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Tales to Astonish #73, Story B

Another World, Another Foe!

Featuring: Hulk
Release: August 3, 1965
Cover: November 1965
12 cents
You’ll never forget Stan Lee’s script!
You’ll never forget Jack Kirby’s layouts!
You’ll never forget Bob Powell’s art!
You’ll never forget Artie Simek’s –eh– let’s see now, what did Artie do?
10 pages

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Tales to Astonish #73	Reading order	Tales to Astonish #74
Tales to Astonish #73	Tales to Astonish	Tales to Astonish #74

I’m no good to anyone– including myself! The world hates me– fears me–

Mike Esposito has drawn the last few issues over Kirby’s layouts. This time the art goes to Bob Powell, a semi-regular name by this point. Powell brings a distinctive level of details to Hulk’s facial expressions. The failure to find a consistent creative team over this extended story arc is one of the things keeping Hulk from greatness. It would have been better if Ditko could have stayed on, but he clearly never had his heart in this title. Still, the work Ditko phoned in was enough to lay a foundation for the character that writers have spent decades building on.

Notice these need longer and longer exposition boxes at the beginning to explain the plot so far. Hulk is about to turn back into Banner, at which point the bullet in his brain will kill him. But he is also helpless against the Leader’s Humanoids.

Tales to Astonish #72, Story B

Within the Monster Dwells a Man!

Featuring: Hulk
Release: July 1, 1965
Cover: October 1965
12 cents
Thrills, as only Stan Lee’s story can provide them!
Power, as only Jack Kirby’s layouts can create it!
Drama, as only Mickey Demeo’s artwork can present it!
Sound effects, as only Sam Rosen’s pen point can letter them!
10 pages

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Tales to Astonish #72	Reading order	Tales to Astonish #73
Tales to Astonish #72	Tales to Astonish	Tales to Astonish #73

I mustn’t change… I won’t let myself change…!! For… if I change… I die!!

Where were we. Banner has a bullet in his brain. Only alive so long as he stays in Hulk form. He has Banner’s intelligence, but his personality seems darker, more like Hulk’s. The equipment he needs to maintain his Hulk state is in his secret lab, which has been uncovered by the military, who are closing in.

His only way out is to accept an offer of help from his enemy, the Leader.

The Leader is Hulk’s opposite. Both exposed to gamma radiation, Hulk received the world’s most powerful body, while Leader received the world’s most powerful brain. Together, they could be unstoppable.

The Leader transforms Hulk into electro-waves to transport him to Italy. “Matter-portation”, he calls it. Star Trek premieres next year; did the writers read this comic?

I appreciate the Leader’s science experiments; they’ll get this story a higher score. His ambition is to create a new life.

He secretly exposed Hulk to a gas that he himself has built up an immunity to. Similar to what one might do with iocaine powder.

Tales to Astonish #71, Story B

Like a Beast at Bay!

Featuring: Hulk
Release: June 1, 1965
Cover: September 1965
12 cents
Stunning story: Stan Lee
Lavish layouts: Jack Kirby
Awesome art: Mickey Demeo
Luscious lettering: Artie Simek
10 pages

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Tales to Astonish #71	Reading order	Tales to Astonish #72
Tales to Astonish #71	Tales to Astonish	Tales to Astonish #72

Don’t ever call me “Doc”! Dr. Banner is dead! From now on, I’m just the Hulk!

Notice Kirby is only credited with layouts. Mike Esposito (alias Mickey Demeo) is the credited artist.

We get a scene with a poetic callback, perhaps intentional. Rick rushes into the path of a blast to save Hulk just as Banner had once raced into the path of an explosion to save Rick.

Are they using nuclear weapons on American soil? That seems like a big deal. Oh, I guess this is a “clean bomb”, which leaves no radioactive fallout. I feel better, I guess.

The new status quo is pretty confusing. Hulk apparently has Banner’s mind, but also insists Banner is dead. And his speech reminds us more of Hulk’s.

Tales to Astonish #70, Story B

To Live Again!

Featuring: Hulk
Release: May 4, 1965
Cover: August 1965
12 cents
Take a Stan Lee story,
add Jack Kirby artwork,
mix with Mickey Demeo inking,
and Artie Simek lettering…
Presto! Instant confusion!
10 pages

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Tales to Astonish #70	Reading order	Tales to Astonish #71
Tales to Astonish #70	Tales to Astonish	Tales to Astonish #71

And the madder I get, the stronger I get–!

A little surprising this series is continuing since last issue ended with Bruce Banner dead. But then, the title of this issue is “To Live Again!” So maybe we shouldn’t give up on him.

We’d probably have gotten around to this story sooner if I hadn’t just assumed he was dead and it was over. Now I’m beginning to think this Hulk guy is Immortal.

Plus, the threat of the Leader still looms.

Are we going back to the days of the constantly changing status quos for Hulk? We’d been able to hold on to this one for an entire dozen issues. Now we’re back to: always Hulk, Banner’s mind. Perhaps all creators except for Ditko struggle with how to deal with a non-heroic protagonist.

Tales to Astonish #69, Story B

Trapped in the Lair of the Leader!

Featuring: Hulk
Release: April 1, 1965
Cover: July 1965
12 cents
Hulking story by: Stan Lee
Hulksome art by: Jack Kirby
Hulkish inking by: Mickey Demeo
Hulkable lettering by: Art Simek
10 pages

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Tales to Astonish #69	Reading order	Avengers #17
Tales to Astonish #69	Tales to Astonish	Tales to Astonish #70

This is the 10th chapter of the Leader Saga. For 9 issues, Leader has been lurking in the background, secretly behind various threats Hulk has faced. Now they finally meet.

This weird scene weird Hulk is being transported by magnetic waves is notable as it directly ties into Avengers #17, which we will read next.

Tales to Astonish #68, Story B

Back from the Dead!

Featuring: Hulk
Release: March 4, 1965
Cover: June 1965
12 cents
Story and art by Marvel’s modern masters: Stan Lee and Jack Kirby
Inking: Mickey Demeo
Lettering: Artie Simek
10 pages

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Tales to Astonish #68	Reading order	Tales to Astonish #69
Tales to Astonish #68	Tales to Astonish	Tales to Astonish #69

With Ditko off the title, Kirby is back to take another shot at his co-creation. Stan shares the top billing with Jack for this triumphant return. The original Lee/Kirby run on Hulk lasted 5 issues. This one will make it around 15 or so. I’m expecting it to be largely immemorable.

We open with a trick out of the Ditko run. The last issue ended with Banner facing impending death and transforms to the Hulk just in time to be saved. Banner and Talbot are falling to their death when Banner transforms.

Hulk crosses the Pacific with leaps. Isle to isle, plane to plane.

That’s… a very long distance, even if you can jump very far. Maybe there are enough islands between Japan and Hawaii to hopscotch it, but it’s 2500 miles from Hawaii to California with nothing in between.

We check in with the Leader, still scheming.

Tales to Astonish #67, Story B

Where Strides the Behemoth

Featuring: Hulk
Release: February 4, 1965
Cover: May 1965
12 cents
Script by Stan Lee, who created [sic] the Hulk!
Art by Steve Ditko, who adopted the Hulk!
Inking by Frankie Ray, who fears the Hulk!
Lettering by Art Simek, who looks like the Hulk!
10 pages

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Tales to Astonish #67	Reading order	Tales to Astonish #68
Tales to Astonish #67	Tales to Astonish	Tales to Astonish #68

Hulk remains in the unnamed “iron curtain nation”. We will learn this nation borders Mongolia.

We see an impressive battle with the Soviet military. Hulk’s been fighting the US military since issue 1, but this is the first real all-out battle between Hulk and a bunch of tanks.

Tales to Astonish #64, Story B

The Horde of Humanoids!

Featuring: Hulk
Release: November 3, 1964
Cover: February 1964
12 cents
Written with the sparkling skill of Stan Lee!
Drawn with the peerless power of Steve Ditko!
Inked with the classic clarity of George Bell!
Lettered with the TV set on by: Artie Simek
10 pages

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Tales to Astonish #63, Story B	Reading order	Tales to Astonish #65, Story B
Tales to Astonish #64	Tales to Astonish	Tales to Astonish #65

Recall we read the Giant-Man/Wasp story in this issue a while back, but we’ve saved the Hulk stories for a big push.

Interesting that Stan refers to this as “the only super-hero soap opera”. I feel like that phrase with epitomize Marvel comics for decades to come.

I think it’s time to bid farewell to George Roussos, one of the most prominent inkers of our early reading, always under the pseudonym George Bell (oft abbreviated to Geo. Bell). We’ve read almost 50 stories with his inks, including Fantastic Four, Sgt. Fury, Iron Man, Thor, Human Torch, Giant-Man/Wasp, and Hulk stories. He’s off to do other work. He’ll return to Marvel in the 1970s and become one of Marvel’s most prominent colorists. He’s also been coloring much of the work we’ve been reading, but I’ve read most of his stories in recolored reprints, so miss out.

We open with Banner in jail, suspected of treason. He is taking tranquilizer pills to keep himself from transforming. Remember, it’s now strain that triggers the transformation.

Tales to Astonish #62, Story B

Enter… The Chameleon!

Featuring: Hulk
Release: September 1, 1964
Cover: December 1964
12 cents
Sensationally scripted by: Stan Lee
Dynamically drawn by: Steve Ditko
Impeccably inked by: George Bell
Lovingly lettered by: Sam Rosen
10 pages

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Tales to Astonish #62	Reading order	Fantastic Four #32
Tales to Astonish #62	Tales to Astonish	Tales to Astonish #63

Even if he escapes this mess, the status quo is unsustainable. If Hulk might revert to Banner at any moment and has no control… he can’t keep that identity a secret.

In a recent issue of Amazing Spider-Man, we remarked the Enforcers were distinguished from other super-villains in that they were content to be lackeys, serving a major super-villain. Most of the super-villains are to arrogant to serve anybody, a plot point whenever two try to team up. The other “lackey” villains we’ve met are Dr. Doom’s Terrible Trio and Magneto’s Evil Mutants. The Terrible Trio tried to make the leap from lackeys to being their own bosses with limited success. Magneto’s mutants only serve him, while the Enforcers are clearly for-hire.

Chameleon is the first villain we see make the leap from super-villain to lackey. He’d teamed up twice with Kraven, but those seemed more like partnerships. Now, he works for the Leader. Chameleon has been getting around. Originally a Spider-Man foe, he recently fought the Avengers, and now faces off against Hulk.

More than the major crossovers, I like the cameos. I like that Captain America can just show up for a panel if the story calls for it. Makes the universe feel cohesive.

I’m loathe to call this the introduction of the Leader since we don’t see his face. I suspect Ditko hadn’t even finished designing him yet.

Tales to Astonish #61, Story B

Captured At Last!

Featuring: Hulk
Release: August 4, 1964
Cover: November 1964
12 cents
Author: The incomparable Stan Lee
Illustrator: The inimitable Steve Ditko
Inker: The indescribable George Bell
Letterer: The inevitable S. Rosen
10 pages

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Tales to Astonish #61	Reading order	Tales to Astonish #62
Tales to Astonish #61	Tales to Astonish	Tales to Astonish #62

Last issue, Bruce Banner built a robot. (They call it a robot, but it’s more like Iron Man’s armor, since somebody needs to be inside to pilot it.) An unnamed spy stole it. Hulk fought the “robot” to a stalemate. The robot escaped. Since the story didn’t end there, it might have been nice to read this next chapter immediately. Except… this Hulk story will basically never end. So we take the breaks where we can.

The robot has now found Hulk’s secret cave laboratory. Ditko really likes the shot of Hulk’s visage standing over Bruce’s shoulder.

Meanwhile, we meet Major Glen Talbot. He’s in charge of security now and suspects Bruce Banner is a traitor due to a pattern of suspicious behavior General Ross had noted. The Pentagon agrees with Ross’ assessment that Banner should be investigated.