Fantastic Four #34

A House Divided!

Featuring: Fantastic Four
Release: October 8, 1864
Cover: January 1965
12 cents
Rapturously written by: Stan Lee
Deliciously drawn by: Jack Kirby
Impeccably inked by: Chic Stone
Lavishly lettered by: Art Simek
20 pages

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We begin with Ben and Johnny fighting as usual.

Then Ben trying on the Beatles wig he received from the Yancy Street Gang.

Mr. Gideon is a ruthless multi-billionaire financial wizard. By his reckoning, he is about 3 years away from buying out his top competitors and gaining financial control of the world. Impatient, he proposes they speed things up with a gamble. They propose the challenge. If he wins, they sell out now; if he loses, he stops trying to conquer the world. The challenge they propose: the defeat of the Fantastic Four.

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Tales to Astonish #63

The Gangsters and the Giant!

Featuring: Giant-Man and Wasp
Release: October 1, 1964
Cover: January 1965
12 cents
Sensationally superb story by: Stan Lee
Absolutely adorable art by: Carl Burgos
Incredibly imaginative inking by: Chic Stone
Logically lovable lettering by: S. Rosen
12 pages

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Daredevil #5Reading orderAmazing Spider-Man #20
Tales to Astonish #62, Story BTales to AstonishTales to Astonish #63, Story B

Giant-Man was the clumsiest superhero, but he’s been working really hard to improve that image, learning to shrink and grow really fast while practicing gymnastics.

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Journey Into Mystery #111

The Power of the Thunder God!

Featuring: Thor
Release: October 1, 1964
Cover: December 1964
12 cents
Written with the mastery of: Stan Lee
Illustrated with the genius of: Jack Kirby
Delineated with the delicacy of: Chic Stone
Lettered with the India ink of: Artie Simek
16 pages

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It is a pretty cover. I would argue the box about not having captions counts as a caption.

The two panels devoted to the love of Odin’s youth is far more interesting than the many pages devoted Thor fighting Cobra and Mr. Hyde.

It’s tantalizingly sparse in details. Balder sings a song of Odin’s youth and own forbidden love, until Loki interrupts, fearing Balder is trying to sway Odin to be fairer to Jane. Odin and the unnamed girl he was forbidden to marry took “one last ride over the eternal chasm together”. What does that even mean?

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Journey Into Mystery #110

Every Hand Against Him!

Featuring: Thor
Release: September 1, 1964
Cover: November 1964
12 cents
Spectacularly written by: Stan Lee
Magnificently drawn by: Jack Kirby
Powerfully inked by: Chic Stone
Eventually lettered by: Art Simek
16 pages

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This image of Thor holding the wounded Jane resembles an extremely common trope in superhero comics. It’s a standard way to depict a character as dead while another mourns them. This is the first time we’ve seen it in our Marvel reading. The Distinguished Competition had a cover with a similar pose a year earlier to depict the death of Robin.

Generally, these are described as “pieta covers”, referring to the resemblance to La Pieta by Michelangelo, in which Mary holds the body of her dead son, Jesus.

This blog post on metropolisplus gives an overview of the trope. Depending on how much of a purist you are, this Thor cover might not quite fit the pieta trope. As Jane is wounded, not dead; and Thor is protecting her, not mourning her. But it’s pretty close.

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Tales of Suspense #60, Story B

The Army of Assassins Strikes!

Featuring: Captain America
Release: September 8, 1864
Cover: December 1964
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inked by: Chic Stone
Lettered by: Art Simek
10 pages

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Last issue, Captain America fought a gang of generic villains in purple jumpsuits. This issue, the generic villains are wearing green jumpsuits and work for Zemo. “Army of Assassins” may be their official name, as it’s used repeatedly.

There really won’t be much in the way of a story here, so what value we find will have to be in dramatic expressions and posing, and of course in the high energy action on display. I suspect Kirby will come through.

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Fantastic Four #33

Side-by-side with Sub-Mariner!

Featuring: Fantastic Four
Release: September 8, 1964
Cover: December 1964
12 cents
Script: Smilin’ S. Lee
Art: Jolly Jack Kirby
Inks: Chucklin’ Chic Stone
Lettering: Amiable Art Simek
20 pages

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Kirby has used these photo collages a few times now, but this is the first cover that combines art with photographs in a cool collage.

This is the first time Stan’s name has ever been abbreviated in the credits: “S. Lee”. I’m guessing the letterer just ran out of room.

Namor is again the king of Atlantis (the exact same month Aquaman is first named king of Atlantis at the Distinguished Competition). Namor has the most fickle people. They moved the entire kingdom once so he couldn’t find them because of his affection for Sue. But I guess that’s all forgotten now.

Meet Attuma. We’ll be seeing him again.

The story is that Dorma betrayed Namor because he scorned her love, so she helped Attuma’s armies gain entry to Atlantis so Attuma could seize the throne. Women, eh?

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X-Men #8

Unus, the Untouchable

Featuring: X-Men
Release: September 1, 1964
Cover: November 1964
12 cents
Writer: Stan Lee
Artist: Jack Kirby
Inker: Chic Stone
Letter: S. Rosen
20 pages

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Fantastic Four #32Reading orderSgt. Fury #12
X-Men #7X-MenX-Men #9

The X-Men are no longer students, but the status quo hasn’t changed much. They now train for missions; their training sessions look very similar to the classes they used to take. Professor X is still away and Cyclops is in charge; so he is running the training session. Hence, he is in a suit rather than a uniform. So you know he’s in charge.

Iceman practices making his body icier. As he does, some of the smoothness fades, allowing defined corners within his now icy body. These are the first hints of a new look forming. Iceman’s visual evolution is similar to Thing’s, going from a softer ill-defined look to lots of defining lines and corners.

It’s weird that Iceman is described as transparent and compared to the Invisible Girl. I usually think of the ice as a layer around him; they seem to be suggesting his insides are turning to ice as well, though the art indicates nothing of the kind.

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Fantastic Four #32

Death of a Hero!

Featuring: Fantastic Four
Release: August 11, 1964
Cover: November 1964
12 cents
Story by: Stan Lee who has never been more dramatic!
Illustrations by: Jack Kirby who has never been more thrilling!
Inking by: Chic Stone who has never been more realistic!
Lettering by: S. Rosen who has never been more than an hour late!
21 pages

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Kirby continues his experimental depictions of outer space, using a collage of art and photos.

That’s not a great reprint. Let’s see the cleaned-up digital version:

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Tales of Suspense #59, Story B

Captain America

Featuring: Captain America
Release: August 11, 1964
Cover: November 1964
12 cents
Author: Stan Lee
Illustrator: Jack Kirby
Inked by: Chic Stone
Lettered by: S. Rosen
10 pages

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Captain America is back with his own series, more or less. He doesn’t get the title of the magazine, but he gets a regular feature. He and Iron Man will be sharing Tales of Suspense. Very few characters get the title of the magazine. Daredevil and Spider-Man are special like that.

Captain America of course debuted in his own self-titled mag, Captain America Comics, way back in 1941. He was one of Marvel’s most popular superheroes for the entire decade. His comic was then retitled into Captain America’s Weird Tales for its final two issues to focus on the burgeoning horror genre. The final issue in 1950 didn’t even feature Captain America.

They tried a revival of the Captain America series in 1954, but it only lasted three issues. Fans were not as interested in seeing Cap smash Commies as they had been seeing him battle the Nazis a decade earlier.

Ten years later, they’re ready to try again. This time, the character will endure. Within 4 years, they’ll change the title of this comic to Captain America and that series will basically continue (with the occasional renumbering) to the present, over 55 years later.

All that said, this series doesn’t quite begin with a bang.

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Tales of Suspense #59

The Black Knight!

Featuring: Iron Man
Release: August 11, 1964
Cover: November 1964
12 cents
Never has a Stan Lee script, or Don Heck artwork been greater!
13 pages

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As the cover indicates, it’s a moment of big change for this title. The science fiction tales are gone, and the horror stories (or tales of suspense) this title was founded on are long gone. But gone now also are the Watcher stories, which blurred the line between the older science fiction tales and our new superhero ones.

Henceforth, this title will contain two stories: an Iron Man adventure and a Captain America adventure.

Captain America’s return has been successful enough to give him his own title, but Marvel is still artificially limited in the number of titles it can publish, and seemingly reluctant to get rid of titles, preferring to repurpose them. Thus Captain America and Iron Man have to share a book. Just as Hulk has to share Tales to Astonish with Giant-Man and Wasp, and as Dr. Strange has been sharing Strange Tales with Human Torch and Thing.

Recall that Professor Nathan Garrett adopted the identity of Black Knight and fought Giant-Man and Wasp. He was not the first Black Knight, but the first of modern times. He genetically engineered a flying horse and built an arsenal of gadgets and weapons, primarily his multifunctional lance.

The fancy credits neglect the contributions of Chic Stone and Art Simek.

Having been defeated, he agreed to join the Masters of Evil to fight Giant-Man and the rest of the Avengers.

Having been defeated by the team of superheroes he attacked, he now wants revenge, and so is planning to attack the Avengers individually. He begins with Iron Man, starting with an attack on Stark’s factory.

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