The Human Torch In the Clutches of the Puppet Master!
Featuring: Human Torch Release: October 8, 1963 Cover: January 1964 12 cents Written by: Stan Lee Drawn by: Dick Ayers Inked by : Geo. Bell 13 pages
Can’t say I care much for the Ayers/Roussos team on art. Not sure what they’re doing in their rendering of the Thing.
Stan gives an acknowledgement this issue that the story is inspired by an idea from Tommy and Jimmy Goodkind. These were the children of a friend of Stan’s, who lived in his neighborhood.
Featuring: Giant-Man and Wasp Release: October 1, 1963 Cover: January 1964 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Dick Ayers 13 pages
This continues the story of the previous issue. This is arguably the first real 2-part story we’ve seen. The Fantastic Four took two issues to defeat Dr. Doom in Fantastic Four #16–17. But as one encounter was in the Micro-World alongside Ant-Man, and the other was not, it could be argued those were two different stories, the main plot of issue 16 being resolved. Here, issue 50 clearly ended with a note the story was to be continued. Nothing was resolved. So that makes this something of a milestone within our reading.
Featuring: Human Torch Release: September 10, 1963 Cover: December 1963 12 cents Written by: Stan Lee Drawn by: Dick Ayers 13 pages
Stan really doesn’t know what he has. Strange Tales #115 includes one of Marvel’s all-time greatest stories, yet the cover shows not a hint of that. It focuses entirely on a mediocre Human Torch tale.
We get another villain crossover. We haven’t seen too many yet. Dr. Doom has shown up in the pages of Spider-Man. That’s pretty much the only one unless you want to count Loki showing up in the Avengers.
But now, Spider-Man’s foe Sandman will menace the Human Torch. Spider-Man himself might pop in to say hello. (Actually, he’ll pop in to express that he’s upset Human Torch took on his villain.)
Featuring: Human Torch Release: August 8, 1963 Cover: November 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Dick Ayers 18 pages
Why did we choose now to review the origin of Captain America? Because Captain America is returning. “From out of the Golden Age of Comics”, the cover says. Not sure if we’ve yet seen that term in our reading. The era we are reading has been dubbed the Marvel Age.
Weird that he’d choose the Antique Auto Show of Glenville, Long Island to make his return after a decade-long absence.
Captain America and Human Torch get into a fight. Superheroes often do that when they meet.
Featuring: Fantastic Four Release: August 8, 1963 Cover: November 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Dick Ayers 22 pages
“This proves that some form of life must exist in outer space!”
Reed.
You’ve fought the Skrulls twice. You’ve traveled to Planet X, and transported its population to another planet. You’ve met the Impossible Man and the Watcher. You’re about to meet the Watcher again this issue. You’ve seen the ruins of a lost civilization on the moon.
Plus, if you’ve been paying attention, you would have noted earth has been recently invaded by several other alien races, from the Toad Men to the Stone Men from Saturn.
Of course there’s some form of life in outer space!
Maybe I’m misinterpreting. Perhaps he’s not speaking of other worlds or moons or even spaceships, but within space itself.
Featuring: Fantastic Four Release: July 9, 1963 Cover: October 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inking: Dick Ayers 22 pages
This bears some resemblance to the Iron Man story where he traveled to Ancient Egypt to battle a time-traveling Pharaoh (Pharoah?). Of course, this is much better.
Mr. Fantastic deduces from some museum hieroglyphs that blindness had once been cured in Ancient Egypt. So the Fantastic Four return to the castle where they first met Dr. Doom, where we find his time machine has just been sitting there this whole time. They use the machine to travel to a time when Egypt was ruled by Rama-Tut, who came from the future. Similar to Zarrko, Rama-Tut has been bored with the peace of his time and craved adventure.
Attempting to reflect on what future comics will do with this story hurts my brain. There will be contradictions and explanations. Rama-Tut will be connected to several other time-traveling characters. And they’ll further explore this moment in history to learn Apocalypse, Dr. Strange, and the Avengers are lurking around behind the scenes. We’ll spend no more time on such reflections until we need to.
Featuring: Human Torch Release: July 9, 1963 Cover: October 1963 12 cents Story plot: Stan Lee Script: Joe Carter Art: Dick Ayers 13 pages
Once again, Superman creator Jerry Siegel takes on a Human Torch script under the pen name Joe Carter. His scripts seem a cut above what we are used to from Human Torch stories, but it’s a pretty low bar.
We have seen Johnny on many dates both in this title and the pages of Fantastic Four. It’s been a different girl each time. But this issue seems different. He has a date with Doris Evans, and he describes himself as her “flame”. Puns aside, this suggests something more serious than his usual dalliances. Perhaps it is because Dorrie plays a little hard to get. She is willing to go out with Johnny, but seems to dislike his Human Torch persona. She’s clearly dating him despite his celebrity. The fact that she is given a full name is another hint this one is special.
We reach the 100th story in our Marvel reading. Quite the milestone. And what a story it is. Coincidentally, the 100th Marvel Universe story, by my count, is Avengers #1. Did I plan it that way? No. Well, at least not exactly. Six different comics came out this very same day, and it was mostly up to me what order to read them in. The 100th story could just as easily have been X-Men #1 if I’d wanted. But I made that #99. Because.
[Big asterisk on the last paragraph. I have since edited my own reading order to make this story an unexciting story #94. But it was #100 when I first posted it. Now that honor goes to Journey Into Mystery #97]
And what a day for comics. The first Fantastic Four annual had Namor find his people and declare war on the surface world. That’s cool. Sgt. Fury met Reed Richards for the first time. That’s cool. The X-Men were introduced! We read the worst story yet as Thor battled Merlin. That’s… less cool. But overall an exciting day.
Including this. Really, what it’s all been building up to. Why I’ve been intermixing Thor and Iron Man stories, acting like they’re somehow connected even though they clearly haven’t been. This is the heart of it all. Five heroes we’ve been reading about team up. Also, the Fantastic Four show up for good measure.
And, as we’ve discussed, my first comic ever was an Avengers comic. So I’m excited to have reached this milestone.
Featuring: Sgt. Fury and his Howling Commandoes Release: July 2, 1963 Cover: September 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inking: Dick Ayers 22 pages
The scans below are taken from a reprint in Special Marvel Edition #5, from 1972.
The goal of this blog is to get at the large meta-story that is the Marvel Universe. What we are mostly reading is a collection of titles that don’t seem to be particularly related except for one piece of glue: the Fantastic Four. At this point, the Fantastic Four have met Spider-Man, Hulk, Namor, and Ant-Man. They have not yet met up with Iron Man or Thor, but we have here a more unlikely connection. The story of how Reed Richards met Sgt. Fury.
Of course, the bonds will be forming even stronger in another comic that premieres this very same day, one which really ties the universe together, just as a rug might do to a room.
Featuring: Human Torch Release: June 11, 1963 Cover: September 1963 12 cents Story plot: Stan Lee Script: Joe Carter Art: Dick Ayers 13 pages
Script is by Joe Carter. Carter… Hmmm… I’ve read a lot of comics, but not sure I know the name. Let’s google. Ah, it’s a pen name. No biggie. So is “Stan Lee”. His real name is apparently Jerry Siegel. Ah, apparently he wrote some comics under his own name. Let’s check his bibliography and see if anything sounds familiar.
This seems to be his first Marvel work, but he’d done some stuff for DC (and probably wants to hide that he’s freelancing for Marvel). Often collaborated with Joe Shuster. He co-created Dr. Occult. That’s cool. Oh, and Slam Bradley. I like Slam. And some new members for the Legion of Superheroes like Bouncing Boy and Matter-Eater Lad. That’s quite the resume for this “Jerry Siegel” fella. Almost seems like slumming to work on a lowly Human Torch story for a creator of Slam Bradley. You’d think he’d be rolling in dough from royalties for all the characters he helped create for DC. He created a bunch more characters too, but I think those are the most notable ones.