Tag: black marvel

Fantastic Four #54

Whosoever Finds the Evil Eye–!

Featuring: Fantastic Four
Release: June 9, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Art: Jolly Jack Kirby
Inking: Jovial Joe Sinnott
Lettering: Snarlin’ Sam Rosen
20 pages

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My name is Prester John… and long have I travelled the world, seeking to unravel the mysteries of mankind! That is why men have ever called me… the Wanderer! And, the sights I beheld… the secrets upon which I stumbled… were far beyond description… yea, almost beyond belief itself… Can I ever forget those lonely mountain peaks from which I barely escaped with my life… after finding a savage race who thrived only in the land of endless snow…? And, I wonder if time has erased the glory of Cathay… where I witnessed the flight of giant projectiles… like roaring comets, soaring high into the heavens! Even madness did I encounter… such as the time I crossed the angry sea only to find a tribe who studied the stars… and who insanely proclaimed Earth to be round, like some great spinning egg shell! But, the greatest triump of my life was finding the fabled isle of Avalon! Avalon… hidden realm of miracles without end! Avalon… whose wizards created mighty machines which harnassed the natural forces of the universe!! Alas, that those same forces should have destroyed their own land… causing them to vanish forever from the sight of men!

Still in Wakanda, the Fantastic Four and Black Panther play a baseball game.

When Reed and Sue go off to “shmooze”, Ben exclaims, “What a revoltin’ development!” Not the first time he’s used the phrase in response to Reed and Sue going off to shmooze. We’d seen it before in Fantastic Four #35. Brian Cronin traces the evolution of the phrase from Life of Reily to Daffy Duck to Ben Grimm here.

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POSTLUDE: Marvels #1

A Time of Marvels

Featuring: Marvels
Release: November 9, 1993
Cover: January 1994
$5.95
Writer: Kurt Busiek
Artist: Alex Ross
Letters: Starkings w\ John Gauhsell
Editor: Marcus McLaurin
Assistant editor: Spencer Lamm
Editor in Chief: Tom DeFalco
Cover design & logo: Joe Kaufman
Interior Design: Comicraft
45 pages

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When this is over, I’d said. When would that be? It would blow over. The world wouldn’t stay like this. It couldn’t. Could it?

The 4 (or so) issues comprising this series are pretty close to being the best comics I have ever read. They inspire the journey we are taking here, where we read through the entire Marvel Universe starting in 1961, and I want them to frame the journey we are taking.

Through a man named Phil Sheldon, an “ordinary” photojournalist, we see a holistic view of all these many interconnected stories of Marvels, cohesing into a single narrative, leading us to understand that this world is not our own, and helping us imagine what it might be like to live in that world.

The tagline reads: “Experience the Marvel Universe from a whole new perspective– yours.”

We read Marvels #0 pretty early in the project, right after meeting the original Human Torch, who we introduced after meeting the new Human Torch.

Marvels #1 deals with Marvel’s Golden Age, stories from the 1930s and 1940s. We are reading it now in our reading order because we have met enough Golden Age heroes to justify it. Really, it comes down to the big three: Human Torch, Sub-Mariner, and Captain America. But our reading about characters like Angel, Electro and Black Widow will also help us appreciate the details.

And if there’s one word that can describe this comic, it’s “detailed”. Sitting in a hotel room in Dresden with the intent of doing a deep dive into this issue, I have the original comic in my hand, but also the recent annotated edition which can serve as a guide. Plus some Golden Age and other reference material.

With all that in front of me, I would like to look very closely at this comic; consider those details, and try to do so without losing sight of the powerful emotional journey in front of us, one that will seem very familiar in the year 2020.

I think I’ve already gushed at sufficient length over the creators Kurt Busiek and Alex Ross in our recent Astro City discussion, so we’ll jump right into the story.

A Time of Marvels

The bystanders had seen the stories in the paper– seen them, chuckled and dismissed them. But it’s one thing to read about the impossible– and another to look it in the face.

The story opens in 1939 with reporters talking about the tensions in Europe. Phil Sheldon is an ambitious photojournalist looking for an assignment overseas. His fellow reporter–resembling a young J. Jonah Jameson down to a well-placed shadow beneath the nose where Jameson’s mustache will eventually be–muses that one day he will be the one running the Bugle. Phil is off to cover a press conference with a scientist who he expects to be a crackpot, one Phineas T. Horton.

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