boomerang – Coke ⊕ Comics

Tales to Astonish #88, Story B

The Boomerang and the Brute!

Featuring: Hulk
Release: November 3, 1966
Cover: February 1967
12 cents
Hulkamorous script by: Stan (The Man) Lee
Hulkitudinous art by: Gil (Sugar) Kane
Hulkifying lettering by: Sammy (Dozin’) Rosen
10 pages

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Tales to Astonish #87, Story B	Reading order	Sgt. Fury #33
Tales to Astonish #88	Tales to Astonish	Tales to Astonish #89

The poor, lumbering brute! He was guilty only of being feared– and misunderstood!

Gil Kane is going to become a big name at Marvel. We’ve seen him once before on a Hulk story a dozen issues back under the alias of Scott Edward and we reviewed his career at the time.

It’s possible this is his first properly credited Marvel work.

He brings a distinctive style, a very different take on Hulk from that of John Buscema the past two issues.

It’s been 7 issues since Boomerang entered Hulk’s life. We finally see that saga reach a conclusion. It’s been a long road, and I summarize in painstaking detail that road below. These past 6 months have been the most interconnected the Marvel Universe has yet been. Perhaps fittingly we will soon see that the phrase “Marvel Universe” also debuted in that timespan.

At this point it seems like everybody knows Hulk’s secret identity. But the first person to learn it after Rick was the President of the United States, presumably President Johnson. And that is presumably President Johnson now interceding on Hulk’s behalf.

Unfortunately, Boomerang intervenes and drives Hulk to a rampage and another conflict with the military.

Tales to Astonish #87, Story B

The Humanoid and the Hero!

Featuring: Hulk
Release: October 11, 1966
Cover: January 1967
12 cents
Story: Smilin’ Stan Lee
Art: Big John Buscema
Inks: Mighty Mickey D.
Lettering: Adorable Artie S.
10 pages

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Tales to Astonish #87	Reading order	Tales to Astonish #88, Story B
Tales to Astonish #87	Tales to Astonish	Tales to Astonish #88

“Have you gone mad?”
“I hope so! It’s what I’m counting on!”

Every issue has a nickname for these creators. I claim the most enduring for Lee is Stan (The Man) Lee. Though I might guess that in our reading so far, Smilin’ Stan Lee is the most common nickname.

This is only John Buscema’s second month in his return to Marvel, and Stan has already found the nickname that will stick. Big John Buscema is the one I most associate with him.

Adorable Artie is also one of the more common ones. Stan loves his alliteration.

We left Hulk in Manhattan battling the Leader’s Hulk-Killer Humanoid. The Secret Empire is defeated. Boomerang is still up to stuff.

Tales to Astonish #86, Story B

The Birth of… The Hulk-Killer!

Featuring: Hulk
Release: September 1, 1966
Cover: December 1966
12 cents
Superlative script: Smilin’ Stan Lee
Ameliorative art: Jovial John Buscema
Imaginative inks: Mirthful Mickey Demeo
Lucrative lettering: Adorable Artie Simek
10 pages

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Tales to Astonish #86	Reading order	Tales to Astonish #87
Tales to Astonish #86	Tales to Astonish	Tales to Astonish #87

Though I’ve lived as the monstrous Hulk– I’ll die as Bruce Banner– I’ll die as– a man!

John Buscema still on art.

The Secret Empire stands defeated, but their agent Boomerang remains at large. The Orion Missile is heading for New York. Hulk leaped at the missile, and somehow this calmed him down. So now Bruce Banner is riding a missile.

The transformation here is really badly storyboarded; just Bruce one panel and Hulk the next. Stan compensates with narration to make up for the artistic failings. Come on, Big John!

Tales to Astonish #84, Story B

Rampage in the City!

Featuring: Hulk
Release: June 30, 1966
Cover: October 1966
10 pages
Script… Stan (The Man) Lee
Art… Almost the whole blamed bullpen
Lettering… Artie (Smarty) Simek
Therapy… Honest Irving Forbush
10 pages

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Tales to Astonish #84	Reading order	Tales of Suspense #85
Tales to Astonish #84	Tales to Astonish	Tales to Astonish #85

Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

I leave it to your eagle eyes to determine who drew what in this issue. Some artwork may or may not be due to Bill Everett, Jerry Grandenetti, Gene Colan, Jack Kirby, Dick Ayers, John Tartaglione, Mike Esposito, Sol Brodsky, or others.

Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

We’d seen a similar question posed at the beginning of Hulk’s current series in issue 60.

Can a man with green skin and a petulant personality find true happiness in today’s status-seeking society?

In this issue’s Namor story, we learned Hulk was in the city. And this story is conveniently titled “Rampage in the City”.

Hulk thinks saving Betty from Boomerang means people won’t hate him anymore. Good luck with that.

Hulk used to be an Avenger, so he goes to New York to ask them to help him find Betty.

Tales to Astonish #83, Story B

Less than Monster, More than Man!

Featuring: Hulk
Release: June 2, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Art: Wild Bill Everett
Lettering: Whammy Sammy Rosen
Applause: Honest Irving Forbush
10 pages

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Tales to Astonish #83	Reading order	Strange Tales #147
Tales to Astonish #83	Tales to Astonish	Tales to Astonish #84

If the man I love really is behind that grotesque face… does this mean I’ve lost him… forever?

“Less than Monster, More than Man!” A good title. Very Hulk.

These interactions between Betty and the Hulk give very significant insights into his character and their relationship.

Tales to Astonish #82, Story B

The Battle Cry of Boomerang!

Featuring: Hulk
Release: May 5, 1966
Cover: August 1966
12 cents
Stan Lee, writer
Jack Kirby, designer
Bill Everett, illustrator
Artie Simek, letterer
A touch of the muse, inspirer
10 pages

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Tales to Astonish #82	Reading order	Tales to Astonish #83
Tales to Astonish #82	Tales to Astonish	Tales to Astonish #83

Simple boomerang! That can’t hurt Hulk!

Where were we? Namor tired of fighting Iron Man and continues his pursuit of Krang and Dorma. Tony Stark has made the decision to give in to Senator Byrd and turn over the secrets of Iron Man to the US Government.

Hulk has just made his way back to the surface from the subterranean realm where Mole Man and Tyrannus are at war. Tyrannus’ prisoners Talbot, Betty, and Rick, had also recently returned to the surface. They weren’t back long before Betty was captured by Boomerang, who was hired by the Secret Empire to steal some type of weapon.

“No one shoots Hulk! No one!” exclaims Hulk.

Actually, people shoot at Hulk all the time. They just never hurt him.

Ross blames Hulk for his daughter’s abduction. He blames the Hulk for most everything. Note he is talking about Betty’s previous abduction by Tyrannus. He doesn’t know she’s been abducted again since then.

Anybody else notice Betty gets abducted a lot?

Tales to Astonish #81, Story B

The Stage is Set!

Featuring: Hulk
Release: April 5, 1966
Cover: July 1966
12 cents
Hulkable script by: Stan Lee
Hulksome layout by: Jack Kirby
Hulkorious art by: Bill Everett
Hulkated lettering by: Sam Rosen
Costumes by Tibor of Transylvania!
10 pages

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Tales to Astonish #81	Reading order	Tales of Suspense #79
Tales to Astonish #81	Tales to Astonish	Tales to Astonish #82

“His boomerang is causing a rock slide!”
“It’s returning to him like an arrow!”

A lot happening in this issue. For Hulk, he’s finishing up his encounter with Tyrannus and Mole Man from last issue. But in the background, important villains are being introduced. They will set up a confusing mess of coming issues.

The secret empire known as Hydra has fallen. Nick Fury and Captain America have been having trouble with a new secret empire called Them, which may be connected to AIM. Now we meet a new secret empire, known as, er, the Secret Empire.