point forward will be quite uncommon.

Khrushchev decides it’s time to deal with the traitorous Crimson Dynamo. He sends for Russia’s best agents, Boris and Natasha.

No, not those two.

Tales to Astonish #54

No Place to Hide!

Featuring: Giant-Man and Wasp
Release: January 3, 1964
Cover: April 1964
12 cents
Daringly written by: Stan Lee
Dramatically drawn by: Don Heck
Deftly lettered by: Art Simek
13 pages

The placement of this story is tricky. Where we have it, Hulk and Namor are still on the loose, so this is no time for Wasp to be talking about a vacation. Doesn’t mean she wouldn’t be. Hank does note they don’t have time for a vacation. I choose to treat this as a veiled reference to the whole Hulk/Namor situation, whether intended or not.

On the subject of chronological concerns, notice Giant-Man is in his older outfit, last seen in issue 51. This indicates to me that he alternates between the outfits. In reality, the outfit seems to correspond to the artist. Ayers drew the issues with the thick suspenders. Kirby and Heck seem to be drawing Giant-Man with the lighter stripes. They will all eventually converge on thicker suspenders.

We see some pretty rough play between Giant-Man and Wasp. It seems to be all in good fun, but may be early warnings of an abusive relationship forming.

Tales of Suspense #51

The Sinister Scarecrow

Featuring: Iron Man
Release: December 9, 1963
Cover: March 1964
12 cents
Written by: Stan (When does he sleep?) Lee
Illustrated by: Don (When does he eat?) Heck
Lettered by: Art (When will he learn to spell?) Simek
13 pages

Stan notes we are probably wondering how a Scarecrow can cause Iron Man any trouble. I was wondering exactly that, Stan. In fact, I often wonder why most of Iron Man’s villains cause him any trouble. This issue will not answer the question. Iron Man strikes me as far more powerful than you make him out to be.

We get a somewhat interesting origin for a super-villain. It begins with Iron Man making a joke that he’s glad the performer is not a criminal, which inspires the performer to be a criminal. All he needs now is to steal a Scarecrow costume from a costume shop and some trained crows from a colleague.

Those who engage in humor know it to be an art form not free from consequence; we maintain that the rewards, though subtle, are worth the risk.